A good way to learn about the region’s First People is to take a vintage tram ride on the Dja Dja Wurrung Tram – a moving celebration of their cultural heritage that navigates the past and present of the changing environment since colonisation.
For the second year, the City of Greater Bendigo opened its doors and partnered with Open House Melbourne to host Open House Bendigo on the last weekend in October. Supporting partners were Creative Victoria, DELWP, Heritage Council of Victoria and the La Trobe Art Institute.
I was thrilled to volunteer again because Bendigo is a place you can easily fall in love with and being part of a volunteer crew hosting a building for Open House, I indulge my love of history and heritage and chat with a host of interesting people sharing a similar love or just satisfying their curiosity about buildings they pass every day or had a connection to in the past …
Whatever the reason, the air comes alive with stories, characters and settings and for a writer – to paraphrase our PM – How good is an Open House weekend!?
In a thank-you email received yesterday (and the wonderful crew who run Open House nurture and always thank the volunteers!) the statistics have been collated:
over 10,000 visits across 27 buildings and 9 special events
a clear demonstration of continuing public interest and engagement in the city’s architecture and heritage.
as expected the Beehive was the most popular building with over 2,123 people taking advantage of walking through the door
The cooperation and enthusiasm of building managers, owners and architects also make the program possible and local volunteers from a variety of community or educational organisations keen to showcase on this extremely busy weekend for Bendigo.
There is an annual Cycling Classic plus a Sustainable Living festival and lots of cross-pollination between events. I even paused to enjoy the excitement of one of the cycling heats:
Bendigo is only 90 minutes by train from Melbourne and although the weather wasn’t as pleasant as last year visitors were not deterred and not only the Beehive Complex saw increased numbers.
People queued patiently outside and inside the building to be allowed a walkthrough of half an hour – 15 minutes downstairs and 15 minutes upstairs and volunteers kept the numbers moving by ensuring the time limit strictly adhered to.
My teaching voice came in handy as I herded those on the upper floor, as did the timer on my mobile phone and the response from a good-natured crowd.
Why was the Beehive so busy?
The Beehive Building is a Bendigo landmark and dates back to 1872 when it was the Bendigo Mining Exchange. The building has been through many manifestations since then and therefore holds a variety of memories for the people of Bendigo.
Last year, Open House Bendigo allowed access to the construction site and the interest generated resulted in queues wending around the streets with waiting times of more than two hours – hence the timed viewing and entry this year!
The exclusive ‘sneak peek’ of ‘never-before-seen restorative works’ and the opportunity to hear from the Developer, Craig Lightfoot, a golden opportunity few locals wanted to miss.
I’ll own up to being critical of many building developers, especially those who seem to want to get rich quick and bulldoze and build rather than restore and redeem but after meeting Craig and seeing the efforts to beautifully restore the Beehive to its former glory I could become a fangirl!
His enthusiasm and passion for retaining heritage aspects obvious. Parts of the restoration will show the history of the building to spark interest and discussion but also as a reminder of the various tradesmen who applied their skills over the 147-year history of the Beehive. Where it is safe to do so, the history of the building and restoration work will be exposed.
In many of the rooms, you will see traces of past occupiers – paintwork, wallpaper patterns, ornamental plaster, brickwork, fireplaces…
Similar in style to Melbourne’s Royal Arcade and by the same designer, Charles Webb, the building’s original uses include a hotel, a mining exchange, a restaurant, offices and function space. The current development uncovers the rich layers of use by removing most of, if not all of the 1920s’ and 1950s’ changes, revealing key features of the original building. Visitors had access to the ground level construction site during the 2018 Open House Bendigo program, and this year visitors will access the newly completed arcade including the second story, revealing the intricate beauty of the glass ceiling not seen for decades.
Behind a still-to-be renovated staircase there will be a quirky memento. Workers have written their name and date they worked on the building, the earliest entry legible is 1939.
Craig assured me he’ll be adding his signature to the wall and that piece of plaster will be made stable and remain as is!
He laughed when I said his commitment to retaining so many historical details reminded me of Kevin Mc Cloud closing many of the episodes of Grand Designs with praise for the builders who retained the ‘autobiographical details’ of a building!
The Beehive Project has been several years in the making and started five years ago. After four years of planning, lots of compliance hoops had to be jumped: Heritage Victoria, CFA building regulations and health and safety issues as well as local building regulations. Times and expectations have changed since 1870.
To ensure disability access, a lift will be installed, modern toilet and plumbing, and most voids had to be removed because of health and safety requirements. Craig managed to keep the centrepiece that gives those downstairs a view to the floor above and the magnificent glass ceiling by widening the walkway on either side.
To remind people the voids were once there he reversed the fill-in floorboards and although the centrepiece had to be narrowed, the cast-iron railings remain, albeit they are replicas. Craig said the original railings were removed and sold off or are languishing somewhere in Bendigo.
Craig duly noted the suggestion and added it to a list of snippets he’d gleaned since opening the building for the public to view. Never underestimate the value of local knowledge!
The building has had many reincarnations – Craig’s plans are for the food and beverage industry. A function centre, with retail and pub or cafe downstairs and intimate and cosy private dining rooms and two larger reception areas upstairs, ideal for weddings and other celebrations like corporate functions.
Coincidentally, both weekends I stayed in Bendigo for Open House, I witnessed a traditional wedding party posing for photos – this year the group was on the steps of the Art Gallery.
I hope Craig gets plenty of bookings and if the response from locals is an indication the building will get plenty of use, people love it and regard it as a Bendigo icon, pleased that it will once again be a place to visit.
A young man dressed intypical tradie gear came through with his mum, grandad and other assorted family members. His first reaction was to retie a striped plastic ribbon cordoning off one of the no-go areas, ‘I’ll get into trouble if this isn’t tied tightly and people go in…’
‘If anyone cops criticism it should be me,’ I said, ‘ part of my job is to ensure people stay to designated areas and don’t go into rooms closed for safety reasons or because equipment and tools are stored.’
He took a bit of convincing from his mother and me that it was okay, it was not his responsibility and it was his day off!
I later saw him explaining to his family in great detail, how he stripped the old paint off, what he’d been instructed to leave, how he scraped, sanded and carefully applied new coats…
Careful, painstaking work, but often rewarded by treasures hidden beneath.
I’m sure he is learning a lot about past painting practices and the type of paint used. Most paints were lead-based and not the healthiest of products so I’m glad he is taking health and safety seriously!
A Cat Through The Roof!
As mentioned, Craig was noting a lot of the stories people told him about how they interacted with the Beehive Buildings. He intends to have a ‘Story Wall’ or some kind of archive where people visiting can learn about the building’s past.
The builders have uncovered ‘historic gems’ and some of these discoveries were on display for Open House – artefacts as well as building features like previously boxed-in metal columns, hidden plaster arches and a steel strongroom door thought to have once blocked the public from gold stored on the premises.
Last year, people got access to the ground floor, but this year they could venture upstairs and one story stands out – in fact, both Craig and I agreed we’d probably dream about it!
There was a staircase leading to ‘offices’ upstairs – the staircase where the tradies had left their marks. People were curious:\ ‘what is up there?’, ‘what will it be?’
A lady said her Uncle Bob and Aunt Win Woods owned the Dad and Dave Cafe and ‘lived up those stairs.’
She became quite teary talking about them and remembering childhood visits when she was around 7 or 9 years old. She recalled Uncle Bob built a clothesline for his wife and placed an extended wooden walkway above the glass ceiling so she could walk out and hang her clothes.
One day, the Siamese cat that used to follow Aunt Win fell through the glass! How narrow and dangerous was that homemade path to the clothesline?
Craig and I both agreed we couldn’t get the image of a falling cat out of our mind and I kept having surreptitious peaks upwards until the end of my shift.
Perhaps the story influenced my reaction when a young mum carrying a baby leant over the cast-iron railings to stare below. Stomach lurching, I moved closer as the much-criticised scene of Michal Jackson dangling his son from the balcony flashed through my mind.
Thankfully, an anxious friend accompanying her spoke up and the young mum moved away. I didn’t have to declare my nervousness or fear of heights.
Another lady told the story of coming up the back stairs and into a shop to get her wedding dress made. The tailoress specialised in wedding dresses and discreet fittings. Craig has chosen to leave the etchings of past occupants on two of the upstairs columns and restore the various staircases.
I hope Craig meets his deadline for March 2020 and that Bendigo will be host to Open House again because I know where I’ll be going to have a cup of coffee or ice cream or just a wander through the restored arcade because as I’ve discovered curiosity does not kill the cat!
I’ve lived in Mordialloc for 35 years and like many living bayside I’m forever conscious of the fragility of our environment: erosion of cliffs and sand dunes, the need for the perpetual replacement of sand on some of the beaches, the close proximity of the water table and propensity to flood, importance of the wetlands for bird migration and propagation, history of the swamps and flooding in certain areas, the risk of pollution to Mordialloc Creek…
The glorious walks along Mordialloc Creek alone, or with Jillian, my current walking buddy, or walking the family dog, Josie with one of my daughters. You never know what or who you will encounter.
I love strolling through Attenborough Park showing visitors the Indigenous plants, the boats moored on Mordialloc Creek and then wandering up and down the pier checking what fish are biting – or not – whether it is a good day for sailing – before finishing the tour enjoying a cuppa in one of the many cafes in Mordialloc and Parkdale.
indigenous camping ground
Cormorant on boat
Memories of sitting on Doyles’ deck abound – sipping a cider or cup of tea, revelling in the happy noises of chatter and laughter, birds twittering, ducks quacking, boat engines chugging and the steady drone of cars powering to work or home.
To live in such a peaceful community a blessing, especially surrounded by so much natural beauty. However, peace, tranquillity and beauty do not ‘just happen’ in urban areas because for every park, waterway or wetland there are friends’ groups and volunteers working hard to preserve the natural environment, forever vigilant against threats and encroachment.
Mordialloc Beaumaris Conservation League Caring for 50 years!
The reason we have so much natural space and loveliness to enjoy in Kingston is that there are those within the community ever ready to defend the environment – even if that means public demonstrations, court challenges to the council and state government proposals and decisions, or campaigns of awareness that something of value is under threat.
One such group is the Mordialloc Beaumaris Conservation League and at the end of September, I attended a low-key celebration of their 50th Anniversary.
This community group of volunteers dedicate their time to protecting and promoting the wonderful coastline of the Bayside suburbs and also monitoring the environment of Mordialloc Creek.
A name that continually pops up in regard to the group is Mary Rimington AM, who with her husband and children and a handful of stalwarts have done an outstanding job over the years, ensuring the group not only continues but achieves many successes.
Mary has been the secretary of MBCL for 30 years and is the keeper of archives – being a local school librarian BC (before children) her training and attention to detail a wonderful asset.
Research and accurate record-keeping and a passion for the environment have helped Mary be an inveterate writer to the newspapers. Her published letters in the local paper and The Age always demonstrate knowledge and field experience. Likewise the numerous submissions to government bodies and enquiries.
There was a board display at the celebration but also bundles of leaflets and material on shelves, which were full of remarkably rich historical information. I’m grateful to another active member of the group, Nina Earl for this summary:
the first AGM in 1969 and documentation and outcomes of other meetings
campaigns against a Bay Gas Pipeline and later channel deepening to retain the natural coastline and Mordialloc Creek
Copies of submissions, letters, maps, photographs, paintings
flyers on the long-running campaign for the Bay Trail,
three versions of brochures of Coast and Creek walks – the latest one used in local secondary colleges
the 2019 submission on the Mordialloc Freeway Environmental Effects Statement
the draft concept for the long-awaited Sandbelt Open Space Chain of Parks and Trails first proposed in 1984 and long supported by MBCL and still current.
The contrast between the booklets published previously and the latest one, more to do with cost and availability of technology than the information provided.
Although, there is no contest as to what booklet will appeal to young people and hopefully, encourage them to read and explore the local environment. The latest edition is stunning!
Here are selections from each to compare:
Mary’s son, Lew, the Treasurer for MBCL shared some firsthand memories of the various campaigns since his school days and how he and his siblings were often called in at short notice to be ‘in the picture’ if media showed interest in a campaign and a photographer turned up – his mother always media savvy!
The Hon. Clifford Hayes MLC Southern Metro and his Chief of Staff, Kelvin Thompson (an ex-MP) were invited guests and Clifford Hayes thanked the group, especially Mary and her family for their conservation work and keeping so many important and necessary campaigns in the public eye.
He promised to continue to advocate for the environment.
Mary spoke about some of the highs and lows of MBCL’s history – not every campaign was successful and some were more memorable than others. She commended the commitment and activism of Professor Michael Buxton and Peter Scullin who were unafraid of taking on the establishment and challenging the law.
I nominated Mary to be a co-speaker when I was asked to present at IWD 2016 because I was Kingston Citizen of the Year. When she was awarded the Kingston Citizen of the Year in 2017, I was thrilled her remarkable community service and devotion to all things environmental was recognised!
I have a deep respect for all that MBCL have achieved and know Mary is the devoted lynchpin of the group, even when some of the campaigns have been controversial or far from popular. I’ve lived in Mordialloc for 35 years and have seen the improvements to the foreshore, the Creek, the Wetlands – all areas championed by MBCL.
Other community groups have also been active for many years with a few prominent in the 80s and 90s when the council responded to their concerns and we are reaping the benefits today.
I became involved with some of the groups and in campaigns to rein in developers and retain the ‘village atmosphere’ so many Mordialloc residents value.
Campaigning to retain the integrity of the Green Wedge an ongoing battle debated every year for almost the last decade!
A climate catastrophe has been declared/recognised by many countries, at the same time Victoria has massive infrastructure projects and fast-paced housing developments, and in Mordialloc and surrounds we see evidence of this daily.
We need the diligence and courage of groups like MBCL to remind us of the value of our natural environment, of what we must conserve if we want to protect the habitat for countless flora and fauna facing extinction and to ensure our own health.
Infrastructure and housing important for a growing population but how we manage the necessary development important for the survival of the natural environment because our health and wellbeing depend on that too!
Groups like the Mordialloc Beaumaris Conservation League remind us to value the natural world and inspire us to action to convince legislators to protect and provide a vision of what is necessary for future generations.
It’s lovely to have a book signed by an author and although I couldn’t get to the book launch because of another launch, a friend kindly picked up a copy of Ros Collins’ latest book, Rosa by Hybrid Publishers.
The blurb announces the memories of Rosa are presented ‘with a deliberate overlay of lies and licence.’ The boldness of this statement, a little confronting, especially sincethe book is labelled Memoir – defined in the dictionary as a narrative or biography written from personal experience.
However, as a teacher of Life Story writing, I’ve lost count of how many times class discussions have debated the concept of truth in relation to the reliability and perspective of our memories, coupled with the attendant fear of causing hurt to someone still alive or even tarnishing the memory of someone deceased.
A memoir is considered ‘Creative Non-fiction’ and who is to say the emphasis is not on the word creative, which can be interpreted as ‘having the quality of something imaginatively created’ or ‘containing misleading inventions designed to falsify or conceal the facts’!
… memoirs depend on memory and, despite being the subject of philosophical investigation going back as far as Plato and of plentiful scientific research since the mid-nineteenth century, memory remains an elusive topic. How does it work? Can our fondest memories of childhood and loved ones really be reduced to molecular activity in the neurons of the brain? Will medical science one day be capable of eliminating the traumatizing memories that can paralyze us, and implanting happier memories in their place? Are memories the cause of the biographical continuity that bolsters our belief in personal identity? And how accurate are memories even among the healthiest of us? Does it make sense to base our present-day attitudes and emotions on recollections of our past experiences?
