{PROOF} at Parkdale Confirms Playwrights’ Power To Confront & Explore Important Themes

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Shirley Burke Theatre’s Current Production

Last night, my friend and fellow scribe, Lisa Hill attended our local theatre to enjoy {PROOF} by playwright, director and screenwriter, David Auburn. It’s a drama I’d recommend and you only have another week to grab a seat!

This is one of the best productions I’ve attended since Lisa invited me to be her ‘play buddy’ and buy a yearly ticket to Shirley Burke’s 2019 series. Other reviews of ones I’ve enjoyed this year are here and here.

Now officially an aged pensioner supporting local theatre a joyful pastime and helps ensure an accessible art scene in Kingston. There have been several mixed outings this year: some scripts and/or acting better than others, but last night was a triumph for the actors and an interesting script.

The prize-winning play written two decades ago raises relevant and timeless issues, explores the human condition to provide that all-important conflict necessary for memorable art. 

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{PROOF} examines family relationships, sibling rivalry, the stress of being a carer, grief, mental illness, hereditary disease, gender equality, the fine line between brilliance and madness, and most importantly, trust and its importance for a healthy relationship!

The title, encased in parentheses alludes to the mathematical motif running through the plot and characters.

One of the four characters, Robert (Peter Hatherley), is a mathematics genius suffering an indeterminate mental illness – not an easy role to play but he handles it well.

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Hal (Chris Hill) an ex-student of Robert’s is going through Robert’s notebooks hoping to discover another great mathematical theory, Catherine (JaneLeckie), Robert’s daughter has inherited his genius and perhaps his mental illness – a fear alluded to and voiced.

A notebook with a new groundbreaking theory becomes the centre of contention causing conflict between Hal and Catherine, and Catherine and her sister Claire (Samantha Stone).

Who wrote the entries and when? How do you establish authenticity? Who will gain from the notebook’s contents?

Jokes about maths geeks dispelling their nerdy image of being plain, boring or weird provide several laughs in a play tackling the fragility and frailty of the human mind, body, and spirit.

Serendipity or Coincidence?

Yesterday was R U OK Day? with all forms of media and health bodies promoting increased awareness of mental health. Mental illness was a strong theme in the play with the character, Robert suffering an unnamed condition. The audience learns he often disconnects from reality and displays paranoia.

I doubt I was alone in seeing the similarity between Robert’s psychosis and that of John Forbes Nash, diagnosed with schizophrenia and played by Russell Crowe in the movie, A Brilliant Mind. 

Both characters portrayed as brilliant mathematicians but in {PROOF} the audience is left wondering about Robert’s illness …

… the oft-quoted line by Oscar Levant (1906-1972) springs to mind, There’s a fine line between genius and insanity. I have erased this line.”

Another theme explored in the play is the role of carers and with an ageing population, regardless of whether healthy or sick, it’s a hot topic.

Do you care at home or put the person in an institution? What is the toll on the carer? Catherine has sacrificed her education and career to look after father, Robert. A sacrifice her sister Claire didn’t agree with and it is Claire who pays the bills for the upkeep of the house and Robert’s care.

Several poignant scenes in the play occur when the sisters, Catherine and Claire (Samantha Stone) argue about the wisdom of keeping Robert at home and whether the fragile Catherine needs to be cared for if she has inherited her father’s ‘condition’ – whatever that is – and Claire’s insistence Catherine return with her to New York after the father’s funeral so the house can be sold.

There were several scenes where anger demanded and all the actors were persuasive in their portrayals coming across as authentic, which can be hard to do with extreme emotions.

Catherine goes through the full gamut of emotions and Jane Leckie did a superb job with a minimum of make-up – her facial expressions and body language captured grief, fear, anger, disappointment, sadness, distrust, playfulness and joy – to the extent when final bows were made with her hair loose and a beaming smile it could have been a different person on stage!

Peter Hatherley’s, Robert suitably mercurial and feisty using the space on stage to good effect with expansive gestures hinting at his younger self’s confident brilliance and older self’s celebratory status but unsteady at times to remind us of his illness.

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Plenty in this play to feed private reflection and reminiscing about family responsibilities, loyalty and relationships, the opportunities and positions available for women in academia, the strain of caring for those you love when they become unlovable, and the profound, debilitating, and often unpredictable effects of grief.

The Gender Card & Generational Divide

Bearing in mind, the play is 20 years old, you don’t expect an exploration of the recent complex debates around gender to be a major theme, but there is a strong acknowledgement of the omission of ‘herstory’ in {PROOF}.

Debates on important issues demand lots of conversations in the community and it’s no secret that for years the sciences excluded women.  The situation resulting in efforts to address school curriculums, and increased encouragement of women to study mathematics and associated fields.

The issue is dealt with on stage with an interesting conversation between Hal and Catherine both in their twenties, both maths geeks, both quirky and socially awkward in their own way. The underlying romantic tension between the pair an interesting sub-story and the physical and verbal interactions between them believable and well-executed by Jane Leckie and Chris Hill.

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The play tackles the generational divide with Hal suggesting maths is ‘a young man’s game’, and even Robert mentions it is important to achieve early success to compete.

Hal reveals attending conferences and observing drug use (alcohol and LSD) and that some older men need a drug like Speed to keep their mind sharp and racing because of fears creativity has peaked in their early twenties!

Robert’s illness started in his mid-twenties and Hal who is twenty-eight fears the chance to be as brilliant and famous as Robert has passed him by.  However, if he can decipher Robert’s notebooks and perhaps discover something new… perhaps produce that great leap of the mind and experimentation that renders mathematicians awesome.

Hal believes all creative mathematicians who come up with original work are men, especially young men who are at their peak in their early twenties, but after probing by Catherine acknowledges there was a woman at Stanford University, he can’t remember her name.

Sophie Germain?’ Catherine suggests.

Hal pauses for a moment as if remembering, and replies, ‘…I’ve probably seen her at meetings, but haven’t met her…’

‘She was born in Paris in 1776,’ is Catherine’s droll comment.

‘So I’ve definitely met her,’ Hal replies with a grin.

Amidst this humour, Catherine delivers a lesson on Sophie Germain surviving the French Revolution’s Terror by hiding in her father’s study and reading. Later, formal education denied because she was a female, she furthered her education by personal study but only got noticed for her work on prime numbers when she corresponded with learned men under the male pseudonym, Antoine August Le Blanc.

Catherine explained how her father gave her the book about Sophie to read and encouraged her to study – another hint that she shared her father’s love, perhaps obsession of math. 

Hal admits his ignorance and stupidity – he has studied Germain Primes.

There is an exchange of numbers, equations and sums in their conversation similar to one Catherine had with her father at the beginning of the play and Hal starts to understand Catherine has talent, but as if threatened, he stops adding and extending figures and instead queries if Sophie’s ruse was ever discovered by Gauss, the most famous of her correspondents.

Catherine recites a long passage from a letter she has memorised where Gauss recognised the extraordinary talents of Sophie and her difficulties and courage revealing her genius to a world dominated by men.

Hal’s reaction is to kiss Sophie and then apologise for being ‘ a little drunk’!

The budding romance between Catherine and Hal is a roller-coaster ride in the play – trust shattered along with Catherine’s composure when Hal doubts her honesty and even seems to go along with Claire’s suggestion that Catherine is mentally unstable.

The kindled romance dissolved by an explosive row, reignited in an uneasy truce, perhaps understanding and acceptance, but we are left to write their future.

Stagecraft & Setting

The various set designs I’ve seen this year at Shirley Burke have been impressive – the team who build the sets deserve congratulations. It is a small intimate theatre, therefore, the stage has limitations, yet they ‘come up trumps’ every time.

Like a short story, nothing in a play, including set and props, must be there unless it advances the plot or contributes to the storyline.

{PROOF} is yet another play set in the USA but thankfully the American accents did not jar as much as earlier plays this year.

Every scene is set on the back verandah (porch) of a house near the University of Chicago where Robert’s genius is revered and where he taught before his initial ‘breakdown’ and later descent into ill health.

The confined space is not glamorous and a scattering of dead leaves suggests autumn and in another scene winter – a metaphor for Robert’s ageing and death? The need for regrowth and change? Catherine’s sacrifice and confinement for years as she cared for her father, but a promise of better things to come?

Playwriting like screenwriting is a collaborative art, for results you require the sets, actors, lighting, sound, stagecraft and direction to gel … this production of {PROOF} ticks all the boxes.

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The drabness of the porch relieved by the glimpse of the interior of the house through glass doors and at Robert’s wake the light is suitably bright accompanied by party music so we get a sense there are others inside.

Scene changes are heralded by various mood-appropriate music, the most memorable being a discordant, noisy band number after Hal admits he is with a group of fellows from the math department who play in a bar. Their signature act called ‘i’ lower case and they stand without playing anything for three minutes.

A math joke which Catherine guesses, ‘Imaginary Number?’

There are successful flashback scenes too (and a ghost scene, when grieving Catherine ‘talks’ to her father after his death).

These are often difficult to deliver effectively on stage and can be confusing for an audience to follow, but are handled well.

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Like all good dramas, Act 1 ends with a shock announcement, which gave us plenty to talk about over Interval!

An Irrelevant Aside?

It’s interesting what actions resonate with members of an audience.

The play opens with twenty-five-year-old Catherine curled asleep in a chair on the verandah. Her father, Robert wakes her up – it has just gone midnight and now officially her birthday. He has a bottle of champagne, which she insists on popping because last time he broke a window! (The first chuckle/laugh in the play.)

Catherine pops the champagne cork like a waitress serving at a high table keeping the cork under control. She proceeds to swig at the contents while conversing with her father who we learn has been unwell but now believes he is okay and is convincing her to return to study.

Because of my lived experience waitressing throughout university student days in Canberra and later travelling in Scotland, I know how to open a bottle of champagne in a confined space without letting a wayward cork hit a person or an object and yet still retain that satisfying “POP” everyone expects. It is an acquired skill, so well done Jane Leckie for not hitting a member of the cast or audience!

Another memorable moment in the play is when Hal discovers a page in one of Robert’s notebooks where he recognizes Catherine has kept him from being institutionalised (what Claire wanted) and has saved his life by caring for him. ‘Where does her strength come from? I can never repay her?’

My father had dementia and was eventually institutionalised for his own and my mother’s safety but in his lucid moments, he often uttered similar sentiments.

When the play ended, the audience gave well-deserved extended applause and Lisa and I both agreed it has been the best production we have seen this year.

I picked up a flyer advertising the next production and considering the shenanigans in the UK (is life imitating art?) it seems a timely production to end the year with a few belly laughs and the absurdities of ‘the human condition’.

If you can’t get to see {PROOF} perhaps book early to be “Out of Order‘!

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Exploring the Richness of our Multicultural, Multi-Faith Community in Kingston a Bus Ride Away

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I’ve taken a long time framing this post because of recent events and the adversarial way many parts of the media cover topics such as religion, refugees, and immigration and the resultant ire, ignorance and irritation that inevitably results, particularly on social media.

Ignorance is a keyword here – if more people moved out of their comfort zone and made the effort to learn, mix, communicate and appreciate each other’s contributions to the tapestry of society a lot of angst and misinformation could be avoided.

We are lucky living in Melbourne because there are myriad opportunities to access and enjoy what a multicultural community offers. We can live together in peace and mutual respect aware of each other’s contributions.

I’ve attended two enriching events recently, provided by the Kingston Interfaith Network to appreciate the diversity of our community.

It’s heartening to know there are people actively working to breakdown barriers and challenge bigotry and I’d recommend the annual bus trip the Network organises to visit various places of worship.

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Religion & Politics Can be Discussed With Civility

I first learned about the great work of the Kingston Interfaith Network when I attended an art exhibition at St Nicholas Church, Mordialloc and became reacquainted with parishioners I knew.

Along with many baby boomers, I grew up with family traditions of attending Sunday School and church but it never translated as ‘blind faith’.

Both parents were immersed in church life in Scotland; they continued this involvement in Croydon when we migrated.  I drifted away from organised religion in my teens and only returned to be part of a community as a young mother, to eventually drift away again.

None of us chooses the country, culture or community we are born into and the idea that there is a ‘true’ religion or ‘master’ race seems ludicrous and irrational.

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I’m grateful for access to education and several fine teachers at high school and university, to have continued that education by travelling, accessing wonderful books, films, and essays and appreciating the contribution of others to a pool of general knowledge more easily available now through the worldwide web.

