One of the five Excavator sculptures by Greg Johns at Waterways
Write it on your heart that every day is the best day in the year.
Ralph Waldo Emerson
It is a new year and yet like many I feel I have lost a swathe of time since the onset of the pandemic declared by WHO three years ago on March 11, 2020. The absence of this blog for over a year, and many other activities I used to enjoy, concrete examples of how discombobulated life became and how life changed.
It’s like emerging from a time warp and no doubt there will be plenty of science fiction lovers who’ll agree and writers already penning work to add to the existing plethora of novels and films about evil viruses and zombies!
The last three years meld and become easily confused when recounting or remembering events, particularly outings, yet these were normal occurrences pre pandemic. I’m in my 70th year, but the confusion is not all down to ageing or the brain tumour diagnosed in late 2020 and now my constant companion with unpredictable and unsettling effects.
Covid-19 and the variants still developing and circulating a global problem, creating an historical ‘era’ much the same as the two twentieth century world wars or the 60s and 70s Vietnam War. Many of us experienced dramatic changes to routine, lifestyle, family and friendship circles with some changes becoming permanent. History will record and label it!
The cliched tide may have turned, people may be in denial the virus is still deadly, or are too tired to push against the policies and acceptance of ‘personal responsibility’ replacing behavioural rules put in place for the common good. Suffice to say, authorities (and most in the community) have accepted the roller coaster ride ofactive cases and deathsmuch greater now than during the ‘lockdown years’ and the inconveniences of higher than average ‘sickies’, cancellations, and staff and material shortages.
I too move out of my comfort zone more often, accept invitations and attend events when I can, and look forward to catching up with friends. Ironically, any recent cancellations have been due to Melbourne’s mercurial weather and the necessary but often disruptiveBig Build.
Days of extreme heat discourage travelling too far from home or negotiating replacement services and the extra time involved. Even the daily walk with my beloved Josie has had to be cancelled in deference to her poor paws suffering on hot concrete paths, and her permanent fur coat.
Climate change is the other global disaster we have to live with and sadly, a disaster ignored for too long and not fixable with a vaccine, wearing a mask, or socially distancing. But, I digress because this post is an appreciation of still being alive and healthy enough to celebrate the area I’m lucky to live in and enjoy and spend a few hours with a dear friend!
Living bayside has enabled me to use walking and nature as a therapeutic balance to the misery of Covid and climate change and adverse health news!
Another of the five Excavator(2008) sculptures by Greg Johns at Waterways
The secret of change is to focus all of your energy, not on fighting the old, but on building the new.
Socrates
The weather and health smiled and my good friend Lisa Hillwho organised the outing I wrote about in my last post, researched and organised another fabulous day. On Thursday, we explored some of the public art in the City of Kingston.
Kingston aims for their public art program to reflect and celebrate the area’s history, stories and cultures and sense of place. The public art they fund/commission can be ‘ephemeral, temporary and permanent’. They receive advice from the Arts and Cultural Advisory Committee (ACAC) which is made up of community members with experience and/or expertise in the arts and cultural sector, as well as City of Kingston councillors.
I was a foundation member of Cultural Arts Reference Group, City of Kingston (2004 – June 2005) the forerunner to ACAC so I’m glad to see there is still some form of input from community members involved in the arts – although most people think of visual artists and not writers when you mention public art, evidenced by the Council’s website and map suggesting a tour of twenty ‘easily accessible’ sites; all are murals or sculptures.
As we planned what sites to visit, Lisa said there was a suggestion you could explore the trail by bicycle, walking, or car. I’m not sure whoever put the map together tested the suggestions. Individual pieces are accessible to the public who live in that suburb – some highly visible like the one in Mordialloc that welcomes people if they enter via Nepean Highway, but we could not have looked at the handful of art work we chose without the car. If using public transport, walking or cycling, it would be a long day indeed like one of those tours you pay for shuttling from place to place with brief, timed stops.
Updated suggestions on tackling a tour of the twenty listed on the map could provide information or links to the various routes if walking, cycling, or travelling by train and bus.
Pompeis Boat(2010), one of three sculptures by Julie Squiresat Mordialloc
On the Trail of Public Art
From Mordialloc, we set off for Moorabbin to seek Horscroft Place Pocket Park, home to the impressive Butterfly Renewal murals and The Monarchs sculptures, a project completed last year. Pocket Parks are being developed throughout Melbourne under the Victorian Government’s Suburban Parks Program. Kingston Council received $700,000 to develop Horscroft Place Pocket Park and the final concept developed in consultation with the Moorabbin community who opted for an environmental theme mural for the brick walls along the northern side of the site, a seating area, shady trees and a homage to the Monarch butterflies often seen in the area.
While we were exploring and taking photographs, a man stopped to chat. He shared how much he liked the butterfly theme because ‘you see plenty of them in the area’, but he thought they were called Painted Lady, a species of butterfly mostly found in Australia. It is a similar colour, as is the Red Admiral butterfly too, and both are often confused for the Monarch, which is larger.
Artist Mike Makatron and assisting artists and Damien Vick , the sculptor
Lisa’s car is fitted with GPS, which is just as well because neither of us knew that part of Moorabbin well and the pocket park is a small area, connected via a pedestrian and cycle thoroughfare, to the much bigger and more obvious Moorabbin Reserve, home of St Kilda Football Club. There is also access to a shopping precinct and other facilities on South Road.
We parked in the carpark at the Reserve and a lovely local lady directed us to the art work we were looking for – ‘a short walk away‘. It was out of sight from where we were standing and with the art trail map info fluttering in my hand, we set off!
Horscroft Place is mainly a street of small businesses and factories and there is the ubiquitous high rise development being constructed. The park will be a boon for the workers and new residents – a place to rest, sit, meet for a chat, perhaps eat lunch or morning tea. Once the vines grow on the colonnades it will be an even more pleasant and attractive walk to enjoy.
Perhaps too it will encourage people to value and appreciate indigenous flora and fauna and the importance of breathable, open green space.
Every moment is a fresh beginning.
T.S. Eliot
Bundle of Sticks(2008) by Elizabeth Weissensteiner, on wall of Clarinda Community Centre
Our next stop was in Clarinda to see the Bundle of Sticks on the wall of Clarinda Community Centre that is co-located with Clarinda Library. The Centre opened in 2005 and the Library 2004. The 2008 work by Dr Elizabeth Weissensteiner commissioned and is based on an Aesop’s Fableto illustrate we are stronger together than being quarrelsome and going our own way.
“The design represents the strength of a community that has a shared identity and purpose. The work celebrates the values of the people of the area, multiculturalism and unity.” It is on the wall at the Viney Street entrance and less visible than the photograph on the website suggests because trees and shrubbery have grown.
Thank goodness Lisa had been to an author event held at the library and knew to check all sides of the building!
The art work is visible to passersby in the residential street. There is a parking area at the front of the library and in the nearby shopping centre and the Viney Street entrance an easy stroll. I hope locals and visitors take the time to pause and ponder the timeless message of the artwork and the fable. Aesop’s Fables have a moral behind each tale and were a staple part of my primary education in Scotland in the 50s and early 60s. I have a picture storybook given to me either as a birthday present or a school prize.
The purpose of art is to lay bare the questions that have been concealed by the answers. James Baldwin
We had decided before heading out that with the time available, and expected weather change, we’d make art work neither of us had seen a priority, with a plan to end up at Waterways housing estate to enjoy a late lunch and the lovely view lakeside from The Nest Cafe in Waterside Drive.
Waterways is 8 minutes in the car, and 23 minutes on the bus, from Mordialloc but I’ve only been there a handful of times. Apart from the lovely lake and the super popular restaurant, it is a housing estate with attractive homes but narrow streets. Parking, like everywhere in Kingston is a problem. I visited a friend by bus years ago. She was one of the early residents and for a long time regretted moving from Parkdale to Waterways because she had to rely on her car for work, shopping and medical appointments. Access and exit to the estate, in her opinion, hazardous. I’m hoping the new freeway and extended bypass and intervening years have improved this situation, but I doubt the parking has improved.
C’est la vie, and the story of so much modern development when the demand outpaces delivery and developments go ahead while infrastructure and thoughts on the future, seem an afterthought. However, I’m a water viewing junkie and to me the lake, birdlife, trees, shrubbery and parkland are beautiful, well worth a visit, regardless of the art trail. Location is the selling point for the estate!
Ironically, the last time I visited Waterways was with Lisa in 2019, when pandemic fears were a whisper in some media circles. My breast cancer returned December 21, 2019, but fortunately, after the lumpectomy I bounced back enough to enjoy a delayed Christmas lunch with Lisa at The Nest.
We sat at a table overlooking the water, and could see some of Greg Johns Excavator series, but I paid more attention to the antics of the ducks and moorhens and other birds. This return visit we were taking a closer look at the sculptures, but also seeking new art work and will stroll away from the cafe.
Greg Johns was commissioned in 2002 by the Waterways residential development ‘to create a body of sculptures that responded to the development’s wetland environment.’ He created 5 birdlike creatures, ‘excavators‘, referencing the diverse and plentiful bird-life in the area. He used Corten steel, his signature material because it is a stable, rusted surface that continues to develop as the sculpture ages.
I photographed 3 of the 5 metal ‘birds’ on Waterside Drive in close proximity to The Nest, but snapped some live ones too. The moorhens, ducks and swans friendly and relaxed around people. There have been 105 different species of birds recorded in this area, much valued by Bird Observers Clubs.
We walked to the Westbridge boardwalk further down Waterside Drive to find the Waterways commissioned art work by artist Ken Blum. The 4 carved wooden sculptures reflect the wetlands and history of the local area, acknowledging the Boon Wurrung as the traditional owners of the land.
There are two carvings of birds representing the ancestral spirit of the indigenous custodians and two portait carvings revealing faces of two indigenous people. The portraits are placed as sentries to the wetlands and are primarily carved from cypress logs with chainsaws, axes and chisels.
Large stone platforms sit atop the sculptures to prevent water from rotting the trunk of timber. These 4 sculptures were my favourite – visually striking yet blending into the environment naturally. They belonged but stood out!
When I saw the first portrait I saw resilience through tears of grief and pain, and Lisa commented on the fracturing of indigenous society. We both had a visceral reaction, which I believe is an important purpose of public art, not just to decorate or please.
Art can be subtle, overt, confrontational and nuanced. Woven naturally into the tapestry of our day to day lives, it helps build a culturally rich, tolerant, diverse and respectful society. Not just of people but the natural environment – from my first visit over a decade ago, it is heartening to see how native flora has thrived at Waterways.
Waterways (2008) by Ken Blum
Stories are the secret reservoir of values: change the stories individuals or nations live by and tell themselves, and you change the individuals and nations. Ben Okri, Nobel Prize for Literature
The two birds I believe are an ibis and an eagle but we couldn’t find a plaque. I have read about Bunjil (Bundjil), the Ancestral Wedge-tailed Eagle, the creator and Waa, the Ancestral Crow (Raven) the protector, they feature in many indigenous stories. They are Moiety Ancestors of the Kulin Nation.
The chances of disinformation, propaganda or downright fantasy/lies much more frequent with the changed media landscape. The plethora of social media sites often the ‘go-to’ for information, but not the most reliable. Local libraries are still free and much more trustworthy!
The ambience of Waterways and the boardwalks and paths around the lake made us forget the closeness of the freeway and that at the last census the estate recorded a population of 2,422 because there were so few people about. We had the paths to ourselves.
In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well-stocked fish pond… If we don’t give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked…As artists, we must learn to be self-nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them — to restock the trout pond, so to speak. Julia Cameron
The time spent with Lisa exploring some public art in Kingston is a lovely memory day and it has helped me attempt to return to blogging, a pastime I enjoyed because I do love writing and sharing information if I’ve been lucky enough to travel or participate in something special.
However, this first post after a long absence has been a challenge to remember how to format and upload, plus learning and navigating changes and updates to WordPress. Apologies in advance if there is a blooper and well done if you’ve made it this far.
I’ve been writing regularly and posting form poetry and photography on Instagram and Facebook but more often than not it is doggerel or random thoughts needing a lot more work to shape into what I hoped to say but ‘practice makes perfect’ another instruction I remember from childhood and it is lovely to write for pleasure rather than deadlines or to teach.
I wish I had visited Butterfly Renewal & The Monarchs before my last Instagram post because it would have been relevant. I’ll finish with the poem and a wish we all learn to self-nourish and nurture the ability to enjoy replenishing our creativity!
Fleeting Thoughts
by Mairi Neil
Sweltering heat each breath an effort
yet like a floating scrap of paper
buffeted by the hot north wind
you flit, flutter and dance from flower
to flower. Pirouetting from geraniums
to agapanthus, to lavender and rosemary …
a sip of iced water gives me relief, but
my computer screen demands words,
a deadline squeezing joy from a task
begun with passion – before today’s heat.
Time more your enemy with a lifespan of
a week, or months if you are lucky…
with minimum effort you flit and flutter
quenching your thirst, supping nectar
your drinking straw provided by nature –
oh, little butterfly, do you ever flutter
for pleasure in this topsy turvy world of
global warming and indeterminate seasons?
are you constantly searching to lay your eggs
and propagate – diligently seeking perfection?
Some humans become prisoners of work or greed –
but your timetable imposed by Mother Nature…
your exotic, colourful Monarch cousins travel
2000 miles from Mexico to California to breed
the timeline of their migration a line of dead
as farming, pesticides and global warming
extract a toll that you, fluttering in pale anonymity,
Shakesbear and his Complete Works by artist Cat Rabbit
I could count on my one hand the creative events and exhibitions I’ve been to in the last two years and I know I’m not alone.
There was attendance at talks, videos and workshops online, but that’s not the same as the sensations experienced walking around, sometimes touching, smelling, hearing and seeing and most importantly feeling the buzz from emotional connections.
Attending events and exhibitions in person triggers memories and ideas and occasionally controversies. If you have someone to share the experience: to reminisce, laugh, cry, debate merits, discuss the impact and celebrate the success, it is a bonus.
Until last Thursday, the “live” events I’ve managed to experience have been with family – and all this year (the least said about 2020 the better!):
a Hannah Gadsby Concert at Sydney Myer Music Bowl with daughter Anne enabling great exercise of laughter muscles (February)
a fascinating Open House Melbourne discussion on The Great Birrarung Parkland by boat with Indigenous guides sharing their knowledge (March)
a tour of the National Trust’s Labassa and the history of the garden with Anne where we managed to dodge showers (May)
a wonderful weekend away with my two sisters, to see the Mary Quant Exhibition at Bendigo Art Gallery which happened between lockdowns so didn’t have to be rescheduled (June)
a visit to Como for the display of Miniatures and Doll Houses with both Mary Jane and Anne that had been rescheduled (November)
Cat Rabbit: The Soft Library
My good friend Lisa Hill is a prolific book reviewer and alert to events in libraries, writing festivals, bookshops – in fact all things bookish. A few weeks ago she asked if I would like to go with her to The Soft Library , an exhibition by artist Cat Rabbit at the Bayside Gallery, Brighton Town Hall and we booked a date for early December.