Robert Atwan, Creative Nonfiction, Issue #55, The Memoir Issue
In her introduction, Ros uses softer words to explain how Rosa differs from a previous book about her life, it is ‘much more personal… freely written’ and she admits to ‘taking liberties with the truth’.
There is still a lot of family history included in Rosa – she revisits Solly’s Girl (2015), a book that was as ‘accurate as my memory would allow’ and written as a companion piece to her now-deceased husband’s Alva’s Boy (2008). An acclaimed writer, Alan Collins wrote short stories and books about his Bondi childhood.
Ros Collins writes to entertain as well as inform and her conversational style with well-researched detail has produced wonderful stories revealing scenes of Anglo-Australian-Jewish life probably unfamiliar to many readers, and which I found fascinating.
‘Memoir with a little fiction, or fiction with a little history? It’s hard to say, Memories with licence.’
Although of a different generation, there were historical references, organisations and events I recognised. They triggered memories, especially involvement with the labour movement and the Australian Labor Party and various campaigns in the 60s, 70s, and 80s.
The divisiveness of the Vietnam War, the election of the Whitlam Government and the opening up of educational opportunities for older women, which Rosa took advantage of. ‘The Palestinian Debate’ which still causes angst and the trade union campaigns to improve conditions for Victorian teachers that raised the ire of Premier Henry Bolte.
Rosa ticked several boxes in the list of why I read books: for enjoyment, to be immersed in a different world, to learn something new, to encourage me to seek more information and to reflect on the human condition.
Ros is a woman of many accomplishments with several great achievements as a qualified librarian, yet, there is no pretentiousness when she explains her journey to becoming a director of a Jewish community library at fifty-seven and her vision of a national Australian-Jewish library.
With dedication, commitment, and tenacity she created the successful ‘Write Your Story’ program whereby the eclectic members of the Jewish community can access funds and help, and write their memoir.
‘Most memoirs -so far, more than 140 have been published, the largest such series in the world – are related to the Holocaust; eventually, as generations pass away, the stories will become more Australian, less European.’ (p122)
Her involvement with the community library for thirteen years followed by twelve years cataloguing the Yiddish library:
‘She brings the boxes of shabby books home to catalogue… A little pamphlet, held together with rusty staples; cheap yellowed paper, crumbling to pieces; no cover; a grey, grainy author’s picture.
… a first-hand account of how his village was destroyed during the Holocaust – most of the Jewish community died, locked up in the synagogue and then set on fire – he hid in a barn.’
Ros is reduced to tears translating the story for her husband – such is the power and importance of recording and sharing stories.
‘I couldn’t even find the village in the atlas, it’s been erased by some thoughtless publisher. It’s Yiddish, only a few people will ever find out what happened; there’s just my catalogue entry to provide a link.’
Her husband responds, ‘Libraries are important. This is your contribution.’ (p124)
Ros has catalogued and encouraged the recording and publication of so many stories of the Jewish diaspora and so it is fitting and fortunate, she decided to share her own life story and reflections – albeit with several references to her husband’s story and books. She has added a creative flair to her memories.
The deep love and respect Ros has for her parents, husband Alan, her sons and several close friends mentioned in Rosa shines like a beacon. There is no malice in any of her memories but there is a theme of regret.
Ros repeats several times how she wished Alan had been more open and honest about his feelings – not for her but the damage done in his childhood and the guilt he carried because his mother died in childbirth. Ros also regrets not having a closer relationship with her own mother.
‘Themissing mother. Rosa had always been aware, but when she first read his stories she’d never put it all together in her mind, never ‘joined the dots’, done the whole ‘lit-crit’ exercise. Perhaps it would have led them to deep and meaningful discussion and enriched their relationship if they’d talked about his emotions, but then, she reflects, he’d only have turned it into a quip, slid away from the subject with a bit of banter.(p156)
We learn about their unconventional courtship in London and Rosa’s decision to migrate to Australia as a ‘ten pound Pom’, their determination to build a home – physically a house and financially a business but also emotionally with children – three sons, plus later, a teenager, ‘the Boy’, a fostered child described but not named.
‘The six-year-old and the five-year-old took the view that they had now acquired an older brother, but for the three-year-old, the Boy represented an heroic Superman figure; their relationship became very special and the rift, when it came, was all the more painful.’ (p89)
A family disagreement and period of estrangement always difficult to write about, the temptation to omit or embellish to justify an action. In Rosa, it is deftly handled although Ros did give herself a ‘memory with licence…’
The use of dialogue to good effect, the attention to detail and use of senses to describe food, flowers and situations – techniques writers keep in their toolbox – Ros uses all of them to produce a good read.
Italics for non-English words and terms but also for emphasis and reflections in her voice. There is a flitting backwards and forwards to weave all the family stories and people together along with their place in history without rupturing the fabric of the overall story, which is why I believe others writing their life story could use Rosa as a template.
Our memories don’t all come in a linear or chronological fashion and from my experience in writing class piecing together short stories is a natural way of collating memories and weaving the threads together.
Ros is a proud secular Jew yet is determined her grandchildren will know the family history but does not want them to be weighed down by the Holocaust.
Throughout the book, the workings of family, worship, differences in synagogues, sects, customs and the politics of ‘those of Jewish persuasion‘ Alan’s wry remembrance of the phrase often used in the past, are explained and placed in historical as well as an Australian context. The knowledge and explanation of beliefs and practices, I found invaluable.
‘For many non-Jews, the Shoah, the Holocaust, is just another part of the war: Hitler had plans for something called the ‘The Third Reich’, and, by the way, he also intended to exterminate all of Europe’s Jews.
For Jews, the Holocaust is the war and Israel is our miracle: In every generation from Pharaoh to Hitler they have tried to destroy us; never again!’
Remembering is a solemn duty, as is recording and researching. Jewish literature wrestles with stories of survival, heroism and of course the complexities of the Middle East. Museums and memoirs multiply. Al, fifth-generation Australian and Rosa, second-generation English and ‘more British than the British’ do not exactly fit the norm for Melbourne Jewry, which is home to one of the largest communities of Holocaust survivors in the world. She thinks: We’re a perfect example of how deeply embedded the history is in our psyches even though neither of us was directly involved. (p117)
Ros relates a speech husband, Alan made at a Shoah commemoration event at Melbourne’s Holocaust Museum where he painted a picture of 1930s Sydney and his father:
‘a devout xenophobe with a particular focus on Jewish refugees who told him; ‘not to mix with them’, ‘Jew-hating out-of-work Australian labourers’ and ‘well-meaning policemen who called me Ikey.’
The older audience members nodded sadly in remembrance. (p118)
The more we share our stories and make a habit of listening to others the more tolerant society we will become – I hope!
Ros explained Alan finished his talk, given over 30 years ago at the Holocaust Museum thus:
So I write about what I know which is what it is like growing up and living and dying in this country where thank God, patriotism and zealotry are negligible and when a letter arrives with OHMS on the envelope it doesn’t contain an imperative to pack your bags. (p73)
Ros reflects in 2018 that she ‘doesn’t quite share his belief in the fundamental goodness of Australia, and long ago she cast off her allegiance to England…(p73)
Therefore, a book like Rosa that ‘flings open the windows and doors‘ and invites us to learn about a world of cultural habits and rituals often misrepresented, misunderstood, or unknown is one to grab for the bookshelf.
In the final chapter, aptly titled Rose Garden, Ros discusses the Jewish section of a cemetery and thoughts sparked by physicist/musician/celebrity Brian Cox’s remarks on television …
…belief in some form of afterlife ‘feels right’ or more precisely, the alternative, that after death we are nothing but a bag of chemicals from which ‘nothing has left, yet what is left is not longer me’ somehow ‘feels wrong’…
The central question is, can you build a time machine? The answer is yes, you can go into the future… Going back in time, or returning to the present, would be slightly trickier, however…(p183)
Rosa harks back to childhood and a fascination with Lewis Carroll’s Through the Looking Glass and Alice’s Adventures in Wonderland and repeats a conversation she had with a grandson.
‘Where will you go when you die, Grandma?’
‘Well I’m not absolutely sure because no one comes back after they die, but I think I shall go on a journey.’
‘A long one?’
‘What will you take with you?’
‘I think I can take my memory. Clever people now think it might be possible to travel through time – backwards and forwards.’
‘Oh, I’m sure you can Grandma, I once read a story like that.’
‘So did I, darling! (p185)
Many of us can identify with this conversation, fear of or concern about dying common.
The conundrums, worries and questions of life wax and wane as we live and age, but writers continually reflect on the significance to the big picture, as well as the importance of those near and dear. Who do we love and how much do we matter to them and they to us?
It doesn’t matter what your background, race or religion as we near the end of our life most of us have failing health, increased vulnerability, and wonder how and in what manner we will die – and then what?
Rosa explores the distant and not so distant past, the present, and voices curiosity about the future. Ros has written a wonderful legacy and future descendants will understand their family’s Jewish history, current festivals and rituals, even if they choose to rationalise like she often did: The significance lies in the fact that we are together around the table, never mind the calendar.
Ros Collins was born in 1938 and after supporting her husband’s writing endeavours began to write short stories and now has two books to her credit – an inspiration indeed!
There is no greater thrill for a teacher of creative writing than to see the joy on a student’s face when they hold in their hands, the book they have written.
When that student has put years of effort into making the dream a reality and overcome health problems, the moment even sweeter.
Yesterday, I met up with some past students of my Life Stories & Legacies class that ran from February 2014 – December 2018, at Godfrey Street Community House in Bentleigh. We gathered in Sandringham to celebrate with Edna Gaffney the publication of her memoir, Chibby From Brandy Creek.
The Life Stories class at Godfrey Street, one of the most cohesive, supportive and friendliest classes in my 20 plus years of teaching, which has included four community houses. Several of the students still meet monthly and email or phone each other regularly.
Edna is the second to publish a memoir, another student will have one out for Christmas and another perhaps in the New Year. A great bunch of writers dedicated to their purpose of leaving a legacy for family and friends. They have all led amazing lives spanning decades.
Edna was in her mid-eighties when she came to my class with a determination to write a book about her mother, family life in Gippsland between the wars, and also her own life as a nurse, particularly, as one of the first nurses to be trained at Cabrini Hospital to care for cancer patients undergoing chemotherapy.
In her Dedication, Edna wrote:
These efforts to record memories, I dedicate to my family and future generations. I wanted to describe my early life living in Gippsland, rural Victoria, and to honour my mother. Our family experienced a lifestyle and events different to many others and to the expectations of people today.
Miracles can occur in most families, maybe not suddenly, but over time, and I consider the eventual reunion of my siblings after the death of our mother, a miracle. Six siblings were adopted during 1943-44 and the family split up, yet we eventually reunited as adults and became a family once again. I am writing down some details of our early life for those siblings who have no memories of our natural mother.
I also record my own experiences of family and career. Change of attitude, much-needed patience and endurance to cope and care for others, are some of the qualities I learned in my working and family life – becoming a parent a profound change. My chosen profession of Nursing has altered dramatically since I began Mothercraft Nursing at the Berry Street Babies’ Home in 1947.
A Powerful Story Shared
When Edna enrolled in 2014, like many older students, she had no computer skills and in fact, no computer. However, after absorbing what it means to be a writer in the modern world, Edna enrolled in computer classes at the Community House and bought a laptop.
I don’t think she’d mind me saying that her success in writing this book was not replicated in the computer class! Wisely, she concentrated on the writing and saved money and time by allowing her daughters and me help with typing. I have no idea what happened to the laptop except it was often threatened and may indeed have been ‘chucked out the window’.
Edna’s daughter, Jane-Maree arranged the launch yesterday and was a driving force in the final stages of the project as her mother’s health deteriorated. We were determined the book would be published before Edna’s 90th birthday on July 2, 2019, and made the deadline.
However, the actual launch delayed while Edna settled into a nursing home – a disruptive, often devastating, and certainly time-consuming challenge for everyone concerned.
Fortunately, Edna likes her new home and Jane-Maree said, ‘they were great’ providing the comfortable space for the celebration.
The Journey To Publication
Over the years, I published five of the nine anthologies for the Mordialloc Writer’s Group. Along the way I threw myself into lifelong learning, grappling with InDesign, attending workshops on desktop and digital publishing, reading books, online articles, trawling websites and information from email lists, and watching webinars to keep up with the rapid changes in the writing and publishing industry.
It is a privilege to share those skills with writing students and to be trusted with their precious words when they decide to publish. I know there are some disastrous self-publishing efforts and looking back at my early efforts, improvements can certainly be made, but I have become a small press publisher by accident and will continue to learn on the job.
Software and hardware capabilities and printing options have radically changed in a few short years. The cost, which has a big impact on choice has changed too – you get a bigger, better bang for your buck nowadays!
The aim of most writers is to be published – not necessarily a novel, memoir, or poetry book, but perhaps simply a short story or poem that begged to be written, or a slice of family history or an anecdote so memorable, it must be committed to print. (I prefer printed books.)
Some students come to class with a definite project in mind. They have a dream to publish a book with a target audience of friends and family.
Not everyone aims to have a book in Readings or become rich and famous with a bestseller or win a prize.
Not everyone wants to monetize (how I hate this buzz word) their talent or creativity.
Most want to write and publish for the joy and satisfaction of telling a story/stories and being able to share their writing with others who will read and appreciate their words. They desire to write or would feel strange not writing, perhaps love being a wordsmith.
When you believe in yourself and writing, being published is a realistic achievable dream.
Edna had a powerful story to tell and I gladly helped with advice and editing. My talented daughter, Mary Jane designed the cover, as she has done for several book ventures. (A reluctant book cover designer, she doesn’t refuse to help her mum.)
The class gave Edna feedback and encouragement and through this collective effort, a beautiful and readable book was offered free of charge yesterday with an option to donate to Berry Street Babies Home. (most people did!)
When you read Edna’s book you understand her strong commitment to Berry Street, where she trained as a Mothercraft Nurse, but also the deeply emotional link because of family circumstances.
Books for Purpose Not Profit
This is the third book I’ve produced whereby the writer has donated all or most of the profit because of their commitment to a cause or appreciation of events or people. There was no profit involved with Mordialloc Writers’ anthologies either, with any money from sales going towards the publication of the next book.
When Mordialloc Writers’ Group folded in 2018, I donated group funds to Mordialloc Beach Primary School to create a scholarship and encourage creative writing. The Principal, Sue Leighton-Janse suggested the money provide ongoing writing awards for Junior, Middle and Senior school, in the name of MWG. I only hope this happens.
You can read about Julie Wentworth: A Life Sharedhere. Julie, a teacher of Yoga, mentor and spiritual guide, donated the sale of her books to an orphanage in Africa caring for children with HIV.
Mary Jane and I had the privilege of working with Peter Hocking, who wrote about his recovery from a stroke and sold books to support The Stroke Foundation.
I’m sure writing and publishing is often a labour of love, and if articles discussing the state of publishing in Australia are to be believed, poetry books, even traditionally published, seldom make a profit with publishing houses using the sales from more popular books to counter-balance the low-profit margin in some literary genres.
