Bendigo Hospital Promotes Connectivity, Kindness, Community, plus World-Class Health Care

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Entrance area with volunteers for Open House at a table on the right.

The award-winning Bendigo Hospital showcased last year for the inaugural Open House Bendigo and again this year. The result of the Victorian State Government’s $630 million-dollar project, the largest regional hospital in Victoria is well worth a visit, even though hospitals aren’t usually on the tourist circuit.

Over the last few months, I’ve had more interaction with the Victorian health system than I’d like because friends and close family members have needed serious surgery or other procedures. As a consumer health representative, I’m always interested in the ‘where, when and how‘ healthcare is delivered as well as any outcomes so I was determined to see Bendigo Hospital this year during Open House Bendigo.

The Bendigo Hospital Project’s much-lauded design includes therapeutic gardens and harnesses the healing power of inclusiveness and nature to deliver world-class healthcare facilities in a welcoming, holistic, and positive environment.

 I can assure you ‘seeing is believing’…

The project a Private Public Partnership between Exemplar Health and the Victorian Government and involved collaboration and consultation. The contract hands the hospital back to the government in 25 years.

Is this a pathway for the future of providing public hospital care?

Medical technology and expertise can detect and treat disease earlier, replace or heal damaged body parts, and extend life expectancy – but it all comes at a ‘dollar’ cost.

Students of history know the difficulties experienced when Medicare was introduced and the ongoing battle to retain it. To fund or even establish a universal healthcare system opens the proverbial ‘can of worms’ in Australia. Maintaining public health systems is costly financially and in political terms, because there are those ideologically opposed to the idea of government completely funding anything.   

And ‘bean-counters’ must be satisfied.

Australia’s two-tiered health system of public and private services already stretches government dollars and there is an underlying reluctance or suspicion of change from most people – especially radical change – private-public partnerships may be the compromise we need to have.

The design, organisation, and management of hospital buildings evolve at a slower pace than medicine and treatments because bricks and mortar and technological equipment require huge investment and often relocation. Expanding existing facilities may not be possible and any new site can meet community opposition or the shortcomings of political expediency.

The Bendigo Project united three existing sites. From the beginning, the architects, design team, and landscape architects OCULUS collaborated and consulted to join the various precincts through a series of connecting paths and diverse landscaped gardens, where staff, patients, and visitors could move or sit in communal and private spaces.

The scale, colours, and proportion of the built form of the hospital reference Bendigo’s distinguished heritage buildings, while establishing a strong sculpturally, formed civic element creating a more friendly and human scale.

Dja Dja Wurrung & Chinese Gardens

There is a designated area for the Dja Dja Wurrung respectful of their needs and Chinese gardens reflect the cultural diversity of the region since colonial times. The green infrastructure ensures trees and plants are inside the building as well as in gardens outside. 

Mainly indigenous plants are used but also non-indigenous to mirror the history of gardens in the Bendigo area – special plants that may have been introduced or cultivated by colonial settlers.

scar tree

Tree bark was an important resource for the Dja Dja Wurrung People and was used for the manufacture of a number of different articles such as canoes, shields and coolamons (bowls). Trees like this one, bearing the scars from bark removal can still be seen in many parts of the Country and are an important reminder of the Dja Dja Wurrung presence in the landscape.

When you enter Bendigo Hospital there is a sign that reads ‘ We are proud to acknowledge Dja Dja Wurrung as the Traditional Owners of this Country’ and at the entrance to the Aboriginal Support centre/gathering place, there is a framed Possum Skin Cloak by the artist Jida Gulpilil with the following explanation:

The creation of a Djaroon – Possum Skin Cloak to Dja Dja Wurrung people is a direct link to our past and connection to our physical and spiritual world today – it continues our healing, forever telling the stories, customs, beliefs and culture of our people. The Djaroon creates warmth and is shared with others for healing, health and wellbeing.

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The Mootchung (wattle seed pod design) represented reflects the practice of seasonal food cycle collection and movement. It is high in protein and can be cooked or eaten raw like green peas. The wood of the tree is used to make the implements for hunting and gathering other bush-foods and medicinal plants that build strength and connection to country.

Our belief, which has been passed down over 2000 generations is that our spirits and physical presence were created to encourage and support all peoples health and wellbeing, through health support, education, mutual respect and understanding: we should never disconnect from that objective as a universal community.

Jida Gulpilil 2016

 

The privacy of the Aboriginal Support area, the secluded garden with a fire circle for smoking ceremonies and meetings were designed with consultations to meet the needs and cultural sensitivities of those who use the services.

The impression of tranquillity and quietness is strong, also the smell of eucalyptus leaves. The furniture and building features made with natural materials blend into the landscape to create an inclusive and beautiful space.

The Chinese Garden with its central Pomelo tree surrounded by seats for rest and contemplation is also distinctive and beautiful.

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The plaque in English and Chinese reads:

88 

Number 88: Representing abundance, prosperity, good health and family unity.

Pomelo trees are an important symbol in Chinese culture. To the Bendigo Chinese, this is a ‘tree of life’, and pomelo tree leaves are made as an offering to the decorative Chinese dragon at many special ceremonies. This tree was propagated by Russell Jack AM, from trees grown from seed by his mother, Gladys Ah Dore in Elmore during the early 1900s. A donation from the Golden Dragon Museum of Bendigo this tree is a living reminder of the growing contribution the Bendigo Chinese community has made to Bendigo Health for more than 100 years.

Nature Invited Inside

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Our guides waiting patiently to start the tour

This recently finished hospital impressive in many ways and it was a joy to be shown around the place by one of the Oculus architects and a representative from Exemplar Health. Both women were exceptionally generous in the details they provided,  answering every question, no matter how repetitive. 

Yesterday, I received a list of all the plants and trees used in the incredibly stunning gardens because many of us requested it.

This list for the precinct is nine pages and as Joan from Exemplar Health stated in the email ‘a live document, changing over time as we work with our horticultural staff to maintain the gardens and see what is thriving (or not!) in each area.’

When I walked through the gardens and entered the hospital, first impressions were unlike any hospital I’ve ever visited. I say this as a positive, not a negative. Inside the building was even more stunning than the magnificent garden area outside where you’d expect to see rows of parked cars.

The entrance, airy and light with abstract paintings and sculptures by internationally renowned, Daylesford based artist Esther Stewart contributing to the positive ambience.

 

Stewart explores repetition and composition through colour and line. the intricate hand-painted wall painting references decorative arts, crafts and flowers from the Bendigo region. Inspired by the symmetry and formal geometry of Bendigo’s famous gold-rush era architecture.