I know I’m not alone among my peers questioning human existence, our relationship to the natural world and seeking meaning to life – a journey that will end one day and that day is getting closer –

I recall the pithy words of a good friend, ‘We all die and one day we’ll discover whether there is a God or life after death!

In the meantime, I intend to enjoy the journey, learning something new every day, look for the joy because focusing on social injustice and world conflicts convinces me we are stuck in Groundhog Day! (“a situation in which events are or appear to be continually repeated” )

John Lennon’s Imagine is often played to a compilation of visuals – technology leaves nothing hidden! We see the horrific death toll of the two world wars, the partition of India and Pakistan, the euphemistic ‘Troubles’ in Northern Ireland, the Vietnam War, the Biafran/Nigerian War, the Middle East, Idi Amin’s Uganda … oh, how Lennon’s lines resonate with generation after generation …

 Imagine there’s no heaven, it’s easy if you try. No hell below us, Above us only sky… Imagine there’s no countries, it isn’t hard to do. Nothing to kill or die for, and no religion too…

There is never a shortage of up-to-the-minute footage of conflicts – the world seems to produce tragedies at an alarming rate.  For many people, their religious beliefs and being part of a community helps to make sense or at least alleviate some of the fear and pain.

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A meme doing the rounds of Facebook also strikes a chord –

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Many Beliefs One Community

The Kingston Interfaith Network ‘celebrates the commonality and diversity of our spiritual communities’.

Their vision:

  • encourage understanding and respect between people of all faiths and cultures
  • affirm spiritual and religious freedom
  • work towards peace, compassion and equality within our local community

In my writing classes, we have some wonderful discussions while sharing knowledge regarding human needs, the importance of belief systems and what form these may take whether philosophical or religious.

Discussion, reflection and sharing information and experiences important for writers to understand and create characters regardless of the genre but also for citizens when we have the current Australian Parliament discussing the introduction of religious freedom legislation.

  • Since 9/11, the constant stirring of fear and misinformation about Islam looms large.
  • The Royal Commission into Abuse of Children in religious and other institutions with many still quibbling about compensation to victims has shattered the trust and appeal of several churches, especially the Catholic Church.
  • Stories about cults or gurus ripping off or abusing vulnerable people are rarely out of the news.
  • The Israel Folau controversy started a debate about freedom of speech in the context of workplace contracts and religious beliefs.

Any Interfaith Network has its work cut out!

In Kingston, the Network engages with the community by being involved in:

  • Celebrations
  • Events
  • Gatherings
  • Learning and Education
  • Community consultations and representation

I worked for the Uniting Church, Hotham Parish until daughter, Anne was born in 1986 and was fortunate to work with Rev. John Rickard who was a strong believer in ecumenicalism and social justice. A pharmacist before ‘getting the call’, he was a great boss – understanding, compassionate and down-to-earth.

I saw the church from a different perspective. Working closely with Hanover Welfare, the church raised money and provided services to people in need in the community, they also owned houses in Curzon Street and ran a kindergarten.  ‘The church’ can be a landlord, employer, business entrepreneur,  owner of private hospitals and schools. Practicalities to be dealt with that many don’t associate with theologians.

Another learning curve occurred in 2004 when I was commissioned to write the history of St Aidan’s Church and subsequently published The Little Church On The Hill for their Centenary.

The Chelsea/Carrum Anglican community influential in developing and providing youth services, fellowship groups for women, raising money for much needed social services and encouraging the arts but there were internal conflicts, debates about policies and implementation, and adapting to a world where Sunday was no longer sacrosanct.

Talking about the Christian faith my comfort zone but I still treasure a necklace made from a leather strip with the tooth of a moose blessed by an elderly Iroquois Indian when I visited their village in Montreal, Canada 1976. She wanted me to be safe on my travels.

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Westall Library Poster promoting World Book Week promoting equality and respect

World Book Day 2019

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Kingston’s World Book Day was hosted in conjunction with Kingston Council’s Interfaith Committee, established by Council to provide a conduit between Kingston Council and the faith communities within local areas to encourage open communication, interfaith dialogue and partnerships and to address the needs of the local communities.

 World Book Day theme for 2019 was Interfaith in the Libraries.  Kingston’s Interfaith Committee chose to deliver a book donations event to Kingston Libraries to further support an interfaith dialogue within the community.

Invited to write religious affiliation, I wrote Humanitarian. Nobody baulked at the label, with some attendees commenting they wished they had written that rather than nominating a religion or leaving it blank.

A warm welcome epitomised the evening with many groups taking the opportunity to display the books attached to their Faith and donate them to the library. The buzz of conversations filled the room, people browsed the books and I met acquaintances from past involvement with community groups and Mordialloc Writers’.

There were printed sheets from a variety of religious groups within the Network summarising their core beliefs, sacred texts and laws, places of worship, branches, practices and festivals, origin story, morals and ethics… in no particular order here are the sheets I picked up:

  • The International Society for Krishna Consciousness (ISKCON) (aka the Hare Krishna Movement)
  • Catholic Church (Christian)
  • ECKANKAR (This means Co-worker with God -founded 1965, main temple Minnesota USA
  • Judaism
  • Baha’i Faith
  • Sufi works and practices: The Whirling Dervishes, the poetry of Rumi, the works of Ib Arabi…
  • Islam
  • Zee Cheng Khor Moral uplifting Society Inc (known as DEJIAO in Chinese)
  • Church of Jesus Christ of Latter-Day Saints (Mormons)

My knowledge of some of these groups minimal – and to know they worshipped in Kingston and felt welcome at the event is a testament to the religious freedom we already enjoy. (Note to Federal Government don’t fix what’s not broken!)

Fast forward to the annual bus tour I joined recently…

A Journey of Discovery

Kingston Interfaith Committee runs a bus tour once a year to places of worship to provide an opportunity for the public to learn about different faiths. Tour participants see different places of worship and ask questions in a respectful and supportive small group environment. There is no cost and a light lunch is offered by the Council.

I have been wanting to go on this tour for many years but work or other commitments meant I missed out. I was thrilled to join the 23 other participants (some followed the community bus in their own cars)  on August 7, leaving from the Council Offices at Mentone.

Guided by Elisabetta Robecchi, Community Development Officer, Social Development, we visited four places of worship.  There were people from Glen Eira and Casey communities. The only person with an outward sign of religious affiliation was a Sikh gentleman from Monash who told me most councils have these tours with some providing several a year. He had been on a few tours and generously shared his knowledge.

The places visited change each time so it wasn’t surprising to find some people had toured before, but most were first-timers like me – and what an eclectic group we were!

Elisabetta shared the two group photos taken at a mosque and Orthodox church.

We set off a bit late because of the difficulties of participants finding all-day parking – so for future reference:

  • use public transport like me, or plan ahead as to where you will park in Mentone and prepare for a walk to the meeting point!
  • Also, wear comfortable and easily divested footwear – most places you visit require removal of shoes.
  • Plus slip in a headscarf or make sure your jacket/coat has a hood for the places requiring women to cover their head.

Our itinerary:

  • Shri Shiva Vishnu Temple, Boundary Road, Carrum Downs
  • Masjid Westall, Indonesian Muslim Community Cultural Centre, Clayton South
  • Lunch at Westall Hub
  • St George Jacobite Syrian Orthodox Church, Heatherton
  • Turkish Islamic and Cultural Centre, Keysborough

Shri Shiva Vishnu Temple

Hinduism is one of the oldest surviving religions in the world, with an unbroken succession of seers and teachers. It is practised by millions of people living in the vast subcontinent of India and in many other places where Indian migrants have settled, including Australia. 

And although it is an ancient religion it continues to evolve and form new branches. Mahatma Gandhi (1869-1948) represents modern India and is a religious personality who was loved throughout the world.  He preached truth and non-violence and his attempts to reform India’s religious-social tradition of caste legendary as is his fight for India’s independence from colonial rule.

You don’t need to travel to India to immerse yourself in Indian culture and learn about Hinduism.

First impressions of the Hindu temple and grounds is one of spaciousness, then lushness – the garden flowering and emerald green grass plentiful. Driving in from the road you see the Cultural Centre first, and around the corner, you release an audible gasp at the magnificence of the temple barely glimpsed from the road.

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Inside, after removing our shoes, the first thing you notice is incense thickened air. A sign requested no photos but apparently, our temple guide (a deacon) gave approval and Elisabetta shared this one she took.

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Priests were attending to devotees so I chose to switch my phone off and instead purchased a very informative book about the history of the temple and details about Hinduism, including festivals and beliefs. An incredible bargain at $5.00.

The huge area seems cavernous but there are different sections with mini enclosures holding statues of various deities. The air heavy with incense and burning charcoal and within moments I felt my eyes sting. It was obvious couples and families were worshipping with the three out of the six priests on duty.

A young couple prayed with a priest by a fertility deity (?). The priest ladled into our cupped hands, the concoction made from fruit and flowers and signalled us to drink. The nectar tasteless to me, stirring memory of drinking kava at a ceremony in Fiji. There was a small open fire like a mini BBQ but generating plenty of smoke. The fire alarm constantly beeped because of its copious smoke and from a couple of similar fires.

I had a fleeting thought of what could happen if there were sprinklers!

Our guide explained there are gods (deities) for Education, Fertility, and Birth etc. Planets match your birth sign and some gods look after you. He explained about puja or pooja, a prayer ritual performed by Hindus to one or more deities in devotional worship.

Prayers can also be offered to host and honour a guest or to spiritually celebrate an event. It may honour or celebrate the presence of a special guest, or their memories after they die. A table with baskets of fruit (oranges, apples and bananas) for $15 and a well-stocked kiosk is just inside the entrance. the deities require offerings.

A temple is a busy place with chanting in Sanskrit and the buzz of conversations plus people moving across the polished floorboards and around the perimeter where cabinets or shrines hold statues of the gods. The black, grey, or gold figures often draped with pure silk gowns and scarves.

We walked past a cabinet that appeared to have a Nazi sign scrolled on glass doors – and a member of the group asked the significance of this, which remains an important symbol in Hinduism.

The swastika represented something entirely different for thousands of years before its appropriation by the Nazi Party, and for many, it is a sacred symbol.

Versions of the design have been found in prehistoric mammoth ivory carvings, Neolithic Chinese pottery, Bronze Age stone decorations, Egyptian textiles from the Coptic Period and amid the ruins of the Ancient Greek city of Troy.

Its most enduring and spiritually significant use, however, can be seen in India, where the swastika remains an important symbol in Hinduism, Buddhism and Jainism.

Despite the explanation, one of our group whispered, ‘Try going down Carlisle Street with that on your car!’ A reminder that in a multicultural society we have to be even more diligent learning about other religions and beliefs and be perceptive to differentiate when a symbol should provoke instant repulsion and condemnation and when it is used in context of worship.

The etymology of the word “swastika” can be traced to three Sanskrit roots: ‘su’ (good), ‘asti’ (exists, there is, to be) and ‘ka’ (make). That the collective meaning of these roots is effectively ‘making of goodness’ or ‘marker of goodness’ shows just how far the Nazis dragged the swastika away from its Hindu association with wellbeing, prosperity and dharmic auspiciousness.

The symbol, normally with its arms bent towards the left, is also known in Hinduism as the sathio or sauvastika. Hindus mark swastikas on thresholds, doors and the opening pages of account books – anywhere where its power to ward off misfortune might come in handy.

… it was Indian religion and culture that was the original source from which the National Socialists derived the swastika.

In Buddhism, the swastika is thought to represent the footprints of the Buddha. It takes on a liturgical function in Jainism, and in Hinduism, the clockwise symbol (the swastika as we know it, with the arms pointing right) and the counterclockwise symbol, the sauvistika, pair up to portray opposites such as light and darkness.

http://theconversation.com/how-nazis-twisted-the-swastika-into-a-symbol-of-hate-83020

The scent of flower petals mingled with fruit and incense and oils. I missed a lot of the explanations because naturally our guide spoke without amplification and my hearing is not as good as it used to be. Fortunately, the book I bought, published to celebrate a special Consecration Ceremony in April this year, is full of detail about Hinduism, the temple, the hard work and cohesion of the Indian community.

The Hindu Society of Victoria (HSV) was founded on Saraswathy pooja day in 1982 at the initiative of some Hindu migrants from Sri Lanka. Hindu migrants from India, Malaysia and other countries enthusiastically joined the Society. The topmost priority for this new gathering was to probe ways and means of realising a traditional Hindu temple. Prayer meetings were held on the last Saturday of each month at the Migrant Centre in Prahran. Poojas were performed to the pictures of deities by Sri Raman Iyer on these occasions. On 21 June 1984, this society was officially incorporated and referred to as the Hindu society of Victoria (Aust) Inc.