Another book I worked on this year was a huge labour of love for a woman who wanted to celebrate her 70th birthday by publishing travel diaries kept by her parents on their first overseas trip in the 1970s.
Ruth inherited the handwritten exercise books, 500 slides and meticulously detailed itinerary notes and letters home. What to do with this material so that her brothers and sisters, her children, nieces and nephews, grandchildren will enjoy the old school and very personal travelogue?
She had a friend type the 55,000 words, paid to digitise then print the slides, and commissioned a nephew to draw maps of the route her parents travelled through continents and several countries, to introduce the three separate parts of their trip.
Ruth only printed 25 of this A4 landscape book, which I edited and published. Muriel and Len’s observations were side by side and Mary Jane chose 100 of the best photographs. Mary Jane created Ruth’s vision for the cover using Muriel and Len’s passport photos, the best close-up photographs Ruth possessed.
Not every book needs a launch or a large audience. Often writers can cover their costs and break-even. Family members may contribute or if written for a target audience (sporting/hobby club, regional or historical relevance) writers may make a small profit by self-publishing.
Writers keep control and have important input to the content, cover and cost of their book every step of the way from conception to birth if they self-publish.
It’s an exciting and worthwhile journey – not always smooth – but as John Denver sings in one of my favourite songs, ‘some days are diamonds, some days are stone,‘ and yesterday for Edna, her family and friends was a diamond day.
Well done Edna and thank you for allowing me to be a part of your dream!
I’ve taken a long time framing this post because of recent events and the adversarial way many parts of the media cover topics such as religion, refugees, and immigration and the resultant ire, ignorance and irritation that inevitably results, particularly on social media.
Ignorance is a keyword here – if more people moved out of their comfort zone and made the effort to learn, mix, communicate and appreciate each other’s contributions to the tapestry of society a lot of angst and misinformation could be avoided.
We are lucky living in Melbourne because there are myriad opportunities to access and enjoy what a multicultural community offers. We can live together in peace and mutual respect aware of each other’s contributions.
I’ve attended two enriching events recently, provided by the Kingston Interfaith Network to appreciate the diversity of our community.
It’s heartening to know there are people actively working to breakdown barriers and challenge bigotry and I’d recommend the annual bus trip the Network organises to visit various places of worship.
Religion & Politics Can be Discussed With Civility
Along with many baby boomers, I grew up with family traditions of attending Sunday School and church but it never translated as ‘blind faith’.
Both parents were immersed in church life in Scotland; they continued this involvement in Croydon when we migrated. I drifted away from organised religion in my teens and only returned to be part of a community as a young mother, to eventually drift away again.
None of us chooses the country, culture or community we are born into and the idea that there is a ‘true’ religion or ‘master’ race seems ludicrous and irrational.
I’m grateful for access to education and several fine teachers at high school and university, to have continued that education by travelling, accessing wonderful books, films, and essays and appreciating the contribution of others to a pool of general knowledge more easily available now through the worldwide web.
I know I’m not alone among my peers questioning human existence, our relationship to the natural world and seeking meaning to life – a journey that will end one day and that day is getting closer –
I recall the pithy words of a good friend, ‘We all die and one day we’ll discover whether there is a God or life after death!‘
In the meantime, I intend to enjoy the journey, learning something new every day, look for the joy because focusing on social injustice and world conflicts convinces me we are stuck in Groundhog Day! (“a situation in which events are or appear to be continually repeated” )
John Lennon’s Imagine is often played to a compilation of visuals – technology leaves nothing hidden! We see the horrific death toll of the two world wars, the partition of India and Pakistan, the euphemistic ‘Troubles’ in Northern Ireland, the Vietnam War, the Biafran/Nigerian War, the Middle East, Idi Amin’s Uganda … oh, how Lennon’s lines resonate with generation after generation …
Imagine there’s no heaven, it’s easy if you try. No hell below us, Above us only sky… Imagine there’s no countries, it isn’t hard to do. Nothing to kill or die for, and no religion too…
There is never a shortage of up-to-the-minute footage of conflicts – the world seems to produce tragedies at an alarming rate. For many people, their religious beliefs and being part of a community helps to make sense or at least alleviate some of the fear and pain.
A meme doing the rounds of Facebook also strikes a chord –
Many Beliefs One Community
The Kingston Interfaith Network ‘celebrates the commonality and diversity of our spiritual communities’.
encourage understanding and respect between people of all faiths and cultures
affirm spiritual and religious freedom
work towards peace, compassion and equality within our local community
In my writing classes, we have some wonderful discussions while sharing knowledge regarding human needs, the importance of belief systems and what form these may take whether philosophical or religious.
Discussion, reflection and sharing information and experiences important for writers to understand and create characters regardless of the genre but also for citizens when we have the current Australian Parliament discussing the introduction of religious freedom legislation.
Since 9/11, the constant stirring of fear and misinformation about Islam looms large.
The Royal Commission into Abuse of Children in religious and other institutions with many still quibbling about compensation to victims has shattered the trust and appeal of several churches, especially the Catholic Church.
Stories about cults or gurus ripping off or abusing vulnerable people are rarely out of the news.
The Israel Folau controversy started a debate about freedom of speech in the context of workplace contracts and religious beliefs.
Any Interfaith Network has its work cut out!
In Kingston, the Network engages with the community by being involved in:
Learning and Education
Community consultations and representation
I worked for the Uniting Church, Hotham Parish until daughter, Anne was born in 1986 and was fortunate to work with Rev. John Rickard who was a strong believer in ecumenicalism and social justice. A pharmacist before ‘getting the call’, he was a great boss – understanding, compassionate and down-to-earth.
I saw the church from a different perspective. Working closely with Hanover Welfare, the church raised money and provided services to people in need in the community, they also owned houses in Curzon Street and ran a kindergarten. ‘The church’ can be a landlord, employer, business entrepreneur, owner of private hospitals and schools. Practicalities to be dealt with that many don’t associate with theologians.
Another learning curve occurred in 2004 when I was commissioned to write the history of St Aidan’s Church and subsequently published The Little Church On The Hill for their Centenary.
The Chelsea/Carrum Anglican community influential in developing and providing youth services, fellowship groups for women, raising money for much needed social services and encouraging the arts but there were internal conflicts, debates about policies and implementation, and adapting to a world where Sunday was no longer sacrosanct.
Talking about the Christian faith my comfort zone but I still treasure a necklace made from a leather strip with the tooth of a moose blessed by an elderly Iroquois Indian when I visited their village in Montreal, Canada 1976. She wanted me to be safe on my travels.
World Book Day 2019
Kingston’s World Book Day was hosted in conjunction with Kingston Council’s Interfaith Committee, established by Council to provide a conduit between Kingston Council and the faith communities within local areas to encourage open communication, interfaith dialogue and partnerships and to address the needs of the local communities.
World Book Day theme for 2019 was Interfaith in the Libraries. Kingston’s Interfaith Committee chose to deliver a book donations event to Kingston Libraries to further support an interfaith dialogue within the community.
Invited to write religious affiliation, I wrote Humanitarian. Nobody baulked at the label, with some attendees commenting they wished they had written that rather than nominating a religion or leaving it blank.
A warm welcome epitomised the evening with many groups taking the opportunity to display the books attached to their Faith and donate them to the library. The buzz of conversations filled the room, people browsed the books and I met acquaintances from past involvement with community groups and Mordialloc Writers’.
There were printed sheets from a variety of religious groups within the Network summarising their core beliefs, sacred texts and laws, places of worship, branches, practices and festivals, origin story, morals and ethics… in no particular order here are the sheets I picked up:
The International Society for Krishna Consciousness (ISKCON) (aka the Hare Krishna Movement)
Catholic Church (Christian)
ECKANKAR (This means Co-worker with God -founded 1965, main temple Minnesota USA
Sufi works and practices: The Whirling Dervishes, the poetry of Rumi, the works of Ib Arabi…
Zee Cheng Khor Moral uplifting Society Inc (known as DEJIAO in Chinese)
Church of Jesus Christ of Latter-Day Saints (Mormons)
My knowledge of some of these groups minimal – and to know they worshipped in Kingston and felt welcome at the event is a testament to the religious freedom we already enjoy. (Note to Federal Government don’t fix what’s not broken!)
Fast forward to the annual bus tour I joined recently…
A Journey of Discovery
Kingston Interfaith Committee runs a bus tour once a year to places of worship to provide an opportunity for the public to learn about different faiths. Tour participants see different places of worship and ask questions in a respectful and supportive small group environment. There is no cost and a light lunch is offered by the Council.
I have been wanting to go on this tour for many years but work or other commitments meant I missed out. I was thrilled to join the 23 other participants (some followed the community bus in their own cars) on August 7, leaving from the Council Offices at Mentone.
Guided by Elisabetta Robecchi, Community Development Officer, Social Development, we visited four places of worship. There were people from Glen Eira and Casey communities. The only person with an outward sign of religious affiliation was a Sikh gentleman from Monash who told me most councils have these tours with some providing several a year. He had been on a few tours and generously shared his knowledge.
The places visited change each time so it wasn’t surprising to find some people had toured before, but most were first-timers like me – and what an eclectic group we were!
Elisabetta shared the two group photos taken at a mosque and Orthodox church.
We set off a bit late because of the difficulties of participants finding all-day parking – so for future reference:
use public transport like me, or plan ahead as to where you will park in Mentone and prepare for a walk to the meeting point!
Also, wear comfortable and easily divested footwear – most places you visit require removal of shoes.
Plus slip in a headscarf or make sure your jacket/coat has a hood for the places requiring women to cover their head.
Masjid Westall, Indonesian Muslim Community Cultural Centre, Clayton South
Lunch at Westall Hub
St George Jacobite Syrian Orthodox Church, Heatherton
Turkish Islamic and Cultural Centre, Keysborough
Shri Shiva Vishnu Temple
Hinduism is one of the oldest surviving religions in the world, with an unbroken succession of seers and teachers. It is practised by millions of people living in the vast subcontinent of India and in many other places where Indian migrants have settled, including Australia.
And although it is an ancient religion it continues to evolve and form new branches. Mahatma Gandhi (1869-1948) represents modern India and is a religious personality who was loved throughout the world. He preached truth and non-violence and his attempts to reform India’s religious-social tradition of caste legendary as is his fight for India’s independence from colonial rule.
You don’t need to travel to India to immerse yourself in Indian culture and learn about Hinduism.
First impressions of the Hindu temple and grounds is one of spaciousness, then lushness – the garden flowering and emerald green grass plentiful. Driving in from the road you see the Cultural Centre first, and around the corner, you release an audible gasp at the magnificence of the temple barely glimpsed from the road.
Inside, after removing our shoes, the first thing you notice is incense thickened air. A sign requested no photos but apparently, our temple guide (a deacon) gave approval and Elisabetta shared this one she took.
Priests were attending to devotees so I chose to switch my phone off and instead purchased a very informative book about the history of the temple and details about Hinduism, including festivals and beliefs. An incredible bargain at $5.00.
The huge area seems cavernous but there are different sections with mini enclosures holding statues of various deities. The air heavy with incense and burning charcoal and within moments I felt my eyes sting. It was obvious couples and families were worshipping with the three out of the six priests on duty.
A young couple prayed with a priest by a fertility deity (?). The priest ladled into our cupped hands, the concoction made from fruit and flowers and signalled us to drink. The nectar tasteless to me, stirring memory of drinking kava at a ceremony in Fiji. There was a small open fire like a mini BBQ but generating plenty of smoke. The fire alarm constantly beeped because of its copious smoke and from a couple of similar fires.
I had a fleeting thought of what could happen if there were sprinklers!
Our guide explained there are gods (deities) for Education, Fertility, and Birth etc. Planets match your birth sign and some gods look after you. He explained about puja or pooja, a prayer ritual performed by Hindus to one or more deities in devotional worship.
Prayers can also be offered to host and honour a guest or to spiritually celebrate an event. It may honour or celebrate the presence of a special guest, or their memories after they die. A table with baskets of fruit (oranges, apples and bananas) for $15 and a well-stocked kiosk is just inside the entrance. the deities require offerings.
A temple is a busy place with chanting in Sanskrit and the buzz of conversations plus people moving across the polished floorboards and around the perimeter where cabinets or shrines hold statues of the gods. The black, grey, or gold figures often draped with pure silk gowns and scarves.
We walked past a cabinet that appeared to have a Nazi sign scrolled on glass doors – and a member of the group asked the significance of this, which remains an important symbol in Hinduism.
The swastika represented something entirely different for thousands of years before its appropriation by the Nazi Party, and for many, it is a sacred symbol.
Versions of the design have been found in prehistoric mammoth ivory carvings, Neolithic Chinese pottery, Bronze Age stone decorations, Egyptian textiles from the Coptic Period and amid the ruins of the Ancient Greek city of Troy.
Its most enduring and spiritually significant use, however, can be seen in India, where the swastika remains an important symbol in Hinduism, Buddhism and Jainism.
Despite the explanation, one of our group whispered, ‘Try going down Carlisle Street with that on your car!’ A reminder that in a multicultural society we have to be even more diligent learning about other religions and beliefs and be perceptive to differentiate when a symbol should provoke instant repulsion and condemnation and when it is used in context of worship.
The etymology of the word “swastika” can be traced to three Sanskrit roots: ‘su’ (good), ‘asti’ (exists, there is, to be) and ‘ka’ (make). That the collective meaning of these roots is effectively ‘making of goodness’ or ‘marker of goodness’ shows just how far the Nazis dragged the swastika away from its Hindu association with wellbeing, prosperity and dharmic auspiciousness.
The symbol, normally with its arms bent towards the left, is also known in Hinduism as the sathio or sauvastika. Hindus mark swastikas on thresholds, doors and the opening pages of account books – anywhere where its power to ward off misfortune might come in handy.
… it was Indian religion and culture that was the original source from which the National Socialists derived the swastika.
In Buddhism, the swastika is thought to represent the footprints of the Buddha. It takes on a liturgical function in Jainism, and in Hinduism, the clockwise symbol (the swastika as we know it, with the arms pointing right) and the counterclockwise symbol, the sauvistika, pair up to portray opposites such as light and darkness.
The scent of flower petals mingled with fruit and incense and oils. I missed a lot of the explanations because naturally our guide spoke without amplification and my hearing is not as good as it used to be. Fortunately, the book I bought, published to celebrate a special Consecration Ceremony in April this year, is full of detail about Hinduism, the temple, the hard work and cohesion of the Indian community.
The Hindu Society of Victoria (HSV) was founded on Saraswathy pooja day in 1982 at the initiative of some Hindu migrants from Sri Lanka. Hindu migrants from India, Malaysia and other countries enthusiastically joined the Society. The topmost priority for this new gathering was to probe ways and means of realising a traditional Hindu temple. Prayer meetings were held on the last Saturday of each month at the Migrant Centre in Prahran. Poojas were performed to the pictures of deities by Sri Raman Iyer on these occasions. On 21 June 1984, this society was officially incorporated and referred to as the Hindu society of Victoria (Aust) Inc.
The HSV decided to buy a plot of land and build a temple… bought a block of land of 14.35 acres in Carrum Downs on 14 April 1985… made up of a bank loan, interest-free loans from devotees and donations. Bhoomi Poojah was performed at the site to invoke the blessings of the Almighty. Since then Thai Pongal Festival was celebrated at the site but prayer meetings continued at the Prahran Migrant Centre.
