Writing Flash Fiction Helps Editing Skills and Is Flashing Good Fun!

Words should be an intense pleasure, just as leather should be to a shoemaker. If there isn’t that pleasure for a writer, maybe he ought to be a philosopher.    

Evelyn Waugh, The New York Times, November 19, 1950

The difference between the almost-right word and the right word is really a large matter–it’s the difference between the lightning-bug and the lightning.      

Mark Twain, letter to George Bainton, October 15, 1888

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Flash fiction is defined as fiction that is brief – perhaps only a thousand words,  fifty to  hundred words, or even less than that because we now have Twitter stories where writers only use 140 characters!

This short form of storytelling requires skill and imagination. No time to be wasted on exposition, just delve straight to the ‘flashpoint’ of a story and intrigue the reader. Strunk and White’s classic The Elements of Style advises, ‘The habitual use of the active voice…makes for forcible writing.’ Flash fiction encourages the use of active voice so that’s another incentive to ‘have a go’ and write some.

Twitter Flash Fiction
Mairi Neil

The boat circled the reef. Ted floated silently, his knife wound leaking blood. Annie waited for the hungry pointer to make her single again.

Sam and Kara snuggled into their sleeping bags. They loved the peacefulness of the Australian Outback. As did the death adder in their tent.

Moonlight glittered on the dirt mound. Helen shivered. The shadowy figure crunched on the bones. How to stop the labrador’s midnight feasts?

There are even six word short stories based on a legend about Ernest Hemingway accepting a bet he could make people cry in a six word story. The classic he’s believed to have produced: For sale: Baby Shoes. Never worn.

Check out efforts by other famous authors: http://www.sixwordstories.net/category/author/famous-authors/

Have fun trying this in different genres. My attempts pretty ordinary:

Bus driver faints. Passengers can’t drive
Urgent coded message; an enigma still.
Sacked today. Started blogging, became famous.
Door opens. Shots fired. Wrong address!
Tall, handsome. Personality of a doorstop.

The spacecraft landed. Her novel reality.

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Writing is exploring and experimentation. I began writing very short fiction in the late 80s early 90s in response to a daily newspaper’s request for 55 word short stories. I concentrated on having a surprise twist at the end or punchline – a bit like a joke. Members of Mordialloc Writers’ Group, including me were thrilled when our stories were published. We won fountain pens, handbags, movie tickets – and the newspaper filled a column on their entertainment page.

Stalking Fear
Mairi Neil
Footsteps echoed. Helen looked around; scurried towards home. Fear flitted across her face. She shivered and gathered her coat closer with trembling fingers. A stumble on the cobblestones and she clutched her handbag against her chest; glanced over her shoulder. Was she still being followed? A scream rent the air. ‘Cut!’ The director, not happy. (55words)

What a Fright
Mairi Neil
Margaret stared at the middle-aged woman. How could she have left the house like that? She shook her head in amazement at the spare tyre around the midriff, the peppered grey hair, creased face, and eyes sagging with dark bags. The beige top and daggy track pants so unflattering. How she hated shopping centre mirrors!  (55words)

Sad Farewell
Mairi Neil
He choked back tears and sniffed as he placed a rose on her fresh grave. He thought of all the years they’d spent together. Poor hardworking Maisie, dead far too soon. He knew her pregnancy was a mistake. What would they do without her? He sobbed as he watched her puppies scrabble at the earth. (55words)

Cruise Away
Mairi Neil
‘It’s certainly been a holiday to remember,’ said Lily.
‘Yes,’ agreed Jack, as he draped an affectionate arm around his wife’s shoulders. ‘Although, a bit too warm for my liking.’
‘And for me,’ whispers Lily, snuggling closer to Jack.
The elderly couple settled themselves into the lifeboat and watched the burning cruise ship slowly sink.

Ward Duty
Mairi Neil
‘The room is jinxed. For days whoever occupies this bed is dead by morning – despite the full life support system.’
‘They are always all right at change of shift each morning, doctor.’
Meanwhile, the new cleaner muttered again about the unnecessarily long chord on the vacuum cleaner when there was a powerpoint by every bed.