The HSV decided to buy a plot of land and build a temple… bought a block of land of 14.35 acres in Carrum Downs on 14 April 1985… made up of a bank loan, interest-free loans from devotees and donations. Bhoomi Poojah was performed at the site to invoke the blessings of the Almighty. Since then Thai Pongal Festival was celebrated at the site but prayer meetings continued at the Prahran Migrant Centre.

… there was a prolonged debate about the choice of deities to be installed in the temple. Eventually, the Management Committee decided to build a Shiva Vishnu temple facilitating devotees from all sects of Hinduism….

Building works started in October 1990 and Nagarajan Sthabathy and a team of 8 artisans arrived in November 1992… The Granite and Panchalokha Vigrahas and other artefacts required were crafted by well-known artisans in India. The Granite Vigrahas were sanctified by a special pooja at Kanchi Mutt.

Additional six artisans were brought from India in Jan 1994 to accelerate the temple construction… completed, with the erection of the raja Gopurams and consecration on 25 may 1997. This temple has become an inseparable part in the spiritualemancipation of the Hindus of Victoria. It has also become a must-see icon to all Hindus and non-Hindus in Australia…

Arunachalam Mahendran

Traditional Hindu temples are not just places of worship. They function as a place of learning, foster the arts and encourage social interaction. The Cultural and Heritage Centre opened on 5 May 2012, includes a wedding hall, restaurant with industrial-scale kitchen, library, Hinduism classrooms, museum and conference hall that can accommodate 200 people.

The Hinduism classes for children also offer Bhajan, Yoga and meditation for all ages. The centre hosts ceremonies on auspicious days, Hindu weddings, and a cafe open to the public, which operates six days a week.

A children’s park with playground equipment and an enclosure with peafowls and chicks as well as surrounding gardens with attractive flowers, trees, and lush foliage ensures a relaxing family-friendly environment.

The sign in the garden reads: Nature is Gods vesture. The universe is the ‘university’ for man. Do not pluck flowers treat nature with reverence.

We put on our shoes and joined the ever-patient bus driver after thanking our hosts for their welcome and farewelled the first place of worship for the day.

Shri Shiva Vishnu temple is one of the iconic Hindu temples outside the Indian subcontinent providing a spiritual and cultural legacy for future generations.

Whether you practice Hinduism or not, a visit will add to your knowledge and understanding, and appreciation of the wealth of talent immigrants bring to Australia.

Masjid Westall, Indonesian Muslim Community Cultural Centre

We travelled to Westall for our next visit to learn about Islam, a religion that has suffered the most backlash and bigotry in recent years despite Afghan cameleers being present in Australia since the early nineteenth century.

The first camel drivers arrived in Melbourne, Victoria, June 1860, when eight Muslims and Hindus arrived with the camels for the Burke and Wills expedition.

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The word islam means ‘surrender’ and specifically implies ‘surrender to God’. A ‘muslim’ is therefore simply ‘one who surrenders’.

In the Muslim sacred text, the Qur’an, the story of Islam shares a common tradition with Judaism and a common Biblical origin when God (Allah) created the world. Chosen prophets spread the essential message of surrender to the One (Allah).

Muslims recognise all prophets including Moses and  Jesus, Rama, Krishna and Buddha but the Prophet Muhammad is the vehicle whereby the Qur’an, the final protected Word of God was revealed.

Islam is the world’s second-largest religion with over 1.8 billion followers. They make up a majority of the population in 50 countries. We mainly hear about conflict in the Middle East but devotees extend all the way from the Atlantic Ocean to the borders of China although the birthplace of this compelling faith was Arabia when it was a semi-nomadic and semi-urban civilization.

Islam is the most adhered to religion in Indonesia and in a 2010 estimate, 87.2% of the Indonesian population (225 million) identified as Muslim making Indonesia the largest Muslim population in the world.

At the Masjid Westall, we were greeted by two deacons who were generous with their knowledge and time. From the outside, the building is not imposing and doesn’t look like a mosque but once we removed our shoes and went inside the calmness and decor confirmed it was not ostentatious but a place of worship.

According to the 2016 Australian Census, the combined number of people who self-identified as Muslim in Australia, from all forms of Islam, constituted 604,200 people, or 2.6% of the total Australian population, an increase over its previous population share of 2.2% reported in the previous census 5 years…

… there are now 604,000 people who identify as Muslim in Australia. In addition, the Census reports that 1,140 of the Muslims in Australia are Aboriginal or Torres Strait Islanders.

After a welcome prayer and blessing, the deacons let us wander freely and ask questions rather than give a formal guided tour. There are 3 Indonesian mosques in Victoria, and they do keep in touch with each other and share Imams, some are students from Saudi Arabia. The mosque is Sunni, the major and orthodox branch of Islam.

Islam hasn’t escaped the fate common to other religions: sectarian divisions. There are sub-sects, but the two main branches of Islam are Sunni and the Shi’ite. They spilt over the question of the line of succession from the Prophet Muhammad.

Muslims pray 5 times a day and a digital clock has the prayer times. During the day up to 5 people will come and pray because most are working – perhaps a taxi or truck driver if nearby, maybe students and teachers from Westall Secondary next door, or others ‘just passing’.

Sundown prayers and Fridays attract the largest number with up to 50 regulars. After Christchurch, many non-Muslims visited to offer condolences and support and prayed in solidarity. The mosque provided hijabs for them but because we were only visiting and not participating we did not need to cover our head.

We all commented on how luxurious the carpet felt beneath our feet and the room was spacious even with a section for the women and children curtained off. There is a library, also a study corner and out the back a kitchen and communal area where crafts and toys are stored on shelves.

Our two gentlemen guides had set up a table with nibbles and tea and coffee – most hospitable and welcome. One deacon tried but failed to get his pictures up on his phone to show me the crowd of well-wishers who came to the mosque after the horrific events in Christchurch.

No question went unanswered and cameras worked overtime. Several people stood with the Imam’s arch in the background, others were fascinated by the displayed prayer times and mentioned seeing taxi drivers pull over to pray.

I remembered a tale of two young men…

In 2013, flying to Italy via Borneo and London, I sat between the pair. One was returning to Egypt for a holiday after being in Australia most of his life, the other, a student returning home after finishing studies at Queensland University.

The young Egyptian/Australian struggled out of his window seat to diligently adhere to the prayer times – there was a prayer mat aft, available for passengers – and throughout the flight, he read the Qur’an.

He confided in me that he had become more devout because of prejudice at work and all the things said about Muslims in the media. He felt he had to learn more about his faith (his parents and sister weren’t devout) and his origins – hence the trip “home”. He seemed unworried about the fall-out from the ‘Arab Spring’ and the ongoing sporadic violence.

The young student, returning home to his family and Muslim country didn’t bother praying and read a popular sci-fi novel in between discussing general topics ranging from history to politics and poetry. He confessed he’d love to return and work in Australia because he loved the freedom to choose his lifestyle and the climate.

I’ve often wondered what happened to these two young men – did their future turn out the way they wanted?

A little more enlightened about Masjid Westall and seeing Westall Secondary College and surrounds for the first time we set off for our lunch stop at Westall Hub – a place I’d never visited before the intergenerational project last year and one I’ve visited twice in the last four months!

I thought about the fuss in Bendigo about the building of the mosque and cultural centre and reflected on how many people would have driven or walked past Masjid Westall with no idea there is a welcome within if ever their curiosity needs satisfied.

Breaking Bread often Breaks The Ice!

Kingston Council hosted a lovely lunch at the Westall Hub providing a chance to sit and make conversation, get to know each other and share observations.

Ann, a retired accountant, introduced herself on the bus by saying, ‘I know you, I was on the Australia Day Committee that approved your Citizen of the Year Award.’

‘That was a while ago,’ I replied, ‘You have a good memory.’

We shared our interest and curiosity about the tour. Ann, a practising  Catholic was born in Lithuania; her mother could speak seven languages and because of this Ann understood Russian. Four of the people on the bus were chatting. ‘They’re speaking Russian and probably don’t realise I understand what they were saying,’ she said with a smile.

At lunch, a lady sat down beside me, ‘Do you remember me, Mairi?’

‘When I saw you, I thought you looked familiar, but I can’t place you.’

‘I’m Honey, you came to my library and ran a couple of wonderful writing workshops.’

‘Honey! Of course, that was a long time ago – how are you?’

A small world, indeed. The phrase ‘six degrees of separation’ springs to mind. Almost two decades have passed since I ran workshops at Springvale Library. I cherish the letter of appreciation from Honey and the opportunity she gave me to improve workshop skills.

I was not a ‘big name’ author yet she gave me a chance and a paid gig!

There was only one young person under 30 travelling on the bus but a Samoan family followed in their car a father with his son and daughter who could be teens or twentysomethings.

Chatting at lunch, he was pleased I’d been to Samoa. He new Aniva’s Place where I stayed. I told him about climbing Mt Vaea and paying homage to R L Stevenson’s tomb and we discussed the contribution RLS had made to Samoa, which explained why he was so revered.

He said, ‘His greatest achievement was uniting the chiefs and teaching them to negotiate and achieve independence.’ 

I mentioned how much new history I’d learned when in Samoa. I had forgotten they had been a German colony and about the peaceful surrender to the British during the war.

My great grandfather could speak German and he was an interpreter for the German/British negotiations,‘ he said and confided his Scots ancestry – family names being Crichton and Williams!

We talked a little more about Samoa and how surprised I was at the number and variety of churches in such a small place as Apia. Religion is important to Samoans and there are many rituals, including traditional Sunday feasting.

(A later discussion with his daughter and son ranged from the problem of feral dogs to their relief Folau was Tongan, not Samoan!)

Our conversation ended with a quiz – he asked, ‘What one word did Samoa give to the English language?’

The answer,  ‘Tattoo.’

My final lunchtime chat was with Dr Dinesh Sood who said, ‘I used to be a practising Hindu but now I’m a scientist,’ and a lady who used to be Russian Orthodox professed to ‘being an atheist and humanitarian‘…

I said we were an eclectic bunch.

quote about keeping faith in self

However, what I remember most about the lunch stop happened outside when I went for a walk after spying two galahs on the power lines cuddling up to each other. They looked like a heart and I thought, what a great photo opportunity.

I walked to the edge of the car park and as I aimed my camera, I heard a distressed chirrup. I looked down and a seagull sat on the nature strip with an obvious broken wing, begging for help.

What to do?

I returned to the Hub and asked at reception for help and a wonderful young woman responded immediately, ‘I’ll get a cardboard box and rescue it.’

True to her word, she sprang into action. I watched from the bus in trepidation when her initial effort to pick up the bird caused it to scurry lopsided across the busy road. Wielding her jacket, she persisted and as trucks and cars roared past, I fretted for her safety.

‘Please be careful,’ I  murmured …  miraculously, the bird and rescuer made it the other side, escaping further injury. She scooped the seagull into her jacket and returned to safety when the road was clear.

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St George Jacobite Syrian Orthodox Church, Heatherton

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The third visit for the day introduced a completely new church to me and again the obligatory removal of shoes.

 

We were met by the priest and a warm welcoming committee. There was a powerpoint presentation, also two short talks on the history and origins of what devotees regard as the first church where the name ‘Christian’ applied.

It began in Antioch, with St Peter, after the death of Christ and surviving persecution the faithful travelled to India.

The first family practising this branch of Christianity arrive in Melbourne in 2006. Since then the number of families has reached 200 and within a decade they have raised the money to build their church and also donate thousands to charity.

(They gave $20,000 to the Kerala flood victims among other causes. A generous effort for a small congregation!)

A group of dancers performed a traditional dance of celebration about a reluctant bride being convinced the wedding is a good idea!

The costumes, music and performers a delightful treat and afterwards many took advantage of the opportunity to ask questions and join in discussions. I was fascinated by the striking curtains and altars – the furthest away can only be entered by the priest and designated elders, the smaller one is open to all.

Having St George and Jacobite in the name intrigued me – as a Scot, Jacobite referred to supporters of King James II of England or of the Stuarts claim to the throne. I know many Christian churches use different versions of the King James Bible as their sacred text but never realised one incorporated Jacobite in their name.

The mythology of St George predates Christianity and any stories I learnt as a child about his Christianity – light conquering darkness – were set in the 10th or 11th century, hence him becoming the patron saint of England. The origin story of this church interesting and proves religion is full of surprises.