… there was a prolonged debate about the choice of deities to be installed in the temple. Eventually, the Management Committee decided to build a Shiva Vishnu temple facilitating devotees from all sects of Hinduism….
Building works started in October 1990 and Nagarajan Sthabathy and a team of 8 artisans arrived in November 1992… The Granite and Panchalokha Vigrahas and other artefacts required were crafted by well-known artisans in India. The Granite Vigrahas were sanctified by a special pooja at Kanchi Mutt.
Additional six artisans were brought from India in Jan 1994 to accelerate the temple construction… completed, with the erection of the raja Gopurams and consecration on 25 may 1997. This temple has become an inseparable part in the spiritualemancipation of the Hindus of Victoria. It has also become a must-see icon to all Hindus and non-Hindus in Australia…
Traditional Hindu temples are not just places of worship. They function as a place of learning, foster the arts and encourage social interaction. The Cultural and Heritage Centre opened on 5 May 2012, includes a wedding hall, restaurant with industrial-scale kitchen, library, Hinduism classrooms, museum and conference hall that can accommodate 200 people.
The Hinduism classes for children also offer Bhajan, Yoga and meditation for all ages. The centre hosts ceremonies on auspicious days, Hindu weddings, and a cafe open to the public, which operates six days a week.
A children’s park with playground equipment and an enclosure with peafowls and chicks as well as surrounding gardens with attractive flowers, trees, and lush foliage ensures a relaxing family-friendly environment.
The sign in the garden reads: Nature is Gods vesture. The universe is the ‘university’ for man. Do not pluck flowers treat nature with reverence.
We put on our shoes and joined the ever-patient bus driver after thanking our hosts for their welcome and farewelled the first place of worship for the day.
Shri Shiva Vishnu temple is one of the iconic Hindu temples outside the Indian subcontinent providing a spiritual and cultural legacy for future generations.
Whether you practice Hinduism or not, a visit will add to your knowledge and understanding, and appreciation of the wealth of talent immigrants bring to Australia.
Masjid Westall, Indonesian Muslim Community Cultural Centre
We travelled to Westall for our next visit to learn about Islam, a religion that has suffered the most backlash and bigotry in recent years despite Afghan cameleers being present in Australia since the early nineteenth century.
The first camel drivers arrived in Melbourne, Victoria, June 1860, when eight Muslims and Hindus arrived with the camels for the Burke and Wills expedition.
The word islam means ‘surrender’ and specifically implies ‘surrender to God’. A ‘muslim’ is therefore simply ‘one who surrenders’.
In the Muslim sacred text, the Qur’an, the story of Islam shares a common tradition with Judaism and a common Biblical origin when God (Allah) created the world. Chosen prophets spread the essential message of surrender to the One (Allah).
Muslims recognise all prophets including Moses and Jesus, Rama, Krishna and Buddha but the Prophet Muhammad is the vehicle whereby the Qur’an, the final protected Word of God was revealed.
Islam is the world’s second-largest religion with over 1.8 billion followers. They make up a majority of the population in 50 countries. We mainly hear about conflict in the Middle East but devotees extend all the way from the Atlantic Ocean to the borders of China although the birthplace of this compelling faith was Arabia when it was a semi-nomadic and semi-urban civilization.
Islam is the most adhered to religion in Indonesia and in a 2010 estimate, 87.2% of the Indonesian population (225 million) identified as Muslim making Indonesia the largest Muslim population in the world.
At the Masjid Westall, we were greeted by two deacons who were generous with their knowledge and time. From the outside, the building is not imposing and doesn’t look like a mosque but once we removed our shoes and went inside the calmness and decor confirmed it was not ostentatious but a place of worship.
According to the 2016 Australian Census, the combined number of people who self-identified as Muslim in Australia, from all forms of Islam, constituted 604,200 people, or 2.6% of the total Australian population, an increase over its previous population share of 2.2% reported in the previous census 5 years…
… there are now 604,000 people who identify as Muslim in Australia. In addition, the Census reports that 1,140 of the Muslims in Australia are Aboriginal or Torres Strait Islanders.
After a welcome prayer and blessing, the deacons let us wander freely and ask questions rather than give a formal guided tour. There are 3 Indonesian mosques in Victoria, and they do keep in touch with each other and share Imams, some are students from Saudi Arabia. The mosque is Sunni, the major and orthodox branch of Islam.
Islam hasn’t escaped the fate common to other religions: sectarian divisions. There are sub-sects, but the two main branches of Islam are Sunni and the Shi’ite. They spilt over the question of the line of succession from the Prophet Muhammad.
Muslims pray 5 times a day and a digital clock has the prayer times. During the day up to 5 people will come and pray because most are working – perhaps a taxi or truck driver if nearby, maybe students and teachers from Westall Secondary next door, or others ‘just passing’.
Sundown prayers and Fridays attract the largest number with up to 50 regulars. After Christchurch, many non-Muslims visited to offer condolences and support and prayed in solidarity. The mosque provided hijabs for them but because we were only visiting and not participating we did not need to cover our head.
We all commented on how luxurious the carpet felt beneath our feet and the room was spacious even with a section for the women and children curtained off. There is a library, also a study corner and out the back a kitchen and communal area where crafts and toys are stored on shelves.
Our two gentlemen guides had set up a table with nibbles and tea and coffee – most hospitable and welcome. One deacon tried but failed to get his pictures up on his phone to show me the crowd of well-wishers who came to the mosque after the horrific events in Christchurch.
No question went unanswered and cameras worked overtime. Several people stood with the Imam’s arch in the background, others were fascinated by the displayed prayer times and mentioned seeing taxi drivers pull over to pray.
I remembered a tale of two young men…
In 2013, flying to Italy via Borneo and London, I sat between the pair. One was returning to Egypt for a holiday after being in Australia most of his life, the other, a student returning home after finishing studies at Queensland University.
The young Egyptian/Australian struggled out of his window seat to diligently adhere to the prayer times – there was a prayer mat aft, available for passengers – and throughout the flight, he read the Qur’an.
He confided in me that he had become more devout because of prejudice at work and all the things said about Muslims in the media. He felt he had to learn more about his faith (his parents and sister weren’t devout) and his origins – hence the trip “home”. He seemed unworried about the fall-out from the ‘Arab Spring’ and the ongoing sporadic violence.
The young student, returning home to his family and Muslim country didn’t bother praying and read a popular sci-fi novel in between discussing general topics ranging from history to politics and poetry. He confessed he’d love to return and work in Australia because he loved the freedom to choose his lifestyle and the climate.
I’ve often wondered what happened to these two young men – did their future turn out the way they wanted?
A little more enlightened about Masjid Westall and seeing Westall Secondary College and surrounds for the first time we set off for our lunch stop at Westall Hub – a place I’d never visited before the intergenerational project last year and one I’ve visited twice in the last four months!
I thought about the fuss in Bendigo about the building of the mosque and cultural centre and reflected on how many people would have driven or walked past Masjid Westall with no idea there is a welcome within if ever their curiosity needs satisfied.
Breaking Bread often Breaks The Ice!
Kingston Council hosted a lovely lunch at the Westall Hub providing a chance to sit and make conversation, get to know each other and share observations.
‘That was a while ago,’ I replied, ‘You have a good memory.’
We shared our interest and curiosity about the tour. Ann, a practising Catholic was born in Lithuania; her mother could speak seven languages and because of this Ann understood Russian. Four of the people on the bus were chatting. ‘They’re speaking Russian and probably don’t realise I understand what they were saying,’ she said with a smile.
At lunch, a lady sat down beside me, ‘Do you remember me, Mairi?’
‘When I saw you, I thought you looked familiar, but I can’t place you.’
‘I’m Honey, you came to my library and ran a couple of wonderful writing workshops.’
‘Honey! Of course, that was a long time ago – how are you?’
A small world, indeed. The phrase ‘six degrees of separation’ springs to mind. Almost two decades have passed since I ran workshops at Springvale Library. I cherish the letter of appreciation from Honey and the opportunity she gave me to improve workshop skills.
I was not a ‘big name’ author yet she gave me a chance and a paid gig!
There was only one young person under 30 travelling on the bus but a Samoan family followed in their car a father with his son and daughter who could be teens or twentysomethings.
Chatting at lunch, he was pleased I’d been to Samoa. He new Aniva’s Place where I stayed. I told him about climbing Mt Vaea and paying homage to R L Stevenson’s tomb and we discussed the contribution RLS had made to Samoa, which explained why he was so revered.
He said, ‘His greatest achievement was uniting the chiefs and teaching them to negotiate and achieve independence.’
I mentioned how much new history I’d learned when in Samoa. I had forgotten they had been a German colony and about the peaceful surrender to the British during the war.
‘My great grandfather could speak German and he was an interpreter for the German/British negotiations,‘ he said and confided his Scots ancestry – family names being Crichton and Williams!
We talked a little more about Samoa and how surprised I was at the number and variety of churches in such a small place as Apia. Religion is important to Samoans and there are many rituals, including traditional Sunday feasting.
(A later discussion with his daughter and son ranged from the problem of feral dogs to their relief Folau was Tongan, not Samoan!)
Our conversation ended with a quiz – he asked, ‘What one word did Samoa give to the English language?’
The answer, ‘Tattoo.’
My final lunchtime chat was with Dr Dinesh Sood who said, ‘I used to be a practising Hindu but now I’m a scientist,’ and a lady who used to be Russian Orthodox professed to ‘being an atheist and humanitarian‘…
I said we were an eclectic bunch.
However, what I remember most about the lunch stop happened outside when I went for a walk after spying two galahs on the power lines cuddling up to each other. They looked like a heart and I thought, what a great photo opportunity.
I walked to the edge of the car park and as I aimed my camera, I heard a distressed chirrup. I looked down and a seagull sat on the nature strip with an obvious broken wing, begging for help.
What to do?
I returned to the Hub and asked at reception for help and a wonderful young woman responded immediately, ‘I’ll get a cardboard box and rescue it.’
True to her word, she sprang into action. I watched from the bus in trepidation when her initial effort to pick up the bird caused it to scurry lopsided across the busy road. Wielding her jacket, she persisted and as trucks and cars roared past, I fretted for her safety.
‘Please be careful,’ I murmured … miraculously, the bird and rescuer made it the other side, escaping further injury. She scooped the seagull into her jacket and returned to safety when the road was clear.
St George Jacobite Syrian Orthodox Church, Heatherton
The third visit for the day introduced a completely new church to me and again the obligatory removal of shoes.
We were met by the priest and a warm welcoming committee. There was a powerpoint presentation, also two short talks on the history and origins of what devotees regard as the first church where the name ‘Christian’ applied.
It began in Antioch, with St Peter, after the death of Christ and surviving persecution the faithful travelled to India.
The first family practising this branch of Christianity arrive in Melbourne in 2006. Since then the number of families has reached 200 and within a decade they have raised the money to build their church and also donate thousands to charity.
(They gave $20,000 to the Kerala flood victims among other causes. A generous effort for a small congregation!)
A group of dancers performed a traditional dance of celebration about a reluctant bride being convinced the wedding is a good idea!
The costumes, music and performers a delightful treat and afterwards many took advantage of the opportunity to ask questions and join in discussions. I was fascinated by the striking curtains and altars – the furthest away can only be entered by the priest and designated elders, the smaller one is open to all.
Having St George and Jacobite in the name intrigued me – as a Scot, Jacobite referred to supporters of King James II of England or of the Stuarts claim to the throne. I know many Christian churches use different versions of the King James Bible as their sacred text but never realised one incorporated Jacobite in their name.
The mythology of St George predates Christianity and any stories I learnt as a child about his Christianity – light conquering darkness – were set in the 10th or 11th century, hence him becoming the patron saint of England. The origin story of this church interesting and proves religion is full of surprises.
Later, delicious and sumptuous afternoon tea made some of us reluctant to get back on the bus. We were farewelled with an unexpected gift and will certainly remember our visit!
Turkish Islamic and Cultural Centre, Keysborough
Our final visit for the day was another mosque and one I’d seen from the highway many times. The imposing building flying the Australian flag and one with the symbol of Islam – the star and crescent moon.
Outside, we were warmly welcomed by a teacher from an Islamic school and several students with an open invitation to ask questions and let the students be our guides.
After removing our shoes and covering heads, we sat and listened to a welcome speech by the Imam and a young female student. The Imam’s mobile phone rang, ‘Excuse me, could be Jesus calling,‘ he said.
I love his sense of humour! In fact, laughter and smiles a significant part of the day in all the places we visited.
After the phone call, he continued with his explanation of the Five Pillars of Islam: Shahadah (Creed), Salat (Prayer), Zakay (Almsgiving), Fasting and Pilgrimage (Hajj) and a brief history of the mosque and fielded questions before inviting us on a tour.
The art and woodwork stunning inside the mosque. Most of the artisanship done locally, some imports from Turkey. The ceiling magnificent, the chandelier adorned with a Qur’anic verse in Muhammed’s favourite colour, green.
Oh, I didn’t know he was Irish,’ I quipped and my young guide laughed. She pointed out the balcony upstairs where women worship and explained the delicacy of the stencilling on the ceiling and how time-consuming the job was for the artist.
The colours, designs, placement of artefacts, windows, doors, balcony – all hold symbolic meaning. There are three places where the imam can preach depending on the number of devotees. There is a beautiful raised staircase with detailed carving and inlays.
One of the young students sang a prayer and it reminded me of being in R L Stevenson’s house in Samoa and the young guide singing a verse of his favourite hymn. Another memorable experience was being alone in the church at Hermannsburg Mission, Central Australia and Jan Cornell, the leader of the group I was with sang to test the acoustics.
The unaccompanied human voice raised in a song of praise can be truly beautiful.
Our visit coincided with one of the regular prayer times and the Imam excused himself to attend to several men waiting to pray. We sat up the back in silent contemplation.
I don’t know what the others were thinking but as I watched the prayer ritual it struck me how vulnerable these men were and how trusting. They didn’t know any of us but believed they were in a safe space just like those worshippers in Christchurch and many other places where people have been attacked.
Their trust, vulnerability, and devotion humbling.
We trooped outside for the last few photographs and the bus journey home. If there are different places on the list, I look forward to joining another tour.
No one tried to convert me and I had no epiphany, just interesting conversations and experiences to mull over and deposit in my memory bank.
On Thursday evening, July 4th, my friend Jillian came with me to a fabulous event in the annual Glen Eira Storytelling Festival.
Not only was the event free but they put on a cuppa and delicious choice of biscuits if you turned up before starting time and plenty of us did that!
I no longer work at Godfrey Street in Bentleighwhere I used to encourage my students to enter the writing competitions (and in past years a couple got guernseys!) however, my Facebook feed alerts me to Glen Eira Council posts.
For anyone writing recent family history (Jillian) or stories about or based on their own life (me), Thursday’s event was a great shortcut for historical detail, reminders of what Melbourne’s suburbs used to be like and a way to generate ideas to turn your life into interesting fact or fiction with specific research done by people passionate about the past and with an established following for their writing.
Nostalgia and the ‘Burbs
Award-winning television and radio broadcaster, Libbi Gorr hosted a panel of contemporary artists and authors with research, websites, and books devoted to cultural observations of our changing suburbs.
Libbi, currently, on ABC Radio Melbourne Weekends was known as Elle McFeast in the 90s.