Last year I responded to a request for fiction to make a zine and students in my classes took up the challenge to write stories between 100-200 words, or less. We published our zines and distributed them in the community houses, but they also appeared at a special zine fair in Canberra at a workshop devoted to flash fiction.

Nightwatch
Mairi Neil
Figures in black crept across the roof while others edged up the street and positioned themselves in nearby gardens.‘Ready?’ he whispered into the microphone.
‘All in position, Sir,’ came the reply.
‘Go! Go! Go!’ he commanded.
The SWAT team attacked number 16 Bailey Street.The family within killed on sight. Meanwhile, the terrorist cell at number 61 heard the commotion and fled unharmed.

Wrong Number
Mairi Neil
‘What the?’ Linda froze in the doorway; her eyes darting around the room. She twisted and checked the hotel corridor, green eyes returning to stare at the ringing phone by the bedside. She had told no one she’d be here.
Fear crept from her stomach into her throat as the insistent buzz blocked the muted sounds of traffic from the city. She was conscious of chiming as the lift to the tenth floor worked overtime with a tour group. The phone continued to ring.
Probably Reception; they’ve forgotten to tell me something.
She hurried over and snatched up the receiver, ‘hello!’ Her eyes drawn like a magnet to the high-rise opposite –– the glint of something metallic.
She heard the shattering of glass, but didn’t feel the bullet from the assassin’s rifle.

Ritual Farewell
Mairi Neil
I watch the dark silhouette in the moonlight; listen as the heavy breathing transforms the still night air. He paces the backyard before stopping beside the vegetable garden. How clever! The mound of soil quickly grows as he prepares the ground for burial. Each night, the same ritual as next-door’s dog chooses a new spot to bury his bones.

Disaster Strikes
Mairi Neil
The low growl became a loud rumble. The ground shifted. Celia’s shaking matched the floor’s shudder. She lurched and grasped a nearby handrail; her fear mirrored in other people’s eyes. She struggled to stay upright. The terror ended abruptly and she breathed a sigh of relief. Holding her children close she said, ‘Don’t ask me to visit Scienceworks again,’ as she stepped off the earthquake simulator.

Flash fiction may be a rigid word limit, but it also is experimental, cross-genre and may even be obscure like some poetry. This is a great exercise for writers and students of writing. I’ve researched and participated in competitions such as writing on a postcard, one page, or a story to be read in 30 seconds or a minute – even mini-novels for a mobile phone screen. For all things flash fiction check out Flash Fiction World.

Hard Labour
Mairi Neil

She stands on the cliff’s edge buffeted by the southwesterly and drops her hands to her side and sighs. No sign of John’s ship. She rubs her belly just as the baby somersaults. You must be a boy! Mary clings to a scrawny birch tree; pulls her shawl tighter around thin shoulders as waves crash below. Thunderous explosions against jagged rocks. Seagulls squeal and wheel overhead, their beady eyes forever seeking food. A proud gannet immobile on the biggest rock, points its beak seawards as if it too waits for sails to appear.
Mary inhales the sweetness of the heather, tastes salty spray as the wind gusts. A bank of clouds unfurl like a grey blanket and the first drops of rain dampen her skin. The horizon black as the once blue sea bubbles sending molten steel waves roaring towards land. Is John’s ship caught in that maelstrom?
The impatient life she carries heaves again. Tears sting her face. The gannet flies skywards, a black spectre. Sea gulls screech, vultures circling. Mary closes her eyes to ride out the waves of pain, grips her ringless finger and wishes she had listened to her mother.

Revenge is Sweet
Mairi Neil

‘I’m not staying in this dump for a whole week.’
Gina stared at Bob’s flushed face and flinched as he slammed the wardrobe door. ‘I told you last night your tricks don’t work with me.’
She watched her fiancé cram clothes into his holdall. ‘What tricks?’ Her voice remained calm. ‘Pardon me for thinking you’d enjoy being alone with me. No distractions. Just the two of us. Undisturbed.’
Bob snorted and waved his arms at the window. ‘A bloody owl hooting all night, frogs croaking, and a twittering cacophony at dawn. Give me a noisy resort any day.’
‘Well, I’m not leaving the cabin.’
‘Fine – I’ll come back for you in a week.’
And he was gone.
Gina went to the woodpile with her coffee and sat on the tarpaulin covering the Holden’s spare wheel. She soaked up the sun, smiled, and checked her watch. The tyre would be flat when he reached Kangaroo Gully. She’ll prepare his favourite lunch soon. The forty minute walk uphill good sauce for Bob’s appetite.