The wall-painting features architectural elements drawn from German-born, Bendigo architect William Vahland’s ornate structures, as well as from the historic Victorian threshold tiling found in domestic and civic buildings in the Bendigo region.

Bendigo’s native flowers, Shrubby Dampiera, Sweet Bursaria and Rosy Heath have been incorporated into a repeated pattern through the piece. These decorative elements contrast with solid blocks of joyous colour, the palette of which has been inspired by the work of artists Agnes Goodsir and Emma Minnie Boyd, who were amongst the Bendigo ArtGallery’s first female acquisitions.

The elaborate wall work is a complementary counterpoint to the feathered natural light and earthy materials of Bendigo Hospital’s internal street space, providing a human warmth and local familiarity to the important new civic space.

You notice the trees growing inside the building and can’t resist checking if they are real or artificial.

Everywhere you look there is shrubbery and this green infrastructure has a remarkable, immediate, beneficial effect. The restorative power of gardens is documented here in an article written in 2015  for Frontiers in Psychology, after a study about the benefits of formal or informal gardens.

At Bendigo, there are three full-time gardeners over the three sites, plus contractors at particular times when seasonal changes may demand extra maintenance.

Our guides told us that the design of the ceiling in the entrance area was influenced by the way light filtered through the tree branches. The architects altered their original design and materials accordingly. This openness and flexibility apparent throughout the project and staff and patient input were given high priority.

We walked through the ground floor of the hospital and learned about the landscaping, soil depth, microbes, plant needs, tree needs, light and sunshine available, the reason for rainforest trees. 

When choosing plants they had to consider allergies, if plants were poisonous and could be ingested, if plants, seeds, branches, stones in rockeries could be weaponised. The mental health and dementia area have their own closed-in and safe garden.

Each floor has its own garden/rainforest – wherever you are receiving treatment there is a view to the outside world and access to plants and fresh air closeby. On the lower floors, canopy trees offer privacy from upper storeys and balconies.

We walked through the Cancer Centre and several other departments, each decorated in a specific colour scheme with artistic backdrops reflecting the seven shires that make up Bendigo. An aerial photo of some aspect of the shire enlarged behind the reception desk while chairs and other furniture complement the main colour.

When looking at the Cancer centre, one of the volunteers told me her husband was treated at the hospital and died in the hospice. I appreciated her volunteering because her grief would still be raw. 

The Treatment and Chemotherapy Rooms look out onto gardens, which help you relax and take your mind off what is happening but for some procedures ‘staff and patients have to remember to shut the blinds,’ she said with a smile. Patients can see out but people sitting outside can also see in!

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the chemo room

I told her that when I was going through chemo at Cabrini Brighton, they had scenic landscapes hanging on the wall and I used to stare at one of a beach, close my eyes and pretend I was in Samoa! My daughters waited in a nearby cafe until I was ready to go home but at Bendigo, support friends could sit and relax in one of the lovely courtyards.

An Interesting Segue

Last year the Cancer Council of Victoria chose Bendigo to launch a national campaign tackling obesity and cancer – a campaign claimed to be a world first.

  • Targeting ‘toxic fat’ around internal organs, the campaign revealed sugary drinks contribute to obesity and being above a healthy weight is a preventable cause of 13 types of cancer, including breast cancer.
  • Sugary drinks, including soft drinks, sports drinks, sugar-added juices and milk are the single biggest source of sugar in our diets.
  • 98% of Australians are aware obesity is a risk factor for type 2 diabetes and heart disease but as few as 40% know about its link to cancer.

Bendigo Health BANNED all sugary drinks being sold within its precinct – a great initiative for the sustainability of our health resources!

We want people to realise that they could be drinking their way towards weight gain, obesity and toxic fat, including their risk of many types of cancer.

Dr Sam Harris, consultant medical oncologist

It can’t be overstated how important a relationship with the outside world is when recovering in hospital. To be able to access natural beauty with its promise of new buds, leaves, and flowers contributes a promise of healing.

Central to the landscape architectural approach was the idea of connections and kindness… delivering high-quality public spaces, streets and edges inviting use and respite.

Key Outcomes & Sustainability Pluses

  • Design using evidence-based & biophilic design approaches
  • nearly 50 green roofs, roof decks, balconies & courtyards (some accessible), nearly 20 mental health courtyards and an Aboriginal Services Garden (part of closing the gap initiative).
  • the largest green roof in a hospital project in Australia
  • the hospital’s green roofs reduce glare and heat island effect, improving acoustics and thermal performance.
  • a 770panel 200-kilowatt solar photovoltaic panel array generates clean energy power
  • annual reduction in greenhouse gases of approximately 300,000 kilograms of CO2
  • the hospital roof can harvest and store more than 300kL of potable and no-potable rainwater in this drought-prone region
  • recycled water systems supply landscape irrigation, toilet flushing and heat rejection systems.
  • green infrastructure has been incorporated combining water sensitive urban design and structural soils and increased biological diversity.

Not surprisingly Exemplar and Oculus have won a string of awards for Bendigo Hospital, the latest only recently: the Prize for the Civic Landscape by the International Federation of Landscape Architects.

Other awards include:

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  • Premiers Sustainability Awards, winner Regional Recognition Prize
  • PCA Victorian Development of the Year
  • Good Design Awards, winner Architectural Design
  • AILA Sir Zelman Cowen Award Public Architecture
  • AILA National prize Civic Landscape

Robots In Use

While listening to our guides some hardworking robots glided along a designated corridor on a walkway above us.

The robots looked like large silver boxes to me.

The robots made in Germany (Siemens) operate on a small platform/trolley that can be raised. They deliver food and linen after being loaded by humans. The robots operate in a special corridor and lift reserved for their use, taking the items to the wards to be distributed by nurses or other staff.

The robots take themselves into a storage area to be recharged and when you consider all the repetitive movements and effort required to lift clean or dirty dishes and linen, having a machine to do it makes sense.

Further Improvements Transform Bendigo Health

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The transformation of Bendigo Health is amazing considering in 2012, some buildings were deemed non-compliant after failing to meet fire-safety standards.

The Victorian Government promised $60million last year to fit out the old hospital building, demolish towers at the Anne Caudle Centre, and complete the redevelopment of Bendigo’s hospital precinct.

Stage three of the hospital’s redevelopment brings together allied health services, including physiotherapy, social work, speech therapy, prosthetics and orthotics, clinical psychology and neuropsychology.