Lisbeth Joanne “Libbi” Gorr is an Australian broadcaster working in both TV and radio. Gorr is also an author, voice artist, writer and performer. She first came to prominence with the satirical television character that she created called “Elle McFeast”.
With her comedic skills to the fore, Libbi introduced herself by saying she looked up the meaning of Libbi and it was a wallflower, so she chose Elle because in the 90s the model and magazine was associated with long legs and great tits.
She explained that if you wanted to know her job on ABC Radio Melbourne think of her as the Waheed Ali of the weekend except she has a Jewish background, or Miranda Kerr after a feed and Oprah on Crack…
She was a young Jewish girl growing up in Murrumbena, a suburb ‘not quite Caulfield’. Her father originally, from Shepparton but his family escaped the pogroms of Russia. Her grandfather came to Australia at the same time as the Myer family but he worked on the Snowy Hydro scheme.
Sidney Myer’s family got the Sidney Myer Bowl, her father got a fruit bowl – Shepparton.
Libbi’s mother born in Caulfield – a pharmacist like her mother – ‘two generations of druggies’. Her father owned a petrol station, Gorr Automotive so Libbi said, ‘she could sniff cocaine or petrol’…
Libbi’s introduction, placing herself as a local with a connection to place important for the ‘home crowd’ – and it was a crowd – in excess of 100 people packed the room. Not a bad turn out for a winter’s evening.
The blurb on the invite about ‘burbs said:
As corner milk bars disappear, video stores shut their doors and quirky suburban houses and landscapes give way to gentrification, a group of writers, photographers and artists have set about capturing the quirks and nostalgia of our changing suburban landscapes.
Join us for an evening of cultural observations from the ‘burbs, trips done memory lane and some musings on the very strange phenomenon we call nostalgia.
Why is Nostalgia important?
Before Libbi introduced the panel she mused that Carl Jung answered that question when he studied how childhood experiences are cemented as unconscious memories connecting us to our past.
Our unconscious is the part of the mind containing memories and impulses of which we may not even be aware.
Jung talked about ‘collective unconscious’, a term to represent a form of the unconscious common to mankind as a whole and originating in the inherited structure of the brain.
We all have experienced premonitions – a sense that we know who is on the phone before it rings and we pick it up. We all have had deja vu, that feeling we’ve been somewhere before…
Jungians, almost by definition, tend to get enthused anytime something previously hidden reveals itself when whatever’s been underground finally makes it to the surface.
Carl Jung founded the field of analytical psychology and, along with Sigmund Freud, was responsible for popularizing the idea that a person’s interior life merited not just attention but dedicated exploration — a notion that has since propelled tens of millions of people into psychotherapy.
… Jung, over time, came to see the psyche as an inherently more spiritual and fluid place, an ocean that could be fished for enlightenment and healing.
Whether or not he would have wanted it this way, Jung — who regarded himself as a scientist — is today remembered more as a countercultural icon, a proponent of spirituality outside religion and the ultimate champion of dreamers and seekers everywhere, which has earned him both posthumous respect and posthumous ridicule.
Jung’s ideas laid the foundation for the widely used Myers-Briggs personality test and influenced the creation of Alcoholics Anonymous. His central tenets — the existence of a collective unconscious and the power of archetypes — have seeped into the larger domain of New Age thinking while remaining more at the fringes of mainstream psychology.
Nostalgia is a sense that connects and cements us all and Libbi wanted the panel and the audience to consider what we get in a community when we share it or live it…
Jessie Scott, video artist and author of The Coburg Plan. Jessie is doing her PhD – the subject, video stores. She has researched many, interviewed owners and customers.
Eamon Donnelly, artist, photographer and author of The Milk Bars Book. Born in Geelong, the family moved to Melbourne. He began to take photos of places/shops. Many are now defunct and others are disappearing fast. He spent 15 years documenting change before publishing his first softcover book. A cultural artisan, his hardback book was on sale for the evening.
David Wadelton, a contemporary artist, photographer and author of soon to be published, Suburban Baroque.
Aron Lewin, journalist/writer – recording football and real estate, chronicling progression of Melbourne shops, a Real Estate reporter. He set up the Tales of Bricks And Mortar website https://talesofbrickandmortar.com/author/alewin1/ after collecting stories about longstanding shops, restaurants and cafes across Melbourne.
Projected in the background were slides taken by the panel and whenever a familiar shop appeared, a murmur of recognition rippled through the audience.
I nudged Jillian when a picture came up of a milk bar in Edithvale and one in Seaford – several of my students have mentioned these shops in their stories.
David Wadelton – Documenting Transition
Abandoned shops, shops replaced with apartments, empty blocks… places symbolising change and loss all interest David. Change over time affects not just buildings when factories are replaced by apartments, shops on a local strip disappear or are replaced by a shopping centre…
He was fascinated by how different postwar migrant housing was compared to traditional Aussie houses. Old weatherboard home extensions added a top storey of brick to make houses look more European. The decor and colour schemes inside were soft furnishings and souvenirs from ‘the old country’.
He has photographed milk bars, newsagents, fish and chip shops… Lightbox signs: ‘sweets and smokes’ in Footscray; an adult ‘newsboy’ in Northcote, small Barbershops in business 50+ years with souvenirs of their European homeland and their adopted homeland on the walls and counters.
He has a picture of Thornbury Espresso slide, Hattams clothes shop still with a sign ‘we take bankcard’…
David has a following and audience on Flicker, Instagram, and Google’s YouTube – he has made the transition from traditional print to digital.
While David was talking I thought about the milkbar that used to be at the end of Albert Street Mordialloc before several adjacent shops were demolished and turned into an ugly block of flats.
Several people tried to make a go of the business, impacted by an expanded Safeway supermarket and a new Jewels Supermarket built in Main Street. An elderly couple ran the milkbar in 1984 when John and I moved into Albert Street.
It was not long before they retired and it was bought by a man who owned another shop in Warren Road. He installed his son and a mate to run the shop before a retired army officer, originally from Wales became the last manager.
Albert Street changed dramatically in the early 90s – a petrol station/garage demolished for a nursing home, washing machine repair shop transformed into a hairdressing salon and the milk bar and mini hardware shop demolished for a block of flats. Several stand-alone houses made way for units.
Aron Lewin – Writing Poems About People and Places
Aron saw a picket fence shop and wondered who would start a shop like that, how long would it last – and it inspired a poem about why and how… and he got an idea for a website.
He went to interview the owners but they were not interested. However, from there he looked at other small business owners in the area, shops in a strip – proprietors all knew each other with most shops around 40 and 50 years. In fact, the owners were local identities.
He focused on ones that stayed in the same place for years because he wanted to capture their stories before businesses closed and disappeared as they will…
He was fascinated by what motivated these business owners, why did they choose their particular trade/product/lifestyle? What were their challenges, successes, failures? How did they see themselves in relation to the community?
He took photos with his mobile, then teamed with a proper photographer. He aimed to interview ten people but now has fifty stories!
From a small beginning, his enthusiasm and passion to record the stories and details of old shops across Melbourne propelled and grew into a big project. It’s all about connections and relationships with a local community – stories about the butcher, the baker, the barber… recorded before the people and places disappear.
A slide of Franks Bakery, Elsternwick flashed onto the screen eliciting lots of noises of recognition from the audience and Libbi.
‘Aw, Frank, lovely man – been there forever.’
Aron said, ‘ I saw a sign couple of days ago. It’s closing.’
‘Oh, no!’ gasped Libbi, ‘is this true? Does anyone know?’ she asked the audience.
There were murmurings and Libbi googled to check if there was anything on the Bakery website – as did others on the panel and in the audience!
Jessie Scott – Extracting meaning From Unloved & Neglected Sites
A video artist/photographer, Jessie’s PhD is about Video Stores. She grew up in Moonee Ponds and the western suburbs. So many small places are disappearing, the renowned Olympic Donut place is gone and street after street subjected to gentrification with the real estate boom.
At university, she rediscovered video shops when she was studying video art and did an assignment, her Miraculous Ribbon Project. Slides of Colac Video and Network Video shops that existed then but those stores are either closed and empty or gone now.
No longer the ‘Home Entertainment Experts’.
A Video Ezy shop was her local store. She got a text message to say it was closing and having a ‘fire sale’. That moment was when she realised how painful nostalgia felt because part of her childhood disappeared when that store closed.
People congregated to discuss, gossip, share news in the video stores. Staff would point out good movies – there’d be discussions, it was a social and family place.
Video Stores were often the first point of contact with a broader culture for people. Nowadays with the explosion of the Internet, there is access to whatever you want but when she was growing up it was a family outing to choose your entertainment for the weekend.
Jessie’s talk reminded me of the two video shops we had in Mordialloc. Most of the time, John took the girls to choose their movies – $5 for the latest release (if they were lucky), or more likely a selection of the weekly $2 ones. (I’m talking ’90s.)
Captain Beaky’s store was their favourite and the owner nicknamed the girls ‘the horror queens’ because they loved hiring the latest horror movies – Buffy the Vampire Slayer popular!
The man in the other store on the opposite side of Main Street was nice and friendly too. Just as well because when we returned from a holiday once, the friend looking after our house and dog forgot to return the videos and left them where Goldie decided to treat them as toys she disliked.
When I offered to pay for replacements, the Video guy just laughed and said not to bother because accidents happen. Obviously, a dog lover or no one else had our taste in videos.
Eamon Donnelly – The Milkbar Man
He was born 1981 in Geelong, his happy memories as a child are of copper coins in his back pocket as he rode his bike or walked to the milkbar to buy some lollies or ice cream.
His favourite milkbar run by the Hawkings Family.
Milkbars had colour, warmth, sounds and smells – sweet aromas – lollies, ice creams, and the owners knew everyone. They also sold cigarettes and often newspapers.
He is nostalgic for the 1980s. In the 1990s, his parents sold their renovated home and moved to Melbourne suburbia. Their new suburb did not have nearby milkbar but a golf club as a substitute.
Eamon went to university and studied graphic design and art. He returned to Geelong to take photos of his old family home and didn’t recognise the area: the family home altered, several milk bars gone – some had old signage left, others the building vanished.
He started to record Geelong first, then Melbourne – so many small businesses closing but iconic brands and typography remembered by lots of people.
Milkbars made milkshakes and spiders – many also provided school lunches being a nearby tuck shop (one even called the milkbar that).
He got a story in The Age about his first book – a soft cover book. Jenny, the daughter of one of the milkbar owners – the Hawkings – Googled him and got in touch. She loved the photographs and they corresponded.
He experienced a ‘Full Circle Moment’ – he was invited to meet the family and the Hawkings remembered the Donnellys. They met and had dinner and reminisced and discovered so many incidents were their life or the life of family members and friends crossed.
Eamon started to interview families because lots of people got in touch after the first book came out and he saw the need to save their stories.
Audience Response confirmed we love to indulge in Nostalgia
A young woman introduced herself as Phyllis. She grew up in a milkbar and her father is in Eamon’s book.
She got emotional and apologised. Her dad passed away two years ago so the book is a treasure, ‘ I come from a Greek background, Dad was Greek.’
Libbi asked how she managed not to gorge on lollies and Phyllis laughed. ‘Dad was Greek, he said, if you steal lollies, I’ll cut your hands off, and I believed him!’
Phyllis then went on to say how much she admired her father and others like him who had little or no English when they arrived in Australia yet still ran a business.
How did they do it? Her father couldn’t speak enough English to learn or remember customer’s names but called them by descriptions like ‘giraffe lady’ (a woman who was really tall). He remembered customers that way.
She believes the milkbar building is still there in Elsternwick but now an Indian restaurant or perhaps a dodgy hamburger place!
Eamon remembered Phyllis’s dad and said there is a beautiful black and white photo of him behind the counter in his shop. He remembered how he was always smiling when he greeted customers.
A man in the audience shared a story too.
His uncle had a milkbar in Swanston Street in Melbourne city just before Bourke Street. It was a cafe too and ‘served Aussie tucker: bacon and eggs and chips.’
He used to help his uncle during holidays by selling toffee apples.
His parents had a milkbar in Huntingdale Road near Huntingdale Railway Station and in the 1960s, it was one of the busiest milkbars in Melbourne.
He ran the milkbar at 15 years old because his father got ill. They made sandwiches for nearby factories which proliferated at that time in Huntingdale. They opened from 6am – 10 pm but got a sleep-in at weekends and opened at 8.00am.
Because of some quirk in the law, they couldn’t sell groceries after 5.00pm but bribed the inspectors. They’d board up shop and after the inspection open up again. The inspectors went away with a carton of cigarettes or large salami sausage or something similar. They also sold sly grog – brandy – an inherited side of the business from previous owners.
He remembered they sold sanitary pads, which were wrapped in brown paper in those days. Ladies would come into the shop and ask to be served by his mother. She would come and duly serve them but yell to him, ‘Get a packet of pads for the lady.’
Local shops provided entertainment, produce and local news!
David has been chronicling architecture of the 70s 80s 90s. Other buildings, as well as shops and milkbars, fascinated by their nostalgic and iconic status.
His focus on the broader conspicuous change – they were on every street corner, they personify and represent change on a broader scale – no room for family businesses anymore.
Regarding the houses of migrants of that era with taste-defying interiors, garish colour schemes, eccentricity and clash of ideas – this is vanishing. Everything homogenised today, everything the same – colour schemes beige and shades of beige!
We are seeing a homogenising of culture, tastes have radically changed. He is just documenting but sees so much slipping away. His mission to record a way of life vaporising before our own eyes.
What contributes to the change?
Employment laws have an impact:
Contracts, transient and casual employees, staff constantly changing in franchise stores like 7/11 so no attachment to customers, no special relationship like with milkbars and small family businesses.
No sentimentality with 7/11 and similar franchises
Convenience stores have prepackaged mixed lollies – no choosing your own,’ one of these, two of them…’ The signage generic, the atmosphere different.
You remember the place and the people in a family business, you are cemented to it even if an employee.
You chat and value the conversations, reflect on relationships that extend beyond the shop – perhaps go to school with children, attend the same church… the shop an extension of that community.
Do relationships stay in the shop or do they exist and extend beyond that boundary?
Eamon said the Hawking Family became friends and a connection developed with the project but people do get displaced.
Jessie said one of the video store owners she interviewed was so well-liked by his customers that some volunteered to keep the store open while he went out cleaning to earn enough to keep the store afloat.
Unfortunately, the store eventually had to close. Many people say they regret stores closing and miss them after they have gone but don’t patronise them to keep them viable.
Another audience member volunteered her story. She lived and worked in a local shopping strip and most of the business owners were Holocaust survivorsand WW2 migrants.
They frequented shops where they could be understood, where people spoke their language and knew their culture – Jewish shops, Romanian, Polish, Scottish.
Everyone knew each other – it was a community for new migrants.
She worked in a milkbar in Malvern in the 70s, so did her sisters. The downside was she couldn’t ‘buy cigs on the sly’ because they knew her parents.
She recalled how milkbars were referred to by their stock: a Peter’s milkbar, a Streets’ milkbar even one referred to as the weird guy you wouldn’t visit – especially on your own!
It was a night for confessions.
A man in the audience said he attended Mt Scopus College and with the help of milkbar in Armadale, he started a profitable enterprise.
He and his mates bought lollies at one price and then sold them for an inflated price from his school locker. He raised money for bands like Sky Hooks to visit and play at lunchtime concerts at school. Chocolate buttons and snakes were the most popular lollies!