Colour My World
Mairi Neil

Martin’s tongue protruded between thin lips, a pink dot of concentration. Blue eyes danced from paint palette to easel. Just like his father, Elaine thought, as she watched Martin dab and daub, sweep and slide. The paintbrush looking too big for six-year-old hands. The square of butcher’s paper soon filled with colourful blobs and strokes. ‘Jackson Pollock eat your heart out,’ Elaine whispered and smiled at Martin’s effort for the school art competition. She remembered Tom’s pride at the birth of their son. ‘Hope he has my talent for painting and your way with words.’
Tears gathered. The car accident had robbed her of Tom and left Martin severely disabled. Thank goodness she had discovered this school and new therapies. Martin had spoken his first word yesterday and if he can hold a paintbrush, a pen will follow.

Fear of the Dark
Mairi Neil

A beep like a balloon popping confirms the Mazda has locked. I hurry towards the lift. Is that other footsteps, or the echo of mine? The few yards seem to double.Why are the lights flickering?
The agent boasted the car park’s electronic gates made it ‘as safe as houses’. I hold my breath. Listen. The lights flicker off. I freeze. My chest hurts.
Oil stains on the concrete morph into sinister shapes. What if I trip? Bump into a parked car? I imagine the concrete pillars, plumbing and air-conditioning pipes crisscrossing the ceiling, ‘safe as houses’ he said.
The electric generator crackles, but was that a metallic click as if someone dropped a key? My bladder throbs, legs tremble. A scream gathers in my throat. The lights flicker on. The elevator’s silver doors shine like a beacon.
I stumble on a raised edge of concrete. Hands flail but I avoid falling. Laughing at my clumsiness I reach the lift just as the lights die with a bang. The lift doors refuse to open. I breathe deeply and inhale the acrid smell of cigarette smoke. ‘Who’s there?’ I stutter.

If you give yourself a word limit you have a clear indication of the maximum length of a piece of work and how much detail should go into the piece. Writing to a set word limit is an acquired and valuable skill and who knows where it might lead? Usually, I know how I want the short story to end before I begin – have that punchline or ‘ah ah’ moment in your mind and write to it.

Job Satisfaction
Mairi Neil

Jones hummed and secured the specimen jar into his briefcase. He smoothed the surgical gloves before checking the protective covers on his shoes and picking his way around the murderer’s flat, careful not to leave traces of his visit.
How he loved this job: the precision, planning, collating evidence and risk taking. New technologies made it more challenging and exciting. A random hair on a pillow or in a plughole, a scrape of skin or blood on furniture, a cigarette butt. Any pining for the old police ways of getting a conviction by intimidation compensated by the thrill of planting evidence.

Cultivating the Future
Mairi Neil

Tim checked Wikipedia and tackled James when he arrived home from college. ‘That’s a marijuana plant you’ve got in your room!’
James paled, ‘Is it? I’m looking after it for a friend.’
‘Yeah right! Never thought my son would get into drugs.’
Defiant, James jutted his jaw, ‘it’s legal – for personal use.’
‘One plant can lead to many,’ said Tim, ‘especially one as healthy as yours.’
‘I just want to save money,’ muttered James.
‘You need to make money, son.’
‘What do you mean?’
Tim’s lips twisted wryly, ‘I’ve just been made redundant. Let’s plant an income.’