People recovering from illnesses and injuries will have good rehabilitation services and support close at hand when the new rehabilitation centre is complete by 2023. Work will start in 2021, this enables current services to move with minimum disruption before towers are demolished.

This stage is not part of the private-public partnership that delivered the first two stages so it will be interesting to see if the greening continues!

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Open House Bendigo buzzes in a BEEHIVE of Activity

Before I write about another fabulous weekend in Bendigo, I acknowledge the Bendigo region of central Victoria is Djadjawurrung or Dja Dja Wurrung Country and recognise the unique relationship of Dja Dja Wurrung People to their traditional Country and pay my respects to their elders past and present.

A good way to learn about the region’s First People is to take a vintage tram ride on the Dja Dja Wurrung Tram – a moving celebration of their cultural heritage that navigates the past and present of the changing environment since colonisation.

For the second year, the City of Greater Bendigo opened its doors and partnered with Open House Melbourne to host Open House Bendigo on the last weekend in October. Supporting partners were Creative Victoria, DELWP, Heritage Council of Victoria and the La Trobe Art Institute.

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I was thrilled to volunteer again because Bendigo is a place you can easily fall in love with and being part of a volunteer crew hosting a building for Open House, I indulge my love of history and heritage and chat with a host of interesting people sharing a similar love or just satisfying their curiosity about buildings they pass every day or had a connection to in the past …

Whatever the reason, the air comes alive with stories, characters and settings and for a writer – to paraphrase our PM –  How good is an Open House weekend!?

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The crew of volunteers at the end of a busy weekend.

In a thank-you email received yesterday (and the wonderful crew who run Open House nurture and always thank the volunteers!) the statistics have been collated:

  • over 10,000 visits across 27 buildings and 9 special events
  • a clear demonstration of continuing public interest and engagement in the city’s architecture and heritage.
  • as expected the Beehive was the most popular building with over 2,123 people taking advantage of walking through the door

The cooperation and enthusiasm of building managers, owners and architects also make the program possible and local volunteers from a variety of community or educational organisations keen to showcase on this extremely busy weekend for Bendigo.

There is an annual Cycling Classic plus a Sustainable Living festival and lots of cross-pollination between events. I even paused to enjoy the excitement of one of the cycling heats:

 

Bendigo is only 90 minutes by train from Melbourne and although the weather wasn’t as pleasant as last year visitors were not deterred and not only the Beehive Complex saw increased numbers.

People queued patiently outside and inside the building to be allowed a walkthrough of half an hour – 15 minutes downstairs and 15 minutes upstairs and volunteers kept the numbers moving by ensuring the time limit strictly adhered to.

My teaching voice came in handy as I herded those on the upper floor, as did the timer on my mobile phone and the response from a good-natured crowd.

 

Why was the Beehive so busy?

The Beehive Building is a Bendigo landmark and dates back to 1872 when it was the Bendigo Mining Exchange. The building has been through many manifestations since then and therefore holds a variety of memories for the people of Bendigo.

Last year, Open House Bendigo allowed access to the construction site and the interest generated resulted in queues wending around the streets with waiting times of more than two hours – hence the timed viewing and entry this year!

The exclusive ‘sneak peek’ of  ‘never-before-seen restorative works’ and the opportunity to hear from the Developer, Craig Lightfoot, a golden opportunity few locals wanted to miss.

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Craig in deep conversation with one visitor and always the queue of others waiting…

I’ll own up to being critical of many building developers, especially those who seem to want to get rich quick and bulldoze and build rather than restore and redeem but after meeting Craig and seeing the efforts to beautifully restore the Beehive to its former glory  I could become a fangirl!

His enthusiasm and passion for retaining heritage aspects obvious. Parts of the restoration will show the history of the building to spark interest and discussion but also as a reminder of the various tradesmen who applied their skills over the 147-year history of the Beehive. Where it is safe to do so, the history of the building and restoration work will be exposed.

In many of the rooms, you will see traces of past occupiers – paintwork, wallpaper patterns, ornamental plaster, brickwork, fireplaces…

 

Similar in style to Melbourne’s Royal Arcade and by the same designer, Charles Webb, the building’s original uses include a hotel, a mining exchange, a restaurant, offices and function space. The current development uncovers the rich layers of use by removing most of, if not all of the 1920s’ and 1950s’ changes, revealing key features of the original building. Visitors had access to the ground level construction site during the 2018 Open House Bendigo program, and this year visitors will access the newly completed arcade including the second story, revealing the intricate beauty of the glass ceiling not seen for decades.

Behind a still-to-be renovated staircase there will be a quirky memento.  Workers have written their name and date they worked on the building, the earliest entry legible is 1939.

Craig assured me he’ll be adding his signature to the wall and that piece of plaster will be made stable and remain as is!

He laughed when I said his commitment to retaining so many historical details reminded me of Kevin Mc Cloud closing many of the episodes of Grand Designs with praise for the builders who retained the ‘autobiographical details’ of a building!

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The Beehive Project has been several years in the making and started five years ago. After four years of planning,  lots of compliance hoops had to be jumped: Heritage Victoria, CFA building regulations and health and safety issues as well as local building regulations. Times and expectations have changed since 1870.

My post about the restoration of Flinders Street Station provides more detail of what is required by Heritage Victoria.

To ensure disability access, a lift will be installed, modern toilet and plumbing, and most voids had to be removed because of health and safety requirements.  Craig managed to keep the centrepiece that gives those downstairs a view to the floor above and the magnificent glass ceiling by widening the walkway on either side.

To remind people the voids were once there he reversed the fill-in floorboards and although the centrepiece had to be narrowed,  the cast-iron railings remain, albeit they are replicas. Craig said the original railings were removed and sold off or are languishing somewhere in Bendigo.

Interestingly, one of the visitors told Craig for some of the original railings, he should check out Marlborough House in Wattle Street, Bendigo!

Craig duly noted the suggestion and added it to a list of snippets he’d gleaned since opening the building for the public to view. Never underestimate the value of local knowledge!

 

The building has had many reincarnations – Craig’s plans are for the food and beverage industry. A function centre, with retail and pub or cafe downstairs and intimate and cosy private dining rooms and two larger reception areas upstairs, ideal for weddings and other celebrations like corporate functions.

Coincidentally, both weekends I stayed in Bendigo for Open House, I witnessed a traditional wedding party posing for photos – this year the group was on the steps of the Art Gallery.

I hope Craig gets plenty of bookings and if the response from locals is an indication the building will get plenty of use, people love it and regard it as a Bendigo icon, pleased that it will once again be a place to visit.