Later, delicious and sumptuous afternoon tea made some of us reluctant to get back on the bus. We were farewelled with an unexpected gift and will certainly remember our visit!

Turkish Islamic and Cultural Centre, Keysborough

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Our final visit for the day was another mosque and one I’d seen from the highway many times. The imposing building flying the Australian flag and one with the symbol of Islam – the star and crescent moon.

Outside, we were warmly welcomed by a teacher from an Islamic school and several students with an open invitation to ask questions and let the students be our guides.

After removing our shoes and covering heads, we sat and listened to a welcome speech by the Imam and a young female student. The Imam’s mobile phone rang, ‘Excuse me, could be Jesus calling,‘ he said.

I love his sense of humour! In fact, laughter and smiles a significant part of the day in all the places we visited.

After the phone call, he continued with his explanation of the Five Pillars of Islam: Shahadah (Creed), Salat (Prayer), Zakay (Almsgiving), Fasting and Pilgrimage (Hajj) and a brief history of the mosque and fielded questions before inviting us on a tour.

The art and woodwork stunning inside the mosque. Most of the artisanship done locally, some imports from Turkey. The ceiling magnificent, the chandelier adorned with a Qur’anic verse in Muhammed’s favourite colour, green.

Oh, I didn’t know he was Irish,’ I quipped and my young guide laughed. She pointed out the balcony upstairs where women worship and explained the delicacy of the stencilling on the ceiling and how time-consuming the job was for the artist.

The colours, designs, placement of artefacts, windows, doors, balcony – all hold symbolic meaning. There are three places where the imam can preach depending on the number of devotees. There is a beautiful raised staircase with detailed carving and inlays.

One of the young students sang a prayer and it reminded me of being in R L Stevenson’s house in Samoa and the young guide singing a verse of his favourite hymn. Another memorable experience was being alone in the church at Hermannsburg Mission, Central Australia and Jan Cornell, the leader of the group I was with sang to test the acoustics.

The unaccompanied human voice raised in a song of praise can be truly beautiful.

Our visit coincided with one of the regular prayer times and the Imam excused himself to attend to several men waiting to pray. We sat up the back in silent contemplation.

I don’t know what the others were thinking but as I watched the prayer ritual it struck me how vulnerable these men were and how trusting. They didn’t know any of us but believed they were in a safe space just like those worshippers in Christchurch and many other places where people have been attacked.

Their trust, vulnerability, and devotion humbling.

We trooped outside for the last few photographs and the bus journey home. If there are different places on the list, I look forward to joining another tour.

No one tried to convert me and I had no epiphany, just interesting conversations and experiences to mull over and deposit in my memory bank.

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Mr Bailey’s Minder -a play about growing old disgracefully, being disgracefully old… and something much deeper!

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On Saturday, I went to the matinee session of the Mordialloc Theatre Company’s latest play at the Shirley Burke Theatre, Parkdale.

My theatre buddy, Lisa cancelled because of ill-health but I am glad I didn’t let that or the wintry weather, which caused sudden and severe squalls, to convince me to stay at home in the warmth – although it was tempting!

Now I’m ‘retired’ it is easier to stay at home, especially in winter and by the demographics I’ve observed who support the MTC and the smattering of empty seats on Saturday, the cold weather and perhaps the lethargy of age took its toll, which is a pity.

The play was enjoyable, the ambience in the theatre welcoming, and you get free coffee/tea and biscuits at the interval.

In fact, if so inclined you can buy a glass of wine or sherry before the play starts. Saturday definitely, chilly so I’m not surprised many people took that option.

See this play and support your local theatre

Mr Bailey’s Minder is on until the end of the week!

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Of the three productions I’ve seen this year, this definitely gets a thumbs up from me and considering the response of the audience, others also agree.

  • Maybe it is because this is the first one this year by an Australian playwright and so the actors didn’t have fake American or Canadian accents.
  • Maybe it’s because I can relate more to the themes which are not only current and relevant but emotionally engaging.
  • Maybe it’s because of the actors – apart from a bit of nervousness at the beginning, their interactions were believable and entertaining.

This is the promo blurb:


blurb for play

However, discussing the play at the interval with one of the volunteers another lady joined the conversation and when I said the subject matter was interesting and topical she said, ‘Ah yes, elder abuse.’

A reflection perhaps because we are in the middle of a Royal Commission into how we treat people in Aged Care and there are stories galore about abuse in the media.

But Mr Bailey’s Minder is much more than a story about someone growing old and being mistreated or fearing mistreatment.

All the major characters in the play have fears and emotional scars – not just Mr Bailey.

We are all ageing or know someone who is and if we live long enough must face declining health and death.

We all have or will have a life to reflect on with good and bad decisions, successful or unsuccessful relationships, haunting memories of the warm glow kind or filled with regret.

Many of us have had experience with someone in the family coping with alcoholism and/or dementia and family estrangement is common too.

The play mines a rich field of life experiences.

Therese, as the title suggests, is the ‘Minder’ or carer, and frequently, takes centre stage. Her story, one of a need to belong and be valued – and to value herself – a contrast to Leo’s life of celebrity status where being a ‘famous artist’ resulted in Leo overvaluing himself! (as others did too!)

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Leo Bailey (Eric Hayes) is a drunken ‘has-been’ artist suffering from decades of alcohol abuse and self-indulgent misbehaviour. He’s offended, hurt or neglected friends, several ex-wives and all but one of his children. His past is confronting – what he can remember of it, or how he remembers it, which varies depending on his mood or awareness.

Now he is facing death – and he is astute enough to know it will probably be alone.  He must also cope with the realisation that he’s lost some of his artistic abilities yet boasts how valuable his signature still is – even on a blank piece of paper (be intrigued).

Only his daughter, Margo (Juliet Hayday) continues to visit him and manage his affairs, despite being subjected to a barrage of abuse every time she steps into Leo’s home.

Margo has remained dutiful although she can’t escape the bitterness of unhappy memories of childhood spoilt by her celebrity father’s behaviour.

In the opening scene, the much-maligned Margo meets Therese (Julia Landberg), a young woman desperate for work and the latest in a long list of Leo Bailey’s minders.

We learn how ill Leo is, about his obnoxious behaviour, plus how dementia has heightened his disagreeableness.

Margo who works in investment banking does not ‘pull any punches’ regarding her father. In fact, she repeats the well-worn cliches –

  • Old people abandoned in nursing homes must look no further than their own past behaviour.
  • Abusive drunks reveal their true self – it’s never just the drink talking.
  • Adults must take responsibility for their behaviour whether they’re a celebrity or not

Therese, cagey about her past, is worried Margo will check her references. She doesn’t expect to get the job, yet in her desperation behaves alternately, belligerent and defensive. She is feisty and a survivor.

Leo comes downstairs, he is at his alcohol-sodden best, insulting Margo and Therese and accusing them of wanting to take his home and independence.

Disagreeable is an understatement.

(Interestingly, “Leo’s” lines or actions alternated between outrageous, wily astuteness and downright insulting, but a group in the audience loudly appreciated Eric’s performance – indicative that the actor who is a Life member of MTC has a following!)

The final major player to add to the emotionally scarred cast appears later.

Karl (Aaron Townley) a tradie who comes to remove a mural and repair a wall. His life is as difficult and broken as the others. He’s paying off a debt caused by an ex-business partner and recovering from a marriage breakdown caused by same debt.

Needy and lonely,  Karl continues to visit to do odd jobs after establishing a friendship with Leo and Therese who manages to get her charge to give up drinking and begin to make amends to those he has mistreated by writing letters of apology. They even start going out and visiting parks and museums.

Of course, there are sub-plots and a minor character (also played by Aaron) who will make your blood boil and an all-important twist that good drama provides.

The necessary conflict to keep an audience interested is delivered – with a couple of realistic physical scenes, which had me worried because Eric wasn’t using make-up to age!

Each character also revealed an inner conflict through actions or dialogue at some stage.

theatre program

The Playwright, Debra Oswald. 

Wikipedia tells us that Debra Oswald is a screenwriter, playwright and fiction author. She was the co-creator and head writer for series 1-5 of the award-winning Channel Ten series Offspring

Mr Bailey’s Minder and The Peach Season both premiered at Griffin Theatre Company. Mr Bailey’s Minder toured nationally in 2006 and premiered in the United States in 2008 at The Walnut Street Theatre in Philadelphia. 

When it was first released, a review said, the play

grapples with how much latitude we’re prepared to give artists we consider to be blessed with some kind of genius. It also explores the separate journeys of three individuals committed to creating a place where they can belong.

The play may also promote discussion about past behaviour and caring for ageing parents whether they were celebrities or not.

The worship of celebrity, of course, seems to have intensified in recent years. A prime example is in the acting profession where TV creates celebrities frequently, with actors who study the craft and perform on stage often overlooked or not given the recognition, they may deserve.

In this social media age celebrities flourish, however, in the future they may pay the price for their behaviour much earlier or burn out quicker.

The publicity social media gives that makes it easier to make celebrity status, also makes it easier to punish or shatter a celebrity. And with the Internet – everything is on record whether it has been edited, doctored, embellished, made up…

Plus we have an ageing population. Debra’s play will remain topical and relevant for some time.

Stagecraft and Set Design

scene from play 1

The set design and construction depicting Bailey’s disintegrating home above Sydney Harbour is eye-catching and memorable. Martin Gibbs, the Director and set designer is to be congratulated.

The various scene changes facilitated seamlessly by three exits – a door through to a kitchenette, the ‘front’ door and a staircase that led to the bedrooms and much-mentioned bathroom. The music accompanying each scene change setting the relevant mood and the lighting used to great effect to signal the passing of time and a new day.

So, add a bit of spice or emotional angst to your day and catch a session of Mr Bailey’s Minder you won’t be disappointed and it will do what all good art does – make you confront various aspects of the human condition – especially your own.

PS

A note of caution – if like me, you have experienced a loved one whose personality changed because of dementia, ageing, or a combination of both, or have experienced family estrangement, make sure you have a tissue in your pocket… you never know what triggers an emotional moment… this play just might hit the spot.

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Homegrown Stories A Success for Kingston Arts

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Now officially an aged pensioner and semi-retired from teaching creative writing, I made a promise to attend more local activities to feed my soul and keep engaged with other creative arts.

An easy promise kept because my friend, Lisa encouraged me to take out a yearly membership and go with her to see plays at Shirley Burke Theatre in Parkdale. The offerings have been mixed but I thoroughly enjoyed ‘Underground’ and wrote a review which you can read here.

I usually write a post if I enjoy something or it piques my interest. I’m not an experienced reviewer with any particular expertise but in the words of many an armchair critic “I know what I like!”

And I liked the sound of Six Moments In Kingston – Bus Tour.

Six Moments in Kingston is a public art bus tour that celebrates Kingston’s rich history. Responding to six infamous local stories, this ambitious public art commission features performances, music, street parades, broadcasts, sculpture and videos sited around Kingston. Audiences board a public art bus to tour secret locations where each story occurred…

Lisa didn’t want to go, so I booked for Sunday, May 19 but almost reneged because of the late night watching the depressing results of the Federal Election.

However, I am glad I made the effort because it was a fantastic couple of hours and lifted my spirits!

I even met up with some friends who were ‘a blast from the past’ and so returned home in a buoyant, jovial mood.

Thank you Kingston Arts!

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The event was advertised as the biggest public art program in Kingston and judging by the full buses and well-organised and resourced tour (repeated over two weekends so you still have a chance to book!) the logistics and potential for hiccups must have had the organisers biting their nails.

But the tour is seamless and heaps of fun from the starting point at the front of Kingston Arts Centre to the end, by the tent installation in the carpark of the centre.

Curators David Cross and Cameron Bishop, together with a stellar group of contemporary artists, lead SIX MOMENTS IN KINGSTON, a dynamic series of six public artworks set in sites around Kingston.

Each artwork responds to an infamous local story, including the mysterious disappearance of aviator Fred Valentich in 1978, following his sighting of a UFO; a celebration of globally successful Parkdale rocker Rick Springfield’s worldwide hit ‘Jessie’s Girl’; Phil Carman’s infamous head-butting incident at Moorabbin Oval, and the story of Julie Cooper, Moorabbin’s first female councillor and Mayor. And much more!

Hop on board a magical mystery bus tour to visit six delightful artworks in secret locations around Kingston! Each tour lasts under two hours. The bus tour features local stories told by legendary Australian actors, Michael Caton (The Castle) and Kate Fitzpatrick.