A Fishy Tale
Mairi Neil

Martin couldn’t believe the judges announcement, that bastard Bill had won the Angler’s prize. Bill strode to the podium to collect the $1000 cheque. Martin seethed. It wasn’t about the money. He looked at his son and saw disappointment etched on the ten-year-old’s face. He had assured the boy their 5kg Bass would win.
The local newspaper insisted everyone gather around the winner for a photograph displaying their catch alongside Bill’s 6kg giant. Salt rubbed into a fresh wound.
On the crowded podium, Pete pulled at Martin’s arm. ‘He’s a cheat Dad.’
‘We don’t have to smile, son,’ Martin whispered to Pete, ‘but we can’t be sore losers.’
‘But Dad… he stole that fish.’
‘What do you mean?’
‘Look at the mark on its side.’
Martin peered at the unusual scar on Bill’s fish. Pete was right. It was one of the Bass from the Aquarium. Father and son grinned as they planned how to spend the cheque and Bill was charged with burglary as well as cheating.

Many writing professions like copywriting and marketing demand short succinct attention-grabbing and memorable ‘stories’, but so do other professions. The writing on captions for exhibits in museums and art galleries, brochures for businesses, book reviews, and a variety of academic tasks or small business needs – the fewer words you use to leave an impression on a reader, the better. And this all takes practice. Have some fun!

“When I use a word,” Humpty Dumpty said in rather a scornful tone, “it means just what I choose it to mean – neither more nor less.”

“The question is,” said Alice, “whether you can make words mean so many different things.”

“The question is,” said Humpty Dumpty, “which is to be master – that’s all.”
Lewis Carroll, Alice’s Adventures in Wonderland and Through the Looking Glass, 1865.

Shape Up or Ship Out and Deliver on Time!

I like nonsense, it wakes up the brain cells. Fantasy is a necessary ingredient in living, it’s a way of looking at life through the wrong end of a telescope. Which is what I do, and that enables you to laugh at life’s realities.Dr. Seuss

The call came just after 7.30am.

‘Hi, this is Adam, from K.… Removals, you’re expecting a delivery today?’
‘Yes, at 12.00.’
‘Can we deliver earlier?’
‘How early?’
‘Within the hour?’
‘Sure that’ll be fine.’
‘Great, see ya soon.’

We were in holiday mode, but this call guaranteed to speed up the juicing of celery and carrot and the cooking of porridge oats! Fortunately, Anne was awake and moved MJ’s car from the driveway and parked it over the road.

This delivery of 10-12 boxes anticipated for some time. Shipped from Canada in July, they’ve been with Australian customs doing a thorough (or slow) job of checking the contents. I’d received a call in October they’d be on their way to Melbourne from customs in Sydney ‘soon’. When pressed the voice on the other end of the phone said, ‘2-3 weeks’. Yesterday they’d rung and arranged deliver for 1.00pm – two days before Christmas.

Murphy’s Law rules!

I offered to store the boxes for D, a family friend until she decides where to resettle after nine years in Canada. There are also two boxes belonging to Anne from her travels. D included them in the shipping. Payment is calculated by space taken up in the  container and a couple of extra boxes didn’t add to the cost. Her kindness meant Anne could keep special paraphernalia collected on her travels and the memories they’d trigger.

The truck duly arrived and I experienced déjà vu…

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The same company employed 30 years ago, when John and I moved from our flat in Prahran to the house here in Mordialloc. That truck smaller. One man – not two, and no slide down ramp, straps or compartments inside the truck to make packing and securing cargo easier. No obligatory fluorescent safety shirt either, but definitely the same company. It had survived the various economic shenanigans of Australia’s economy.

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In October 1984, we booked the truck early (8.00-8.30am), hoping to travel the 20kms to Mordialloc before the heat of the day set in and also to relieve my parents, who had collected the key and opened up our house. Mum promised ‘to put the kettle on’ to welcome us and christen the place, bringing all the necessary accoutrements from Croydon (a 43km drive).

Although retired, Dad and Mum were full-time parents again after my eldest brother’s divorce. My brother built a sleepout (Aussie slang for small bungalow) at the back of their property, but his two boys moved into the house with my parents. Dad took the boys to kindergarten and primary school; his daily routine revolving around their schedules.

The Girl Guide motto of my youth insisted “Be Prepared” and calculating how long it would take to load the truck and travel, my planning and timing worked out to suit Dad and Mum’s parenting obligations.