When Libbi asked did Netflix and other digital technology kill video and going to the movies there was a muted response.
A man suggested that it is a change in culture and we are distancing ourselves from our neighbours so don’t blame technology because we take it up – it is a choice.
Years ago, on hot nights people sat in front gardens or on verandahs and talked to each other. Pre-television they went for walks and talked to each other.
Fences have become increasingly higher built between properties. First tall fences then security gates, even on unremarkable houses that would not be immediate targets for thieves.
A woman said that times may be changing again because of rules in some of the new estates in places like Pakenham, no front fences are allowed and side fences must be a certain height. Different councils have different rules.
DO YOU KNOW YOUR NEIGHBOURS?
Sadly, many people don’t know their neighbours citing new development, ageing and the movement and shifting of the population as reasons.
A woman who grew up behind a fruit shop said someone should do a story on the demise and change of fruit shops.
Libbi asked if she was a Cincotta and the woman said, yes. Her family owned businesses in East Malvern, Murrumbeena and Hughesdale.
Fruit shops have been absorbed into supermarkets and the trade absorbed by multi-nationals and the changing trends like organic fruit and vegetables – all big business nowadays.
Has Cafe Culture replaced the Milkbar’s Role?
There is a strong cafe culture today and it is a parallel culture to the old milkbars with regular customers. The cafes are often on street corners, many developed from converted milk bars.
They are a modern social hub. For example, in Northcote, the milkbar on the corner is now a cafe – it’s about loyalty.
An Inkerman Street milkbar taken over by a cafe. They kept the name and signage, use old fashioned china crockery – a contributor to future nostalgia.
In milkbars, relationships were built and they were a meeting place for people in the neighbourhood – many cafes fulfil a similar role – providing familiarity and friendship.
Glen Eira Town Hall
The evening had to end but people were reluctant to leave and as Libbi thanked the panels and organisers she pointed out how important a community hub is to keep the spirit of community alive and to help people belong and feel part of a place.
These events Glen Eira put on don’t cost a lot, you feel comfortable, you’ve been with people and interacted in a meaningful way, and because it is local there is little or no travelling time…
We were all given a paper bag of mixed lollies on the way out … the reminiscing, the discussion, the relaxing warmth …
The evening proved we do yearn to share stories of the past and Nostalgia and the ‘Burbs a great success!
Well done Glen Eira Council!
If you have a story of a milk bar or other local business please share it – I have a list of stories I can write or add detail to ones already written to include milkbars:
I tasted my first Choc Wedge at a milk bar in Croydon 1962
My first trip alone on a bicycle was to the local milk bar in Croydon 1963
On Saturday, I went to the matinee session of the Mordialloc Theatre Company’s latest play at the Shirley Burke Theatre, Parkdale.
My theatre buddy, Lisa cancelled because of ill-health but I am glad I didn’t let that or the wintry weather, which caused sudden and severe squalls, to convince me to stay at home in the warmth – although it was tempting!
Now I’m ‘retired’ it is easier to stay at home, especially in winter and by the demographics I’ve observed who support the MTC and the smattering of empty seats on Saturday, the cold weather and perhaps the lethargy of age took its toll, which is a pity.
The play was enjoyable, the ambience in the theatre welcoming, and you get free coffee/tea and biscuits at the interval.
In fact, if so inclined you can buy a glass of wine or sherry before the play starts. Saturday definitely, chilly so I’m not surprised many people took that option.
See this play and support your local theatre
Mr Bailey’s Minder is on until the end of the week!
Of the three productions I’ve seen this year, this definitely gets a thumbs up from me and considering the response of the audience, others also agree.
Maybe it is because this is the first one this year by an Australian playwright and so the actors didn’t have fake American or Canadian accents.
Maybe it’s because I can relate more to the themes which are not only current and relevant but emotionally engaging.
Maybe it’s because of the actors – apart from a bit of nervousness at the beginning, their interactions were believable and entertaining.
This is the promo blurb:
However, discussing the play at the interval with one of the volunteers another lady joined the conversation and when I said the subject matter was interesting and topical she said, ‘Ah yes, elder abuse.’
A reflection perhaps because we are in the middle of a Royal Commission into how we treat people in Aged Care and there are stories galore about abuse in the media.
But Mr Bailey’s Minder is much more than a story about someone growing old and being mistreated or fearing mistreatment.
All the major characters in the play have fears and emotional scars – not just Mr Bailey.
We are all ageing or know someone who is and if we live long enough must face declining health and death.
We all have or will have a life to reflect on with good and bad decisions, successful or unsuccessful relationships, haunting memories of the warm glow kind or filled with regret.
Many of us have had experience with someone in the family coping with alcoholism and/or dementia and family estrangement is common too.
The play mines a rich field of life experiences.
Therese, as the title suggests, is the ‘Minder’ or carer, and frequently, takes centre stage. Her story, one of a need to belong and be valued – and to value herself – a contrast to Leo’s life of celebrity status where being a ‘famous artist’ resulted in Leo overvaluing himself! (as others did too!)
Leo Bailey (Eric Hayes) is a drunken ‘has-been’ artist suffering from decades of alcohol abuse and self-indulgent misbehaviour. He’s offended, hurt or neglected friends, several ex-wives and all but one of his children. His past is confronting – what he can remember of it, or how he remembers it, which varies depending on his mood or awareness.
Now he is facing death – and he is astute enough to know it will probably be alone. He must also cope with the realisation that he’s lost some of his artistic abilities yet boasts how valuable his signature still is – even on a blank piece of paper (be intrigued).
Only his daughter, Margo (Juliet Hayday) continues to visit him and manage his affairs, despite being subjected to a barrage of abuse every time she steps into Leo’s home.
Margo has remained dutiful although she can’t escape the bitterness of unhappy memories of childhood spoilt by her celebrity father’s behaviour.
In the opening scene, the much-maligned Margo meets Therese (Julia Landberg), a young woman desperate for work and the latest in a long list of Leo Bailey’s minders.
We learn how ill Leo is, about his obnoxious behaviour, plus how dementia has heightened his disagreeableness.
Margo who works in investment banking does not ‘pull any punches’ regarding her father. In fact, she repeats the well-worn cliches –
Old people abandoned in nursing homes must look no further than their own past behaviour.
Abusive drunks reveal their true self – it’s never just the drink talking.
Adults must take responsibility for their behaviour whether they’re a celebrity or not
Therese, cagey about her past, is worried Margo will check her references. She doesn’t expect to get the job, yet in her desperation behaves alternately, belligerent and defensive. She is feisty and a survivor.
Leo comes downstairs, he is at his alcohol-sodden best, insulting Margo and Therese and accusing them of wanting to take his home and independence.
Disagreeable is an understatement.
(Interestingly, “Leo’s” lines or actions alternated between outrageous, wily astuteness and downright insulting, but a group in the audience loudly appreciated Eric’s performance – indicative that the actor who is a Life member of MTC has a following!)
The final major player to add to the emotionally scarred cast appears later.
Karl (Aaron Townley) a tradie who comes to remove a mural and repair a wall. His life is as difficult and broken as the others. He’s paying off a debt caused by an ex-business partner and recovering from a marriage breakdown caused by same debt.
Needy and lonely, Karl continues to visit to do odd jobs after establishing a friendship with Leo and Therese who manages to get her charge to give up drinking and begin to make amends to those he has mistreated by writing letters of apology. They even start going out and visiting parks and museums.
Of course, there are sub-plots and a minor character (also played by Aaron) who will make your blood boil and an all-important twist that good drama provides.
The necessary conflict to keep an audience interested is delivered – with a couple of realistic physical scenes, which had me worried because Eric wasn’t using make-up to age!
Each character also revealed an inner conflict through actions or dialogue at some stage.
The Playwright, Debra Oswald.
Wikipedia tells us that Debra Oswald is a screenwriter, playwright and fiction author. She was the co-creator and head writer for series 1-5 of the award-winning Channel Ten series Offspring…
Mr Bailey’s Minder and The Peach Season both premiered at Griffin Theatre Company. Mr Bailey’s Minder toured nationally in 2006 and premiered in the United States in 2008 at The Walnut Street Theatre in Philadelphia.
When it was first released, a review said, the play
… grapples with how much latitude we’re prepared to give artists we consider to be blessed with some kind of genius. It also explores the separate journeys of three individuals committed to creating a place where they can belong.
The play may also promote discussion about past behaviour and caring for ageing parents whether they were celebrities or not.
The worship of celebrity, of course, seems to have intensified in recent years. A prime example is in the acting profession where TV creates celebrities frequently, with actors who study the craft and perform on stage often overlooked or not given the recognition, they may deserve.
In this social media age celebrities flourish, however, in the future they may pay the price for their behaviour much earlier or burn out quicker.
The publicity social media gives that makes it easier to make celebrity status, also makes it easier to punish or shatter a celebrity. And with the Internet – everything is on record whether it has been edited, doctored, embellished, made up…
Plus we have an ageing population. Debra’s play will remain topical and relevant for some time.
Stagecraft and Set Design
The set design and construction depicting Bailey’s disintegrating home above Sydney Harbour is eye-catching and memorable. Martin Gibbs, the Director and set designer is to be congratulated.
The various scene changes facilitated seamlessly by three exits – a door through to a kitchenette, the ‘front’ door and a staircase that led to the bedrooms and much-mentioned bathroom. The music accompanying each scene change setting the relevant mood and the lighting used to great effect to signal the passing of time and a new day.
So, add a bit of spice or emotional angst to your day and catch a session of Mr Bailey’s Minder you won’t be disappointed and it will do what all good art does – make you confront various aspects of the human condition – especially your own.
A note of caution – if like me, you have experienced a loved one whose personality changed because of dementia, ageing, or a combination of both, or have experienced family estrangement, make sure you have a tissue in your pocket… you never know what triggers an emotional moment… this play just might hit the spot.
I’m on holiday from classes until July 30th and in my FB feed the Scottish Poetry Library announced June 26th 2019 as ‘International Writing Day’ with a link to https://www.nationalwritingday.org.uk/
Whether international or national – it is wonderful to have a writing day and that’s what I did, sharing Wednesday with a dear friend first met through the Mordialloc Writers’ Group.
Sitting at the kitchen table, we talked about writing goals and then wrote some poetry.
We both had discovered old notebooks containing poems written years ago and discussed how many versions need to be written to ‘get it right’ – and how it never is!
Have we improved or were those early words better? Did the words come easier then? What makes a ‘good’ poem?
We both agreed that in some cases, our poems recorded life and how we felt – a bit like journalling and many poems reminded us of past events we’d forgotten.
Other poems explored language, exercised our imagination, captured a moment or were a bit of fun …
Searching for Words and Meaning…
In writing class
we explore language
seek living words
sentencing each other
to work it out
or perhaps not
just listen, absorb and be
explore the language
search for words
taught in childhood
read in books
overheard on the train…
volume doesn’t matter
one sentence or two
from me or you
research for a living
search for meaning
out-search a life
writing in class…
Port Campbell Sunset With Mary Jane
Mairi Neil, 1995
We stand together to watch the sun go down
sharing a marvellous miracle –
the silvery-white ball now a shade of pink,
a glowing mandarin, yellow tint, then red
and settling seagulls strutting by the water
appear to blush, blending with the foaming tide
flowing in with a rush
The fiery sphere radiates brilliant orange
colour spreads across the sky, the orb starts to
This forehead and eyebrows of a sleepy giant
Until suddenly, the sky explodes aflame
our hearts pound
the sky astounds
The sun a misshapen balloon
A semi-darkened sky of colourful pools, puddles,
mere splashes mid-air
Was that brilliant display ever really there?
A Note To Kingston Council
Mairi Neil, 1999
(responding to a report in the newspaper of a resident weeping as a gum tree aged 100 years old was chopped down to make way for new development)
A concerned citizen stood weeping
wringing her hands in despair
but the chainsaws grind and gobble
so another block’s laid bare
gum trees go that once grew tall
shading homes for a hundred years
those living links to the past
chopped down despite her pleas
Eucalyptus gums are indigenous
native grasses and bushes too
home to a thousand insect species
and native birds becoming so few
where one house stood in a garden
two units are built – or more
imported trees, shrubs in fancy tubs
surrounded by a concrete pour
Developers have their dreams
And indigenous trees get in the way
‘Clear the land of all vegetation –
especially big trees,’ what they say!
Bulldozing through regulations
and done with unseemly speed
‘We own the land now and have rights,’
but neighbours see only greed.
Some developers say they deserve thanks
After all, they’ve ‘improved’ the land
sanitised lawns introduced boutique trees
concreted paths added buildings grand!
Individual rights must be paramount
because the ‘ME’ mentality rules
environmentalists caring for community
are soft-hearted, irrelevant fools.
Who cares about rangy, old gums
that provided shade and privacy too
Who cares about a balanced ecosystem
and that birds and butterflies are few?
If YOU care about what is happening
In community streets and suburbs
Then speak up, get involved, write letters –
and counteract the Real Estate blurbs!
Mairi Neil, 1996
A winter’s morn
white mist hides the sun
birds twitter unseen
Was it the coldest night?
A walk to the station
familiar path unseen
cold air, chilled bones
a bleak beginning
to another day of toil
At the railway station
commuters huddle in silence
but aboard in warmth a thaw
familiar faces smile greetings
cheerful chatter melts winter blues
The World Loves PowerPoint
Mairi Neil, 1996.
I got a CDRom to make an interactive PPP
this multimedia task completely confounds me
I sit with mouth agape marvelling at the show
from Encarta ’96 – so much I don’t yet know
I don’t know how computers work
the science and technology a wonder
the subliminal flickering of the cursor
disappears off screen – oh, my blunder?
Clicks and movement directs this brain
finger muscles used again and again
activating programs seems a breeze
but this technology can be a tease
my hands don’t appear to accept the hype
as on the keyboard they stumble to type
and repeat out-dated typewriting rules
trying grammar and spelling used at school
I got a CDRom to make an interactive PPP
This multimedia task completely confounds me
Bill Gates and Microsoft what have you started –
my confidence and sanity swiftly departed!
A Winter Walk in Woodland
Mairi Neil, 1997
The winter day cold but not drear
unusually, warm for this time of year
we choose a walk through the woods
and frost-hardened leaves crack
the path piled with fallen snow
our boots stain the pristine track
Children run ahead to climb steep hills
curbing their enthusiasm a battle of wills
they’re keen to explore and with innocence
embrace the wild creatures in this place
but most are hiding, nowhere to be seen
hibernating while of summer they dream.
The children lament the ‘waterfall’ too small
a mere trickle of water, no cascade at all
plus modern development is eating the wood
motorway and shops gobble habitat for good
landscapes changed, altered beyond repair
rivers dried – the trees weep in despair
At an old canal, hopeful enthusiast rebuild
boxes to protect dormice with optimism filled
Mother Nature resilient, she can adapt and adjust
but nurturing people’s help a definite must
tiny snowdrops gleam – such a welcome sight
of unspoilt beauty to hold in memory tight.