Six Moments – Six memorable Stories

tent installation one

While we waited for the bus two young women sat in a tent erected in the forecourt. This tent, linked to the installation in the Kingston Arts Car Park (both by artist Steve Rhall) and the story of the occupants told in depth when we were on the bus.

The installations, inspired by an event in 1982, honour Moorabbin’s protest histories. At this site, two homeless schoolgirls set-up camp outside the town hall to proclaim what should be a fundamental right to all people – shelter.

homeless protest Moorabbin 1982
Image credit: Silent Protest, archived by the Kingston Historical Society, source unknown.

It links to the work by artist Spiros Panigirakis, which refers to the removal of the historic ‘Grange’ homestead built on Kulin Nation land further down the road on Nepean Highway.

Whilst its future contested, the homestead became a squatter’s residence and at one stage it was suggested before its demolition, that it could become a women’s refuge or a hostel for the homeless.

However, the battle with developers was lost (sound familiar?) in 1983 and the Moorabbin Police Station was built and homelessness replaced in the news by other issues.

Story One – the Fundamental Right To Shelter – and to Protest

The bus drove us past the police station and as the story of ‘The Grange’ unfolded we learnt a little about the artist Spiros, his application to ‘paint the story of Moorabbin’s development on a purpose-built wall’ and the process of getting a Heritage Overlay.

spiros' house and original wall
Image supplied by Spiros Panigirakis of the potential site for redevelopment

This project reflects on the divisive and contentious debates led by a number of interest groups – arts, theatre, youth groups, accommodation services and commercial enterprises – around the restoration of The Grange, a prominent settler homestead built in 1856.

Redeveloped in 1977, the Moorabbin Police Station now occupies the old Grange site.

The project considers the site, the edifice of the Moorabbin Police Station and the suburban home of Tony and Dimitra Panigirakis in Moorabbin. It explores the notion of redevelopment through a series of fictional redevelopment proposals for the current site of the Moorabbin Police Station.

Using planning documents, real-estate hoardings and other public platforms that announce proposed redevelopment plans, heritage issues and planning approvals, a series of developer’s hoardings explore the notion of who controls redevelopment.

Working with Kingston Council landscape architects and urban planners, as well as his parents iconic Moorabbin home, Panigirakis looks at the ways municipal bureaucracy mediates redevelopment ideas and architectural propositions.

The work culminates in a series of installations across Moorabbin, and the production of an artist’s book that incorporates administrative and visual documentation surrounding the journey of the project.

As someone who doesn’t drive, my visits to Moorabbin are via public transport therefore many parts of the area I’d never seen before. It was fascinating and enlightening.

There were examples of a variety of architectural styles and I assume, it is the heritage overlay that has protected neighbourhood character of some of the streets and prevented Hilston Grove’s transformation into a ‘pigeon coop city’ with hastily (and in many cases shoddily) built apartments that has afflicted much of Kingston.

In 1977, the Grange was set alight and in the same year Spiros was born – I liked how the stories of the young girls attempt to get the authorities to do something concrete about homelessness joined dots and linked to the fight to save the Grange examining the big picture of neighbourhood character and housing.

We listened to the deep and soothing tones of Michael Caton as he explained how the history of the country could be told through the prism of Melbourne’s heartbeat – represented by Kingston (lots of smiles at that) – and the six stories would reveal the culture and the history of the area between the years of 1976 and 1981.

He supported the artists’ assertions that the image of Moorabbin as ‘a sleepy suburb‘ in the late 70s and early 80s ‘disguises a politically charged population actively participating in international protest movements.’

I came to live in Mordialloc, now part of Kingston, in 1984 but lived in other suburbs of Melbourne for the latter part of the 70s. It was good to be reminded of some of the ‘Headline’ stories of past media frenzies and to consider how close to home the events happened.

Story Two – When Sport is Not Necessarily Sporting

I have to confess that most stories about sport – particularly sporting celebrities, leave me underwhelmed.

I played sport when I was younger and was captain of the hockey team at Croydon High School in the 1960s, played hockey for ANU Seconds in the 70s and for the B-grade team for the City of Croydon – I even played netball as a young mum at Mordialloc Community Centre until a fall and cracked sacrum made that inadvisable.

I am a team player but would rather play than watch sport and prefer the days when Sport was added to the News and not considered the main item.

My knowledge regarding the 1980 scandal of Phil Carman’s behaviour negligible – in fact, non-existent.

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Image sourced from YouTube – Video still, Phil Carman and Graeme Carbery, the footage was taken in 1980

The story revolved around Phil Carman who was one of the VFL’s most awarded players despite being frequently reported for bad behaviour.

Local performers explored an infamous head-butting incident between Phil Carman and umpire Graeme Carberry on Moorabbin Oval. This was filmed by video artist Laresa Kosloff and displayed on a large screen in the foyer of the club building.

Phil copped a year-long suspension and it was the end of his football career, which by all accounts was turbulent. He’d probably last one game nowadays!

Phil Carman was one of the VFL’s most brilliant players, dazzling spectators and developing a passionate following amongst fans in the 70s and early 80s. However, his career was marred by violent incidents, resulting in short-lived contracts with four VFL clubs.

This behaviour culminated in the 1980 season at Moorabbin Linton Street oval when Carman head-butted umpire Graeme Carberry, earning him the longest suspension in VFL history (20 weeks), and signalling the end of his career as a player.

Laresa Kosloff creates a choreographed video work with local footballers, exploring the gestures and symbols that characterise the Phil Carman incident and Aussie Rules football during the late 70s and early 80s…

Inspired by the ‘headbutt incident’ Laresa is currently working on an abstract interpretation of the moment that investigates the unique and universally understood language of sport.

Laresa grappled with finding a way to bring sensitivity and critical analysis to the moment without being dismissive or disrespectful to the footballing community. As with most of her practice, she navigates this thin line through carefully choreographed humour and slapstick comedy, keeping this quirky work accessible and open to all.

She has spent hours going through interviews and game footage and sketching the postures and movements inherent to the game. Through this process, she began to map out the language of gestures, emotions and the body universally understood to sporting fans across the globe.

Many of those on the bus obviously understood footy better than me and loved the video installation. I was more interested in seeing where tax dollars have been invested in this very new stadium.

As a first-time visitor, I found the home of St Kilda Football Club quite amazing and I’m sure the community is thrilled.

Our art tour interruption seemed to go unnoticed by the public intent on watching a game in progress.

No doubt the head-butt story filled the pages of local and state newspapers in 1980 and I am aware of recent controversies in sport but still have a lack of enthusiasm when some football stories (like who has a knee injury) are elevated to prime importance in the nightly news bulletins.

However, in display cabinets in the foyer, part of a Heritage Museum, the exploration of the club’s Indigenous connections is interesting with the stand taken by Nicky Winmar against racism a pivotal moment in the code.

Perhaps the subject of a future storytelling tour?

And of course, there is always the importance of what diehard fans bring to the spirit of the club.

In the 90s, when my daughters attended Mordialloc Primary School there was a yearly fundraiser revolving around Melbourne’s football teams and team colours replaced uniforms for the day.

On ‘Pie & Tinnie Day’, students bought a meat pie and can of soft drink from the Canteen and donated one and two cent coins by creating a line on the floor behind their footy team’s poster.

I learnt then how popular St Kilda was as their line snaked out the door. It was a team most in the Southeastern suburbs regarded as theirs.

Our household not footy enthusiasts but my daughter, Anne barracked for Footscray because they were called the ‘dogs’ and had a bulldog as their emblem. Devoted to real live dogs, which still are her favourite pet, she put her couple of dollars on the floor for Footscray.

However, I often had to rush home and grab John’s loose change from his bedside table so that Anne, who seemed to be the sole ‘doggy’ supporter wasn’t embarrassed by having the smallest donation line in the school!

There are consequences if you live in Melbourne you must follow footy and defend your team’s honour at all costs!

watching footy sunday morning

When we left St Kilda’s grounds, the bus turned onto the Nepean Highway near Wickham Road and I saw a few more streets I’d never seen before we entered a semi-industrial area.

Story Three – Fair Pay Worth Fighting For

On the bus, we heard the story of workers protesting for fair pay and better working conditions in 1979.

One of the strikers used his car to block access to the factory. A tow truck was called and while the driver was connecting up the vehicle, its owner stole his keys and threw them over a fence.

Although the original factory is gone, we were taken to the site and saw a re-enactment of

… an infamous incident involving a tow truck and physical struggles between constabulary and workers at the former Phillip Morris car park; a public art installation using illuminated LED boards and text developed with community consultation.

This project has been developed alongside The Gathering Place and Kingston Koorie Mob.

We stayed on the bus but the scene came alive through hearing the descriptions on the police radio and through conversations on the ground all played through the intercom on the bus.

Driving up to that area of Moorabbin, it struck me how high up we were compared to other parts of the city. It was an interesting perspective I’d not seen or understood before.

Story Four – Moorabbin Airport Mystery Remains Unsolved

On the way to our next stop, we were informed that Moorabbin Airport is the second busiest airport in Australia and the home of the Australian National Aviation Museum founded in 1962.

The first fact was interesting but not surprising – anyone who lives in Mordialloc will testify to the regular sound of aircraft overhead.

I visited the Museum years ago and knew friends who volunteered there and wondered how much it had changed because there was often appeals for people to get involved.

Frank Jones, who was a member of Mordialloc Writers’ Group served in the RAAF during WW2 and a short story he wrote was turned into a radio play and performed at the Museum so they were no stranger to getting involved in the arts.

But the story we heard on Sunday was a much more recent event and the enemy – if there was one – came from another world…

missing pilot
Image sourced from abc.net.au – front page of The Australian, Monday, October 23 1978, ‘UFO Mystery’ by Robin Southey

In 1978, Fred Valentich took off from Moorabbin Airport in a Cessna and within minutes, radioed sightings of a metallic object hovering above him and then there was silence!

It was a routine training flight to Tasmania but when he and his plane went missing it became the subject of so much speculation it entered the realm of the ‘Twilight Zone’ – the name of a popular TV Show of stories about the paranormal and aliens.

“It is not an aircraft.”

On the evening of October 21st 1978, nineteen-year-old pilot Frederick Valentich disappeared shortly after take-off from Moorabbin airport.

Before his disappearance, Valentich reported sighting a metallic aircraft moving at high speed. Reports further southeast noted a similar aircraft sporting multiple lights on its belly before transmission abruptly ceased. Valentich and his plane were never seen again.

Partnering with the Australian National Aviation Museum and the Victorian UFO Action Group, artist collective Field Theory will work with volunteers to tell the conflicting stories, myths and unassuageable mysteries that took this story to the top of Australian security organisations.

This interactive project drops the audience deep inside the many mysteries surrounding this story.

On the bus, making full use of the intercom again, we heard the conversation between the pilot and air traffic control, we also heard excerpts of the Minutes Of October 27, from the investigation into the missing plane with a conclusion ‘human factors’ played a significant role.

There was mention of the pilot’s low IQ, his failed exams and psychological assessments, his dream to be in RAAF probably unattainable and his stories of many flying activities a facade to impress.

On the 15th October, during a drive in the Dandenongs with his girlfriend, he was reported to have said if a UFO landed, he would go in it but ‘not without you’.

The authorities emphasised he often talked about UFOs and they worked hard to besmirch his character.

Why?

His girlfriend went into a hotel near where the plane disappeared and asked for the pilot by name. They’d arranged to meet at 7.00pm but he’d already vanished.

There were articles in The Australian about a clairvoyant and New Zealand author, Colin Avery who held a seance. He said he’d been contacted by Fred. His message being – I’m in space with aliens.

He told Fred’s father to go into his son’s bedroom and wait to be contacted. Unfortunately, there was a mix up with time zones!

Sixty seconds of the radio transmitted conversation is believed to have been edited with accusations the pilot claimed he was in a galaxy far away, no longer having a physical body but was with others chosen.

I wonder what really happened??

I wonder if this tree at the airport holds secrets?

tree with vines

Story Five – Who Knew ‘Jessie’s Girl’ Lived in Mordialloc?

Jessie's Girl a hit
Image sourced by Shane McGrath: Photo of Rick Springfield. Background: video still of Rick Springfield, Jessie’s Girl, 1981

The next story stop was perhaps the biggest surprise to me – it was a five-minute walk from my house and as the bus pulled into the parking lot at Central Bayside Health we heard the story of Rick Springfield and his hit record Jessie’s Girl, which ushered in the new pop sound – a generational hit record produced by an Aussie!