Ah, the best laid plans…

No mobile phones in those days and we had disconnected the telephone in our flat and didn’t expect the new telephone in the house to be connected until the next day. Mum and Dad were incommunicado! We hoped all would ‘go like clockwork’. I’d prepared over several weeks: boxes packed and labelled, John and I living like gypsies, washing and wearing the same outfits, cooking one dish meals…

9.00am came and went and no sign of our removal van. We kept busy carrying the furniture and boxes down to the nature strip and stacking them near where we assumed the truck would stop. John muttered about me heavy lifting and ‘where the hell’s this truck?’ A neighbour kindly let us use their telephone, but a disinterested voice said, ‘it’s on the way and should be there soon.’

‘It’ was coming from Hawthorn, 6km away, the company chosen for its proximity to Prahran. Maybe the traffic was bad, or an unforeseeable delay occurred, perhaps a breakdown, or an accident. We vacillated between cursing and feeling guilty the truck could be in trouble.

Meanwhile, huffing and puffing up and down several flights of stairs, we wished we lived on the ground floor, although grateful to have attracted half a dozen  neighbours generous enough to help us. I’m sure they felt sorry for John – I had 43 boxes of books – yes even then I was an avid reader, dreaming of being a writer. An incorrigible hoarder of books, I regarded each one a friend and couldn’t cull!

11.00am, hot and exhausted we took to checking nearby streets in case the truck had got lost. On full display for passersby to gawk and shake their heads, our goods and chattels filled cardboard boxes, the contents and destination (kitchen/bedroom/lounge…) marked in black Texta on the side. Suspended in the air between us the unspoken fear – what if the removal van doesn’t show? John glanced at his watch for the hundredth time. The smell of coffee and toast drifted from a little cafe on Greville Street.

‘Mum and Dad will have put the kettle on,’ I said.

‘I’ll make you a cuppa, ‘ said June from the top floor flat as her partner Hans dabbed his brow before turning to John, ‘we need a beer, mate!’

‘I wish,’ said John, ‘but I better see how much of this lot I can put in the car.’ He started separating some of the smaller boxes. ‘We won’t have much time to load up.’

I peered at my watch and did a quick calculation in my head, Dad has to leave at 2pm to be in time for the boys – will we make it?

Our morning began with excitement and anticipation of taking possession of a house we’d bought to build a life together in a place we loved, but the day was souring by the second. Panic worked its way through my digestive system from my squirming stomach. The pulse on John’s right cheek throbbed, a sure sign of building anger and frustration.

I’m not sure whether we heard the truck’s engine, the grating gears, or just the vibration as it rattled around the corner and turned into our street, but at last it arrived, dilapidated and belching exhaust fumes. No websites in those days or Google Earth; we’d relied on the advert in the newspaper and a pamphlet. Pictures that didn’t match what grumbled to a halt.

The driver emerged, mumbled hello, and stared at what was to go into the truck. Oh, if only camera phones had been around! The young man, alone and quite stoned. Long dark hair, unkempt beard and demeanour and crumpled t-shirt advertising how much he loved the 70s! John and I exchanged glances, we were in a sitcom waiting for the next slapstick gag.

The stoner stood immobile. Eyes fixed on our stuff for so long we thought he was trying to load the truck by osmosis.
John said, ’Mate, we have a deadline and you’re nearly three hours late. Haven’t you got a sidekick?’
‘Sorry, but … mumble, mumble… only me today.’
He took a pouch of Old Port tobacco from his pocket. Crammed it back in straight away when we glared our disapproval. A scratch of the head and beard before announcing, ’Okay, we’ll do the boxes of books first.’

Once we got him moving he did know how to pack the truck, but only had two speeds: slow and stop. The loading process so unhurried, we left him to his own devices and took some bare essentials in the car because I feared it would be midnight before he finished the job and we had to get down to Mum and Dad.

Suffice to say, he did finish loading and everything arrived undamaged, but darkness had fallen before he found Mordialloc and as we helped him unload, my prediction on timing very close to the mark!

How the company survived is a mystery… yet 30 years later it appears to be working well, or perhaps not …

‘Mrs Neil?’
‘Yes.’
‘It’s Adam from K….Removals. We’ve found another box on the truck for you. Sorry, our mistake. Can we drop it off later.’
‘Another box? Are you sure?’
‘This is definitely for you.’
‘Okay, I’ll be home this afternoon.’