 

 

A young man dressed in typical tradie gear came through with his mum, grandad and other assorted family members. His first reaction was to retie a striped plastic ribbon cordoning off one of the no-go areas, ‘I’ll get into trouble if this isn’t tied tightly and people go in…’

 ‘If anyone cops criticism it should be me,’ I said, ‘ part of my job is to ensure people stay to designated areas and don’t go into rooms closed for safety reasons or because equipment and tools are stored.’

He took a bit of convincing from his mother and me that it was okay, it was not his responsibility and it was his day off!

I later saw him explaining to his family in great detail, how he stripped the old paint off, what he’d been instructed to leave, how he scraped, sanded and carefully applied new coats…

Careful, painstaking work, but often rewarded by treasures hidden beneath.

I’m sure he is learning a lot about past painting practices and the type of paint used.  Most paints were lead-based and not the healthiest of products so I’m glad he is taking health and safety seriously!

 

A Cat Through The Roof!

As mentioned, Craig was noting a lot of the stories people told him about how they interacted with the Beehive Buildings. He intends to have a ‘Story Wall’ or some kind of archive where people visiting can learn about the building’s past.

The builders have uncovered ‘historic gems’ and some of these discoveries were on display for Open House – artefacts as well as building features like previously boxed-in metal columns, hidden plaster arches and a steel strongroom door thought to have once blocked the public from gold stored on the premises.

 

Last year, people got access to the ground floor, but this year they could venture upstairs and one story stands out – in fact, both Craig and I agreed we’d probably dream about it!

There was a staircase leading to ‘offices’ upstairs – the staircase where the tradies had left their marks.  People were curious:\ ‘what is up there?’, ‘what will it be?’

 

A lady said her Uncle Bob and Aunt Win Woods owned the Dad and Dave Cafe and ‘lived up those stairs.’

She became quite teary talking about them and remembering childhood visits when she was around 7 or 9 years old. She recalled Uncle Bob built a clothesline for his wife and placed an extended wooden walkway above the glass ceiling so she could walk out and hang her clothes.

One day, the Siamese cat that used to follow Aunt Win fell through the glass! How narrow and dangerous was that homemade path to the clothesline?

Craig and I both agreed we couldn’t get the image of a falling cat out of our mind and I kept having surreptitious peaks upwards until the end of my shift.

Perhaps the story influenced my reaction when a young mum carrying a baby leant over the cast-iron railings to stare below. Stomach lurching, I moved closer as the much-criticised scene of Michal Jackson dangling his son from the balcony flashed through my mind.

Thankfully, an anxious friend accompanying her spoke up and the young mum moved away. I didn’t have to declare my nervousness or fear of heights.

Another lady told the story of coming up the back stairs and into a shop to get her wedding dress made. The tailoress specialised in wedding dresses and discreet fittings. Craig has chosen to leave the etchings of past occupants on two of the upstairs columns and restore the various staircases.

 

 

I hope Craig meets his deadline for March 2020 and that Bendigo will be host to Open House again because I know where I’ll be going to have a cup of coffee or ice cream or just a wander through the restored arcade because as I’ve discovered curiosity does not kill the cat!

 

 

Did you Know About The Link Between Denmark’s Royal Palace and Bendigo?

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Bendigo Town Hall, Hargreaves Street

My second duty stint last weekend for Open House Bendigo was at the Town Hall, Sunday morning. According to a tourist brochure on heritage buildings:

“If it was good enough for Denmark’s royal palace, it was good enough for Bendigo. German artist, Otto Waschatz decorated both, adorning Bendigo’s Town Hall interior with mythical figures and rich gold leaf. Outside, muscular ‘Atlas” sculptures support the clock’s weight. These are fitting fixtures for architect William Vahland’s greatest work (1878-86).”

Seeing these magnificent features a definite drawcard on Sunday, however, I don’t think the artist envisaged the hall being the registration point for cyclists involved in the second Bendigo Cycling Classic – hence the signs around the doorway asking for care and respect for the walls and floors.

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The Bendigo Town Hall stands out and beautifully renovated in 2003, it is well cared for and was one of the many buildings representing gold-rush-era heritage.

Located in the heart of the city and built in the height of the gold rush period like so many of the other wonderful buildings, it is a remarkable legacy of a time when money was plentiful, dreams were big, and prominent townsfolk and those who made the decisions for the municipality ensured the wealth and splendour of Bendigo’s ‘golden age’ did not go unnoticed.

Town Hall: Council Chambers

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Local architect WC Vahland was commissioned to redevelop the Town Hall and came up with a masterpiece that helped secure his place as one of the city’s most revered architects. The Town Hall interiors feature decorative plaster adorned with 22-carat-gold leaf, reflecting the stories the stories of a city built on gold.

In 2003, The Bendigo town Hall returned to the elegance and beauty of its 19th-century heritage after an extensive restoration and renovation program including plasterworks murals and gold leaf worked by skilled artists and artisans.

A snippet from another tourist promotion:

The name Bendigo originated from a world famous bare-knuckled boxer, William ‘Abednigo’ Thompson. A shepherd, on the Ravenswood run near Bendigo, he was handy with his fists and became renowned as a great fighter. He lived in his hut on a creek which flowed through the valley where gold was found. It is said that this shepherd, nicknamed ‘Abednigo’ lent his name to this rich goldfield – and the rest, as they say ‘is history’.

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The Cornish Miner monument outside the Town Hall

The Cornish Miner

Erected in appreciation of the endeavours of all the underground miners of Bendigo and District who created the economy from which grew a beautiful city thus leading to further developments and helping to provide the base for Victoria to become an industrial state.

Cornishmen and their descendants formed the majority of these miners. Erected by the City of Greater Bendigo on behalf of its Citizens and the Cornish Association of Bendigo and District 1996.

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Bendigo’s Coat of Arms, hand-carved cedar, by  T. Erlecki, circa 1880s.

Open House Bendigo, 2018

On Sunday, between 10.00am and 1.00 pm, 179 people took advantage of access and traipsed through the Town Hall, joining 600 from the day before.

Jaws dropped at the old Council Chamber’s polished wood, rich leather, gorgeous wall murals and marble posts, rich gilded ceiling and pelmets.

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However, despite a clear sign and my gentle reminders, I had to ask a couple of people more than once NOT to sit in the Mayor’s Chair or rub their hands over the wood and leather.