Rick hailed from the ‘aspirational suburb’ of Parkdale and often visited the family home in Melrose Street, a haven of middle-class suburbia. He held his wedding reception in the house and used it as a bolt hole with not much changed from his childhood except the corner milkbar now a beauty salon.

Kingston has produced many famous sons and daughters but none quite like Rick Springfield who, in a little known fact, spent his teenage years in Parkdale.

First a heart-throb and actor in American soap General Hospital, Springfield became internationally famous for his worldwide smash hit single, Jessie’s Girl, released in 1981. The song climbed to no.1 and went platinum in the USA and Australia.

Artist Shane McGrath and local musicians honour Springfield’s place in the rock pantheon, creating their own renditions of Jessie’s Girl in the streets of Parkdale, headed up by a phalanx of bull terriers, after Rick Springfield’s love for the breed.

The scene recreated was the promotional video Rick made and we marched behind the banner and a tambourine and flute band, singing along to a boom box belting out Jessie’s Girl until we were outside Rick’s house with “Rick” himself, led there by four dogs!

Apparently, each day there is a different musical band with a brass band promised one of the performances.

Regardless of the musicians, it is a lovely, happy, interactive interlude.

Story Six – the Final Flourish

protest quilt 2
Image credit for Featured image: Girls Just Want to Have FUNdamental Human Rights by Tal Fitzpatrick (2015) 50cm x 50cm

The last story featured was that of Julie Cooper who paved the way for women to enter local politics when she was elected Moorabbin City’s first female Councillor in 1976 and went onto being their first female Mayor in 1982.

A stadium named in her honour continues to be a point of contention.

Julie Cooper HTV card
Supplied by her family

On the 12th of June 1902, Australia became the first country in the world to give women the right to vote and stand for office.

However, in Moorabbin, it wasn’t until 1976 (74 years later) that the first female councillor, Julie Cooper, was elected. Julie went on to challenge the norms of local government and fulfilled another milestone when she was elected the city’s first female mayor in 1982.

Her groundbreaking achievements are today reflected in a Beaumaris stadium that bears her name and marks her role in creating opportunities for women in local politics.

As we returned to the Kingston Arts Centre we heard about Craftism – craft and activism combined to make social change – something dear to Julie’s heart.

Since the term craftivism was coined by Betsy Greer in 2003, the idea has blossomed into a global movement of like-minded makers who mend the fabric of society and make with meaning.

protest quilt 1

Textile artist Tal Fitzpatrick, along with local crafters practising hands-on craftivism, celebrates the contribution of female and gender non-conforming leaders and invited participants to take part in the struggle for gender equality.

A Melbourne-based artist who is curious about the ways craft can be deployed to bring people together and drive positive social change, Tal hosted a series of free craftivist protest banner-making workshops in Kingston during March and April.

Participants created a textile protest banner of their own. Materials were provided and these were the banners we collected at Moorabbin Station and carried and marched back to the Kingston Arts centre carpark to finish a wonderful tour!

We walked up Nepean Highway carrying the wonderful banners high led by Marcia chanting:

‘What do we want?’

‘Another election!’

‘When do we want it?’

‘Now!’

I think Julie Cooper would have approved.

In fact, I know she would because her daughter Mandy and family were there marching and Mandy Cooper and husband John are the friends I reconnected with and previously mentioned as ‘the blast from the past’!

Cooper Family

A selection of the banners will also be featured in an exhibition curated by Tal, called Crafting Resistance: Six Moments in Kingston at Kingston Arts Centre in September 2019 so if you can’t take part in a guided tour of Kingston’s streets and some of the stories they hold this weekend perhaps attend the exhibition – I can guarantee you won’t be disappointed.

our bus patiently waiting
The driver waiting with the patience of a saint!

Advance Australia Where? A Question Still to Be Answered.

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I’m still coming to terms with the election result – as are about 50% of the population!

I was never confident of an overwhelming victory but I couldn’t believe that after six years of dysfunction, failed policies, three prime ministers and scandal after scandal of corruption and incompetence, and going to the voters with literally no policies or vision to solve climate change and social inequality that the LNP Coalition would be rewarded.

It was disappointing too that their lies were rarely challenged and the dodgy figures about unemployment – insecure work, underemployment, casual and contract work and the fact that one hour’s work a week is enough to move you from unemployment statistics –  a shameful state of affairs for a wealthy country like Australia.

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I’m a writer and writing teacher but how do I find the words to explain how saddened and shocked I am about the election result? Recommend strong verbs of course – many friends have already expressed their opinions:

gutted, shattered, crushed, appalled, stunned, alarmed, disturbed… disappointed or annoyed aren’t strong enough.

The Liberal candidate in Isaacs, my electorate, was disendorsed for posting hate speech in an ‘appalling anti-muslim rant’.

Yet, as I scrutineered for Mark Dreyfus QC MP, I couldn’t believe the hundreds of people who still voted for the dumped candidate!

My goodness, are there that many racists living in Mordialloc?’ declared Nola, my fellow scrutineer.

‘Apparently!’

Now the election is over, we have other similarly disendorsed Liberal candidates going to take their seat in parliament, no doubt under the auspices of the party that preselected them originally.

What happened to ethics and morality?

protest about homeless

Election 2019 – A Failure For Fairness
Mairi Neil

We’ve just had Election Day when all through Australia
we turned out to vote to prove Democracy no failure.
Votes already cast knowing shocking deals done – later
some candidates forced to resign, one by horrible one.
But the men who removed Malcolm Turnbull as PM
not reduced in number – so don’t underestimate them.
Visions of Dutton as a leader still dance in some heads…
the folk on Manus and Nauru still toss in their beds.
The ‘silent majority’ with privileged excess in their bellies
believed Murdoch’s media and the crap on their tellies!

Despite what we heard – there was a rumble abroad –
not everyone realised that Morrison’s a fraud.
Plenty tapping at keyboards and scratching of pens
letters and online posts numbered multiples of ten
Passion and persuasion for society to include all
true social justice and ‘action on climate’ their call.
Lament environmental disasters, habitat losses
a wage system and laws overwhelmingly for bosses.

Seeds grow flowers and trees bear far-reaching fruit
school strikers and protesters cocked more than a snoot
at politicians and rich cronies who legislate inequality
the climate change deniers, those fearing collective solidarity.
Raised voices had courage, progressives give each other heart
so we must continue the fight until Morrison & Co depart.
Trickle down economics a failure, we must change the rules
implement a fairer tax system to fund hospitals and schools.

Labor’s policies seemed commonsense, natural and right
but when results were tallied on that fatal Election night…
How could this be? Morrison’s win dubbed ‘a miracle’
yet so little policy evidence to prove it empirical.
The nation is deeply divided although the LNP returned
with Labor’s bold reforming plan effectively spurned.
The outcome explored by journos and political pundits
while almost 50% of the population in bewilderment sit!

I weep for the planet, the suffering, and marginalised
I thought social justice and fairness an achievable prize!
Voters had one job to do and decisively blew it
but climate emergency means there’s no time to sit!
Progressives may reel from this election result
it seems to defy logic with the winners an insult
but the struggle must continue – no time for a pause
in tackling climate catastrophes and industrial laws.

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‘It is impossible to live without failing at something unless you live so cautiously that you might as well not have lived at all – in which case, you fail by default.’

J.K. Rowling

Banksy gives great advice

A Sense of Place Nurtures Belonging and Wellbeing

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COMING & GOING, bronze sculpture by Les Kossatz in Victorian Arts Centre gardens

Last Saturday, I caught up with my two sisters in the city – Cate had come down from Albury for the annual quilt show at the Exhibition Buildings and Rita and I met her at Southern Cross to spend a few hours together.

The sculpture above an apt metaphor because with the disruptions to the rail system there were replacement buses for me and delays for both my sisters. Lots of comings and goings!

Ironically, I thought I’d be late but the connection from Moorabbin to the Arts Centre by express bus was seamless and I was the first to arrive at our designated rendezvous.

Cate’s VLine delayed by a signal failure outside Seymour and Rita’s train on the Lilydale Line sat at Flinders Street ‘forever’ before continuing onto Southern Cross.

First stop, of course, was a cuppa to catch up and plan our day – my sisters would go into the quilt show for a couple of hours and I’d go into the museum opposite.

They are both into a craft and excellent sewers and knitters. However, sister Cate hadn’t entered a quilt panel this year, so I opted to catch the latest exhibition ‘From the Heart’ at Museums Victoria which focused on the regeneration of communities after the 2009 Black Saturday Bushfires.

gardens near Shrine.jpg

At Moorabbin, I had got on a crowded bus because I was prepared to stand and so ended up close and personal with a bloke from Sydney who accepted the offer too.

It became one of those random meetings that turn into a happy memory.

He was from NSW and we chatted all the way into the city comparing Melbourne and Sydney. Melbourne won! He hadn’t been here for 30 years but couldn’t believe how much it had changed – and he loved it.

‘I met my wife here – the only good thing about the place all those years ago. It was grey, grey, grey and boring.

A bit harsh, I thought but then he admitted being born and bred in the Blue Mountains and still living there.

I sit on the verandah with my coffee and listen to the birds and watch the sunrise or sunset transform the mountains and trees.’

The journey then became a mutual admiration society – we covered climate change,  the troglodytes in the LNP, the need to change the rules and reintroduce fairness and the lack of good social interaction and communication in the age of people being constantly plugged in and tuned out.

He envied Melburnites because despite disruptions our transport system ‘still worked and your Premier finishes things.’  He was impressed by our replacement services.

I envied him living in the Blue Mountains and told him one of my never to be realised dreams was ‘to afford a writers’ retreat at Varuna.

We parted ways and as I walked towards Flinders Street and paused to admire the beauty of Birrarung Marr, I appreciated again, the joy of living in ‘the world’s most liveable city’ with many public gardens and parks, heritage buildings and great facilities.

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We can explore or retreat to beautiful places with our children and friends to enjoy the outdoors if we don’t have our own garden.

There are so many delightful places the public can access to reinforce an important connection to Nature that nurtures happiness and belonging.

Melbourne Museum – An Undervalued Gem

I spent a relaxing two hours in a garden often overlooked and yet it is not only delightful but educational because it is part of the Melbourne Museum and alongside other amazing exhibitions it tells the story of our country from the perspective of our First Peoples and highlights the strong relationship they have with the land – a relationship developed over thousands of years.

Milarra Garden Walk sign.jpg

Silence and solitude are invaluable, offering time and space to reflect and contemplate. And in the Milarri Garden, there are plenty of rest stops where visitors can take time out, similar to the benefits of visiting Mingary in the heart of Melbourne.

Milarri is an initiative of the Victorian Aboriginal community. It is planted with trees and shrubs used by Indigenous people for food, technology and medicine, and promotes an understanding of Aboriginal people and their culture.

Wominjeka Milarri

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Every sign naming the plants has the Aboriginal name too if known. Milarri is from the Woi-wurrung language and means ‘outside’. Wominjeka is a Woi-wurrung word for welcome.

You discover the plants by walking a pathway that wends its way to the Forest Gallery and you are advised to watch your step because the rocks can be uneven and slippery so always remain on the path.

Also, the museum being, child-friendly as a number one priority, there are signs warning against eating and touching the plants – some of them may be poisonous if consumed. There is a water feature with eels, fish, ducks and turtles and a sign warns that eels bite.

Sometimes, when I see these signs asking for behaviour, which I deem common sense, I wonder if respect has been thrown out the window. Fortunately, on Saturday, everyone I met or observed behaved impeccably!

When you walk through the garden, you leave behind the noise of the city, the irritations, any personal worries and concerns…

The garden seems soundproofed and it is easy to absorb the serenity as well as appreciate the knowledge held by the oldest living culture in the world.

Feed your spirit.

Near the entrance, there were two exhibitions reinforcing the wonderful gift our First Peoples want to share:

hug a tree- silent witness.jpg

wurreka explanation.jpg

Sometimes we need to reinforce the positive messages and lessons learned in childhood. Those idyllic days when we played outside in the fresh air.

We need to take time from the busyness of our lives to reconnect with the earth and a ‘green’ place where we belong.

“What a joy it is to feel the soft, springy earth under my feet once more, to follow grassy roads that lead to ferny brooks where I can bathe my fingers in a cataract of rippling notes, or to clamber over a stone wall into green fields that tumble and roll and climb in riotous gladness!”