I stared at the 22 boxes filling the garage, plus a large green wrought iron shelving unit. No one had said anything about furniture. Anne couldn’t remember furniture being shipped, so with a bit of rummaging we discovered several boxes stamped with ‘Laura Ashley shop supplies.’

I rang D at her sister’s home in Mildura.

‘Hi D, your boxes have arrived. How many are there supposed to be? And did you ship over furniture?’
‘Furniture? No. There are 18 average-sized boxes, two of them Anne’s. They’re all numbered.’
‘Right… I’ll be in touch.’

What is going on? The truckies hoped to finish work early, which is why they changed the original delivery time. They’re not going to like my phone call.
‘Hi Adam, this is Mairi Neil from Mordialloc. It’s about the boxes.’
‘We’ll be there shortly…’
‘I’m not hurrying you up… it’s just I’ve checked with my friend and she didn’t ship furniture, or giant boxes. There’s been a stuff up.’
Silence.
‘Are you sure?’
‘Yes. There’s a wrought iron shelving unit that shouldn’t be here, plus several large boxes.’
Silence.
‘I’ll check, but my instructions say they’re for you.’
‘I suppose I could E-bay them, but whoever ordered them may get upset.’
Forced laughter.

The boxes were duly picked up and the stray box delivered. I assume the removalists managed a happy ending to the day. They’d work it out eventually.

The whole episode a metaphor for writing – a good idea to start with, chopping, changing, different perspectives, worry over word count, words in, phrases out, thinking of the reader, different interpretations, setting deadlines, worrying about making them, but managing to do it, is the finished product perfect, does it have to be?

Rewriting, (history or not) embellishments, omissions…  what a difference a day makes Dinah Washington sings. Try 30 years!

Sometimes the more things change the more they stay the same and it’s never too late to write up that story – you know the one you recount to people and they say you should write about it!

Life is full of stories. I look at the first picture of our home and the one snapped this morning – stories in every tree, plant, fence line, and houses on either side. Maybe my next story will be ‘The renovator’s delight (yes, that was the advert we saw in 1984) now a loving comfortable home surprises, disasters and triumphs included!’

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Celebration of Classes and Community facilitates Christmas Cheer and Goodwill!

‘If you want to build a ship, don’t drum up people together to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.’

Antoine de Saint-Exupery

Read The Little Prince, a wonderful example of never giving up your dreams.

This quote and the great example of the author’s life so appropriate when I think of why I teach and the positive reinforcement approach I use in my writing classes at local community houses: Writing for Pleasure & Publication, Writing & Editing, Memoir to Manuscript and Life Stories & Legacies.

This past week as the classes end for the year I distributed anthologies I’d prepared of people’s work so they could see their writing published. At Godfrey Street we also produced a calendar – writing haiku and terse verse inspired by the work of the painting & drawing classes. The calendar is sold as a fundraiser. Most students were amazed at the quantity, quality, and range of their polished pieces. Looks of pride, accomplishment and joy abound when the writers see their names in print!

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It’s a labour of love preparing these books, extra work at home, but they are an invaluable historical record, as well as a wonderful legacy of the fantastic writers I’ve met over the years. When I read the poems and stories I hear the voice of the writer, picture them in class and often relive the lesson or social interaction. Many of the students return each year, others come back after a gap of years, others spend a term, a semester or a year and then move on – all leave an impression on me. When the receptionist at Mordialloc Neighbourhood House had an enquiry about what we do on a Monday morning,  ‘ what do they write about?’ she said, ‘I’m not sure, but they laugh a lot!’ And indeed we do. Our class is marvellous therapy for Monday morning blues. Nicknamed ‘Minnie Ha Ha’ by my parents when I was growing up, I’ve always believed in laughter as therapy and many doctors will agree!  It helps of course when you have people who enjoy a laugh with you. One of my students is unpredictable and delights us with the various props she will bring along to illustrate her homework!

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First and foremost I try to instil a passion for words  – for reading as well as writing. Encouragement to move from comfort zones to try different genres, write from the heart, start with stream of consciousness, but then go back and edit, rewrite, edit – even start from the beginning! A writer’s life is hard work.