And it wasn’t young people who were the culprits but seniors who should have known about the damage human sweat can do to artefacts and that if hundreds of people were allowed “just one photo please of me sitting in the chair” the likelihood of damage is high. I’m sure if the mayoral robes had not been encased in glass, some people would have been tugging at the chain.

The policeman role aside, I loved the stories people shared with me and the many remarks of appreciation of the skilled craftsmanship and pride in the presentation evident in the old and new council chambers and the hall.

Two ladies talked about making their debut in the Town Hall – one in 1956, the other in 1966 when Mr Oliver (who happened to be her boss) was the mayor.

He let her sit in the mayor’s chair! She can remember the fear of the small group of girls waiting in the chamber before descending the staircase to walk the full length of the ‘great hall’ to be presented to the mayor (Mr Oliver). ‘It was terrifying,’ she said, never having been so exposed to officialdom and public scrutiny, it was a relief to dance the Charmaine, their presentation dance.

She explained the event to her grandchildren who listened with polite interest and I was struck with the fact that after more than half a century, her overwhelming memory is of feeling anxious and intimidated.

Another lady was proud to tell me her son-in-law painted all the gold lettering in the hall during the renovations. I wish she had been nearby when a rare negative interaction occurred.

An old man in a faux stetson wanted to know how much gold was in the paint and how much the gilding cost. He was disappointed I didn’t know. I told him to speak with Nathan, the Town Hall representative who was managing the numbers of visitors downstairs.

Cold eyes beneath the hat stared at me for a moment, before cross-questioning who I was and why I was there. I explained about Open House and that as a long-term volunteer from Melbourne I volunteered for this inaugural Bendigo event.

His response thick with sarcasm, ‘How very altruistic of you,’ as he walked away disappointed I couldn’t give him the statistics he wanted.

I was glad Nathan was there because there was so much going on and the visitors were constant. He had shown me around the place before the doors opened and when we looked into the current council chamber he warned that although most people are respectful to watch out for ‘anti-council’ behaviour.

From my position in the hallway, I could see inside the old chamber but also see the new chamber because the wall is all glass. I kept my eye on Mr Stetson – rightly or wrongly I’d earmarked him!

Impressed by its ‘grandeur’, many people asked me why the council had stopped using the old chamber and when I pointed out the obvious they could see the new room was much more suitable:

  • the old council chamber did not have room for the current number of councillors, staff or press or the modern day technological requirements
  • the old council chamber did not have room for a public gallery and ratepayers are allowed into most council meetings
  • the cost of maintaining the old chamber – regularly cleaning it and repairing any wear and tear if it was used would be much more than for the modern chamber

The new council chamber had rows of seats for visitors plus a gallery of photos of previous mayors.

The current mayor of Bendigo is female but in the early days of the city as the dozen pictures lining the walls reveal, the ‘founding fathers’ were male.

I can almost guarantee future depictions of mayors will not be oil paintings or photographs by prized photographers or placed in huge gilt frames. I even wonder if the mayoral robes will be donned – times have changed!

The early mayors were all active in business and community organisations, each leaving a distinctive legacy and exceptional worthwhile achievements that resonate today. A lady confided to me with pride that one of the mayors pictured –  Cr JH Curnow JP, 1901 and mayor 1902-4, 1912-13, 1919-20, 1927-28 – was a relative and she had no idea of his achievements!

It Is Important to Acknowledge Mayoral Milestones

Thomas Jefferson Connelly, a solicitor, was elected mayor in 1887 – the first Bendigo native and the youngest man up to that time to hold office. He was born in Sandhurst and was 29 years old. He was president of the Australian Natives Association and a driving force behind Federation and a close friend of Australia’s second PM Alfred Deakin. Sadly, Connelly contracted typhoid fever as a result of overwork in his private practice and died at only 34 years of age leaving a widow and three children.

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Town Hall entrance

Ambrose Dunstan was one of Bendigo’s oldest Justices of the Peace and on many occasions was the assistant coroner. From 1891-2 he was President of Australian Natives Association. During his term during WW1 house numbering was carried out, 182 building permits issued and he unveiled the Soldier’s Memorial Statue, recently refurbished 2018.

The news that the armistice had been signed by German representatives reached Bendigo about midnight on November 11th 1918. At 2am on November 12th, Mayor Dunstan read a message from the Governor-general on the steps of the Town Hall to a crowd of over 1000. The joyous peal of St Paul’s bells and the continuous tolling of the town clock awakened the people, who came to the city in large numbers. The mayor invited those present to give thanks and proceeding closed with the National Anthem. Peace had been declared.”

We are close to celebrating the centenary of that PEACE and thinking about the huge numbers of war dead and casualties still makes me weep. It is not an exaggeration to think almost every household would have been touched in some way and I can just imagine the joy of this spontaneous gathering in the predawn light.

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Soldiers Memorial Bendigo 2018

David John Andrew another early mayor ‘led a very active public life and there were few movements in which he was not connected. Captain of the Bendigo Fire Brigade in 1898 he held that position until his death. Chairman of the CFA he ‘heartily devoted himself to the promotion of the best interests of firemen and the firefighting service generally.’ Born in Scotland, he was prominent in the Bendigo Caledonian Society, the Victoria Scottish Union and the Masonic Order.  For many years, as the Secretary of the Easter Fair, he was interested in the Bendigo Hospital and Benevolent Home and pursued the matter of sewerage strenuously. He believed when Bendigo was sewered the death rate would be lowered considerably and cited that in 1909 there had been 719 births and 548 deaths. He committed his life to humanitarian causes and during the years of the Great War,  he organised support for Australian soldiers and prisoners of war.

Mayor William Beebe, MBE, continued as a councillor until ten weeks before his death in 1920 and was mourned by many including PM Hughes who sent condolences: “ My deepest sympathy in your sad bereavement. Bendigo has lost a very worthy citizen and Australia one of her most loyal sons.” Beebe took the lead in patriotic movements and social, religious and philanthropic objectives hence being awarded the MBE.

Born in Sandhurst in 1857 he worked with his father as a stonemason, studied architectural drawing at the School of Mines and with his father designed and built several buildings during the 1880s. Later as an architect, Beebe was responsible for the ANA Hall, the City Markets, the Fire Station in View Street, the Royal Bank (now a restaurant) and Lansellstowe and numerous private homes.

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Another young councillor (39 years), Mayor Michael Guidice (1922-24) directed his energy and faith to commercial enterprises for the advancement of Bendigo. Managing Director of Bendigo United Breweries he was associated with the moving picture industry from its pioneering days.