Entrance to exhibition
“Cat Rabbit is a textile-based artist living in Naarm/Melbourne. Using felt, recycled and vintage fabrics, Cat hand stitches plush sculptural works of her imagined characters and the worlds they might live in. Her work translates to many formats – from children’s books to large-scale felt installations – always with aim of bringing softness and warmth to the viewer.”
Storytime
How could anyone resist an invitation to an exhibition promising softness and warmth – not only after surviving what we hope is the worst of a global pandemic but anytime!
Lisa is a friend who always goes above and beyond – not only did she offer to drive me but also negotiated with the curators to allow us to visit the exhibition before official opening time so we wouldn’t clash with any school or kinder visit because she worried about my severely compromised immune system when most children are still unvaccinated. The Omicron variant in the headlines revealing the Covid pandemic is stubbornly persistent. Athough no lockdowns and eased restrictions, the adage better to be safe than sorry always applies!
“The soft library is an extraordinary new project by Melbourne-based textile artist Cat Rabbit. The artist has transformed the Bayside Gallery into a fantastical library run by bears, or ‘libearians’, many of who are famous literary characters. Lovingly made by the artist in felt and fabric, the library houses books and animations and a special giant ‘storytime’ bear who invites visitors to sit and enjoy an audio story. This whimsical and delightful exhibition celebrates the freedom found in play and pays tribute to the library as a place of learning and wonder – a home for the endless possibilities of the imagination.”
Advertising blurb
Many of these Story Box Library titles feature in the Cat Rabbit Exhibition.
An ideal place for an art exhibition on the theme of books
Brighton Town Hall is an imposing building with a history dating back to 1885 when the memorial stone was laid by The Hon Thomas Bent MLA, for the District of Brighton and Mayor of the Borough. (Whenever politician Thomas Bent is mentioned someone always adds ‘Bent by name and bent by nature’ and Lisa beat me to that observation! Mr Bent gained quite a reputation when he ‘served’ the people of Victoria and made himself wealthy.)
Above the memorial stone is a plaque dated 1978 when the restored town hall incorporating the central library was opened. Above that yet another plaque dated 1998, when the building became The Bayside Arts and Cultural Centre – Brighton Town Hall.
The design of the exhibition simulates an art gallery display – there are ‘paintings’ on the wall (all made of felt), there is the obligatory marble-look sculpture of a figurehead (made of felt), and the larger than life Libearian and the professional paraphernalia (cards, date stamp, pad etc) laid out on the desk are all felt. A story-teller sits with stories quietly playing on a loop and a circle of soft cushions await eager listeners.
Lisa and I spent a pleasant hour appreciating the imagination, talent and sense of humour of the artist. It is a display ready-made for children’s activities but paved with richness of detail to delight adults. We recognised authors, exclaiming over the craftsmanship and attention to detail and I thought of the various discussions initiated with the children lucky enough to attend.
There are shelves ‘laden’ with felt tomes – the titles wittily clever. Children are given an activity sheet The Great Detective designed to engage them with the exhibits but also to encourage close observation and attention to detail. They are asked: If you could write a bear themed book, what would it be about? What would the title be? (More than children can have fun with this activity and I mentioned to our hosts there could be fun with homophones as well as homonyms!)
I eventually solved a mystery that had been bugging me – I was sure I had heard of Cat Rabbit, even met her somewhere. When I saw the book Too Much For Turtle on the storytime stand I remembered Cat and the illustrator Isobel Knowles had been a guest author and illustrator for The Mordialloc Writers’ Group several years ago when I was coordinator.
Local primary children have participated in workshops with the artist and there is a trolley and shelf with felt books made by Hampton Primary.
There are also gorgeous individual postcards with a QRcode that will take you to digital details of authors and books and the creativity of the artist. QRcodes throughout the exhibition allow further exploration of authors and books. Technology enhances exhibitions by adding or extending interactive elements.
Brighton Libearian Karyn Siegmann pens a lovely intro to The Soft Library confessing her love of books:
“And where is the one place you could get all the books you wanted to read, and for free? The local library of course. That magical place full of stories and ideas and places to curl up and imagine and think…
Libraries have seen so many changes over the years, but they will always be a place of comfort containing infinite stories, both real and imagined. Libraries house characters you can revisit again and again and stories you can learn different things from no matter how many times you read them. It’s a shared place, but at the same time it’s all yours!”
Most of the authors in the exhibition I’d read or heard of but some of the newer children’s authors I didn’t know. However, the exhibits triggered memories of a time in my life I loved when I regularly dabbled in felt craft. From firsthand experience, I appreciate Cat Rabbit’s amazing talent and the effort and hard work to produce such a showcase. I believe craft as an activity and as works of art gained popularity during lockdowns and I expect to see more exhibitions and also more work at open air markets.
My daughters attended a Steiner stream at primary school and craft and creativity interwoven with all subjects. We made tiny gnomes to help gather gum nuts for maths, wove recorder bags to house music sheets and made various animals for the story cloth when the children sat in a circle to read or listen to stories. Along with other Steiner mums I spent months knitting and sewing to prepare a stall at the annual school fair.
I still do some craft for particular projects and each Christmas I place a Nativity at the foot of the tree – my tableau made in felt over 20 years ago needs a make-over but will outlast me!
Christmas Nativity
The Soft Library will be open until mid-January.
The festive season has a way of becoming too busy and after a lull of activities for two years Melbourne has a lot on offer, but I hope people make the time to visit the Bayside Gallery which has other exhibitions running as well – you won’t be disappointed.
And if the warm and thoughtful treatment Lisa and I received from the staff is replicated you’ll join their mailing list too!
This is another post long overdue, and I apologise to friend and author, Jillian Bailey for not celebrating the publication of her wonderful family history before now, but I imagine I’m not the only blogger attempting catch-up after a horror of a year because of the global pandemic whirling a chaotic world close to home.
The above picture from November last year when we received from the printer, in Jillian’s words, ‘the labour of love’ that is The history of a Carrum family. The actual publication followed months of meetings held between lockdowns, copious emails, phone calls, text messages and usb drops in each other’s mailbox to finalise the contents, but as Jillian states in the Acknowledgements, the writing was in ‘progress over the past fifteen years…’
The book has pages of photographs and scanned documents. Many are family photos but there is a 1950s school photo from Carrum Primary as well as photographs of public events and locales. It is usually the inclusion of these photographs and historical descriptions of an area that moves a family history from being important to a select few to interesting for a wider audience. (The Facebook groups focusing on local areas have thousands of members and inevitably the posters who share old photos and memories receive the highest number of likes and responses.)
The process of which images to include became the subject of many discussions and hard decisions because as is the case with most family histories the cost of ‘the labour of love’ is borne by the researcher/writer!
Over the years and even in the months close to finalisation, family members gave feedback on the manuscript and some decided to submit or change a contribution. Writing a family history is not for the fainthearted or impatient.
Jillian initially began her journey into family history to honour her parents and record their legacy and keeping that as the focus helped decide what images and text to include and gave her definite parameters and a beginning and end. The book is a history of her family establishing a home in Melbourne’s bayside suburb of Carrum at the end of WW2, and the house built by her father features on the front cover; a photograph of her smiling parents, Jack and Doreen, brightens the back cover.
Jillian with cover showing the family home in Llewelyn Grove, Carrum
Jillian with back cover showing her parents, Doreen and Jack Bailey, on their 65th wedding anniversary
Jillian’s parents both lived into their nineties, Jack (95) and Doreen(98) and as their carer for many years Jillian took the opportunity to listen to their stories, ask questions, and record their memories with the aim of passing on the history to children, grandchildren, great grandchildren – a permanent legacy.
By taking the time to reflect and document the stories about the family’s history, Jack and Doreen’s life experiences, opportunities and challenges, the joys and sorrows, Jillian has captured her parents’ values and wisdom and their keen sense of humour. The book also provides an opportunity for the reader to learn what it was like growing up in Carrum of the 1950s at a time when the infrastructure and technology we know today, didn’t exist.
We may listen to stories told by parents and grandparents but until someone takes the time to record and write down these stories, the anecdotes and information remain fragmented memories, easily distorted and often accompanied by a bundle of photographs of people with no name or context.
Family histories are important historical documents, they can contain information and photographs more relevant to ordinary folk, who make up the majority, than stories of royalty and celebrities because the majority of people are not affluent, their fifteen minutes of fame if it happens is localised. It is ordinary working people who produce the families that make suburbs grow, who establish the clubs and special interest groups, and the need for parks, schools, libraries and bus routes!
At some time in our lives, most of us are curious about ancestors and where we are from, and the growing popularity of Ancestry.com and TV shows like Who Do You Think You Are plus people paying for DNA testing is significant.
Collating a family tree is important, but families are more than a list of birth and death dates. Stories add flesh and depth to an abstract list of names. The Family Tree in Jillian’s history prepared by a genealogist friend, begins with her grandparents. Jillian’s mother was an only child, but her father was one of six children, so the Bailey family tree has plenty of foliage!
There are interesting inclusions in the book that you don’t necessarily find in other family histories such as colourful Heraldic pics certifying the origins of the maternal grandparents’ name, Watson (meaning son of Walter and dating to thirteenth century) and paternal grandparents’ name, Bailey (or Bailiff – man of great importance, fourteenth century).
Plus closeups of Certificates of Sale of the Highland Titles of Lord and Lady of Glencoe and a small plot of land in a nature reserve, in the Parish of Lismore in Scotland. The titles bought for Doreen and Jack on their 70th Wedding Anniversary. This gift from the family and subsequent ‘knighting’ at the party a great example of the Bailey family sense of humour and fun. In Jillian’s words:
“The family always got together for special birthdays and anniversaries, we loved the thought of a get-together; any good excuse for a party. We had great family parties, Mum at the piano hitting the keys beautifully; our singing not so beautiful, but with gusto and enjoyment...
Mum and Dad’s 70th Wedding Anniversary was extra special. About ninety family and friends came from everywhere to celebrate with them. Joan, who was the flower girl for their wedding in April 1942, came with her husband Alan. It was lovely to see them chatting with Mum and Dad.” (page 86)
the page of Jack and Doreen’s wedding photos – a feast for those interested in fashion but when you think of rationing and mood, it is also a triumphant achievement of planning and joy in the middle of a war.
Jillian’s parents were founding members of the Carrum Entertainment Group in 1955 and the reminiscences about the concerts and plays performed are illustrated by newspaper clippings, scanned programs and photographs. Doreen had her own band that played at all the local Barn and Square Dances held at the Carrum Fire Brigade Hall when it was situated near the Patterson River in Station Street.
Similarly, Jillian’s father was the Captain-Coach of the Carrum Life Saving Club and helped organise the Royal Life-Saving carnivals popular in the era and Jillian writes a vivid description of participating in the 1952 carnival hosted by Carrum. The book is rich in detail about neighbours and the various families involved with the Baileys, and as is often the case when people live most of their life in a particular locality, the friendship circle remains.
The history of a Carrum family is an enjoyable easy read, well set out in six parts with accompanying photographs and scanned documents:
Part 1 – the story of the maternal and paternal grandparents arriving in Australia by ship from England.
Part 2 – Doreen and Jack’s memories of childhood, marriage and children, working life and move to Carrum.
Part 3 – details of grandparents and family friends, stories of cousins.
Part 4 – the story of Jillian and her siblings childhood at Carrum, adulthood, weddings and children.
Part 5 – children’s weddings, grandchildren, family celebrations: anniversaries and Christmas parties, memories and anecdotes
Part 6 – stories relating to the family history published in Mordialloc Writers’ anthologies 2007-2015.
The anthologies Jillian refers to are in the library: A Rich Inheritance, published 2007, Carnival Caper, 2011 and Kingston My City, 2015. (This last anthology is free to download as an e-book KingstonMyCity.epub. and Jillian’s story starts p.74)
I couldn’t attend the launch of The history of a Carrum Family which happened when lockdown 4 eased December 2020. Remaining border restrictions meant family members interstate watched the launch remotely.(Yeah for the Internet!)
Here are a couple of extracts putting the launch in context and explaining the start of Jillian’s writing journey:
In the first essay when Jillian began writing her family history she focused on the first decade – 1949-1959:
“I cast my mind back to 1948 when my parents bought a block of land in Carrum for 50 pounds. Dad and a family friend, Jack Millane, a carpenter-joiner by trade, started to build our house at the end of 1949...
They were tough times and over the next ten years, shortages of labour and building materials meant many people built their own houses, or provided unskilled labour for friends to cut construction costs and delays. ‘Materials were hard to get,’ Dad said, ‘even the nails were like gold. You had to dig deep to find them.’
On hearing about the shortage, Eric ‘Sandy’ McDougall, the local chemist and well-known Carrum identity said, ‘I’llget you some nails, Jack.’ Sandy supplied Dad, and many others, with nails he railed down from Sydney. These nails were made in Melbourne, but were rationed to other states according to need, by the Gold Nail Company and government regulations. Mr Mac (as a lot of people called him), set up a hardware corner in his chemist-grocery mixed business, providing an excellent service for the local community.
Dad worked all week, and at weekends he rode his pushbike from Chelsea to Carrum to help Jack build the house...” (page 114)
The recent upheavals because of the pandemic makes some of this information eerily familiar as does the poignant story of Laurel Bailey, Jillian’s Aunt, born in 1932. Six-year-old Laurel collapsed on stage at the Princess Theatre during a dance performance to become:
“… one of the first Infantile Paralysis cases in Victoria. She spent the next two years in the Hampton Hospital (now known as Linacre Rehab Hospital) paralysed from the chest down inside an iron lung to help her breathe. She had contracted Polio from her cousin, Beryl who had no symptoms at all. Beryl went on to marry and give birth to twelve children.
Laurel was one of the fortunate ones under the care of Sister Kenny, whose healing methods became internationallyfamous for her wonderful work with Polio victims. Unfortunately, Australia lost Sister Kenny to overseas due to the lack of respect and belief in the work she did. She fought the government to get help for polio sufferers for years without success... ” (page 48)
Another snippet of history in Jillian’s book that resonates with today’s news about what you can and cannot do during lockdown is her mother buying a hair salon in Carrum in the late 1950s – the site now occupied by Aldi’s supermarket. Jillian worked there too:
“I started at Venus College of Hair and Beauty Culture in February 1958. It was a fifteen month course, covering everything in hair and beauty work. I really enjoyed my studies and was proud of my qualifications. I worked with Mum in her salon on Friday evenings and Saturday mornings during this time to get some practical knowledge and hands-on experience. Mum eventually sold the business about two years later when I was qualified and had a position in a wonderful salon.” (page 63)
The story of following in her mother’s footsteps to own hairdressing salons and all the accompanying experiences that go with a career where every day is filled with personalities and personal stories will hopefully be the topic of Jillian’s next book when she writes her memoirs!