I Never Thought
Mairi Neil, 1998
When we first met
I never thought
we would lie side by side
in a large comfortable bed
and not drown in passion
maturity and familiarity
take their toll
Our bodies still tingle
when hands caress
but we have grown
comfortable and content
seeking thrills less often
It is enough to know
desire and satisfaction
I never thought
we would lie side by side
and talk of mundane matters…
doors to be painted
garden beds to be weeded
leaky taps to be fixed
seams to be mended…
yet we do not rush
to start a project
or worry a task
It is enough to know
there is tomorrow
I never thought
spending a morning
with you puzzling to solve
a cryptic crossword
and I puzzling to
write a poem
would create a warm inner glow
provide contentment and pleasure
Our past… and imagined future
flows easily between us
Our love has a comfortable silence
as well as public vows
It is enough to know that you are here.
I Love Cooking (after Dr Seuss)
I love cooking, I love the smell
I love it more when it turns out swell
I love old recipes, they are the best
I gather ingredients and begin with zest.
I love my oven, it’s electric. If it was gas I’d be sick.
I love my bench top, granite and wide, equipment sits side by side.
I think my cooking is okay, there’s not much more I can say.
I’m not an expert like some boast, I’ve been known to burn the toast!
There’s people who just love their food, always categorising, bad or good.
I eat to live, variety’s not king, a few favourite recipes are my thing.
I’m happy to bake my apple cake. I am.
Can even manage scones, cream and jam.
I love to peel, dice, chop and knead.
It’s from cleaning up I want to be freed.
I love cooking – it’s a necessary evil – we have to eat.
But boy I’m glad – really glad – Nandos has opened up the street
We are experiencing a colder winter than usual this year and as I shiver, Facebook reminds me that two years ago I enjoyed warm spring weather in the UK including the lovely two weeks experiencing the Absolute Orkney & Shetland Islands Escape with several days spent in Shetland.
I’m now revisiting that time in Shetland while continuing the journey of going through boxes of past writing and teaching files to ‘clear out clutter’.
Recently, I discovered one of the first poems I wrote when I moved to Mordialloc and attempted to fulfil a dream to be a writer.
Whether scribbled poems (and this one was pre-computer days for me) or journal notes, the words, like my Facebook posts and photographs catapulted me to another place, another time – in many ways – another me!
The Change of Seasons
Mairi Neil, 1992
A winter’s day at the beginning of June,
who would have thought it cold so soon?
The hum of the fan as the gas fire burns
lifeless clothes drip on the hoist as it turns
the breeze gentler no more leaves falling
but the plaintive cry of cockies calling
to be released from their caged captivity
a monument to mankind’s insensitivity.
The cold weather outside, wet and bleak –
where is the sunlight we all seek?
My neighbour traps birds to keep for pleasure
others destroy the environment to amass treasure
I frequently criticise but no action take –
is my concern for social justice all just fake?
The silent majority murdered the Vietnamese
a radical student, I demonstrated with ease
Like winter’s rain, my protests poured down
on the heads of politicians – even the Crown.
There are always Vietnams, wrongs to be righted
has motherhood, mortgage, my conscience blighted?
Puddles on the concrete quiver and ripple
Raindrops plop like intermittent spittle
Was I more effective when young and carefree?
Persistently protesting – no one silenced me!
Perhaps mature responsibilities have weakened my voice
the business of raising a family offers limited choice…
When young, I felt strong like the rain – now I’m spittle
still caring deeply, yet doing too little
Can I blame it on SAD – sunlight deprivation
And be like a bear, accept temporary hibernation?
Winter Nights In Front of The Telly With Jimmy
On Sunday nights, a new series of the television series Shetland is broadcast. The crime drama has amassed an international audience since it began in 2013. Its popularity due to the excellent adaptation of award-winning crime novels by Ann Cleeves, a location, which provides plenty of stunning coastal scenes, strong storylines, and good acting.
Douglas Henshall plays Detective Inspector Jimmy Perez, the main character and in a recent interview, he agreed that the collection of around 300 islands lying between Orkney and the Faroe Islands, at the area where the Atlantic Ocean and the North Sea meet does intrigue and excite viewers.
“Not only because it’s beautiful but because it’s like another character in the show,” he said. “I think people are drawn to the place because they imagine themselves there.”
Cinema is all about suspension of disbelief so it may come as a surprise to viewers that many scenes in Shetland are filmed in Glasgow, Barrhead, Irvine and Ayr – hundreds of miles away in the lowlands of Scotland, in places resembling Shetland!
They just have to make sure no stray trees wander into the shot because trees are still not prolific on Shetland – although that is changing!
There was certainly a time when Shetland was almost devoid of trees. Old photographs from the early 1900s show a strikingly stark, bare landscape, even in and around settlements.
Whilst it’s true that large tracts of the islands lack tree cover to this day, there’s no doubt that things are changing. In part, this is because of a concerted effort by public bodies to plant more trees over recent decades…
Archaeological investigations have revealed that Shetland once enjoyed extensive tree and shrub cover, with species such as willow, downy birch, hazel and alder appearing in the pollen record. The real reasons for the lack of trees are to do with clearance for firewood and the presence of sheep, which have prevented natural regeneration. Where sheep are excluded, trees grow with little or no shelter.
Judging by the number of trees sold by local garden centres, not to mention the continuing work of the Shetland Amenity Trust, the Shetland landscape will continue to evolve; around settlements especially, we can expect it to change as much over the next generation as it has in the last one.
Alastair Hamilton, My Shetland, 2015
In June 2017, when I visited Shetland, I still had fun looking for familiar sites from Season 1 & 2 of the TV series, the only seasons released in Australia before I left.
And last night watching the final Season Six, not yet released free to air in Melbourne, it was satisfying spotting places I visited, beaches I walked on, houses or ruins I stood beside contemplating ancient Shetland!
I visited Jarlshof one of the most remarkable archaeological sites ever excavated in the UK spanning Neolithic, Bronze and Iron Ages to Middle Ages.
No part of Shetland is more than 3 miles from the sea and everywhere the landscape is stunning.
Jarlshof Mairi Neil
Gulls cry overhead
circling rugged cliffs
and ancient rocks
the remnants of a long-ago
but not forgotten past…
The constant motion
of waves crashing,
massaging, and chipping as they
accompany the wind song –
wild background music to
settlement, farms and crofts…
I imagine a family watching
the horizon with anticipation
the tempestuous sea surging,
the creeping mist of dawn.
Watching with hearts filled with hope
for a returning fishing fleet
or do they tremble with trepidation
at warships ploughing through
the tumultuous waves
to claim a land not their’s?
I don’t read a lot of crime fiction nowadays but often love the TV adaptations, particularly when Ann Cleeves’ great characters like Vera and Jimmy Perez, come to life or Ian Rankin’s Rebus, Alan Hunter’s George Gently and of course Agatha Christie’s Poirot and Miss Marple.
I can thank my mother for introducing me to Agatha Christie and another of her favourites, Georges Simenon’s, Maigret. I still have several old hardback novels decades old that I should declutter because if the truth is faced, I won’t read them again.
However, they are a link to Mum and a period in my life when I virtually read a book a day commuting by train to work on the old Red Rattlers from Croydon to the City so I just can’t part with them – yet.
I even watch the repeats on TV with several reincarnations of Miss Marple to argue over who is the best and although Peter Ustinov did a fine job in the movies, most people agree that David Suchet has now made Poirot his own.
I’m biased towards British crime novelists and their television adaptations. Many of them character-driven and tackling society’s issues and a bigger picture than petty crime or one issue. They are not just police procedurals (although there is plenty of that), but explore the social reasons for crime, not just the crime itself.
They show justice is fluid and the ones set in particular periods of history mark the effects of social change – or lack of it! They examine the human condition in a way most of us experience and/or comprehend. Who isn’t flawed?
The all-important conflict necessary for gripping fiction is flawed characters and their struggles to come to terms with the world, whether external or internal. Good novelists and screenwriters of the quality of Shetland dish it up in wonderful dollops!
Shetland has examined the rise of populism and the extreme Right, people smuggling and sex-trafficking, social isolation, bigotry, child abuse and the effect of oil and gas discoveries on environmental pollution among other hot topics.
However, one of the best storylines included a character who Ann Cleeves said she wished she had written – Tosh, a female detective who is raped in the line of duty.
The way this tragedy is handled and the arcs of various characters in Shetland are examples of fine writing and storytelling.
Along the way, we learn about life in a close-knit community, where everybody almost seems to know of each other – not hard in a population of 23,000.
As a comparison, I think of the City of Mordialloc before it merged with Kingston in 1994. In an area of 5.25 square miles, there was a population of almost 28,000. A dramatic difference in population density to Shetland’s archipelago.
The beacg by Jimmy Perez’s house
the laneway to Jimmy’s house
Jimmy Perez’s house on Shetland
When I mentioned on FB that I was standing outside the house in Lerwick used for Jimmy Perez, and then posted pictures of other houses used in the series with ‘a murder committed here‘… ‘another crime scene‘ … a friend referring to the ABC’s Dr Blake Mysteryseries commented,
Is there anyone left alive in Shetland? It’s a dangerous place, like Ballarat…
A bit like the popular English series Midsomer Murders where picturesque English villages harbour murderers and serial killers who knock off the local population at an alarming rate…
However, be assured Shetland locals are friendly and welcoming as this poster in Shetland dialect on the Library noticeboard says:
And as this article from a local paper relates, Shetland has produced female writers who don’t necessarily delve into the dark side of human nature…
All the people I came into contact with were wonderful and I’d return in a heartbeat.
I think at this time in my life, a place like Shetland appeals because I can imagine myself in a cottage, tending a garden and writing – no need for bright city lights anymore just a haven to indulge an inner search for peace and serenity!
I made a lovely Canadian friend, Linda during my trip and we still keep in touch hoping that one day we’ll meet again – either in Melbourne or Vancouver.
Our guide for Shetland was Robina Barton, an expert on history and geology and also the Labour Party candidate for the north, which is held by the Liberal Democrats. (She gave him a good shake in 2017 elections!)
I found her a most obliging and generous guide similar to those I experienced one-to-one in Mongolia and Russia. Enthusiastic, knowledgeable, caring guides who added so much to my extended holiday.
Robina met Linda and me at the ferry terminal and although there was a schedule for the day, she was more than happy to take us for ‘a cup of tea’ where we discussed whether we wanted to stick with the planned tour or do something else that suited our interests and mood.
With mutual understanding, the day went from good to great and helped colour my view of Shetland – I mentioned already I would return in a heartbeat!
In the photo below we were interrupted in our orientation stroll by a man offering free boutique chocolates – now that’s what I call hospitality! A chef who had just moved to Lerwick, he was promoting his soon to be opened restaurant.
WELCOME TO LERWICK
Lerwick is Shetland’s capital and takes its name from Old Norse Leirvik meaning muddy bay. Sheltered by Bressay over the water – where Robina lives. I could see her house from my hotel window and said goodnight to her twinkling lights after a super day.
The natural harbour attracts a wide range of visiting craft and a large cruise ship came in adding to the constant stream of ferries, fishing boats, and working craft from the oil rigs. Also a few moored ‘Viking’ long boats because of course, Shetland celebrates Up Helly Aa – the Viking Fire Festival in mid-winter January.
Lerwick, only officially named the capital in the 19th century, building on the trade from the Dutch herring industry. From a scattering of huts on a shoreline track, the busy Commercial Street developed surrounded by tightly packed narrow lanes. Later, new docks were created north of the town to accommodate the fishing fleet.
The characteristics of the buildings, brickwork and flagstones different from anything seen in Melbourne and many a lot older!
The largest ship built in Lerwick was the barque North Briton in 1836 at Hay’s Dock, now home to the Shetland Museum and Archives. There are models of typical Shetland Boats and to keep alive traditions, festivals are held and displays.
For me, the innovative incorporation of boats in buildings and gardens very appealing, but considering my forbears were all sailors and fishermen from the Isle of Skye, I loved learning about Shetlanders and the sea too!
Facebook Post, June 16, 2017
The Kveldsro House Hotel harks back to another era with Reading Rooms, relaxing lounges and shoe shine machines in the corridor. The bar even has a stained glass sign for Gents and of course, the Ladies Powder Room is some distance away!
There are plenty of tasteful furnishings and interesting artworks. The staff from Portugal, Ecuador, Greece and even Scotland 😆
I have been fortunate with all of the places I have stayed this trip.
Atop a hill and across from Shetland’s highest mountain we found where rocks crack and explode and create a moonscape. Robina a mine of information on the geological formation of Shetland.
Wildflowers blooming, sheep bleating, salt in the air and evidence of human habitation going back hundreds of years as sunlight glitters on the water like scattered gemstones.
Lunch stops are always interesting too, meeting the locals, getting to know each other, tasting Shetland delicacies. And a bonus when it rained while we were snug inside!
Different sides of mainland Shetland have different weather depending on whether exposed to North Sea or Atlantic .
We learnt a lot about geology today from Robina, our expert guide. The variety of rocks amazing. We also went on wildflower searches.
No view here boring and each pile of rocks intriguing – is it a broch, remnants of a tomb, a medieval or Viking village, a deserted croft from the cruel land clearances or collapse of herring fishing industry?
Is that of neolithic significance or a deliberate structure from WW2?
The Kveldsro House Hotel was comfortable and the staff pleasant. I usually had the same woman serving me breakfast, she was from Portugal and couldn’t wait to return home to the Mediterranean sunshine.
To do Shetland justice, I’ll have to write some more posts because although I didn’t experience any crime or startling epiphanies, I did learn some interesting history and a lot more about the natural world of birds and wildflowers.
We even got our ‘Viking’ on when we stopped at a restaurant for lunch that incorporated all things Up Helly Aa. After watching a video on the origins of the Fire Festival and reading reminisces of participants, we could dress up and let loose our inner Viking.
It was a fun interlude in a day that ended depressingly, sad – the Nightly News full of the Grenfell Tower Fire – an incredible tragedy hard to imagine.
I had spent some time in London with a friend when I arrived in the UK for this final leg of my journey and there were a couple of sisters at the hotel who joined our tour the next day who lived in London.
As you can imagine, news updates dominated the mealtime discussions over the next few days.
The horrors and brutality often associated with marauding Vikings wear a different mantle in modern times. Will those in authority whose greed, negligence and even deliberate contempt for others ever be held accountable? Death and destruction among the least wealthy and privileged in society a tale as old as time!
My next post about Shetland will definitely end on a more cheerful note!
Six Moments in Kingston is a public art bus tour that celebrates Kingston’s rich history. Responding to six infamous local stories, this ambitious public art commission features performances, music, street parades, broadcasts, sculpture and videos sited around Kingston. Audiences board a public art bus to tour secret locations where each story occurred…
However, I am glad I made the effort because it was a fantastic couple of hours and lifted my spirits!
I even met up with some friends who were ‘a blast from the past’ and so returned home in a buoyant, jovial mood.
Thank you Kingston Arts!
The event was advertised as the biggest public art program in Kingston and judging by the full buses and well-organised and resourced tour (repeated over two weekends so you still have a chance to book!) the logistics and potential for hiccups must have had the organisers biting their nails.
But the tour is seamless and heaps of fun from the starting point at the front of Kingston Arts Centre to the end, by the tent installation in the carpark of the centre.
Curators David Cross and Cameron Bishop, together with a stellar group of contemporary artists, lead SIX MOMENTS IN KINGSTON, a dynamic series of six public artworks set in sites around Kingston.