In 1913 he formed the Bendigo Lyric Photoplays and personally supervised the opening and work of the new Lyric theatre that year as well as being governing director of The Shamrock Hotel. He was a moving force in forming the Shakespearean Reading and Literary Society and assisted in the formation of the Bendigo Choral Society.

Mayor Ernest Vains (1924-25) was born in Kerang and started a Stock and Station Agent’s business in Bendigo. “He had a great capacity for work and attempted to attract industries…” Director of the Bendigo Sun and the Farmers and Citizens Trustees P/L, playing a prominent role in the formation of Bendigo Rotary Club in 1925. A keen outdoor sportsman, a member of the Bendigo Jockey Club, secretary of the South Bendigo Bowling Club and office bearer Golden Square Bowling Club. When retiring from office 1926, he noted four deaths ascribed to diphtheria and two from typhoid fever and overall 497 deaths and 689 births.

Mayor Frederick Niemann born in sale 1879 and mayor during the Depression years took a prominent role in retaining the railway workshops in Bendigo. He was one of the founders of the Advance Bendigo and North League and held the position of Chief Magistrate in Bendigo with many years of experience in commerce and industry.

Thank you, Mayor Niemann, for saving the railway workshops! I caught the train to Bendigo for Open House weekend. On the way, there were plenty of rolling green fields with emerald green grass to feed the grazing cattle, horses and sheep. No obvious signs of drought yet.

The Bendigo to Melbourne train line opened in October 1862 but the steam train then a different beast entirely from the comfortable and relatively smooth ride V-Line offers today.

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Another mayor in the 1930s, Mayor George Bennetts built up the well known Bennetts Arcade Stores, one of the most progressive of its kind in Bendigo and later acquired by Woolworths. Bennetts was a keen bowler and member of Bendigo Golf Bowling Club, a Justice of the Peace and responsible for the Easter Saturday Street carnival.

There is a street sculpture by artist Maggie Fooke “After The Procession” dedicated on October 1993 and commissioned by the Bendigo Easter Fair Society. I didn’t remember seeing it on an earlier visit to Bendigo perhaps because it looks so natural! It was ‘refurbished and restored and presented to the people of Bendigo to celebrate the 140th Easter Procession on the 5th April 2010.

W.C Vahland the architect for the Town Hall, came originally from Germany seeking gold but stayed to practice his profession as an architect. How lucky was Bendigo!?

He may have struck out finding gold, but his legacy of fine buildings increased the wealth of Bendigo.

A comment on the refurbishment – a young man was keen to show me travel pictures on his phone. Inside the huge twin towers in Abu Dhabi, there are the exact same light fittings used in the hallway between Bendigo’s two council chambers – and he has seen them elsewhere!

And a final comment from an appreciative visitor to Open House at the Town Hall. She had visited ‘by default’ because like many people in Bendigo she wanted to see what had been achieved so far in the redevelopment of the Beehive Building, which was still a construction site and had been boarded up for several years.

However, her curiosity didn’t extend to waiting in a queue for over an hour and she was thrilled to come straight into the Town Hall, learn history she didn’t know and be amazed at the beautiful finishing touches on the walls and ceiling.

The woman was really enjoying the Open House weekend and agreed wholeheartedly with the current mayor, Cr Margaret O’Rourke,

Bendigo has so much fascinating architecture that will be wonderful to share with visitors and residents alike.”

 

 

Open House Bendigo – Doorways to Fun, Friendship, Heritage, and Community

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I’ve been volunteering for Open House Melbourne for over eight years. In that time, I have had the opportunity to attend workshops and learn interesting facts about architecture, design and heritage. I’ve visited buildings and appreciated aspects and behind the scenes rarely experienced by the general public.

Open House Melbourne is an independent organisation fostering a public appreciation for architecture and public engagement in the future of our cities.

Each year more and more buildings and events are added to this fabulous weekend.  Last year they expanded to Ballarat and this year it was Bendigo. The two regional centres will probably ‘open up’ alternate years.

Both events were a great success with thousands of visitors to the buildings, not only from locals but many people making the trip from Melbourne to take advantage of the warm welcome from the regional communities.

In Melbourne, I’ve been privileged to volunteer at:

Each shift has offered unique experiences. Special ‘thank you’ events for volunteers, allowed behind the scene tours of the Phillips Shirt Factory, Lonsdale Street and Willsmere (the old ‘lunatic’ asylum).

Now open House has expanded, I’ve visited buildings in Ballarat (2017) and this year Bendigo, educating and enjoying myself in the process. The last weekends in July and October now regular dates earmarked on the calendar

Bendigo Beamed in Spring Sunshine

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Bendigo was chosen as a significant regional hub creating an opportunity for locals and visitors alike to celebrate this wonderful city. It was a chance to view different architectural styles and learn about Bendigo’s rich history, its cultural attractions and to consider how future developments will impact the city.

Despite competition from several major events occurring at the same time (The Bendigo Agricultural Show, the second Bendigo Cycling Classic, and Bendigo Sustainable House) the support for the inaugural Open House Bendigo weekend was fantastic (11,000 visits across 23 buildings)!

The weekend provided a range of talks, walks, film screenings and workshops plus the buildings open for inspection and appreciation, all encouraging an exploration of the diversity and design of Bendigo’s built environment and history.

Bendigo was proclaimed a city in 1871, the year the Bendigo Easter Fair began – Australia’s oldest ongoing festival. I was rostered on duty at the Bendigo Tramways Depot, Australia’s oldest continually operating tram depot.

 

All Aboard For A Great Ride

The Bendigo Tramways depot was built in 1901 for the Electric Supply Company of Australia Ltd. At the time of building, the property also included what is today the Bendigo Woollen Mills, which housed the steam engines, generators and boiler until 1972. The depot was completed in 1903 for the operation of electric trams. (The first depot was constructed in 1890 near the railway station.) In addition to the tramway shed, the facility included cooling ponds, a blacksmith’s shop, carpenter’s shed, elevator house, and other support buildings.

The Tramways Depot and Workshop may not have survived had it not been for the Bendigo community’s will to keep the trams running in Bendigo once they were shut down as a public transport option. This led to the introduction of the tourist tram service in 1972. The tourist tram service celebrates 46 years of service in 2018. 

The Bendigo Tramways is known nationally and internationally for its heritage tram restoration capabilities and its rare collection of heritage trams. Trams from all over the country, including Melbourne’s City Circle trams, are all restored to their former glory in the Bendigo Tramways Workshop.