Last Saturday, along with Glenice Whitting, I represented Mordialloc Writers’ and ourselves at the local end of the year author thank you hosted by Mentone Public Library. Local children’s author George Ivanov spoke about his recent success in gaining a publishing deal with Random House that has changed his life. George was generous and enthusiastic in sharing his long journey to success, his process of writing and tips and the knowledge he has garnered along the way.

The one message that came across loud and clear was EVERY writer, no matter how successful, must consult a good editor! Even if you are competent to edit your own work someone else needs to read the manuscript and give you an honest opinion, not so much about line editing such as spelling and grammar, but the all important structure! Do you need that paragraph, or chapter? The plot comes unstuck and doesn’t make sense in chapter six because those characters have never met before! Who are your audience because chapter seven is gruesome/too childish/airy fairy/romantic mush…? Do you need to lose chapter three because it slows the pace too much…

In a world where authors are taking control and self-publishing proliferates this is an important point to be mindful of and to follow. A friend and fellow writer Lisa Hill who has an award winning site reviewing books refuses to review self-published work for that very reason. Inundated with books to review from traditional publishers here and overseas, she gives their books priority because she knows they have at least gone through a professional editing process and that is how she chooses to use her precious reading time. More and more there are sites where authors can share their work and receive feedback and use these reviews to improve and promote their work, but they should do this process BEFORE releasing their work to the general public, to ensure their writing is the best quality it can be. The other alternative of course is to belong to a writers’ group and receive regular support and feedback. Mordialloc Writers’ Group has been helping authors this way for 20 years.

I founded the group because I wanted to meet others who loved writing and to have their support and critique. A couple of stories were commercially published and I’d started a writing course by correspondence, but craved the company of people who understood what it was like to have characters and ideas taking over thought processes and lying awake at 3.00am figuring out plots and storylines! At a local exhibition of my children’s poetry a man with a look of incredulity on his face, said, ‘ how does your mind work?’ I’m still working out whether it was a backhanded compliment or a suggestion I needed help! The company of fellow creatives a great solace.

I love history and mythology, but don’t write fantasy or horror. Most of my short stories are character driven. To have the reader believe in your characters and engage emotionally and care about their journey, always my starting point. I want to write about ordinary working people; celebrate their lives, struggles and triumphs – the cliched ‘human condition.’ Not surprising when I grew up with a father who quoted ‘our Rab’ daily especially these verses from Address To The Unco Guid, Or The Rigidly Righteous, 1786:

Then gently scan your brother man,
Still gentler sister woman;
Tho’ they may gang a kennin wrang,
To step aside is human:
One point must still be greatly dark, –
The moving Why they do it;
And just as lamely can ye mark,
How far perhaps they rue it.

Who made the heart, ’tis He alone
Decidedly can try us;
He knows each chord, its various tone,
Each spring, its various bias:
Then at the balance let’s be mute,
We never can adjust it;
What’s done we partly may compute,
But know not what’s resisted.

Deconstructing the message, this poem celebrates what I love about writing and writers – the insight and ability to express the experience of the flaws and foibles of human nature, but plead for tolerance and understanding. Put yourself in another’s shoes, look through my eyes…

Considering the state of the world at the moment and tragedies such as Australia experienced yesterday when a very angry and disturbed man decided on a suicidal path for publicity and innocent people were caught up in the turmoil, the world needs writers to dig deeper, comment, suggest alternative views, explore what it means to be human and how we do, should or could relate to the world we live in, and the possibilities of what happens afterwards.

I don’t want to live in the kind of world where we don’t look out for each other …
I want to touch the heart of the world and make it smile.
Charles de Lint

As I reflect on the year, I also reflect on my writing journey. Each year I strive to improve by doing professional development, and each year I realise how far I have to go! Here is the first piece of writing I was actually PAID for (if it was today I would have taken a picture of the cheque with my phone, it’s such a rarity!), published in The Weekly Times, a Victorian newspaper that had a circulation of 125,00 in its heyday – big numbers considering the population at the time, but now I think it is mainly read online, like so many others.