Helen Keller

Places and experiences that provide comfort and joy and a host of memories – all valuable contributions to health and wellbeing.

Milarri Garden is one of many places for a writer to observe the changes wrought by each season and perhaps acknowledge the changes in our life or the lives of characters in our stories.

Every culture has folklore and stories and we are fortunate in Australia to reap the benefit of the richness of many cultures from our First Peoples to the various ethnic groups and races who now call Australia home.

In Milarri, there is a sculpture, Biamie the Rainbow Serpent, by Clive Atkison and Dominic Benhura. Clive is a Yorta Yorta artist from northern Victoria and Dominic is a Shona artist from Zimbabwe. They collaborated on the artwork in 1999.

For Clive, the snake is a symbol of knowledge and wisdom, and the paved concentric circles represent harmony, strength and unity.

The sculpture reflects his respect for the wisdom and guidance of his elders.

There was also an area where paintings on the rock told a story of the trail and the animals to be found in the habitat.

Making Connections

When I meandered through the garden at the Museum, I was fascinated to read the Aboriginal names for plants I recognised as being indigenous to Mordialloc.

I remember researching how the Boon wurrung used the plants when I collated a kit for the City of Kingston while volunteering with the Friends of Bradshaw Park.

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Bradshaw Park, Mordialloc is an example of grassy woodland consisting of a lower storey of native grasses, sedges, rushes, lilies and small shrubs.

Grassy Woodland has a middle storey of shrubs and small trees with a scattered dominant tree completing the upper storey. The dominant tree species at the time of European invasion and settlement would have been the Coast Manna Gum.

The Manna Gum, Wurun, in Wurundjeri was enjoyed as a food source by the Aborigines and early settlers. The sap dries into hard sugary drops that fall to the ground – ‘manna from heaven’!

The bark comes off the tree’s pale trunk in long ribbons and the wood used to make implements such as shields and wooden water bowls called tarnuks by Victorian Aborigines. the long thin leaves were smoked over a fire to lessen fever.

golden wattle and small leaf clematis.jpg

There are over 800 different wattle species in Australia and several species grow in Bradshaw Park. Wattle, karook, gum was an important food for the Boon wurrung as well as being used as a glue or cement. Taken as a medicine, the gum helped treat dysentery or was applied to wounds.

Wattleseed is high in protein and carbohydrate – the green seed pods were cooked and eaten, and dry seeds ground into flour.

Plants were used for many other things besides food. When collected, the long leaves of sedges, rushes and lilies made baskets and mats. Soaked and beaten to free the fibres they made string. The inner bark of some wattle trees also made string.

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Kangaroo grass, wooloot in Gunditjmara, was common in Victoria’s low-lying plains but grazing animals quickly destroyed much of this. The Boon wurrung used the grass to make fishing nets, using the leaves and the stem to make string. The seeds can be ground into flour.

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Common sedge, poong’ort in Djabwurrung were made into capes and worn around the neck to cure toothache.

common sedge.jpg

Sweet pittosporum, bart-bart in Gunai/Kurnai language, has a sticky substance around its seed and this is used to relieve insect stings. The inner bark is used for string.

Even the humble pigface, gadwud in Gunai/Kurnai has fruit that can be eaten raw. New leaves are eaten raw or cooked and sap from leaves can be used to treat insect stings and small cuts.

The flax lily, murmbai, in Gunditjmara is also found in Mordialloc and the fibre from strap-like leaves can make string and baskets. The fibre in the leaf makes a strong cord.

The drooping she-oak, gneering, in Gunditjmara provides hardwood for making implements such as boomerangs, shields and clubs. The young shoots chewed to relieve thirst and the cones can be eaten.

Usually, it was the women who collected vegetable foods and trapped small animals, while men hunted the larger animals. Depending on the time of year groups of hunters and gatherers went out each day to spend 4-6 hours collecting food.

Children went with their mothers to learn where to find plants, which ones to eat and how to forage. Finding food involved everyone, and all learned the skills necessary to hunt and gather. All the food was shared.

The First Peoples knew the land and it provided them with a variety of food to produce a well-balanced diet. They were not undernourished or deprived and had the kind of diet we are encouraged to follow today.

They ate fresh fruits and vegetables, fish and shellfish. The meat from wild birds and animals was lean and low in fat. Their lifestyle included plenty of exercise, particularly walking and of course, they got plenty of fresh air.

The Aboriginal people have a detailed local understanding of the seasons and the environment. Their seasonal calendar encompasses seven seasons. Each season marked by the movement of the stars in the night sky and changes in the weather coinciding with the life cycle of animals and plants.

For our sustainability and survival, we need to take heed of the knowledge our First People possess and value our environment. If some of the catastrophic predictions regarding climate change are correct, we may appreciate the medicinal, edible and practical qualities of many of the plants we have ignored or wantonly destroyed.

After the tragedy of the 2009 bushfires, acknowledgement of the importance of learning from First Peoples and allowing them to continue their stewardship of the land has been an important step.

If you can’t visit From the Heart you can access online a mini digital exhibition of the Victorian Bushfires Collection, Curious?

But you can improve your health and wellbeing and take a Milarri Garden Walk or hug a tree any time!

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Even the smallest landscape can offer pride of ownership not only to its inhabitants but to its neighbours. The world delights in a garden… Creating any garden, big or small, is, in the end, all about joy.”     

Julie Moir Messervy

 

 

 

Underground – an exploration of what lies beneath the surface of a war hero

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Nancy Wake, WW2 Hero

On Thursday night, I attended Underground, a play at the Shirley Burke Theatre, Parkdale – a great venue within walking distance of my home in Mordialloc, but also opposite the Parkdale Railway Station.

When I arrived home, I couldn’t wait to share the experience with my daughter.

‘What a wonderful evening! It made me glad to be a writer – so inspiring. An original interpretation… makes me want to write… keep trying different ways of telling great stories!’

‘Glad you’re so happy, Mum. Obviously, much better than your last experience,’ Mary Jane observed.

Yes, I’ve reached the stage where if I don’t like a play or film, or a book, I don’t force myself to see it through to the end and a couple of months ago, my friend Lisa and I walked out of the same theatre at the interval.  We preferred sharing a coffee and chatting to returning for the second half!

‘Indeed,’ I answered, ‘but… this production was clever, well-acted, and focused. A fantastic retelling of a powerful story about a truly heroic and intriguing woman – who so many people don’t know anything about – you included!’

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A Great Night At The Theatre A Much-needed Injection Of Joy

With my own writing in the doldrums, it was a change to feel happy and invigorated about writing. I wanted to talk about the story, the production, presentation, the acting, the stagecraft …

There is a wonderful feeling of elation when you watch a play or a film and it affects you that way. Just like the satisfaction of finishing a good book or short story.

You relish the experience, wish it hadn’t ended, want to prolong the ideas, emotions, and memories stirred. You’re ready for a discussion or to revisit a second show, a replay or reread.

There is no mystery as to why book clubs, and film and theatre appreciation groups thrive.

I missed out getting a copy of the programme – they ran out – but the lady next to me retrieved her folded copy from her bag and I snapped a shot with my phone camera.

The eclectic list of supporters thanked is interesting and indicative of the importance of this work in the wider community as well as the art world.

  • Professor Graeme Wake, a distant relative of Nancy who had joined efforts to see her honoured by New Zealand, said her death was a sad day for the country.
  • Anthony Crowley, multi-award-winning playwright
  • Michael Brindley, writer Stage Whispers
  • The Hon Tim Fischer, retired politician, leader of National Party 1990-1999
  • Uschi Felix -a versatile actress professionally trained in Germany and Australia
  • Josh Burns Labor candidate for the new Federal seat of Macnamara
  • Marisa Cesario, Programming Coordinator at Gasworks Arts Parks
  • Tamara Jungwirth, Director and CEO of Gasworks Arts Park

The Writer, Christine Croyden’s Note

Nancy Wake (1912-2011), now as The White Mouse (die Weisse Maus) left Sydney for Paris at eighteen and became a celebrated WW2 spy. She was one of only thirteen female special agents to survive the war.

My interest in her story began in 2015 when I wrote the book and lyrics for a musical The White Mouse, licensed by DSP in Sydney. In 2017, I spent six months as a resident with a theatre company in Paris where my interest in the French resistance and the German Occupation of France reignited. During this time I wrote Underground.

I describe it as a hallucinatory view of Nancy’s life.

Nancy was never keen on anyone messing with her story and hated all films, TV series and almost everything that was ever written about her, so I doubt she’d like my play.

However, I hope the small grains of truth contained within this fictionalised drama illuminate her complexity. Nancy Wake was (and still is) often referred to as a ‘difficult woman’.

She was not recognised for her efforts during WW2 in Australia until very late in her long life, despite her bravery and the admiration of the French for her contribution to their Resistance and subsequent Liberation.

In a culture where we are finally beginning to recognise women for what they do rather than how they look or behave, I feel Underground has something to say.

Christine Croyden, February 2019.

portrait of Nancy Wake

The above portrait is a rare picture of Nancy wearing some of the honours she received:

  • The George Medal,
  • 1939-45 Star,
  • the France and Germany Star,
  • the Defence Medal,
  • the British War Medal 1939-45,
  • the Croix de Guerre with Palm and Bar,
  • the Croix de Guerre with Star,
  • the US Medal for Freedom with Palm
  • the French Medaille de la Resistance
  • and she is an Officer of the Legion d’Honneur.

Underground has a lot to say and the execution by superb actors – especially Margot Knight – was impressive.

The technique of having an aged Nancy reflect on her life just before another ceremony lauding her war service, and having other actors portray the flashbacks on stage, sometimes with the older Nancy interacting, worked extremely well.

Margot Knight stayed in character throughout – her slower movements, facial expressions and word delivery never faltered. She was Nancy!  Her memories a bit addled from age, grief, and her love of Gin, but with such clear and believable delivery.

Nancy Wake was in her 99th year when she died. Her life before, during, and after the war could fill volumes.

Christine Croyden’s attempt to capture the essence of this complicated human being deserves high praise.

The ‘White Mouse’ helped countless people escape death and torture in Occupied France. On the Nazi’s ‘Most Wanted’ list she earned the moniker White Mouse because of her elusiveness. after effective operations against the enemy.

When she managed to escape to England she trained as a spy and was parachuted back into danger despite knowing the consequences if she was caught. Her French husband, Henri was tortured and murdered by the Nazis.

Nancy earned the reputation of being strong mentally, physically and emotionally – legend has her killing a man with her bare hands and executing a German agent by shooting her in the back of the head.

Underground tells us the highlights of Nancy’s life focusing mainly on the WW2 era and the drama is enhanced by song and choreography.

The story of Nancy Wake’s exploits as spy and hero are well-documented with several online links containing excellent detail. There is some repetition and the usual discrepancies regarding dates and other information because most of the articles reflect the paucity of resources available.

Everyone agrees that for a very long time Nancy Wake was ignored/neglected in a way no male war hero ever suffered.

Nancy Wake on Wikipedia: https://en.wikipedia.org/wiki/Nancy_Wake

Nancy Wake – the girls who spied: https://www.abc.net.au/radio/programs/fierce-girls/nancy-wake-the-girl-who-spied/9485892

Nancy Wake OA – Education Services Australia: https://www.civicsandcitizenship.edu.au/cce/nancy_wake,17565.html

Nancy Wake, A larrikin and a hero: http://www.convictcreations.com/history/nancywake.htm

National Portrait Gallery – Capturing TheMouse
Nancy Wake – The White Mouse, 2001 by Melissa Beowulf: https://www.portrait.gov.au/magazines/13/capturing-the-mouse

My Mother was a huge fan of telling the stories of women’s contribution because she felt ‘herstory’ important. It was Mum who bought me a book on Joan of Arc, The Maid of France, the French author Collette and Nancy’s book which was first released in the 1980s. Mum encouraged me to read widely and seek the untold or rarely told stories.

I read the autobiography and later when studying at university, bought a biography written in 1956 about Nancy by Russell Braddon who had been a POW of the Japanese. A prolific author, he suffered a mental breakdown several years after the war, which doctors attributed to his war experiences.

The effect of trauma and the horrendous violence people witness and become part of during a war and how it may change your attitude and personality, and most certainly your outlook on life is explored in Underground. 

The stresses and effect of the journey of other characters and their relationships with Nancy included.

However, it is the price Nancy paid for her courage and persistence and the price she saved others from paying that you think about long after the play is over.