 

There were guided conductor tours on the hour led by an enthusiastic and knowledgeable guide, Ian, along with a specialised in-depth pre-booked tour led by Luke, the Workshop Manager. However, when more people turned up, Luke kindly accommodated them and ended up with a group of 24 instead of 15!

The guides were extremely proud to point out the work carried out so far for the City of Melbourne refurbishing the famous restaurant trams and the vintage trams used on the free city tourist loop.

 

On duty from 9.30am to 1.00pm, I had the opportunity to chat with Pam in the gift shop/cafe. Pam warned about the dust from the imported plane trees and said a light breeze can blow the dust about and start people coughing. She spoke from experience and said if anyone did start coughing to suggest they go to the cafe and she’d supply a glass of water. Pam discovered the problem with the plane trees after going to the doctor thinking she had asthma or an allergy.

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Many of the others working at the depot are volunteers.  Ian was super knowledgeable, efficient – and passionate about trams like all the volunteers. He loved the people he met volunteering and said, ‘You know, I’ve met people from all corners of the world here. I met someone from Zimbabwe and we discussed their country. I wouldn’t have met him if I wasn’t doing this job.’

Steve, a volunteer driver, in a previous life was a stipendiary magistrate who loved trams! Another Ian was the driver who gave me a lift back to town. The tram was packed and I got to sit up front with him in the driver’s seat.

Ian has been driving the vintage trams for 17 years and when an unusual fault occurred he told me it was only the second time it had happened.

I had no idea the variation in controls until I wandered around the depot peeking inside all the different trams – some still in use, others being refurbished.

Each tram has an interesting history but without the work and passion of a team of volunteers, the tramways could not have achieved many of the major milestones and awards, especially winning gold in the 2016 Australian Tourism Awards or the Hall of Fame in 2014, 2015 and 2016 Victorian Tourism Awards.

No 7 decommissioned in the 1930s, became a sleep-out before being returned for restoration in 1988. In 2000, the body was stripped of any structural additions, cleaned and put on display.

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Tram No 30 was driven by HRH Prince Charles in 1974. This Birney tram was built in 1925 in Philadelphia USA, for South Australia and operated on the Port Adelaide line until 1935. Purchased by Geelong it operated there as Tram No 30 before being transferred to Bendigo and used for spare parts. However, in 1972 it was restored to be one of the Vintage Talking Trams and became the flagship of Bendigo Tramways.

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One of the volunteer conductors told me the story of Charles and Di’s visit. Princess Diana was standing on the balcony of The Shamrock Hotel where they were staying. Prince Charles knew she would be out there to wave and watch him drive past. He was determined she see him driving and was so excited he went through two red lights. Needless to say, they didn’t forward on the traffic ticket!

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Tram No 44 was one of two trams restored especially for the Prahran and Malvern Tramways Trust Centenary in 2010. Built in 1914 in Adelaide, South Australia for Prahran and Malvern Tramways Trust it was sold to the State Electricity Commission of Victoria in 1951 for Bendigo operations and painted in green and cream livery of the SEC. Ten years later, repainted maroon and cream, it joined the talking tram fleet.

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Tram No 84 has the most magnificent feature interior timber work of all the trams in the fleet. Built in Melbourne in 1917 for the Prahran and Malvern Tramways Trust it was later sold to the SECV in 1931 for operation in Bendigo. In 1935 it was configured to be operated by one man. It developed ‘excessive body movement’ issues and was withdrawn from service in 1965 and because of internal disagreements between supervisors didn’t return to use until 1975 when made operational by the Bendigo Trust to run on special outings. In 2010 it was refurbished to its original California configuration for the centenary celebrations of the Prahran and Malvern Tramways Trust.

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Tram No 21, an M class tram was built in Adelaide in 1917 for the Hawthorn Tramways Trust. It was sold to the SECV in 1935 to operate in Bendigo. Retaining its one-man configuration it was repainted in the SEC livery of green and cream and ran until the closure of Bendigo’s public transport system in 1972. In 1992, it was repainted in the grey, white and blue livery of Hawthorn Tramways Trust to celebrate a significant event in the history of the City of Footscray. It operated as a Vintage Talking Tram until 2000 when it was removed to be restored to its 1930s condition. Thanks to the Bendigo Tramways Work for the Dole program it returned to service in 2005.

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Tram No 29 was the focal point to save the trams from being dispersed and sold off when the Bendigo Tramways closed in 1972. State cabinet supported The Bendigo Trust’s proposal to run a tourism tram service using the SECV’s trams and tracks on trial until Easter 1974. However, the SEC had promised Tram No 29 to a museum in Adelaide without consultation or knowledge of the Bendigo Trust.

Community anger manifested itself in a mini-uprising and blockade to stop the tram being taken out of the depot with local businesses sending their vans and cars after the Mayor used the media to rally the citizens. The furore resulted in a ministerial committee and negotiations culminating in the entire fleet being sold to The Bendigo Trust for a ‘mere $1’ in 1977.

Relations between an aggrieved South Australian museum and the citizenry of Bendigo were later assuaged by the discovery of a sister tram, also a Birney, being used as a garden shed. Representatives of the Tramways trust negotiated the donation of this tram when the owners were promised a replica of a nineteenth century cast iron street lamp created by a skilful committee member.

The tram was restored with a grant from the State Government and presented to the Australian Electric Tramway Museum, Adelaide in 1976. Proving ‘all’s well that end’s well.’

It is mindboggling to see the before and after examples in the workshop – the state of donated or discovered trams, the craftsmanship and skill applied, and the finished product of beautiful polished wood and painted tram interiors.

Of course, the depot has a special supervisor overseeing the work –

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The rescue cat, Birney joined the team in 2014. Originally, he was to catch mice but the sign on his office promotes him to Tramways Superintendent and of course, the Gift Shop has a range of souvenirs. I was lucky to see him at close quarters but with the increased visitors he wisely withdrew and found some spot in the sun far away from the madding crowds.

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A Bit Of History Puts Trams In Context

With the advent of electric trams and extended tracks ‘housewives’ moved away from their local shops in the suburbs and bought goods in the heart of the city at a time when shops didn’t close until 11 pm on a Friday night, along with many hotels. ‘As a result, there were many wavering legs on Friday evenings trying to negotiate the flagstones of Pall Mall in a desperate attempt to catch the drunk express home.’

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I had to get at least one picture of myself on a tram and chose No 8 – it was a number 8 to Toorak that gave me the inspiration to write A Ticket to Vaudeville, the first short story I received payment for when it was published in The Weekly Times in the 80s – ironically that newspaper’s head office is in Bendigo.