Each artwork responds to an infamous local story, including the mysterious disappearance of aviator Fred Valentich in 1978, following his sighting of a UFO; a celebration of globally successful Parkdale rocker Rick Springfield’s worldwide hit ‘Jessie’s Girl’; Phil Carman’s infamous head-butting incident at Moorabbin Oval, and the story of Julie Cooper, Moorabbin’s first female councillor and Mayor. And much more!
Hop on board a magical mystery bus tour to visit six delightful artworks in secret locations around Kingston! Each tour lasts under two hours. The bus tour features local stories told by legendary Australian actors, Michael Caton (The Castle) and Kate Fitzpatrick.
Six Moments – Six memorable Stories
While we waited for the bus two young women sat in a tent erected in the forecourt. This tent, linked to the installation in the Kingston Arts Car Park (both by artist Steve Rhall) and the story of the occupants told in depth when we were on the bus.
The installations, inspired by an event in 1982, honour Moorabbin’s protest histories. At this site, two homeless schoolgirls set-up camp outside the town hall to proclaim what should be a fundamental right to all people – shelter.
It links to the work by artist Spiros Panigirakis, which refers to the removal of the historic ‘Grange’ homestead built on Kulin Nation land further down the road on Nepean Highway.
Whilst its future contested, the homestead became a squatter’s residence and at one stage it was suggested before its demolition, that it could become a women’s refuge or a hostel for the homeless.
However, the battle with developers was lost (sound familiar?) in 1983 and the Moorabbin Police Station was built and homelessness replaced in the news by other issues.
Story One – the Fundamental Right To Shelter – and to Protest
The bus drove us past the police station and as the story of ‘The Grange’ unfolded we learnt a little about the artist Spiros, his application to ‘paint the story of Moorabbin’s development on a purpose-built wall’ and the process of getting a Heritage Overlay.
This project reflects on the divisive and contentious debates led by a number of interest groups – arts, theatre, youth groups, accommodation services and commercial enterprises – around the restoration of The Grange, a prominent settler homestead built in 1856.
Redeveloped in 1977, the Moorabbin Police Station now occupies the old Grange site.
The project considers the site, the edifice of the Moorabbin Police Station and the suburban home of Tony and Dimitra Panigirakis in Moorabbin. It explores the notion of redevelopment through a series of fictional redevelopment proposals for the current site of the Moorabbin Police Station.
Using planning documents, real-estate hoardings and other public platforms that announce proposed redevelopment plans, heritage issues and planning approvals, a series of developer’s hoardings explore the notion of who controls redevelopment.
Working with Kingston Council landscape architects and urban planners, as well as his parents iconic Moorabbin home, Panigirakis looks at the ways municipal bureaucracy mediates redevelopment ideas and architectural propositions.
The work culminates in a series of installations across Moorabbin, and the production of an artist’s book that incorporates administrative and visual documentation surrounding the journey of the project.
As someone who doesn’t drive, my visits to Moorabbin are via public transport therefore many parts of the area I’d never seen before. It was fascinating and enlightening.
There were examples of a variety of architectural styles and I assume, it is the heritage overlay that has protected neighbourhood character of some of the streets and prevented Hilston Grove’s transformation into a ‘pigeon coop city’ with hastily (and in many cases shoddily) built apartments that has afflicted much of Kingston.
In 1977, the Grange was set alight and in the same year Spiros was born – I liked how the stories of the young girls attempt to get the authorities to do something concrete about homelessness joined dots and linked to the fight to save the Grange examining the big picture of neighbourhood character and housing.
We listened to the deep and soothing tones of Michael Caton as he explained how the history of the country could be told through the prism of Melbourne’s heartbeat – represented by Kingston (lots of smiles at that) – and the six stories would reveal the culture and the history of the area between the years of 1976 and 1981.
He supported the artists’ assertions that the image of Moorabbin as ‘a sleepy suburb‘ in the late 70s and early 80s ‘disguises a politically charged population actively participating in international protest movements.’
I came to live in Mordialloc, now part of Kingston, in 1984 but lived in other suburbs of Melbourne for the latter part of the 70s. It was good to be reminded of some of the ‘Headline’ stories of past media frenzies and to consider how close to home the events happened.
Story Two – When Sport is Not Necessarily Sporting
I have to confess that most stories about sport – particularly sporting celebrities, leave me underwhelmed.
I played sport when I was younger and was captain of the hockey team at Croydon High School in the 1960s, played hockey for ANU Seconds in the 70s and for the B-grade team for the City of Croydon – I even played netball as a young mum at Mordialloc Community Centre until a fall and cracked sacrum made that inadvisable.
I am a team player but would rather play than watch sport and prefer the days when Sport was added to the News and not considered the main item.
My knowledge regarding the 1980 scandal of Phil Carman’s behaviour negligible – in fact, non-existent.
The story revolved around Phil Carman who was one of the VFL’s most awarded players despite being frequently reported for bad behaviour.
Local performers explored an infamous head-butting incident between Phil Carman and umpire Graeme Carberry on Moorabbin Oval. This was filmed by video artist Laresa Kosloff and displayed on a large screen in the foyer of the club building.
Phil copped a year-long suspension and it was the end of his football career, which by all accounts was turbulent. He’d probably last one game nowadays!
Phil Carman was one of the VFL’s most brilliant players, dazzling spectators and developing a passionate following amongst fans in the 70s and early 80s. However, his career was marred by violent incidents, resulting in short-lived contracts with four VFL clubs.
This behaviour culminated in the 1980 season at Moorabbin Linton Street oval when Carman head-butted umpire Graeme Carberry, earning him the longest suspension in VFL history (20 weeks), and signalling the end of his career as a player.
Laresa Kosloff creates a choreographed video work with local footballers, exploring the gestures and symbols that characterise the Phil Carman incident and Aussie Rules football during the late 70s and early 80s…
Inspired by the ‘headbutt incident’ Laresa is currently working on an abstract interpretation of the moment that investigates the unique and universally understood language of sport.
Laresa grappled with finding a way to bring sensitivity and critical analysis to the moment without being dismissive or disrespectful to the footballing community. As with most of her practice, she navigates this thin line through carefully choreographed humour and slapstick comedy, keeping this quirky work accessible and open to all.
She has spent hours going through interviews and game footage and sketching the postures and movements inherent to the game. Through this process, she began to map out the language of gestures, emotions and the body universally understood to sporting fans across the globe.
Many of those on the bus obviously understood footy better than me and loved the video installation. I was more interested in seeing where tax dollars have been invested in this very new stadium.
As a first-time visitor, I found the home of St Kilda Football Club quite amazing and I’m sure the community is thrilled.
Our art tour interruption seemed to go unnoticed by the public intent on watching a game in progress.
No doubt the head-butt story filled the pages of local and state newspapers in 1980 and I am aware of recent controversies in sport but still have a lack of enthusiasm when some football stories (like who has a knee injury) are elevated to prime importance in the nightly news bulletins.
However, in display cabinets in the foyer, part of a Heritage Museum, the exploration of the club’s Indigenous connections is interesting with the stand taken by Nicky Winmar against racism a pivotal moment in the code.
Perhaps the subject of a future storytelling tour?
And of course, there is always the importance of what diehard fans bring to the spirit of the club.
In the 90s, when my daughters attended Mordialloc Primary School there was a yearly fundraiser revolving around Melbourne’s football teams and team colours replaced uniforms for the day.
On ‘Pie & Tinnie Day’, students bought a meat pie and can of soft drink from the Canteen and donated one and two cent coins by creating a line on the floor behind their footy team’s poster.
I learnt then how popular St Kilda was as their line snaked out the door. It was a team most in the Southeastern suburbs regarded as theirs.
Our household not footy enthusiasts but my daughter, Anne barracked for Footscray because they were called the ‘dogs’ and had a bulldog as their emblem. Devoted to real live dogs, which still are her favourite pet, she put her couple of dollars on the floor for Footscray.
However, I often had to rush home and grab John’s loose change from his bedside table so that Anne, who seemed to be the sole ‘doggy’ supporter wasn’t embarrassed by having the smallest donation line in the school!
There are consequences if you live in Melbourne you must follow footy and defend your team’s honour at all costs!
When we left St Kilda’s grounds, the bus turned onto the Nepean Highway near Wickham Road and I saw a few more streets I’d never seen before we entered a semi-industrial area.
Story Three – Fair Pay Worth Fighting For
On the bus, we heard the story of workers protesting for fair pay and better working conditions in 1979.
One of the strikers used his car to block access to the factory. A tow truck was called and while the driver was connecting up the vehicle, its owner stole his keys and threw them over a fence.
Although the original factory is gone, we were taken to the site and saw a re-enactment of
… an infamous incident involving a tow truck and physical struggles between constabulary and workers at the former Phillip Morris car park; a public art installation using illuminated LED boards and text developed with community consultation.
This project has been developed alongside The Gathering Place and Kingston Koorie Mob.
We stayed on the bus but the scene came alive through hearing the descriptions on the police radio and through conversations on the ground all played through the intercom on the bus.
Driving up to that area of Moorabbin, it struck me how high up we were compared to other parts of the city. It was an interesting perspective I’d not seen or understood before.
Story Four – Moorabbin Airport Mystery Remains Unsolved
On the way to our next stop, we were informed that Moorabbin Airport is the second busiest airport in Australia and the home of the Australian National Aviation Museum founded in 1962.
The first fact was interesting but not surprising – anyone who lives in Mordialloc will testify to the regular sound of aircraft overhead.
I visited the Museum years ago and knew friends who volunteered there and wondered how much it had changed because there was often appeals for people to get involved.
But the story we heard on Sunday was a much more recent event and the enemy – if there was one – came from another world…
In 1978, Fred Valentich took off from Moorabbin Airport in a Cessna and within minutes, radioed sightings of a metallic object hovering above him and then there was silence!
It was a routine training flight to Tasmania but when he and his plane went missing it became the subject of so much speculation it entered the realm of the ‘Twilight Zone’ – the name of a popular TV Show of stories about the paranormal and aliens.
“It is not an aircraft.”
On the evening of October 21st 1978, nineteen-year-old pilot Frederick Valentich disappeared shortly after take-off from Moorabbin airport.
Before his disappearance, Valentich reported sighting a metallic aircraft moving at high speed. Reports further southeast noted a similar aircraft sporting multiple lights on its belly before transmission abruptly ceased. Valentich and his plane were never seen again.
Partnering with the Australian National Aviation Museum and the Victorian UFO Action Group, artist collective Field Theory will work with volunteers to tell the conflicting stories, myths and unassuageable mysteries that took this story to the top of Australian security organisations.
This interactive project drops the audience deep inside the many mysteries surrounding this story.
On the bus, making full use of the intercom again, we heard the conversation between the pilot and air traffic control, we also heard excerpts of the Minutes Of October 27, from the investigation into the missing plane with a conclusion ‘human factors’ played a significant role.
There was mention of the pilot’s low IQ, his failed exams and psychological assessments, his dream to be in RAAF probably unattainable and his stories of many flying activities a facade to impress.
On the 15th October, during a drive in the Dandenongs with his girlfriend, he was reported to have said if a UFO landed, he would go in it but ‘not without you’.
The authorities emphasised he often talked about UFOs and they worked hard to besmirch his character.
His girlfriend went into a hotel near where the plane disappeared and asked for the pilot by name. They’d arranged to meet at 7.00pm but he’d already vanished.
There were articles in The Australian about a clairvoyant and New Zealand author, Colin Avery who held a seance. He said he’d been contacted by Fred. His message being – I’m in space with aliens.
He told Fred’s father to go into his son’s bedroom and wait to be contacted. Unfortunately, there was a mix up with time zones!
Sixty seconds of the radio transmitted conversation is believed to have been edited with accusations the pilot claimed he was in a galaxy far away, no longer having a physical body but was with others chosen.
I wonder what really happened??
I wonder if this tree at the airport holds secrets?
Story Five – Who Knew ‘Jessie’s Girl’ Lived in Mordialloc?
The next story stop was perhaps the biggest surprise to me – it was a five-minute walk from my house and as the bus pulled into the parking lot at Central Bayside Health we heard the story of Rick Springfield and his hit record Jessie’s Girl, which ushered in the new pop sound – a generational hit record produced by an Aussie!
Rick hailed from the ‘aspirational suburb’ of Parkdale and often visited the family home in Melrose Street, a haven of middle-class suburbia. He held his wedding reception in the house and used it as a bolt hole with not much changed from his childhood except the corner milkbar now a beauty salon.
Kingston has produced many famous sons and daughters but none quite like Rick Springfield who, in a little known fact, spent his teenage years in Parkdale.
First a heart-throb and actor in American soap General Hospital, Springfield became internationally famous for his worldwide smash hit single, Jessie’s Girl, released in 1981. The song climbed to no.1 and went platinum in the USA and Australia.
Artist Shane McGrath and local musicians honour Springfield’s place in the rock pantheon, creating their own renditions of Jessie’s Girl in the streets of Parkdale, headed up by a phalanx of bull terriers, after Rick Springfield’s love for the breed.
The scene recreated was the promotional video Rick made and we marched behind the banner and a tambourine and flute band, singing along to a boom box belting out Jessie’s Girl until we were outside Rick’s house with “Rick” himself, led there by four dogs!
Apparently, each day there is a different musical band with a brass band promised one of the performances.
Regardless of the musicians, it is a lovely, happy, interactive interlude.
Story Six – the Final Flourish
The last story featured was that of Julie Cooper who paved the way for women to enter local politics when she was elected Moorabbin City’s first female Councillor in 1976 and went onto being their first female Mayor in 1982.
A stadium named in her honour continues to be a point of contention.
On the 12th of June 1902, Australia became the first country in the world to give women the right to vote and stand for office.
However, in Moorabbin, it wasn’t until 1976 (74 years later) that the first female councillor, Julie Cooper, was elected. Julie went on to challenge the norms of local government and fulfilled another milestone when she was elected the city’s first female mayor in 1982.
Her groundbreaking achievements are today reflected in a Beaumaris stadium that bears her name and marks her role in creating opportunities for women in local politics.
As we returned to the Kingston Arts Centre we heard about Craftism – craft and activism combined to make social change – something dear to Julie’s heart.
Since the term craftivism was coined by Betsy Greer in 2003, the idea has blossomed into a global movement of like-minded makers who mend the fabric of society and make with meaning.
Textile artist Tal Fitzpatrick, along with local crafters practising hands-on craftivism, celebrates the contribution of female and gender non-conforming leaders and invited participants to take part in the struggle for gender equality.
A Melbourne-based artist who is curious about the ways craft can be deployed to bring people together and drive positive social change, Tal hosted a series of free craftivist protest banner-making workshops in Kingston during March and April.
Participants created a textile protest banner of their own. Materials were provided and these were the banners we collected at Moorabbin Station and carried and marched back to the Kingston Arts centre carpark to finish a wonderful tour!
We walked up Nepean Highway carrying the wonderful banners high led by Marcia chanting:
‘What do we want?’
‘When do we want it?’
I think Julie Cooper would have approved.
In fact, I know she would because her daughter Mandy and family were there marching and Mandy Cooper and husband John are the friends I reconnected with and previously mentioned as ‘the blast from the past’!
A selection of the banners will also be featured in an exhibition curated by Tal, called Crafting Resistance: Six Moments in Kingston at Kingston Arts Centre in September 2019 so if you can’t take part in a guided tour of Kingston’s streets and some of the stories they hold this weekend perhaps attend the exhibition – I can guarantee you won’t be disappointed.