Until then, after fourteen years of research and writing, she can enjoy the well-deserved praise and gratitude from family and friends for The history of a Carrum family.
We survived all that 2020 threw at us and I’m pleased I had a small part to play in Jillian sharing her story of the strength, resilience and remarkable lives of earlier generations.
If you want to read about others who have displayed Jillian’s determination to publish a slice of history click on the links below:
Four days ago, I received a call from an unfamiliar number. Celtic feyness or a sixth sense made me pick up, instead of my usual practice of letting the call go to Voicemail.
‘I’m Sylvie, a friend of Kay Watson’s,’ a voice said, ‘and I’m ringing to let you know Kay passed away yesterday morning.’
I’ve reached an age where news of illness and death more frequent than I’d like and in recent times coming too often! Kay was one of my oldest students; first attending writing class at 80 years of age and publishing her memoir at 89. She only left when a move to a distant nursing home in her mid 90s made travelling and attendance difficult.
Sylvie informed me that Kay had celebrated her 100th birthday at the beginning of the year and was thrilled to receive the obligatory greetings from the Queen. This snapshot of a grinning Kay in February speaks volumes!
Kay’s 100th birthday card from Queen Elizabeth II
We live in Covid times. The death of a family member, friend, or acquaintance presents difficulties when lockdown dictates funeral rules and visits to homes, especially to those in the aged care sector. So this will be a digital trip down Memory Lane to celebrate and farewell the life of one of the wonderful students I’ve been fortunate to meet during my time as a writing tutor.
Kay was remarkable and touched my life in many ways. The desire to honour her legacy has motivated me to shake off a torpor that’s had me avoid blogs and blogging for several months.
Many of those who follow Up The Creek With a Pen are ex-students or members of writing groups and will have met Kay in class or at the regular Sunday readings held by Mordialloc Writers’ Group until I retired in 2017. When writing, Kay preferred to be called by her Welsh name of Ceinwen, a language she still spoke fluently. Ceinwen was one of the few Welsh speakers in Melbourne, who could also read and write in Welsh, skills she often used on behalf of St David’s Welsh Church when they wanted to welcome visiting Welsh celebrities like the Welsh Choir or celebrate St David’s Day, the Welsh National Day in March.
Ceinwen means lovely, blessed, and fair – well-chosen descriptions of the Kay Watson I knew!
Kay’s memoir published 2010
My association with Ceinwen, inextricably, linked with Mordialloc Neighbourhood House, where we met because of common interests in writing and social justice. Between first volunteering, then being employed as a creative writing tutor, plus running the Mordialloc Writers’ Group and Readings By The Bay, my association with MNH lasted 21 years. Ceinwen attended Monday morning writing class for 13 of those years, also the Sunday Readings and meetings of the Union of Australian Women Southern Branch, which I coordinated. Her memoir launched on the 15th anniversary of the writers’ group, epitomised what local community writing classes and groups encourage and celebrate.
The Monday class at Mordialloc Neighbourhood House, Ceinwen’s beginning as a writer!
Kay dressed in signature orange (to match her hair she always said!) reading one of her poems at Readings By The Bay. She was a skilful knitter and knitted this suit herself!
The Launch of Ceinwen’s Journey, 2010
Good Afternoon – my name is Mairi Neil and I coordinate the Mordialloc Writers Group. Before I begin…
I acknowledge the people and elders, past and present of the Boon Wurrung Clans and the Kulin Nation. I acknowledge and uphold their unique relationship to this land and surrounding sea, a relationship of over 40,000 years. The Mordialloc Writers’ Group believes reconciliation is about recognition and healing with Australia’s Indigenous people. Together, we are Australian, let us bridge cultures and create a just society.
Croeso – a Welsh welcome for those who have specifically come for the launch of Ceinwen’s Journey, Shining in Reflection, a memoir by local writer, Kay Watson. Kay attends my writing for pleasure class here on a Monday; is a fellow member of Mordialloc Writers’ Group, and the Union of Australian Women Southern Branch, but above all she is a friend, so I am honoured to be able to launch Ceinwen’s Journey, which is a super read.
Kay is here today with her son Clive and daughter-in-law Sheila. We are also honoured to have publisher Hassanah Briedis, and I’d like to acknowledge our local member Janice Munt and convey the apologies of Federal member Mark Dreyfus and Senator Mitch Fifield both in Canberra this weekend. Several regular members of our writers’ group who couldn’t attend send congratulations too. Just as well not everyone could attend because we have already run out of chairs!
Before I extol the virtues of Kay’s memoir, I’d like to remind you of the group’s record of achievement – seven anthologies that have enabled 55 local writers to be published – many for the first time. Anthology number eight to be released at the end of this year will ensure our stories, poems, memoir, and novel extracts continue to represent this community’s culture. Local anthologies are valuable historical documents. We are the keeper of your stories as we write our own.
A word or sentence, an object or photograph, a line of poetry, a colour or a memory, and many other triggers besides, inspire writers and the breadth of Kay’s writing provides examples of all of these starting points.
Kay Watson does not suffer from writer’s block! When she first attended writing class a decade ago I acknowledged her wonderful ability to tell stories, and to tell them well. She is blessed with an amazing memory and the stories she wrote in class (and still does) are rich in detail and prompt fabulous discussions, tears and laughter, plus wonderful history lessons when we share lived experiences!
Kay with Heather Yourn (dec 2019), another longterm member of Monday class who came to my classes until 91 yrs of age. Heather wrote insightful stories and poems too. Kay and Heather had a special bond. When Heather moved to Mt Eliza she’d pick up Kay and bringing her to class because Kay lived at Patterson Lakes .
What Kay can’t remember is compensated by her vivid imagination! (Although no made up stories in this memoir!)
Her words flow effortlessly, in class every story seems true and once the excitement of this launch is over, she could produce an anthology of her short stories and poetry. But judging by her look of horror perhaps not – it is stressful putting a book together…
Kay’s memorable contribution is a story of a life spanning 89 years, written with modesty and understatement, yet she lived through the hardships of the Great Depression, the hungry uncertain years of the Great Slump, and the rationing and devastation of the Second World War when she was separated from Arthur, the love of her life. Then came children, several sojourns to Europe and the trials and tribulations of family life in the United Kingdom and retirement in Australia.
Kay triumphs over the adjustments of resettlement, not only from England to Australia at a time of life when many would be reluctant to move from their comfort zone, but an earlier move to England from Wales. This childhood upheaval perhaps the greater challenge because she had to forgo her beloved Welsh language for the scouse accent of Liverpool. (It could have been worse she may have relocated to Glasgow!)
Mind you adapting to ‘Strine’ has not been without dramas – like many new migrants she turned up to gatherings here in Australia with ‘a plate’ because she was told to, never realising it was supposed to have food on it!
Kay begins her story in 1921, a time of oil lamps, and tin baths used once a week before being hung in the yard. A time when wash day did indeed take all day, and children amused themselves with homemade toys, and their imagination, while mothers lit boilers, hand-washed everything, and if lucky, had a mangle to wring out the clothes to be dried in the back garden on a line of rope between wooden poles. The art of washing clothes no mean feat in the miserable weather of the UK.
At home, Kay spoke Welsh, at school English, and often home was a house of women because her Merchant Navy father spent time away at sea. These are memories of a time when the pace of life seemed slower, a time when not everyone had a car, a time when you made your own entertainment. Definitive childhood experiences leave their mark but it is amazing what memories are triggered in writing class.
First Love by Kay Watson
Keith Taylor was 15 years old and sat in the desk in front of me at school He had acne and hair sticking up like a chimney sweep’s brush dipped in oil. Not very tall, he was always straightening his spectacles with a forefinger and constantly sniffing instead of giving his nose a good blow.
I fell madly in love with Keith.
He lived in the next street and we walked to school together. Considered ‘grammar school material’, he helped me with my homework. We went to the cinema on Saturdays, and I watched him shine at football at the local recreation grounds. He was always there for me, saying, ‘You make me so happy you’re my girlfriend,’ and ‘I love your dark shining eyes.’
I gave him a photograph of myself and he kept it in his desk at school. ‘Why do you keep it there?’ I asked
‘To look at you often,’ he said, ‘because I’ll get into trouble turning around in class to look at you.’
No wonder I overlooked that he didn’t have film star features!
Love permeates this book: love of God and church, love of family, love of community, love of travel and love of having a good time. As all of you who know Kay, laughter is never far from her lips.
It has been Kay’s Faith and a keen sense of humour that has helped her through the sad times – of which there have been a few – especially the tragic loss of her beloved daughter, Dawn when only 21 years of age, and the recent loss of her husband and soul mate, Arthur.
You don’t reach 89 without having the rough as well as the smooth and yet this is not a sad book, it is indeed a celebration of a life well-lived.
Writing your life story is not for the faint-hearted. It takes courage. When we write we reveal ourselves, expose ourselves to public scrutiny. We revisit good and bad times and often learn things about ourselves – each sentence can be as much a surprise to self as it is to the reader. It may be cathartic or be a shock but it is a wonderful gift to be able to use our very flexible and beautiful language to connect with others. And it is magic when we get it right – as Kay has done.
Sounds and Smells of War by Kay Watson
The war. Air-raid sirens screech, enemy aircraft drone overhead. Wham Wham! Anti-aircraft batteries and crump ofexploding bombs. We heard these sounds and more sitting on cold slatted wood seats in dank, brick, air raid shelters surrounded by dampness and fear of death. Our five senses overloaded every night.
Glass splintered and smashed, dancing on the cobblestones as windows hit by shrapnel. The suction and compression from huge blasts, pushed us together. We grabbed each other, held tight for comfort because there were no doors on the shelter and we could see the angry red sky blackened at the edges.
City docks aflame. The acrid smell of exploding paint drums and melting rubber in the air billowing smoke and flames from the burning sugar factory, which formed a fiery sheet on the surface of the water. 4.00am. After nine hours, the all clear siren sounded. We emerged from the shelter to the scent of burning wood. Smelly black dust hung in the air. We faced our homes, many destroyed, front doors blown off, shattered windows, rubble strewngardens. Bewilderment. We hugged our blankets and pillows, and small babies in smelly nappies long overdue for changing.
Our kitchen relatively unscathed meant I had a cold wash. How I enjoyed the aroma of Lifebuoy Soap, the luxury of feeling clean and refreshed. We gathered the broken crockery from the red tile floor. An intense smell of soot from the kitchen range permeated upstairs, even inside chests of drawers. The force of the blast had scattered clothes from cupboards. They smelt musty and wet from the fire brigade’s efforts to save the house. Mum stood motionless and stared at the mattress, pockmarked like cinders on a hot face, by the incendiary bombs. Friends invited us to stay until we found a place outside the city, wreathing our faces in smiles. We smelled their coffee. Even burnt toast, delicious in those days.
The bitter days now behind us but the way to the new is in the shadow of the old. I enjoy more pleasant smells, especially seasonal ones, each flower bringing its own smell to my garden. Also the sea and seaweed clinging to rocks, the salt tangy ocean, the red earth of the desert and most of all sounds of birds like a choir of chirping minstrels.
There are interesting photographs in this book too – examine them closely because they all hold stories.
Please enjoy this magnificent achievement, a memoir to treasure and join with me in congratulating and welcoming author Kay Watson.
That day was probably one of the highlights of Kay’s long life and made more memorable by the support she received from fellow students in the class. One of the students, Helen, arranged for her partner to make a magnificent (and delicious) cake, in the shape of a traditional Welsh hat and many people followed the Aussie tradition of bringing a plate (food included, of course).
Kay’s cake
Helen, Kay ,and Leo (cake maker)
Another longterm student of Monday classes was Amelia, in a similar age group as Kay, they shared a close friendship. Both lived in Parkdale and loved writing poetry about the environment, especially the sea. Sadly, Amelia predeceased Kay. I read some of Amelia’s poetry at her funeral.
Kay and Amelia Auckett
I can’t attend Kay’s funeral but will finish this blog with some of her lovely poems that featured in the annual class anthologies where she favoured writing about her memories of the UK countryside. There are a few photographs too, of Kay’s classmates, several who have now passed away. There is also a picture I treasure of Kay with my mother, who was born in April 1921. The pair met a few times at Mordialloc Writers’ events and got on well but sadly, Mum died in 2009, a few months after this picture was taken.
Kay with Mum (Anne McInnes)
It is not overstating, to say everyone loved Kay and her stories never disappointed. During WW2 she was in the WAAF’s Entertainment Unit blessed with a wonderful Welsh singing voice and the actors and entertainers she met in the concerts to entertain the troops filled a list of celebrity who’s who, but I loved her travelogues. She’d bring in pictures of her and husband Arthur’s holidays to Spain and France and write about fascinating adventures.
One travel story sticks in my mind because she had the class in stitches and there were no accompanying snaps. A group of friends had hired a yacht to sail the Mediterranean islands. When the weather turned nasty, they headed for a nearby isle to drop anchor. On going ashore they discovered it was a nudist colony and to use any of the facilities, they had to, in Kay’s word ‘conform’.
I miss teaching writing in community houses, miss the many students who enriched my life with their stories and imagination. I learnt so much and will always smile when remembering the friendship, laughter, entertaining and emotional stories, and the sharing of scrumptious morning tea that were all part of Writing for Pleasure on Monday mornings.
Childhood Homeby Kay Watson
I long to see the old place again, just once on a winter’s day
frost makes white the lonely fields, and skies are silver grey.
I think of our cottage and winter walks down the lane
snowdrops nod their heads, their stems stiff like cane.
Those long dark nights, and cold short days,
the low angle of the sun casting shadow haze
adding form to the landscape and drifting snow,
patterned frozen puddles where summer sunflowers grow.
I shall return in summer and breathe the rustic air,
pause at the stream to rest and reflect on things there –
remember my childhood of long ago – and I’ll sing
of the joy and peace Mother Nature always brings.
Meadowlandby Kay Watson
Warm sun thaws and meadows tenderly lie
beneath the paintbox of sunrise,
the bridle of earth and sky.
Cowslips join waves of ripening corn
to float and dance, spellbound entranced
warming my heart like a cloth of gold.
Ever changing breeze sighs through my hair
like a joyless eye,
it is eventide when sun sinks in the west
and drowsy butterfly folds his wings,
birds fly to their nests no more to sing.
Flower petals close, the daisy asleep
is that primrose buried in slumber deep?
Thoughts scatter in fancy’s flight
sweet dreams close eyelids, till dawning light.
The highest tribute to the dead is not grief but gratitude.
Thornton Wilder
Thank you Kay (Ceinwen) Watson for sharing your journey!