Bendigo’s first people, the Dja Dja Wurrung

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The Dja Dja Wurrung Tram takes passengers on a journey of discovery into the unique and fascinating traditions of Bendigo’s first people. The Dja Dja Wurrung, one of the five communities of the Kulin people, a federation of five distinct but strongly related communities, which also includes the Boonerwrung of Mordialloc and other southern bayside places.

All Kulin had as their defining social moiety either Bundjil, the eagle, or Waa, the crow. Long before they had contact with the European world, they had complex trading networks sharing stone axe heads and highly crafted possum-skin cloaks and other examples of useful craftsmanship and art.

bunjil the creator

Archaeological evidence shows their connection to the land extending beyond 40,000 years. It is estimated that between 20,000 and 60,000 people, speaking over 30 languages lived throughout Victoria when Europeans arrived in 1835.

Rapid colonisation, the stealing of Aboriginal land, and the destruction of families by murder and disease forced Aborigines onto missions resulting in a loss of language, traditions and more lives – a cruel devastating and violent period of history.

Today the 25,000 plus Aboriginal people who live in Victoria are concerned about self-determination, maintaining their culture and restoring their lands.

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The tram is a moving lesson and illustration of Dja Dja Wurrung culture and painted on the roof sides there is a host of information proudly showing their customs and practices are alive and respected – keeping them connected to the past, the present and the future. Their cultural heritage recognised and protected as a celebration of identity and community.

Even the upholstery tells a story.

Recognition and Settlement Agreement

In 2013, the Dja Dja Wurrung people entered into an agreement with the Victorian Government recognising them as the traditional owner group for this country. The agreement recognises Dja Dja Wurrung people as the traditional owners of Central Victoria and binds the state of Victoria and the Dja Dja Wurrung people to a meaningful partnership founded on mutual respect. The list of recognised Apical Ancestors is also on the tram.

HEALING COUNTRY

The Dja Dja Wurrung have lived on traditional lands and cared for country over many thousands of years. Country is more than just landscape, it is more than what is visible to the eye – it is a living entity, which holds the stories of creation and histories that cannot be erased. The Dja Dja Wurrung have nine aspirations for their country, including…

Rivers & Waterways

Our rivers and waterways are healthy and meet the needs of our people and land.

Land

Our upside-down country is healthy again (healed from the effects of mining).

Djaara (People)

Every Dja Dja Wurrung person is happy, healthy and secure in their identity, livelihood and lifestyle.

Djandak (a traditional way of business)

We have a strong and diverse economic base to provide for our health and well-being and strengthen our living culture.

Self Determination

As our country’s first people, Djaara have an established place in society and are empowered to manage our own affairs

Joint Management

All crown land on Dja Dja Wurrung country is Aboriginal title and we are the sole managers. 

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Along with illustrations and stories of the creators, there were details of the following native animals:

GNANA-NGANITY (bat) -There are 77 bat species in Australia. Bats are nocturnal and are the only mammals capable of sustained flight. They use echolocation to navigate during the night and to find food. They are natural pest controllers as 70% of them live on a diet of insects. A baby bat is called a pup.

MUMUMBARRA (bee) – There are over 1600 species of bees that are native to Australia. Native bees are smaller than European bees and many of them don’t sting. They can be black, yellow, red, metallic green and also black with blue polka dots, and can range from fat and furry to sleek and shiny.

BALAM BALAM (butterfly) – Australia is home to more than 400 species of butterfly. A butterfly does not eat but receives nutrients from drinking nectar and pollen from flowers and plants.

MUR-MURRA (dragonfly) – the dragonfly is an aquatic insect and spends most of its six-month life near the water. There are 320 known species of dragonfly native to Australia.

GALIYT (witchetty grub) – Witchetty Grubs are mainly found in central Australia. The grub is the larvae of the Cossid Moth. Witchetty Grubs can grow up to 12 centimetres long and are eaten as part of Aboriginal diet.

DUM (frog) – The frog is the only native amphibian to Australia and tends to live near wetlands as their skin needs moisture. Depending on the species some have a special slime coating and others can burrow into the ground to keep moist.

GUWAK (kookaburra) – the kookaburra is the largest member of the Kingfisher family of birds. They eat small mammals, lizards, snakes and insects. The laugh of the kookaburra is actually a call to mark their territory.

BARRANGAL (pelican) – The pelican is found throughout Australia. They can fly 3 kilometres above the earth. Their bills can hold up to 13 litres of water and they can eat up to 9 kilograms of food each day.

WIRRAP (cod) – fish were an important part of the Dja Dja Wurrung diet and were caught in different types of traps made from rocks or nets. The Loddon and Campaspe Rivers are where Dja Dja Wurrung ancestors lived and many types of fish were found in these waterways.

BARAMUL (emu) – Baramul is fast and can run up to 50 kilometres per hour. The female lays eggs and the male emu sits on the nest to hatch the young. Mu equality! The noise that the emu makes in its throat can be heard 2 kilometres away.

YULAWIL (echidna) – The echidna is one of two monotremes, which are egg-laying mammals. The other is the platypus. Both animals feed their babies on milk. A young echidna is called a muggle. Echidnas live for around 45 years in the wild.

DUAN (phascogale) – A phascogale is a relative of the quoll and Tasmanian devil. Their diet consists of insects, spiders and centipedes. They will also eat nectar from the ironbark flowers. The male phascogale dies at around one year of age, just after breeding season. The phascogale is a shy animal and has a very bushy tail.

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I retired to magnolia-on-view, the Airbnb I was sharing with friend Susan whom I met volunteering for Open House Ballarat and reflected on an amazing morning and all the new cultural and historical information absorbed.

The atmosphere in my little corner of Bendigo friendly, relaxed, and fun. I was surrounded by positivity and people giving back to their community. Ian and I both agreed, volunteering for something you love gives you energy.

I met up with Jack who lives in the redeveloped Willsmere and who had been our tour guide for the place. He remembered me. A nice compliment considering as a grey-haired senior I’m often considered to be in the realms of the invisible and irrelevant now…

I laughed with a couple of locals – a retired gentleman who lived in the same street as the Depot but who had never visited. It took Open House Bendigo to change his ‘will do one day’ into ‘will do today’ and he’d brought along a son and grandson who now live in Melbourne!

I met Sandra, a writer and editor who has just moved to Bendigo. She volunteers and writes biographies for people in palliative care.

The weekend was exceeding expectations and making me forget the ache in my ribs from an unfortunate car accident a few days before.

I checked the roster and prepared to open another door!

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