I was inspired by a character of course – a tram driver well-known to public transport users in Melbourne in the 70s and 80s. A man I observed, one night a week for a term, when I travelled out to Stonnington after work for night classes in creative writing with Gerald Murnane and John Powers.

A Ticket To Vaudeville

Pierre waited at the depot for the duty inspector to allocate the routes. Leaning against a stationary tram, he grinned at the friendly banter of the milling trammies, the conversations reflecting the varying backgrounds of the multicultural crews. I’m lucky, he mused. I have good health despite nearing sixty. I have a job I enjoy, although I still get confused with figures. My friends are loyal, and most of all… I am free.

Dewdrops glistened like beads of sweat on tram doors, tram windows, even uniforms and Pierre rubbed his bony hands together like firesticks, willing the sun to melt the hazy early morning mist and produce another glorious autumn day for Melbourne. A smell drifted past and Pierre sniffed, contorting his large hooked nose to imprison the aroma forever. Freshly baked bread and the fragrance of certain cheeses reminded him of his hometown Toulouse, in southern France. He smiled and shook his head.

I tell Banija not to refer to Yugoslavia as home, yet here am I doing the same thing although I’ve lived here half my life in peace and freedom , away from Gestapo jackboots. Why I’d probably get lost in Toulouse now…

Jack’s strident Australian voice shattered Pierre’s reverie. ‘Come on dopey Pierre. We’re on Route 67. Shake yer gangly leg, we leave in five minutes!’ Gathering his money float and bag of tickets, Pierre followed Jack to the empty tram. Performing his Rudolph Nureyev imitation he leapt aboard, smiling to an appreciative audience of laughing trammies awaiting their allocation. ‘Au Revoir Pierre,’ they chorused. Pierre laughed too, the sound banishing memories of war-torn France from surfacing.

Tram Number 67 trundled through the city streets filling rapidly with peak hour commuters. Pierre said, ‘Gude Morning’ to each passenger as he collected fares. There were some familiar faces. He punched their tickets before they spoke. Sally blushed yet again when he commented on her beauty. The hospital matron giggled like a schoolgirl when he kissed her hand with exaggerated Gallic gallantry. The suited business brigade hid their faces in newspapers to avoid Pierre’s piercing blue eyes peering over his bifocals. A mischief maker, Pierre rustled their papers, pestered them to join him in song. Ignoring their embarrassed silence, he rejoiced, clicking his puncher rhythmically, ‘Money, money, money eez all I want…’

Schoolboys bunched in the doorway sniggered at the ‘loony conductor’. ‘I won’t deeezapont youz ma frens.’ Pierre called as he clicked the last ticket. Prancing down the aisle with practised ease, he pulled a yellow yo-yo from his pocket and flicked it in front of astonished passengers. ‘Flash those concession cards, eh boys! You think I’m an old fool but I do my job well!’

The tram shuddered to a halt at Flinders Street Station. Pierre bowed with a flourish to the departing throng, satisfied most customers left smiling. ‘Roll up! Roll up! Take your seats for the next show,’ he announced before the tram chugged onwards. While collecting fares, Pierre began his ritual of greeting each passenger with crazy antics and candid comments. Most responded with surprised chuckles.

At the end of the aisle, Pierre turned to see some downcast faces. He pushed his hat sideways, twisted his angular face into a comical, shape, pursed his lips and whistled, ‘Let’s Twist Again’. Weighed down with his satchel, he gyrated awkwardly in the confined space. Another stop. More giggling commuters alighted. A couple climbed aboard. The tram trembled before proceeding.

Pierre pretended to be Tarzan, swinging through the length of the tram using the ceiling straps. Two ladies convulsed with laughter couldn’t ask for a ticket. Pierre pulled off his hat, threw it in the air, bowed slightly, then caught it expertly with his balding head. ‘At your service mademoiselles.’

The tram turned into Toorak Road for the final leg of the journey. Pierre plonked into a vacant seat. Bathed in a beam of sunlight, he confessed,

‘Ladeez and Chentlemen, remember these words from Pierre. Smile and the world smiles with you, cry and you cry alone.’

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