Kay signing a copy of her book for Alex at Readings by the Bay, 2010
The ACTU acknowledged the 110th Anniversary of IWD by publishing a report on the challenges facing working women in 2021. The report’s key points are not easy reading: “At the turn of the 20th century, Australia was considered one of the most progressive nations for women in the world. In 1902 we became the second country to win some women the right to vote (it took until 1962 for First Nations women to win the same right) and the first to allow women to stand for parliament.” And yet today, ‘Australia ranks just 44th in the world for gender pay equity. In 2006 we ranked 15th.’
For someone like me, who joined Women’s Liberation in 1971 during my first year at university and who is a longterm member of the Union of Australian Women, I feel it is indeed another example of Groundhog Day, and I can’t believe we are not only still fighting for equal pay, but in some instances, we have lost ground as far as equity and respect is concerned.
I’ve owned the following badges since the 70s and 80s and have marched for equality every year on IWD and at other protests, including the one against Trump where many of us wore homemade Pussy Hats. The article underneath those pictures is from The Age newspaper in the 90s and asks the perennial question – in the struggle for equality, how much has really changed?
Impact of Covid-19 On Women
The ACTU Report reveals that women bore the brunt of losses from the catastrophic changes to society due to the pandemic.
• Women over-represented in insecure and low paid jobs • Women dominated the frontline care, and the caring responsibilities at home • JobKeeper rules unfairly excluded women workers • Over 300,000 women emptied their superannuation accounts to cope during Covid, putting them at greater risk of poverty in retirement.
from Facebook
The reasons why feminism seems to be making little headway in changing deeply ingrained misogynistic attitudes in a culture that prides itself in championing the ‘fair go’ will no doubt continue to be the subject of essays, books, blogs, podcasts, documentaries and film, not to mention the plethora of talk shows and infotainment passing as news we see on television and online, but here is another old cutting from my scrapbook. The date 1999!
From The Age, 1999
2021, we have some high profile female journalists – some even host their own radio or television shows – but it is still men who actually control the boardrooms, the directorships and CEO positions, and who own the newspapers, television stations, and big tech giants of the Internet.
(I can hear people asking: What about Ita Buttrose? However, considering the LNP Federal Governments have cut the ABC’s funding since 2013, and the organisation’s loss of staff and resources, I think we can discount any perceived advantage Ita’s appointment holds.)
And so the struggle continues!
The first photo is from the 2019 IWD rally, the middle photo of IWD in the 70s (the arrow points to me) appeared in the 2018 City of Melbourne exhibition, We Protest, and the last photo is the cover of a book published in January 2000, detailing the history and incredible achievements of the UAW.
Choose to Challenge – Kingston Woman of the Year Award 2021
The stories of the final nominees, all proven leaders in their field can be read online. They inspire others and make a difference through exceptional professional or personal achievements in the following categories:
Courageous Commitment: Women who are dedicated to making a difference to the health, well-being, safety, and/or sustainability of our community through advocacy, campaigning, fundraising, and/or thought-leadership
Excelling in Arts and Sport: Women using their sporting and/or creative talents to represent, motivate and inspire our community.
Inspiring Innovation: Women who are leaders in Business, Economics, Politics, and/or an Entrepreneur.
Success in STEM: Women excelling in Science, Technology, Engineering and Mathematics.
Simone Hardman, Woman of the Year 2021 and Joan Bradd, Lifetime Achievement Award
The Mayor, Cr Steve Staikos, acknowledged the barriers that continue to perpetuate gender inequality which is a key cause of family violence and violence against women. “Kingston Council is committed to working towards the vision of creating safe, equal and respectful relationships in our community where family violence and gender inequality are not tolerated.”
The Council, working with Youth Services, launched the Young Women’s Mentoring Program last year hoping to help inspire future generations of young women to achieve their full potential with many of the nominees from past years, and hopefully this year, mentoring young people. By acknowledging their achievements the Council helps encourage positive contributions, encourages women to keep sharing stories, and encourages us to keep lifting each other up.
An award winner from last year, Tara Graves winner was MC. Tara emphasised the importance of support from others and having a sense of community. The mentoring program so important to inspire and help young people and an opportunity for nominees to share their skills and give back. It encourages women to take part and show leadership at Council events, just as Tara is emceeing and it helps emerging leaders, bringing out the best in all participants. Tara hoped, “the nominees this year will participate because their stories inspire and challenge us to make a positive difference in the community.”
A short video of the established Young Women’s mentoring Program heard from some of last year’s nominees and also the young people who joined the program. Messages from mentors included:
The importance of listening
the joy and importance of sharing skills
encouraging the seeking of help for mental as well as physical health
encouraging teenagers to grow into womanhood feeling positive.
Teenagers shared what they got from the program:
Importance of checking-in on a regular basis with those who you love and love you,
important to communicate
realising they are not alone or on their own,
a sense of optimism
it’s okay to be interested in multiple things and passionate about more than one thing
you don’t have to be always focused on one aim,
the value in learning from different life experiences and that it’s okay to be different.
The official guests: Mayor, Steve Staikos, Paul Franklin, Acting CEO, Emma Gierschick Woman of the Year 2019, Keynote Speaker Mariam Issa, June Rea, Woman of the Year 2020
Tell Your Truth – Speak Out – Own Your Story, Design Your Destiny
The keynote speaker was Mariam Issa, an inspired coach, storyteller, and author of A Resilient Life, co-founder of the non-profit organisation RAW – Resilient Aspiring Women – a multi-cultural program to encourage diversity and encouraging women to achieve while healing from personal, physical, mental or emotional trauma and life’s tribulations. RAW supports women’s resilience through intercultural dialogue and exchange facilitated by storytelling, cooking and gardening.
Mariam, originally from Somalia, said her African ancestry believes there is no death. We live in continuous life, and represent all the elders in our DNA. She meditates, and one day she saw a cross, and even although she is not Christian but Muslim, this visualisation she understood to mean the following:
At the top of the vertical line is the storyteller, and at the bottom is the listener. On the extreme left of the horizontal line are our ancestors and past experience, and on the extreme right of the horizontal line is youth and the future.
She asked us to visualise this cross and the description and to add a bubble above the cross and each world we live in is in that bubble. Everyday it is important to realise we are all the bubble amid many bubbles. The story doesn’t belong to any one group – not the past, or future. The story is now and the segment of time we share.
Cultures who don’t share stories die. Mariam is a storyteller and cultures in the past used storytellers to share stories of the past in oral histories, settle disputes, celebrate special times, share knowledge. Mariam considers oral history similar to how we use technology today to process and pass on information.
Language and Rhythm are powerful tools.
Stories give us insights. Mariam considers her life is a safari and she uses stories as a platform to transform experiences through questions. We should use opportunities to be inquisitive, engage, and be inspired and connected. Resilient and inclusive communities bring together diversity and amazing stories.
Humanity is at a crossroads with the world changing rapidly.
2020 – revealed our inability to predict the future and the power of focused presence. Imagination is a lens to create a new reality of equity and equality that must be built into the system and we must challenge the systemic oppression of women.
Mariam’s mother was a weaver of mats and she told her daughter, it was important to change the pattern and your mat because life changes and we must adapt. We must change all the time. Don’t spend too much time looking at past mistakes or worrying too much about the future.
Claiming your rights is claiming your story. People meet the women within when you are faced with adversity and speak up or act.
Mariam was a Somalian refugee and like all refugees from a different culture, arriving in a new country, everything they knew about themselves was questioned. Her culture deflated and it was difficult to retain her cultural identity, especially after 9/11. Fortunately, she kept a journal and reflecting on this she saw a pattern of phases common to many refugees.
Phase 1: Victimhood: They were living in Brighton with feelings of powerlessness and despair. Separated from birth country and culture and extended family, she gave birth to her fifth child shortly after arriving from her war-torn country and a refugee camp in Kenya. She went into post natal depression. It was a dark period of settlement. She struggled but continued to hang on to the dream many refugees have, that one day they can return to their own country and be happy.
9/11 had happened and the media hype and many politicians rhetoric was anti-Islamic. She lived in fear and sent her children to an Islamic school, across Melbourne, expensive to attend and travel to, even when she knew the standard of education and the curriculum at Brighton public schools was better.
Phase 2: Anger: She took her four-year old daughter, her youngest child to kindergarten. Although excited to be part of all kindergarten entailed, her daughter asked, ‘Do they not want me because I am African?” Mariam realised what the fear and victimhood was doing and got angry wanting to change the situation.
The angry phase was better – she made better decisions. She put her children in local schools, she stayed in Brighton and decided to settle in Australia, not always dreaming of ‘going home’. She made a choice to adapt to the community. Her ancestors were courageous nomadic people, they knew how to adapt and she would too.
Choosing to Challenge
It is hard to move forward, she believes you navigate adversity not ‘come through it’. You must challenge yourself – as her mother advised, ‘change the mat’. Mariam’s passion is to unlock the contributions of others and her daughter now joins her as a storyteller and was speaking at a school in Sunshine.
Mariam told the story of the day she decided to change.
On a winter’s day, she sat in front of their only heater clutching a coffee to get warm. Looking out of the window, a vision appeared that remains with her – it gave her inspiration on that winter’s morning. A young woman in lycra went by, holding a dog on a leash in one hand and pushing a baby’s pram with the other. And she wore perfect make-up.
Mariam wondered at this woman’s motivation and fortitude – it reminded her of women she had observed in Kenya who got up at 3.00 am, put a child in a sling and a basket on their head and walked more than half a mile to market. The vision started a curiosity about that woman in lycra, and others who lived in Brighton.
(There was a murmured giggle from the audience at this point in the story – many of us I am sure recalling ‘Karen from Brighton’ and the fuss during the 2020 Lockdowns!)
Mariam started work as a cleaner in Brighton, cleaning homes of the women in lycra, and then worked in aged care. Cleaning the big mansions she met many ‘lycra’ women and was introduced to the coffee culture. She also met plenty of old people abandoned to loneliness in aged care.
Women are at the forefront of culture everywhere but lifestyle did not necessarily bring happiness, nor does isolation. She believes in bridging gaps. Life is happening to us all the time, we must participate and create a life bridging gaps within the community. Working towards goals of inclusiveness and similar goals she created her own business.
She discovered food the best social catalyst and established her own business cooking East African food called Cooking with Mariam, and was even on TV with well-known Australian basketball player, Andrew Gaze.
Then she became an author – writing her book about resilience, and now she has founded RAW (spells war in reverse) believing resilience springs from women. The more women thrive, the more communities thrive.
We Are the System
Choose to change, ponder the stories of other, find the courage to challenge any system oppressing you. Be curious, ask questions. Take the power you have within. Mariam asked Tara what she thought was possible in this space of uncertainty as we recover from the global pandemic. Tara answered: The future is female. Women must be empowered, must be taken more seriously in the workforce and in places where decisions are made.
Mariam is a woman of faith and finds that most faiths regardless of religious persuasion share many similar beliefs. She ended her speech with the following:
Accept worthiness comes from your existence. You exist therefore are worthy.
We are all one – I am because you are. There is no you or me. Accept the fullness of who you are.
Whatever seed you put in and how you nurture that seed is what you plant. The law of cause and effect.
Law of presence – we suffer because of past or future fears but we must focus on now.
A need to promote and create a safe space so the vulnerable can reach out.
The program also included two uplifting, energetic and joyous dance performances. The first from Indigenous Outreach projects and the second from Tribal African drum and dance ensemble by Melbourne Djembe group. Both encouraged audience participation which emphasised we were indeed there to celebrate and not dwell on all that needs to be done.
There will be time enough to harness our Angry Phase!
IWD Rally Melbourne 2018
The Future
As an artist, I never wanted to be fettered by gender nor recognised or defined as a female poet, musician or singer. They don’t do that with men – nobody says Picasso, the male artist. Curators call me up and say, “We want your work to be in a show about women artists,” and I’m like, why? For Christ’s sake, do we have to attach a gender onto everything?
In January 2013, I attended a wonderful exhibition at the Burrinja Cultural Centre in Upwey, presented by Eastern Regional Libraries Corporation and the Centre, to celebrate the National Year of Reading.
The exhibtion promised ‘travels through time and fiction of the periods, drawing together the threads of character, period, fashion and finery.’
The costumes on display accompanied by a novel of the period. I recognised many of the books, either read in school or turned into television or cinema classics. The costumes spanned 170 years of fashion history and were overwhelmingly for females. Women’s clothing underwent many radical changes of style, and until recently, despite ‘clothes maketh the man‘, the mention of fashion usually conjures images of predominantly female models on catwalks and shining in events like the Melbourne Cup’s Fashion on the Field.
I’m writing this blog as the postmortem on the recent United States Presidential Inauguration Ceremony is being mulled over with comments on the clothes of the participants – Bernie Sanders’ mittens, leading ladies purple outfits, Lady Gaga’s stunning appearance – and of course everyone wearing face masks and sending a powerful message about COVID19 and the mutant viruses.
Including costumery for characters important for writers and can improve a story on many levels, with detail valuable, whether you write fact or fiction.
The exhibition I attended, provided a mine of information for writing historical fiction. There were rare items such as a delicate crinoline dress dated 1860, bustle dresses from the late 19th century, suits from the Second World War era, 1950s ball gowns and 20th-century cocktail dresses and pant suits.
Accessories featured too: hats, gloves, shoes and handbags, jewellery … a feast of fashion for designers and researchers; especially wonderful for writers looking for colourful authenticity.
Most characters for a short story or novel require relevant research, and if you are delving into a particular period of history, the knowledge and inclusion of fashion, social mores, and specific idioms or jargon help the reader enter the world you have created.
If you make a mistake, believe me, there will be a critic somewhere who will notice!
Your blunder may not be as obvious as Brad Pitt wearing his 20th Century wristwatch in a fight scene in the 2004 Hollywood version of ancient Greece’s Troy, but may encourage the reader to question other details in your story.
I speak from experience.
A friend picked up a mistake in a Facebook post I made when I mentioned the first bicycle I owned in Australia bought secondhand at a high school fete in 1963. I said it was 50 cents when I should have said 5 shillings because Australia didn’t introduce decimal currency until 1966.
Details matter. When it comes to fashion it might alter the storyline, the timeline you decide to use and the location – even the need for minor characters. Consider the time it took a female to dress when layers fashionable: underwear (vest, knickers, corset, bloomers, stockings, underskirt, bustle and hoop), dress/skirt and outerwear of shawl/cape/coat/jacket, hat, gloves, shoes.
Depending on their wealth and station in life, they may have a dresser or maid, butler, hairdresser, even someone to apply make-up and choose jewellery. Or they may be so poor, they have one outfit, whatever the season that is altered and repaired!
When I spent a Christmas period in Toronto Canada that coincided with their worst winter blizzards in 50 years, I learnt to allow 10-15 minutes to take off or put on, the boots, coats, woollen hats and scarves. Each time you moved from outside to indoors visiting or shopping became a repetitive exercise.
Museums, art galleries and libraries often have permanent displays, plus special exhibitions, which provide a wealth of visual reminders about life in other eras and may contain hidden gems of information or give ideas useful for your writing. Events are sometimes free or available at a minimum cost.
Display at NGV focusing on French fashion and inspirations for artists
The Darnell Collection
I’ve blogged about the Jane Austen era a couple of times before and also an exhibition on the women in Dickens‘ novels. Fabulous exhibits to mine for information.
The Fashion Meets Fiction exhibition in 2012- 13 was created from a collection that grew from one woman’s passion for vintage clothes and accessories. Doris Darnell, a Quaker from Pennsylvania collected for over 70 years. The social history behind the items donated and gifted from around the world was ‘as important as the items themselves and preserving them and their stories for future generations became an important part of her passion.’
Letters, photographs and stories accompanied the gifts linking them to their original owners or donors, often detailing the occasion/s they were worn. The Australian goddaughter of Doris, inherited the collection in 2004. Charlotte Smith has grown the collection to 7,500 pieces, representing 23 different countries, to become the largest private international vintage clothing couture in Australasia.
Often the focus is on women’s clothing – and usually the glamorous items – however, clothing for men and children are represented. There are wedding dresses and sportswear, plus many reference library books, journals and exhibition catalogues.
The Darnell Collection provides fashion history education and is a design resource. Charlotte, the current custodian promotes the collection’s mission ‘to preserve, develop and enhance the collection’s ability to educate, interpret and inspire existing and new audiences for the better understanding and appreciation of the art of fashion.’
At the Burrinja Cultural Centre, the focus was on the style of memorable characters from popular novels: Scarlett O’Hara, Holly Golightly, Phryne Fisher, Carrie Bradshaw, Sarah Woodruff and others. The backstory of the clothes and accessories explained too.
This ball gown of rayon, cotton thread and sequins, by Margeaux Couture is c1950s America. The ornate handbag of silk, velvet, gold and glass beads from Hong Kong, same era. They were chosen to represent the world of David Dodge’s novel, To Catch A Thief, where the main character, a daring cat burglar thieves from hotels and villas on the French Riviera. I remember watching the film on black and white television. I can imagine Grace Kelly in this stunning red gown.
Since the 1950s, formal attire has evolved from private events to public ones – from debutante balls and gala evenings in sumptuous venues to red carpet entrances. As written in Ballgowns: British Glamour Since 1950, “Carefully chosen for special occasions, a ballgown should not only flatter the wearer and demonstrate her sense of style but also illustrate an understanding of the event to which it is worn.”
Edith Wharton’s novel, The Age of Innocence, is set in the 1870s. The two-piece dress chosen for the exhibition is American c1880 of silk faille, silk velvet and gilt metal to suit her upper-class characters.
Silk faille a popular fabric during the Victorian era with its strongly defined, ribbed texture and dramatic draping qualities. It is weighty and has to be cut carefully to ensure the ribbing of the two connecting pieces match to avoid uneven patterns. The material came back into vogue with Christian Dior’s New Look and is popular today with wedding dress designers.
Whenever I see these voluminous dresses with complicated layers, frills and beading, I think of the seamstresses because even with the invention of machines much of the sewing would be by hand.
The first functional sewing machine was invented by the French tailor, Barthelemy Thimonnier, in 1830. Thimonnier’s machine used only one thread and a hooked needle that made the same chain stitch used with embroidery. The inventor was almost killed by an enraged group of French tailors who burnt down his garment factory because they feared unemployment as a result of his sewing machine invention.https://www.thoughtco.com/stitches-the-history-of-sewing-machines
My Aunt Chrissie, a tailoress, served her apprenticeship prior to WW2, and opened her own sewing school when she emigrated to Melbourne from Scotland in the 1950s. My older sister Cate, inherited her talent but my sewing skills are average.
However, sewing and fashion touches everyone’s life in some way. My generation experienced compulsory needlework classes at school, homemade clothes the norm for many working class people. Hundreds of stories and characters can be created around the subject.
The dress chosen for Daisy Miller, in Henry James’ novel Daisy Miller also c1880s, and made by Mrs C Tracey of New York. This silk faille Bustle Dress with silk taffeta lining and lace, has metallic thread, metal sequins and glass beads.
Bustles were semi-rigid structures of wire half circles held in place by cotton tape and secured around the women’s waist, sitting over her bottom thus creating an unnatural protrusion in silhouette. Less cumbersome than the crinoline, it still required a restrictive corset to achieve the tiny waist fashionable in the Victorian and early Edwardian eras.
This desire for a tiny waist had shocking consequences. A family story about my paternal Grandmother who married in 1900 mentions how she fainted twice donning her wedding dress because the corset strings had to be pulled tight to ensure the obligatory 18 inch waist!
The crinoline dress chosen for Eleanor Bold in Anthony Trollope’s, Barchester Towers, published in 1857 is from that era and also American. It is silk taffeta with silk thread and wooden buttons and the shape has been altered from the enormous dome usually found in crinolines to early bustle shape.
The mannequins used to display many of the Collection’s Victorian dresses are the equivalent to the average modern 12 year old! Most Victorian women were tiny, including Queen Victoria who was only 150cm tall. (That’s under five feet for those still dealing in feet and inches!) Mum was 150cm and was resigned to taking hems up on bought skirts and dresses.
The Day dress, c1860 America of roller printed cotton with natural dyes, chosen for Lucinda Leplastrier in Peter Carey’s novel of colonial Australia, Oscar & Lucinda. It has a wire hoop petticoat to create a domed or bell shape. An ungainly and dangerous style blamed for women swaying too close to an open fire and being trapped in smouldering garments. Hoop petticoats provided fodder for cartoonists to lampoon female social gatherings depicting the cumbersome dresses in small Victorian parlours.
I can vouch for the accuracy of the difficulty negotiating movement with a hoop in the hem of your dress. For my 60th birthday, I held a party inviting friends to dress as their favourite literary character. I went as Jo March from Little Women, after she sold her hair! A plastic hula hoop bought from a Two Dollar Shop provided the shape.
A friend helped me make this dress for my 60th Birthday bash
If your fictional heroine is wearing one of these dresses don’t add to her clumsy misery by having her drink a lot of tea or other beverages requiring visits to the bathroom!
Another Bustle Dress c1880s America was chosen for The French Lieutenant’s Woman, by John Fowles. It is one of the most individual Victorian dresses in the Collection; an apt choice for Sarah Woodruff. Wool with Mother of Pearl buttons it has unusual paisley panels, which suggests the dress was made by a small town dressmaker or to be worn by the maker because apart from the bustle, it does not follow other Victorian fashion trends.
I remember reading The French Lieutenant’s Woman for HSC English Lit in 1970 and can imagine Sarah wearing this dress. Even with a dark cloak and hood, she looked striking and attracted attention ensuring her walks along the cliff top and by the sea did not go unnoticed.
Two of the displays triggered more memories of Mum. A wool suit with silk crepe lining by Paul Horla for Fritzels, Milwaukee c the early 1940s is a wonderful example of fashion during World War Two. It was chosen to represent Dominique Francon, a character in Ayn Rand’s, The Fountainhead, first published 1943. It reminded me of Mum’s wedding suit but of course, in 1948, Scotland still had rationing and her suit was not as upmarket as pure wool and silk crepe. However, the style is similar.
When material was rationed, wool fabric allocated to uniforms and war related outfits was still difficult to obtain and dressmakers and tailors ‘took extraordinary steps’ to ensure no scrap of fabric wasted. Skirts became pencil shaped, requiring minimum metres and jackets tailored for a snug fit.
“The clever details of this suit, which makes it look truly decadent in a time of austerity, are the collar, pockets and cuffs are fake… actually layers of leftover fabric cut and sewn individually… the ‘pockets’ are scraps of fabric stitched to the bodice and not usable.”
My Mother loved reading and had a penchant for genre novels – mysteries and romances her favourites. She introduced me to Agatha Christie and when I lived with a friend, in a Canberra flat while attending ANU, I discovered Margaret loved Agatha Christie too and worked my way through her bookshelf.
No surprises that Mum liked to read Maigret novels, Georges Simenon’s French detective and Erle Stanley Gardner’s Perry Mason series, like The Case of The Lonely Heiress. Perry Mason being a Californian lawyer and both of these characters subjects for popular television series and films. I can remember watching them in the 1960s and 70s and Maigret has been revived recently with new adaptations.
Perry Mason had a devoted secretary, Della Street, who helped him solve cases and the Ball Gown with Shawl by Lucy Sector captures the evening glamour c1950s. This outfit of silk brocade and silk satin was made in Melbourne. The Governor’s secretary wore the gown when she attended a ball at Government House, Sydney 1954.
Lucy Sector’s fashion career began in Melbourne in 1930s and her respected label became fashionable and exclusive with dresses sold throughout Australia, including her own shop in Northbridge WA. The black handbag of glass beads and silk brocade lining was from France c1950s.
The Swinging Sixties & Groovy Seventies
The 60s and 70s heralded big changes in acceptable attire for women with dresses becoming shorter and more revealing and pantsuits designed for afternoon and evening wear. Candice Bushnell’s, Sex and the City, a popular bestseller in 1997 as a collection of essays on the lifestyles of her social circle. Later a movie was made and television series. The silk faille cocktail dress by Christian Dior chosen for the character Carrie Bradshaw has glass beads, sequins and silk lining c late 1990s.
In 1997, John Galliano replaced Gianfranco Ferre as Dior’s head designer. He combined his love of theatrics with inspiration from the Dior archives and the fitted, elegant and feminine dress is reminiscent of the 1950s.
The leather shoes are more recent c2009 by Manolo Blahnik and come with a fascinating backstory, inspired by a similar pair of shoes Blahnik produced for designer Ossie Clark in the 1970s. Blahnik was producing men’s shoes in his shop in Chelsea, London when Clark asked him to create shoes for his next couture collection. Making women’s shoes filled a creative void for Blahnik and his outrageous and flamboyant designs became the fashion must-have. Bushnell’s novel republished in 2008 and the 2009 television series of Sex and the City gave Blahnik shoes cult status.
In Octopussy, Ian Fleming’s final James Bond book, a collection of short stories and published posthumously in 1966, the main character is Octavia Charlotte Smyther (aka Octopussy). Attractive, smart and athletic women a feature of Bond novels and movies so the pant suit by La Gaye Parisienne, Sydney of lurex and lame fabric perfect. A pant suit fits the 1960s setting but vamped to look trendier and sexier than the ordinary.
London 1956, saw the first couture collections using metallic yarn. By the 1960s, silver and gold lame fabrics (as well as pastel colours) replaced black as the favoured colour for the popular cocktail scene.
Love Story by Erich Segal, set in the 1970s and first published in the USA 1972 to popular acclaim, capturing the mood of the era of breaking down barriers and shifting boundaries. One of the main characters Jenny Cavilleri is studying music in Massachusetts and is matched to a machine-made lace and silk pant suit by Ann Pakradooni, a well-known dressmaker in Philadelphia in the 1960s and 70s.
“Two years ago, this suit was part of a small display at the Philadelphia Art Institute. An 80 year old visitor asked if she could take a closer look at the inside of the jacket. Upon inspection of the stitching of the hooks and eyes, she realised she had made the suit when she worked for Mme Pakradooni in the early 1970s. She recognised her stitch work and explained each seamstress had a unique signature stitch, their secret signature for every garment they made.“
The straw Hat with cotton flowers and satin ribbon is Australian c1970s, and the leather Handbag, French by Pierre Cardin c1970s.
Agatha Christie’s, Death On The Nile, a Poirot Story was first published in 1937 and set in that era. The silk organdie Day Dress c1930s an example of the softer more feminine look to replace the boyish 1920s. Soft, transparent fabrics like silk organdie were popular with colourful and complicated designs printed on silk, rayon and crinkle crepe. Daywear became less decorative and more practical, reflecting women’s busier roles in society. The brown straw Hat has cotton and plastic flowers on velvet ribbon.
The Great Gatsby, by S Scott Fitzgerald is out of copyright this year so prepare for a slew of adaptations and interpretations. It was first published in 1925 and featured the memorable Daisy Buchanan and the Roaring 20s United States. The blue silk chiffon and satin Dance Dress has paste diamantes and the silk shawl c1920 from China is stitched with silk thread.
The Evening Bag by Whiting & Davis is c1920 America and is woven metal mesh with hand screened-printed pattern and gilt metal frame. Whiting & Davis was one of the biggest and best known mesh handbag manufacturers and still manufacture today. Screen printing allowed for a myriad of patterns and colours.
The shoes by YuYee c1920s China with the maker’s stamp reading ’embroider shoes made in China’ and comprise of cotton, silk thread and leather soles. China’s export industry ensured wealthy expats could purchase garments and accessories with a ‘westernized’ Chinese look. in the 1920s, popular fashion included the wallpaper effect of Japanese decoration and rich embroidered patterns of flowers from China.
Georgy Girl, by Margaret Forster embraced the Swinging Sixties, and is another popular novel that made it to the big screen. It also inspired The Seekers hit song Georgy Girl used for the movie. The Cocktail Dress by Guy Meliet is silk faille from Caracas, South America, and the hat is synthetic mesh with faux pearls, c1990s, England. Although made in the 1990s the hat is 60s inspired and pairs well with the straight A-shape of the dress and suits the personality of the novel’s swinging Meredith.
Guy Meliet trained in Paris before moving to Caracas. Throughout the 19th and 20th centuries, many designers and milliners trained in Paris alongside a well-known couturier before launching their their own salons in countries demanding expensive, French inspired clothes. Meliet is credited with dressing some of the most beautiful socialites in Venezuela, including Chesley Larson, the owner of this dress. A world that was anathema to Forster, a lifelong feminist and socialist.
Although published in 1963, The Spy Who Came in From the Cold by John Le Carre, characterises the late 50s and early 60s, known as the Cold War era when spies and double agents were in the news. The chosen dress is Italian c1960, woollen and by Spinelli.
Elena and Sante Spinelli immigrated to Australia from Italy in 1958. In 1960 their luxury knitwear label, Spinelli began in Adelaide, South Australia. Their international influences and flair spiced Australian fashion, evidenced by this ‘mod’ 1960s dress. Combining fine Australian merino wool and the skill of Italian craftsmanship produced a unique Australian fashion statement. The wool Hat by Mr M c1960s America and the Australian crocodile Handbag with leather lining finishes the elegant outfit.
What would any fashion or life story be without the ubiquitous wedding dress. Nicholas Sparks 2003 novel The Wedding, focuses on a couple celebrating 30 years of marriage and while planning their daughter’s wedding, the husband is ‘re-courting’ his wife. It is set in the 70s and the Wedding Dress by the House of Henry Josef, Sydney, is machine-made lace, silk satin, net and polyester.
There were many other novels and outfits to satisfy a variety of historical periods and a writer’s curiosity. I’m sure many exhibitions are available online, especially with the disruption of 2020 and the continued adjustments to life trying to be Covid-normal.
Explore, research, read – then write!
To end with a smile (and we certainly need more of them!) here is a poem I wrote last Christmas for one of my daughters who loves cosplay and comes up with wonderful ideas for costumes, which we make on a low budget.
Although it is difficult to make headlines or initiate a public discussion about anything other than the global pandemic or Trump and his supporters’ refusal to accept the results of the USA Election, Greta Thunberg who just turned 18, has reminded us global warming is still happening with devastating consequences.
For those who have never seen the movie Groundhog Day,perhaps take a few minutes to Google, or accept the explanation below…
Based on the movieGroundhog Daystarring Bill Murray. It is the idea that every action that one makes; the rewards and consequences of those actions are not followed through the next day. If someone were to make a big choice, commit a crime, offend someone, make a mistake, or meet someone throughout a period of a regular 24 hour day, those rewards and consequences for all of those actions are not carried through the next day. It is all forgotten. In other words, it’s like yesterday never happened. Therefore this pattern can keep on repeating for an unknown amount of time.
I’ve known about the dangers of the Greenhouse effect, global warming, climate change – call it what you will – all my adult life and yet each year the public discussion seems to be the same. I’m with Greta – why aren’t we woke yet?!
A Member of the Victorian Parliament Warned about Climate Change in 1990!
Here is an extract from the Gazette the Victorian MP Jean McLean used to deliver to her constituents.
Before social media, many members of parliament made an effort to keep the electors informed via regular newsletters. Jean McLean was especially interested in the environment and social justice issues – climate change most certainly an environmental AND social justice concern.
(It was time-consuming to get the message out with the tools of typing, Gestetner printing or photocopying, hand stapling and enveloping, even before relying on Aussie Post or volunteers like me to distribute, but I am so glad Jean did! )
selection of badges from the 70s onwards – anti-nuclear, pro-solar, warning of radiating our food
Environmentalists and conservationists have been warning about global warming since April 22,1970, when the first Earth Day was held in the USA and scientists coined the term Greenhouse Effect. They forecast the Earth’s future in doubt because air pollution was warming the planet – pollution primarily caused by the burning of fossil fuels.
In the 80s the anti-uranium movement gained momentum against those seeking nuclear power because of the Chernobyl disaster, a place still contaminated 35 years later. It wasn’t the first but is perhaps the worst nuclear power station disaster, yet some people still suggest nuclear power as an alternative energy source.
Since the 70s, environmental activists usually lumped in with ‘the Left’, disbelieved and vilified, shrugged off with contempt as ‘greenies’ and ‘tree huggers’. Although social media favours ‘snowflakes’ and ‘leftards’ and other generic insults to cover numerous issues, not just the perceived ‘hoax‘ of climate change!
Not surprisingly, many who disbelieve climate change also favour the conspiracies around COVID19, although ironically there are some who believe the science of climate change but not the science of epidemiology (and vice versa)!
Climate messengers have expanded, from both sides of the political divide and even in the corporate sector. They admit climate change is real and we are experiencing dire human and economic consequences by ignoring the science.
Natural disasters on the rise mean the tragedy of global warming can’t be ignored, but we shouldn’t forget many of our current political and corporate leaders have always KNOWN!
They’ve had:
Access, to scientific reports and data like the World Oceanographic Commission and World Meteorological Organisation, mentioned above,
plus a variety of other national and international research bodies.
Ignorance and lack of action a choice we really can’t afford now:
Friends in the USA and Canada have shared the devastation of the 2020 fires in California that compounded the grief of coronavirus suffering.
Since the global pandemic struck, I have increased email correspondence to friends overseas or locals keeping social distance because of lockdown. Often the discussion is about the future and we recognise the existential threat of global warming. It may be off the front pages of newspapers but not forgotten by the people living with the memory of last summer’s fires in both hemispheres.
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Shirly is 88, and a dear friend in England who is married to a cousin of my husband’s, and like many living in the UK, she copes with what she describes as a world ‘in a mess… it’s as if Margaret Atwood wrote the year we’re living. Dystopian.‘
On January 4th she wrote
Yesterday, quite accidentally, I turned the news channel on and your PM was extolling the joys of coal and the fact that this was Australia, not some little country dependant on Europe or America.
We can do what we like. We have coal and we’ll use coal.
He said it as though he was giving the people an enormously good piece of news. As though global warming had nothing to do with your country. I couldn’t believe my ears.
But there are so many non- believers, we shouldn’t be surprised…
How right she is and the many reports about climate change updated because of another year’s data prompted others in Australia to remind the population of PM Morrison’s pathetic position:
Easy actions many of us can take is to care and plant more trees, become a dendrophile. Also reduce, reuse and recycle, and start conversations with friends and neighbours to lobby local councillors and politicians about the importance of renewable energy and government policies that help create a sustainable environment.
Most importantly, we can use our voice and our vote. This year there will be a Federal election in Australia, we must make sure climate change is addressed.
Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it is the only thing that ever has.
I haven’t posted since July 2020, but it is a new year and notwithstanding the recent outbreak of COVID19 in my local area, I am hoping 2021 will be better.
This is actually a reworking of a post from several years ago and if you read to the end, my choice of updating and reposting should make sense. (It’s not just laziness although it is an effort to overcome a lack of enthusiasm and feeling of irrelevance!)
The last six months have been the definition of hell for so many people despite some (including me) attempting to find the glass half full.
I’ve read of achievements, new hobbies, friendships, educational courses, diets and exercise regimes, technology, books, films, music, imaginative recipes and discovery of local environmental gems… there were also plenty of negative impacts from panic and fear, lockdowns, isolation, shortage of goods and services, lost jobs and homes, broken relationships and health issues.
A relieved thought (or unvoiced fear) was how lucky can one person be!
It wasn’t the immediate end of the world but I would be lying if I said thoughts of death didn’t loom large. I checked finances and discussed plans with my daughters for ‘no funeral, just a big party’; ensured my will, plus medical and financial power of attorney up-to-date.
In the last decade, many health scares, so déjà vu for the Neil household at this regular event!
However, the discovery of a brain tumour and the fear it was metastatic cancer shocked the GP who has cared for me for over 25 years. We both fought back tears, our trembling lips hidden by masks, social distancing forgotten as she squeezed my arm in sympathy and murmured about unfairness and not to lose hope because it could be a meningioma.
I’m 67 years old, ironically, the same age as my husband when he died in 2002, (John was 18 years older than me). Whether it is the Highland genes or just my Mother’s Irish superstition, this coincidence played on my mind and also worried my daughters.
Survival rates for cancer vary from person to person but the milestones of 5 and 10 years are always at the back of a patient’s mind when diagnosed. The longer you can go without a recurrence is something to celebrate.
However, survival rates for a tumour in the brain, poor and if an operation required the risk of stroke high.
I was disappointed when breast cancer returned after 9 years but my breast cancer surgeon inspires confidence and he acted quickly and decisively and this time it was a lumpectomy rather than mastectomy.
The recovery from the melanoma and skin graft during severe lockdown, and in the middle of winter, took a little longer with travel permissions to worry about and more stringent rules for clinicians and patients. These restrictions lasted well into the next health surprise.
By the time I went through all the tests and consultations for the brain tumour, it took a lot of energy to even pretend to be positive about the future. I thought back to the deaths of family and friends I’d witnessed or been involved with in the last stages of their life – hence revisiting this post about my friend Margaret.
Will I be calm and accepting? Do I want to prolong the inevitable? What are my priorities and is there any point in a bucket list?
I almost forgot to breathe when the neurologist decided it was a meningioma and not metastatic cancer. In the words of my breast surgeon on my annual visit in December, ‘You dodged another bullet, Mairi!’
How long I can keep dodging is a mystery but I’ve decided to turn the page on 2020 and try ‘business as usual’ along with my mantra ‘this too will pass’.
Digital Distraction
I spent July to December posting photographs and haiku on Instagram after joining at the suggestion of a dear friend in Japan who posts about Bonsai.
We have stayed connected and she returned any perceived favour by inspiring me to learn a new digital platform (with daughter Mary Jane’s help), indulge my love of photography and the environment, and write haiku, a favourite poetry form!
Naoko’s Instagram is #bonsai_sana and mine is #mairineil
Walking the dog each day around Mordialloc, I focused on everyday sights, let my imagination and thoughts wander and in the evening, inspired and guided by the demands of the form, I wrote haiku.
The anxiety, fear and dark thoughts about health and death receded as once again my passion for writing became therapeutic and a distraction. It gave me a focus and a project.
Remembering that I’ll be dead soon is the most important tool I’ve ever encountered to help me make the big choices in life. Because almost everything — all external expectations, all pride, all fear of embarrassment or failure — these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.
Steve Jobs
And for many, death comes too soon…
Farewell To A Friend
The telephone call came out of left field. Tragic news to wreck quality time with a dear friend, yet it is also a dear friend on the other end of the mobile. My eyes sting with welling tears, but remain focussed out of the window of the Malt cafe in Beaumaris.
I watch two young mums chat animatedly on the footpath. Relaxed and smiling they are probably enjoying the freedom of the first day of the school year; the little darlings who kept them busy all the summer holidays tucked into classrooms. Another couple on an outside table feed their Golden Retriever tidbits from their plates.
I’m surrounded by chatter; the cafe almost filled to capacity. The aroma of fresh muffins, fruit toast, and homemade jam mingles with my skinny latte and Lesley’s extra strong cappuccino. However, normality dissipates as I absorb the details of the call. Body trembling, I feel as if I’ve been punched in the stomach and as usual Tamoxifen blesses me with a hot flush as anxiety peaks and emotions rage.
The day takes its first lurch into the surreal.
I’m on my way to celebrate a friend’s retirement from decades of teaching. She’s treating several friends to lunch at Sierra Tango, Cheltenham instead of us paying and hosting the celebration for her! The generosity of the invitation indicative of her warm, supportive personality and the venue a tribute to her knowledge of gastronomy, appreciation of fine foods and wine, and a commitment to support local businesses.
Determined not to spoil Lisa’s day, I seal my tragic news into an emotional compartment to be dealt with later…
I remember a poster I had on my wall at Burgmann College in 1971, when I lived on campus at ANU; my first year away from home. A poster long since eaten by silver fish when it was consigned to the garden shed, but here’s graphics with the same message – a sightly more colourful way of describing “left field”:
The telephone call from Canberra, from a friend from those university days. She can’t keep shock and horror from her shaky voice. A mutual friend, someone I shared a flat with in the 70s, is dying. She was the first non-family member I lived, worked, and studied with – we even shared the double bed that came with the one-bedroom apartment – and thought nothing of it! She’s now on borrowed time.
How could this be?
A voice laced with tears explains that a late discovery of inoperable breast cancer, treated with letrozole, has metastasised to the groin and brain stem. The condition kept secret for two years, while Margaret spent time travelling overseas and going through her bucket list. Now, in palliative care, her lifespan numbered in weeks rather than months – or days, if she experiences a seizure or rapid deterioration of the brain.
A picture of all of us at the Harmonie German Club in Canberra in 1973, was shared in a recent post. Tall slim Margaret centre stage.
She can’t be dying – and not of breast cancer. This news, too confronting and scary. I think back to the apartment we shared, and shiver. That old house divided into three and this news means all of the women living there, including me, have breast cancer: one double mastectomy, two single mastectomies and now Margaret with metastatic breast cancer! Bad luck? Coincidence? A cancer cluster?
A problem for another day…
Bad News Travels Fast
During Lisa’s celebration lunch I receive another phone call with news that a European friend who had stayed with me early January had to have an emergency eye operation in Sydney because of a detached retina. There’s a danger she’ll lose her sight.
This super fit friend, a world-renowned marathon swimmer, came ninth in the Pier to Pub swim at Lorne this year. She’s supposed to be leaving Sydney for her home in Italy with a stop in one of Thailand’s resorts, but is now delayed in Australia until doctors allow her to fly.
The day has taken its second lurch into the surreal.
On my way home, I have the Serenity Prayer playing in my head as I try to put the sad news into perspective and decide on a course of action.
The next day I’m in Canberra and over four days catch up with many old friends from university, make some new ones, and spend hours with Margaret as she adjusts to the effects of radiotherapy and the news of having limited time.
She copes well with the steady stream of people who want to help in some way, as well as saying goodbye. The adage ‘bad news travels fast‘ proving true.
The busyness reminds me of husband, John’s last days – the irony of our busy vibrant house, constant comings and goings, laughter and noise, feasts, and endless cups of tea and coffee surrounding someone dying.
We share meals with Margaret, laughs and stories. I spot photographs in an album – and snap copies with my camera.
Cooma 1973
Lake Burley Griffin 1974
‘Those indeed were the days my friend,’ I say, ‘we had a lot of fun!’
Margaret agrees. I listen as she describes the highlights of her overseas trips and of her intention to travel again.
Deep down we both know another trip will never happen.
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Before I leave, I water the plants and pick flowers to brighten inside. Margaret manages to negotiate back steps with some help and watches me water the garden, pointing out several special plants that came from other people’s gardens, or were received as gifts.
‘This can’t be happening,’ she whispers and I know she isn’t talking about my watering efforts. She alludes to her parents’ longevity, father ‘Digger’, dying a few years ago aged 93, her mother living into her 80s.
Her head shakes slightly, ‘I thought I had 23 years before I had to worry about all these decisions … what to do with things … ‘ Her voice trails off as her eyes drink in the beauty of flowers flourishing from the effect of an unusually cool Canberra summer providing higher than average rainfall.
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I help her back inside wondering if this will be the last time I will feel the weight of her arm. The last time I brush fallen hair from her shoulders as her scalp reacts to the radiotherapy.
Why is the sun still shining? The magpies trilling? Laughter drifting from nearby apartments…
I recall a speech from one of the many Aboriginal women in our friendship circle. She thanked Margaret for all the books she bought her children over the years, the encouragement to access education. ‘One son got his PhD last year, all my girls have tertiary qualifications – thank you from the bottom of my heart.’
Others repeat similar sentiments. ‘You may not have any children of your own, but what you have done for our children means they are yours too!’
The seeds we sow. A wonderful legacy indeed, but I wish Margaret had another 23 years to sort out her life…
I wanted the last few days with her to be surreal and someone to wake me up and say it was all a dream. But of course I faced the reality of saying goodbye and dealing with my grief.
Now, with the reality of declining health I’ll hopefully adjust with similar dignity as Margaret when the inevitable must be faced – with luck still in the distance.
Then again, 2021 may hold bigger surprises than 2020 and they could be good!
That (wo)man is successful who has lived well, laughed often, and loved much, who has gained the respect of the intelligent men (and women) and the love of children; who has filled his(her) niche and accomplished his (her) task; who leaves the world better than he (she) found it, whether by an improved poppy, a perfect poem, or a rescued soul; who never lacked appreciation of earth’s beauty or failed to express it; who looked for the best in others and gave the best he(she) had.
A leaflet freely available on the counter of my local chemist
Many people know me through my writing and teaching, but another hat I have worn for several years is that of a consumer health representative and as we deal with COVID-19, I’ve attended several excellent ZOOM meetings organised by Victoria’s Health Issues Centre (these are recorded and worth watching).
Various health organisations continue to work towards improving how health is delivered whether the topic is related to COVID-19 or not. I also presented (via an online platform) to a conference at Melbourne University, organised by medical students for their 2020 MD Student Conference (MDSC). (Details below)
Health literacy is about how people understand information about health and health care, and how they apply that information to their lives. It is about how they use that information to decide on treatment and lifestyle.
Over the years, I have been able to use my writing skills combined with personal experience of the health system to give input and feedback to help health professionals and various institutions and government bodies improve the health information provided.
From the Australian Commission on Safety & Quality in Healthcare:
Individual health literacy is the skills, knowledge, motivation and capacity of a person to access, understand, appraise and apply information to make effective decisions about health and health care and take appropriate action.
Health literacy environment is the infrastructure, policies, processes, materials, people and relationships that make up the health system and have an impact on the way that people access, understand, appraise and apply health-related information and services.
Volunteering To be A Health Advocate May Help Others
My health advocate journey began in 2009 when I attended a focus group at Central Bayside to help them rewrite leaflets about Diabetes.
My father had been diabetic for many years (mature-age onset) and moved from tablets to insulin before his death. From firsthand observations, I knew there was room for improvement in the brochures publicly available.
At the time, I was enrolled in the Masters of Writing so my writing skill was, and still is, useful to share.
A reference letter explaining my early involvement with community health.
For me, the upsurge is not surprising because when the initial Lockdown was eased mid June many people behaved as if the pandemic was over despite Premier Daniel Andrews saying repeatedly, ‘just because you can doesn’t mean you should’ and the Chief Medical Officer, Professor Brett Sutton reminding us continually, ‘this coronavirus is ten times more infectious than flu.’
Few, if any, of us enjoy forced isolation, but most people DID put the health of others before social considerations and obeyed the rules. Let’s hope we can do it again!
The message of the dangers of COVID-19 has made headlines since March – not just here but overseas. Any other topic has great difficulty gaining oxygen. Most people can access the Internet – there is no excuse for being ill-informed.
In the beginning, there were mixed messages, especially from the Federal Government, but by April all States had the same mantra about social distancing and washing hands. Debate continues about wearing masks, but many people have made that choice and it helps reinforce social distancing.
There is concern not enough effort was used in Victoria to ensure the message was inclusive of multi-cultural communities but frankly considering every country is touched by COVID-19 and we have multi-cultural television and radio stations with many communities having their own language newspapers, I don’t think that can be the only reason. There is also an excellent website with health translations in more than 100 languages. More likely it is the socio-economic make-up of those suburbs with people working the casual and low paid jobs of hospitality, retail and transport that have continued throughout the Lockdown period – plus the pressure on schools throughout Australia to reopen. The virus is highly infectious – it was never about elimination (a vaccine is a long way off and will ever only be 70% effective anyway) but aiming for suppression and control.
Debate still rages about schools going back too early and the opening up of businesses and venues but considering the world is coping with an unprecedented crisis this century our various levels of government are doing their best – it was always going to be a balance between health and economic survival. Again – personal behaviour is the key.
Sadly, some people CHOOSE to believe the seriousness of the pandemic and ignore regulations.
It is up to individuals to be aware, follow the rules, and take care.
Recording The Pandemic For Future Generations
In April, my friend Matilda Butler who runs the womensmemoirs.com site in the USA with Kendra Bonnett, asked women to write about COVID-19.
Now, with a sense of security rapidly diminishing if we continue to see larger numbers of infections, an update will be needed and it may well have a different tone!
There are writers all over the world recording this pandemic from a variety of perspectives and journalists and bloggers tapping daily. Next year and the years to follow, we’ll see a plethora of films, documentaries, plays, poems, novels and memoir…
A summary of the results of the City of Kingston’s May 2020 survey:
From the 202 responses collected between 13-21 May 2020, they identified the following insights:
A lot of people adapted to using technology to remain connected (89% of people)
Around half were worried about being infected, but most (97%) had access to facts and information on quarantining
41% were worried that they or their families wouldn’t recover if infected
Physical activity was cited as the main activity providing relief
The main concern people had about being isolated was the loss of connection with their social support network
You can access the full report and also see regular updates from the website.
a special light was sent by courier for my interview
The Use of Technology Has Zoomed During COVID-19
As mentioned before, I have been extra careful since January because of a recent breast cancer operation and so adapted easily to Lockdown, isolation and social distancing.
When the Cancer Council asked me to contribute to the medical student conference at Melbourne University, I accepted because it could be prerecorded. The session recorded in May, but broadcast on June 25th.
The organisers and presenters plus the film crew amazing. It was a positive and fascinating experience. A great learning curve in the use of technology!
Here are screenshots from the session: “Breaking Bad News”.
This session forms part of the Day 4 program theme “The Ultimate Equaliser”. We have chosen this theme to give medical students the opportunity to have in-depth discussions on mortality and the human condition. We are very fortunate to have a number of esteemed healthcare professionals presenting on Day 4. An integral aspect of medical education is learning from patients, as they are often our best teachers. We feel that it is essential to include personal stories in a session on breaking difficult news, so that we can keep patients at the centre of our education.
I was one of three women who volunteered to share their stories on the day, and I read two pages from my story published in the book Journey – experiences with breast cancer.
Thank you to the organisers for the opportunity to share my story. Thank you, too, for those who will listen who are joining the medical profession – as we have seen during this pandemic, the pressure, expectations, danger and sacrifices for frontline workers has revealed how important, precious and valuable you are for a healthy functioning society.
Personally, I’m grateful to medical science for my life. The improvements in breast cancer detection and research plus treatment available in Australia meant my cancer diagnosis in 2010 disrupted my quality of life but was not a death sentence.
And that is what the mention of cancer means to most people – a terminal illness that once you are diagnosed and even go into remission, it is a coiled snake waiting to strike. That metaphor turned out to be true for me because of my breast cancer, albeit another type, returned in December 2019.
In the words of my wonderful breast surgeon, Dr Peter Gregory – ‘nine years Mairi, you almost reached ten!’ His disappointment and disbelief matched mine because of course there are legendary milestones, whether true or not, of 5 years and 10 years – making those free of a recurrence is believed to extend the likelihood the cancer won’t return , or worst spread to other parts of the body.
Both times my cancer was picked up by breast screening and although at a recent event put on at Peter McCallum’sI discovered only a small amount of cancers are picked up by mammograms, I am so grateful to have access to this free program in Australia.
And my thank you after everything went as planned!
Dear Georgia,
To be cliched – the pleasure was all mine:)
Thank you again for giving me a platform for my story and I think you, Tansy and all the others have done an amazing job considering the circumstances in which you have had to operate.
Thank you for always being so courteous and ready to respond and adapt to my needs, even when it probably inconvenienced your own,
All of you can be immensely proud of what you are achieving but more importantly the place from where your efforts and the impetus has come – creating a first class health system that cares for everyone’s needs.
I was most impressed with – I think it was Lily who said it – ‘welcome, this is the way of the future…’ You and your co-workers are all very talented and I can see the benefits for a lot of digital expertise being applied in the future for conferences etc because who knows how long travel or large gatherings will be risky to organise. Also, what you have done over the last few weeks has been amazing in establishing a pathway for all sorts of voices to be included at conferences where usually only certain ones are invited.
I know the title consumer rep has been coined, especially by organisations fighting for equity in the two-tiered system we have (private V public health) and for a multitude of voices to be heard, but I personally never want to move away from the word patient when I am referred to treatment for my health because it implies being in the care of a doctor/medical clinician. Whereas consumer can so easily be applied to someone shopping or dining whose main interest is value for money rather than the esoteric outcomes of quality of life regarding health procedures!
We are all individuals and our bodies can respond in various ways and so care provided must always be personal and often tailored to suit the individual – not mass consumption – what works or is accepted by one may be inappropriate or not work on another.
A bit like in the 90s when suddenly those receiving education became clients rather than pupils or students.
Word choice matters because we all come with our own prejudices, perspectives and experiences but it would be nice if we could agree on a terminology that gets the balance and duty of care right – and in some areas of our society there has to be an authoritative balance some times.
I want to be empowered to have a say in the health system but I also want to acknowledge the expertise of the people looking after me and that their advice is coming from a place of knowledge and wanting to heal me and I am happy to accept they know more than me but I hope they are also prepared to listen and set aside some of their assumptions.
Good luck with all your other planning and remember to take some time out for relaxation and fun – you deserve it:)
All the best
Mairi
We have a good health system in Victoria and there are people working all the time to make it better.
The health system had to take stock and organise to cope with the pandemic and remain functioning. It could have so easily become overwhelmed like other countries – especially Italy, Brazil and the USA.
In Victoria, the effort to keep everyone informed and to meet everyone’s expectations has been excellent.
The initial postponement of elective surgeries to ensure there were enough hospital beds and equipment if needed has been lifted, but if people don’t heed the warnings who knows what strain will be put on available resources?
The message I received and took on board is ‘don’t forget your health check-ups’ . An important message to act on.
I went for my regular skin cancer check and they discovered an invasive melanoma. Despite increased testing for COVID-19 the results of the biopsies came back quickly and an operation including skin graft is scheduled for next week.
But if the system becomes overwhelmed, others in the future may not be so lucky. We must stop the COVID-19 infection rate increasing!
I started off the post with a leaflet explaining the logic and simple steps to avoid spreading viral infections. These work for flu as well, and one welcome side effect of the isolation rules is that fewer people are contracting flu this season!
Here are just a few of the public notices around Mordialloc I see every day advising people about COVID-19:
I’m sure these informative signs are replicated in every suburb – authorities can only do so much – members of the public must cooperate.
Being in the high risk age group with underlying health issues, I sincerely hope people will make the effort to be informed and obey the rules so we can suppress the rapid spread of this coronavirus.
Support all those frontline health workers, plus the workers in other occupations who have remained or returned to work and must cope with new rules and the compliance necessary to combat COVID-19.
There has been a host of issues covered by a variety of media in the last week, as the important Black Lives Matter Movement continues to dominate headlines around the world and it is also Pride Month in the USA.
Australia was party to this Convention as David Marr explains in an interview recorded on the 2016 documentary Chasing Asylum.
The UN Declaration of Human Rights and Refugee Convention was a humane understanding, according to David and ‘the world’s apology to what was done to the Jewish people fleeing the Holocaust.’
When the doors are closed, people need protection and have a right to seek it! Australia signed up to this Convention and to letting refugees come in – and they come by the sea when other channels are closed!
When I revisited this documentary, I wept.
Even with COVID-19, when we are all encouraged to care for each other, we are detaining and treating asylum seekers as if they are criminals and of lesser value than ourselves. Fortunately, there are courageous advocates still speaking up and trying to get the Australian Government to honour the Conventions they signed.
A young man STILL detained – from a friend’s Facebook
I agree with David Marr, who ”defies anyone not to be moved and not feel ashamed.’
The film shows horrific footage (taken without the knowledge of those in authority) of inside the camps on Nauru and Manus Islands that Australian taxpayers fund and set up by the Federal Government. Repeated parliaments headed by BOTH main political parties have made excuses to maintain these offshore camps.
The cost of torturing innocent people who had a RIGHT to seek asylum – $500,000 per asylum seeker per year – that is $1.2 billion to maintain Nauru and Manus Islands.
A lot of money to torture people because mandatory and indefinite detention is definitely torturing!
There is testimony from employees with firsthand experience who observed the inhumanity and horrific conditions in the detention camps. No amount of posturing and excuses will hide the fact the premise of Australia’s policy is we have a right to put refugees through hell because they came by sea and others might die at sea following their example.
It is profoundly hypocritical to claim ‘stop the boats and turn back the boats’ policies are humanitarian because they stop deaths at sea – especially when we continually engage in wars and other practices creating refugees!
The most recent mass migration of people fleeing their Syrian homeland a case in point. Australian planes bombed Syria. Many of the refugees in this documentary are Iranian, Afghani and Iraqi – Australia was part of the ‘Coalition of the Willing’ who bombed these countries!
There are reasons for refugees fleeing their homeland – foremost is war – most people would prefer to stay in their own country. If more effort made to prevent the reasons, people put themselves at risk, we would not be facing a worldwide crisis of 60 million refugees.
The countries sheltering half a million to over a million refugees are:
Turkey, Pakistan, Lebanon, Iran, Ethiopia and Jordan.
Germany accepted one million Syrian refugees in 2016.
Meanwhile, in Australia, we’ve demonised refugees since 2001 and used them as a political football.
In 2016, Chasing Asylum challenged us as a nation to confront the flagrant abuse of human rights perpetrated in our name and as a nation we responded by repeatedly electing governments to continue this inhumanity.
Reduced to its basest element, Australian government policy is to begrudgingly treat those who legally sought its asylum – by one mode of transport, by boat – with axiomatic cruelty, in order to discourage others from paying people smugglers and hopping into leaky boats across south-east Asia. This policy saves lives, they say, because it deters others.
But it’s not this policy that’s stopping the boats from reaching Australian shores. Australia has spent billions of dollars putting an armada to sea in the waters to the country’s north and west.
Asylum boats continue to ply the waters of the region and attempt to reach Australia. They do so in much smaller numbers now because they are intercepted, boarded and their passengers and crew forcibly turned around. Protection assessments are conducted at sea – a policy considered illegal under international law by almost every expert opinion, including that of the United Nations.
The support workers, volunteers, social workers, doctors and security personnel who speak on camera in Chasing Asylum also demonised. Classed as malcontents and whistleblowers, there have been many attempts to discredit them by sections of the government and media.
Their evidence may be unpalatable but cannot be ignored.
Because of their courage, protests from many community groups, and the persistence from MPs with a conscience like Senator Sarah Hanson-Young, the voiceless may have been ‘out of sight’ but were not ‘out of mind’!
There is also a policy of boat turn-backs and like the disgraceful scandal of the Tampa, we ignore a basic law of the sea of helping a vessel in distress.
United Nations High Commissioner for Refugees, 2006:
No one knows how many boat people have died, but thousands have been rescued at sea. In the reality of dangerous journeys undertaken to gain access to reluctant coastal states, the time-honoured maritime traditions of rescue at sea collide with the growing determination of states to prevent illegal entry to their territory.
However, to seek asylum as a refugee is not illegal!
We must face the reality of the deceit of the cruel and barbaric ‘stop the boats’ mantra and there is no time like the present!
The pair still peddle the myth that our refugee policy of mandatory offshore detention is humane!
Like many of the horrific scenes circulating on social media at the moment, this history of our offshore detention policy makes uncomfortable viewing!
By choosing to describe asylum seekers as illegal immigrants, economic migrants, or boat people, and classifying them as less deserving of help, it is easy for politicians to justify denying them basic human rights.
I’m glad that there are still activists protesting on behalf of asylum seekers. I will continue to donate to the Asylum Seeker Resource Centre, write letters and sign petitions – trying to keep the issue alive via conversations and the written word.
Refugees and asylum seekers
young and old
wanting safety
protection
a new life…
They cross stormy waters
with courage
seeking justice
and a welcome
from Australian society
Amazing personal stories
of darkness,
bribery,
corruption
challenges faced
uprisings survived…
Prisoners of conscience
student leaders
from Afghanistan and Burma
seeking resettlement
and freedom
seeking to celebrate and contribute.
Their hopes crushed
basic human rights violated
harsh lessons in cruelty
as the innocent
are locked up.
In limbo
on Nauru and Manus Islands
detention not freedom ––
Why?
We can do better
Stand up, Speak up
Refugees and Asylum Seekers
Welcome here!
We sit in the cafe
indulging a desire
for coffee and cake
and a need
for each other…
Sensitive souls
we struggle to accept
that sitting, sipping coffee:
skinny latte, cappuccino, mochaccino
long or short black
and devouring slices
of gluten-free, fructose-free, fat-free,
carrot cake and a chocolate muffin –
is not conscience free…
Modern media mobility
screams of drought, bushfires
floods at home and
tragedies abroad:
war, random shootings,
terrorist attacks, refugee crises…
France
Greece
Indonesia
Iraq
Israel
Kenya
Lebanon
Palestine
Sri Lanka
Syria,
Turkey
Ukraine
Manus Island and Nauru…
We skip the sugar and cream
search mobile screen for a funny meme.
Chasing Asylum
The opening scene of a crowded boat navigating a choppy sea has a male voice over explaining ‘I head for Australia because it is a safe, humane country… respects people… no war, calm, everything good…’
And then there is the reality as shaky footage from a concealed mobile phone camera reveals Australia has some of the harshest refugee and asylum seeker policies in the world.
We see conditions in Nauru Detention Centre – the footage filmed in secret because no journalists, filmmakers or camera crew allowed inside the Nauru camp.
Nauru a remote island, population 10,000, isolated and extremely hot, you can drive around it in 20 minutes. It is a ‘poor’ country with a failing economy.
Easy pickings for Australia to sweep responsibility to somewhere else and pass on our problem. And it is understandable why the Nauruan government accepted Australia’s offer of a cash splash and allowed a detention centre.
At the time the documentary was made there were 2,175 asylum seekers in detention on Nauru and Manus Islands, including children.
protest in 2014 demanding release of children in detention
A social worker speaks about the shock of arriving to work at the camp – meeting people already detained 400-500 days and so many security personnel giving the camp a militarised feel.
We hear faceless conversations. The views of camp, fences, tents and people from imperfect angles, but there is sufficient footage to capture the bleakness, sparse colourless surroundings, makeshift and temporary set-up. Cyclone fencing reminiscent of building sites.
Painted on the side of a tent in Nauru – Welcome To Coffin…
Sad drawings and paintings by children decorate walls, featuring tear-stained faces surrounded by flames, barbed wire and guns.
The camps really set up to make the refugees feel unwelcome and to send them home or hope they’d opt to return.
The social worker said in 6 weeks the detainees degrade mentally.
We hear a man say, ‘I am 28 years old – wasting my youth here… I lost dreams.’
Indefinite detention
A shocking concept, no program, no future. Criminals in a prison can count the days until the end of their sentence, but that can’t happen in a refugee camp.
No crime committed, the UN Convention ignored, people left to rot.
A refugee is a person who “owing to a well-founded fear of being persecuted for reasons of race, religion, nationality, membership of a particular social group, or political opinion, is outside the country of his nationality, and is unable to or, owing to such fear, is unwilling to avail himself of the protection of that country… ”
The 1951 Convention relating to the Status of Refugees
Tortured at home
Tortured in the detention camps
Separated from their families with no prospect of being reunited.
No hope for the future.
A protest organised by the incarcerated men and WE WANT JUSTICE written on t-shirts.
We see men with lips sewed together, a lot of self-harm. The nurse saw a man who cut his stomach open with glass, men with stitched lips and eyelids, another beat and stabbed himself with a fluorescent light tube. A lot of cutting. And swallowing of razor blades, washing powder, bleach.
People hang themselves.
Support workers describe how they answered an advert of Facebook from the Salvation Army. When they enquired what the job entailed, the interviewer ‘made it sound like a nice place, enjoy a two-week holiday, invite your friends to apply…’
Arriving on Nauru, the fresh recruits discover an eclectic group of fellow workers: a manager of a MacDonald’s, retirees, factory workers and university students.
The only thing they had in common was no one had experience working with asylum seekers or refugees!
The briefing they got on arrival was indeed brief!
A woman said, ‘Go and help the men, befriend them. Go in pairs, mingle, I’ll be back in two hours.’
They found dispirited refugees, lying listlessly on the bed and lethargic asking, ‘Why are you here? Why are we here? How long will we be here?’
Many couldn’t sleep, were on medication because of the rapid deterioration of their mental health, which usually started after 6 weeks.
The support workers realised intakes were confused, some didn’t know they were not in Australia, others couldn’t understand why they were treated like criminals.
A support worker questioned what she was doing there and regretted signing up, especially when she read a sign that said, ‘Make sure staff are trained to use a Hoffman’s Knife.’
She discovered a Hoffman’s Knife is used to cut people down when they hang themselves! She was in a place she’d never choose to visit and she shouldn’t have taken the job.
A social worker recalled a Tamil from Sri Lanka’s story. He was the same age as herself 24/25. He was living in an area controlled by Tamil Tigers. His father shot in front of him. He and his brother left for Colombo and arrested by authorities, imprisoned and tortured for a year. He had cigarette burns on his back and genitals. Highly distressed on Nauru, he displayed symptoms of severe trauma.
He wanted to die and kept repeating ‘My life, where is my life?’
The social worker broke down, ‘I can’t help them, I have nothing of comfort to say.’
People talk to themselves. Have psychotic episodes, walk around like zombies, most are medicated. Every day they have thoughts of suicide and self-harm. She can only tell them things will get better, but they know, and so does she, that it is a lie.
A support worker saw a severe beating of a refugee by two guards – a New Zealander and an Australian – but after pressure, she changed her statement. On reflection, she is ashamed but did so because she was scared. She was the only one prepared to be honest.
The guards are ex ADF, bouncers and prison officers and are always on edge. Hyper-vigilant, many are racists. Their aggressive attitude shows no empathy for asylum seekers.
ironically St paul’s in Melbourne sports a sign most Australians ignore.
Official Refugee Policy?
Although no politician offered an interview for the documentary there is enough recorded interviews and broadcasted soundbites included:
Prime Minister John Howard in 2001 – the Tampa Election – ‘we will decide who comes into this country and how…’
2009 Kevin Rudd – those coming by boat will be detained offshore
2012 Julia Gillard – ‘don’t risk a voyage at sea… don’t give money to people smugglers… you will be detained offshore’
2013 Tony Abbott– won the election with the promise to ‘stop the boats’
2013 – Scott Morrison, Immigration Minister – it is a national emergency and border security operation – ‘the boats must be stopped.’
July 19, 2013 – Australia’s policy: any asylum seeker arriving by boat will not be settled in Australia– mandatory offshore detention.
2015 – Turnbull – ‘only way to stop deaths at sea.’
2017 –
Doing the rounds of Facebook
In the documentary, Greg Lake, the public servant who ran the Detention Centre admits that he took on the job with a background of ‘upper-middle-class white guy from NSW, growing up in a place with few migrants and never meeting a refugee or asylum seeker.’
He saw the job as implementing government policy, but the policy issue changed from looking after people seeking asylum to, we will make your life worse than what you fled if you choose to stay here.
We don’t want you coming by boat and will make your life horrible so the message will get out and no one else gets on a boat. Greg Lake realised it was a deterrent strategy and people will be permanently damaged so he left – it was too hard a portfolio.
Go Back to Where You Came From Is Not An Option!
In 2011, SBS produced a reality show to tackle Australia’s refugee policy and reveal the human face behind the statistics by exposing six Australians with strong opinions about immigration to the journeys of some refugees.
Hopefully, it helped some members of the public to think more deeply and beyond three word slogans.
Ironically, one of every two Australians is an immigrant or the child of one. (I came to Australia as a child in 1962 with my parents and 5 siblings.)
Yet, despite our diverse population and culture, immigration continues to be a central political issue. Often the people who are the most vociferous and ill-informed are migrants or children of refugees who came here after WW2.
Sadly, social media has amplified bigotry and racism and spread misinformation like wildfire. Many in Australia applaud President Trump’s recent playbook by telling those in the public eye who are critical, especially women of colour like Greens MP, Mehreen Faruqi and Labor’s Anne Aly, to ‘go back where they came from’.
The “go back” insult is offensive because it is not about citizenship, said Susan Harris Rimmer, a law professor at Griffith University in Queensland. “It’s about your skin colour,” she said. “You are seen to be more loyal or disloyal depending on whether you look like the norm.”
quoted in New York Times, Letter to Australia
Does the Australian public realise the price paid to stop the boats and who pays??
Dr Peter Young reported measurable disorders observed in children.
Children watching parents getting sicker, young babies not feeding properly or gaining weight.
Children’s drawings reflect how disturbed they are watching self-harm and also many had been sexualised or seen things they shouldn’t have seen.
Mouldy damp tents with no privacy or space, erected upon white phosphate rock. Behavioural issues because there were no age-appropriate activities.
Children referred to each other with boat IDs instead of names. The practice rampant – they had forgotten their names and who they were.
The Forgotten Children – the report of the National Inquiry into Children in Immigration Detention 2014
Senator Sarah Hanson-Young collected toys and when they arrived the kids didn’t know what to do with them.
Heartbreaking for the support workers to witness!
A social worker will never forget a child’s reaction to receiving a soft toy after a year in the camp with no play activities.
David Marr talked about the allegations of sexual and physical abuse of women and children which resulted in The Moss Review in 2015
There were details of sexualised behaviour amongst children, cigarettes traded for sex, children under 5 exposed to sexual behaviour and other activities at an inappropriate age….
It took the Australian Government 17 months to investigate reports.
No results and no repercussions instead the government legislated on July 1, 2015, that whistleblowers will face prison!!
Michael Bachelard, an Australian journalist living in Indonesia believes the threat of asylum seekers blown out of proportion and hardline policies of successive governments may have stopped the boats by successfully attacking the people smugglers’ business model, but the human cost appalling when you see the lives of the 10,000 stranded in Indonesia and those detained on Nauru and Manus.
The refugees in Indonesia can’t work, children can’t go to school, everything costs money and they can’t earn any.(see my Staging Post Review)
Hazara refugees from Afghanistan share their stories – husbands, fathers, sons, mothers, widows… all fleeing persecution by the Taliban and seeking a better peaceful life.
Asylum seekers are now told there is no way you will make Australia home…
Manus Island
In 2013, Rudd declared a resettlement agreement with Papua New Guinea would stop the scourge of people smuggling. Some refugees who arrived on Christmas Island flown straight away to Manus Island. They were terrified, believing New Guinea still practised cannibalism. Escorted on the plane by two security guards holding their arms they were heavily guarded on the flight.
Arriving in Manus they noticed there were trees but few houses. They saw a fruit turned teeth red, and despite assurances feared the cannibalism they’d read about in books that happened 50 years ago still occurred.
A security guard turned whistleblower, explained it was a camp for single men. He had been a prison officer for 9 years with Victorian Corrections Service, but like others employed on Manus, had only experience dealing with those from the criminal world. The camp was not what he thought a detention camp would be. He assumed they would train expert staff.
A WW2 Nissan hut one of the buildings with a concrete floor housing 122 double bunks. In the tropical weather, the shed was stifling – odour disgusting as was the surrounds, an overcrowded gaol behind padlocked gates.
There were not enough clothes, shoes, toilets or drinking water. Faeces littered the ground. There were cases of malaria and other sicknesses. The men resembled broken men without a future, slouched shoulders and despair on their faces.
The contrast with staff quarters, stark – carpeted floor, air conditioning, matching sheets…
The Prison Officer, a whistleblower, he voiced his concerns and was threatened by a note left on his bed, then another verbal threat.
He stopped complaining and left. ‘I had principles, we need to talk and face the reality of what is happening about refugee policy.’
There is film of a demonstration by the detainees that became violent. 100 were arrested but no criminal convictions. Apparently, the bill was $60 million damage. (I’d question the figure because the facilities on Manus and Nauru are appalling and that was the reason for the protest!)
There is a lot of resentment from locals on Manus and Nauru who are not happy with the deal their governments have made with Australia.
Seven months after one protest, asylum seekers attacked by PNG police and locals – a riot ensues. Evidence shown of the fence pushed in by locals and shots fired into the camp.
Sixty refugees are injured, one throat slit, one lost an eye, one man killed.
Reza Berate, an Iranian, beaten and not helped when dying. We see the grief of his family in Iran and their bewilderment as to how it could have happened.
2015 – Condemnation from the UN
The UN investigates and confirms Australia breeched conventions and accuses those in the detention centres of torture.
Tony Abbott’s response – “We won’t be lectured to by the UN.“
We are 67th in the world for refugee intake. Abbott and Morrison cut our annual intake from 20,000 to 13,000 +
Minister Peter Dutton negotiated the Cambodian Settlement claiming that country free from persecution and a safe option. Australia made a $40 million down payment declaring refugees would be voluntarily sent there. Another $15 million was paid, but only 5 refugees went there. The average wage $100 a month.
We don’t want the offshore refugees here and so we will let the government spend as much money as they want to treat them any way they like.
The options – go to Cambodia or live in the community in Nauru where there are no jobs, low pay, and the cost of living outrageously high.$20 for 2 litre carton of milk.
The refugees have:
No travel documents
No hope of reunification with family
Live in demountable blocks and share rooms
Live behind high fences in a soulless compound
their accommodation will always need security because some locals threatened them
No guarantee of safety.
Refugee women have claimed 20 cases of rape and sexual assault, but no one charged!
Flashback to 1970s
70,000 Vietnamese came to Australia under Malcolm Fraser’s LNP Government.
On the documentary, Fraser states, ‘I believed we had an obligation because of our part in the Vietnam war… most of the refugees had been through processing in Malaysia and Australia co-operated – these refugees beneficial. Refugees add to our culture, our wealth, our diversity.’
A sign at his funeral attended by many Vietnamese – Farewell to our champion of humanity. You are forever in our hearts…
Chasing Asylumis in memory of Malcolm Fraser – 1930 – 2015
To those who fear the Other Look not only with your Eyes, but with Respect, reason, logic and most of all heart. Are people less human, more evil, if different? Nationality and ethnicity Culture, religion, identity Earth’s children all ache, bleed, cry, – desire belonging and love.
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Up the Creek with a pen ... 