There was a TV series starring the brilliant Noni Hazelhurst as Nancy a few years ago too and a couple of documentaries worth following up.

Why Do We Do What We Do?

That question of WHY concerning human behaviour is difficult to answer and because all of us are complex with varying degrees of experiences, different backgrounds and perspectives with various wants and needs, it is an eternal conundrum to be explored.

The ‘human condition’ a topic most writers of every genre are drawn to explore.

To dissect, and attempt to understand… Scottish poet, Rabbie Burns said, ‘the moving why they do it‘… It may be an unanswerable question.

… To step aside is human:

One point must still be greatly dark,

The moving Why they do it;

And just as lamely can ye mark,

How far perhaps they rue it…

from Address to the Unco Guid, or the Rigidly Righteous by Robert Burns

Christine Croyden has succeeded in tackling that bastion of male stories – heroism during wartime, with Underground. Succeeded shedding a little light on the motivation of Nancy Wake and her legacy.

The Allied authorities acknowledged Nancy’s exuberant spirits and physical daring but thought she was just ‘good for morale’ whereas the men and women on the ground who saw her in action formed a different opinion.

“She is the most feminine woman I know until the fighting starts. Then she is like five men.”

one of Nancy’s WW2 comrades she Captained

It is a contemporary play with a powerful beginning which gives a nod to Nancy’s New Zealand roots when the aged Nancy performs the Māori haka – a memorable visual feast.

A creative way of declaring her birthplace and links to a proud warrior race plus the profound links between Australia and New Zealand through the commemoration of ANZAC.

Nancy’s pre-war career as a journalist is used to good effect too and employing poetic licence we hear Nancy describe the horrific events of the 1938 Kristallnacht while recounting her experience of going to Vienna in 1933 to interview Adolph Hitler.

Nancy witnessed the ill-treatment of the Jewish population and the emotional rendition by Margot Knight leaves you in no doubt why Nancy dedicated her life to fighting the Nazis.

The playwright has drawn on all the available information but Margot Knight gives us insight into the horror’s effect on a young Nancy who wrote about her visit to Vienna.

“The stormtroopers had tied the Jewish people up to massive wheels. They were rolling the wheels along, and the stormtroopers were whipping the Jews. I stood there and thought, ‘I don’t know what I’ll do about it, but if I can do anything one day, I’ll do it.’ And I always had that picture in my mind, all through the war.”

Nancy Wake went on to become the Allies’ most decorated servicewoman, eventually collecting bravery awards from France, England, Australia and the United States.

In answer to being overlooked, she said of Australian authorities, ‘they can stick their award and be thankful it’s not a pineapple’.

Australia was slow to acknowledge her contribution but New Zealand is still to officially acknowledge their ‘daughter’ despite the efforts of a relative Professor Graeme Wake.

Professor Wake who met up with Nancy in 1990 said:

When I met her she was always adamant she was a New Zealander, she kept her New Zealand passport right through to when I met her and I believe beyond…

She never lived much of her life in New Zealand and left as a small child, when she was taken by her parents to Australia and hardly came back…

I believe she made one fleeting visit as a youngster to see her father before she went to Europe …

She was a forthright person, very direct on her views, clear on her views.  You knew exactly where you stood with her… a toughness of spirit which you can only admire.  

So Many Stories Still to be Told

Other Nancy quotes:

I hate wars and violence, but if they come I don’t see why we women should just wave our men a proud goodbye and then knit them balaclavas.’

‘I got away with blue murder and loved every minute of it.’

She is also reported to have said she hoped to go down in history as the woman who turned down 7,000 sex-starved Frenchmen! 

Perhaps her personality and attitude came from a tough early life when her journalist father returned to New Zealand deserting his wife and six children.

She was certainly no shrinking violet or demure lady often portrayed as the norm.

Nancy was a nurse in Australia during the early 1930s but harboured dreams of a different life and when she inherited money from an aunt left for Europe as soon as could be arranged.

What would her life have been like if no world war?

Nurse, ambulance driver, journalist, spy, commando, war hero, would-be politician…

Underground is a great play but it sparks interest and shines a light on a host of other stories deserving to be told about Nancy and many others from that era.

The play is an inspiration for telling stories in an entertaining and memorable way and I hope it returns to Kingston and more people take the opportunity to see it.

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Will This be a Winter of Discontent?

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The above meme is doing the rounds of Facebook and what Graham Norton says is such a no brainer you do wonder at those greedy people who employ tax consultants to minimise and avoid paying their share.

What kind of community do they want to live in?

One that is permanently gated with more police and security guards than teachers and doctors?

It is a timely reminder for Australians as the soon-to-be-announced (oh, please get on with it!) Federal Election is due.

It has been well-documented how many large corporations don’t pay tax and the many wealthy people, including our former PM Turnbull, who secrete money offshore in tax havens.

It looks as if the current politicians will make Taxation and the Economy the big issues – despite the fact that the LNP have now adopted some of the Labor Party’s policies.

Remember it is our money. The Federal Government has no money of its own.  So, when the tax is divided up, it is important that everyone pays their fair share and it goes where it is most needed!

We must determine where our taxes are spent and I’m glad young people are demanding governments do more to combat climate change – an issue sadly not addressed in the recent Budget.

Nor was underemployment, contract and casual employment, or the poor level of financial assistance we give to those living on Newstart addressed. This is an appallingly inadequate allowance.

Politicians get more for a daily travel allowance than people are expected to live on for a week!

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From Australian Council Of Social Services

If the Labor Party buys into the trope that ‘unemployed equals dole bludger’ or people unable to find a job are not worthy of help, then it is no longer the party of social justice. Bill Shorten’s Budget Reply better be decidedly different from Josh Frydenberg’s!

The ALP has baggage to ditch
forget rhetoric about poor versus rich
it’s about social cohesion
not fanning division
Jacinda Adern has the right pitch!

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the Melbourne march was huge

Limericks Bursting The  Budget Bubble

Mairi Neil

The Budget was delivered by Josh
no surprises there, by gosh
robotic reading
figures misleading
and included a lot of tosh!

No addressing of climate emergency
global warming not treated with urgency
Josh sold his soul
for a lump of coal
condemning us all to Purgatory

And now the hard sell will begin
to politicians lying is not a sin
there’ll be semantics
confusing statistics
the Truth always a victim of spin

The PM is a marketing man
considers winning in the can
splashing cash
to him not rash
hip pocket nerves all part of the plan

ScoMo always smugness and smiles
in Queensland, he travelled miles
to keep Nats sweet
and avoid defeat
he had a Treasury chest of guiles

Josh said the Budget is in the black
the economy on the right track
who’d have guessed
they’d rob NDIS
for that, they should get the sack!

Yet Julie wore a sparkly blue dress
at 1300 dollars it had to impress
red shoes clicked
Parliament flicked
her next job anybody’s guess

Mathias Cormann lonely without Joe
no cigars or smoke rings on show
as Dutton’s man
he’s now ‘also-ran’
a diminished powerbroker who must go

The Budget framed for election in May
when the people will have their say
about stagnant wages
refugees in cages
and prime ministers who never stay

The pork barrel has been rolled out
too late for those areas in drought
Barnaby oughta
be gaoled over water
his incompetency never in doubt

Labor’s in with a chance to win
if they promise more than spin
Bill’s Budget reply
must satisfy
‘cos people’s patience is wearing thin

Social justice can be achieved
relief for all those aggrieved
a fair go reality
if economic parity
and a living wage guaranteed

Action on climate change a must
Australia’s pastures turning to dust
species dying
suicides climbing
we need a government to trust

We’re at a point of no return
global warming a real concern
find a solution
stop pollution
destructive practices we’ll unlearn

To Neoliberalism we say goodbye
trickle down economics proven a lie
support erasion
of tax evasion
and no more turning of a blind eye!

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Water, Water, Everywhere – but is it Safe For Marine Life?

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This is the cover of a beautiful book about the importance of valuing Australia’s National Network of Marine Sanctuaries that I recently presented to my Federal Member of Parliament, the Honourable Mark Dreyfus QC, along with a letter asking for his commitment to continue to support the sanctuaries.

The letter signed by 64 constituents:

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Dear Mr Dreyfus,

LABOR’S COMMITMENT TO RESTORE AUSTRALIA’S MARINE SANCTUARIES

This book shares a message from your electorate in support of Australia’s world-leading National Network of Marine Sanctuaries.

Following the Coalition Government’s devastating cuts to Australia’s sanctuaries – equivalent to removing every second national park on land – we welcome Labor’s commitment to fully restore the National Network of Marine Sanctuaries that Labor put in place in 2012.

Thank you for your support in restoring our sanctuaries – so that they can do the job of protecting our marine life, helping to ensure we have fish for the future and benefiting our regions and local communities.

I volunteered for the privilege of approaching Mark after I signed online petitions and followed campaigns to protect our ocean.

The organisation that will keep you informed and who cleverly produced such a positive campaign is the Australian Marine Conservation Society and they are always looking for people to become Sea Guardians to protect our ocean’s wildlife.

A community of scientists & ocean conservationists working to save our marine life, established in 1965, it is an independent marine-focused charity. For over 50 Years committed staff have been dedicated to protecting ocean wildlife.

australian marine conservation society

Mark was thrilled with the book and was happy to commit to protecting marine sanctuaries.

He said the situation regarding our environment is critical – and the science confirms this.

When part of the Gillard Government, he represented Australia at several international conferences and is well aware the current Federal Government is not doing enough to combat climate change and protect our sea and landscapes. he fought hard for the resources of the CSIRO to be increased, not reduced.

I was thrilled when I saw the book too – as a writer, I appreciate the power of illustrations to enhance words.

This book is a beautiful tool, to showcase how valuable our oceans are – a tangible reminder of what we will lose if the government doesn’t protect our coastline and the sea from overfishing, pollution from stormwater run-offs and shipping, plus exceptionally harmful oil and gas exploration.

We must provide and ensure marine sanctuaries. This book showcases many wonderful conversation starters for discussions we need to have – thousands of reasons to step up now.

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How to get involved with the Campaign to Save Our Marine Life

Like many people who care about the environment, I’ve been involved in physical and online campaigns. It hasn’t been a sudden, one-issue jolt, but rather a weary trek from campaigns to stop littering to educating people about the dangers of pollution and wiping out the habitat of unique flora and fauna.

Change Habits To Save Habitats
Mairi Neil

Bali’s beaches are drowning in litter
Debris piles where no butterflies flitter
Everything dead
Apocalypse fed –
but the solution is not storming Twitter

The main culprit named is plastic
a product we embraced as fantastic
but it resists decay
and won’t go away
The destruction of marine life tragic!

Fast food a convenience we craved
Marketing gurus constantly raved
Junk created ignored
As rubbish was poured
Into the environment, we should have saved.

Who profits from accumulated trash?
Is life on Earth worth less than cash?
Greenies demonised
Consumers fed lies
While pollution spreads like a rash!

What species destroys its own nest
Where standards should be the best?
‘Away’ doesn’t exist
Rubbish isn’t a mist
We create it, so must produce less!

‘Reduce, Reuse, Recycle’ a catch cry
This must be real or we all die
The coral withers
Our PM dithers
Climate change deniers watch Earth fry.

To the tourists who boast loving Bali –
Has your behaviour increased the tally?
Of beach debris
Polluting the sea
Leave only footprints when you dally!!

Bali’s problem is really worldwide
from culpability, no one can hide
It starts with a ‘me’
I hope becomes ‘we’
From today let’s take the Earth’s side.

picking up rubbish from beach sign

A plethora of organisations – many with a specific focus – campaign for various conservation and environmental causes. Over the years, I’ve spent time concentrating on one or the other, or spread myself between several.

My motto always to give what you can when you can.

I’ve rarely had much cash to spare but my writing skills and social justice passion come in handy!

The damage to all species, including humans can be through accidental or wanton destruction, industrial smog and lung disease, overdevelopment and lack of green spaces or the current emergency of climate change.

Belonging to the Union of Australian Women and always the relevant trade union covering my paid employment gives me a good grounding in old school activism.

Living in Mordialloc for 35 years it has been a constant priority to safeguard our beautiful bayside suburb.

Maintaining the health of coastal paths and the sea very dear to me and topics I return to again and again in my poetry.

Before the Internet and mobile technology, the art of letter-writing, collecting signatures with a clipboard, demonstrating with placards and letterboxing leaflets, door-knocking and street stalls were all valid methods of making a point and having your voice heard.

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Activism Is A Label For Everyday Life

  • Attendance at Clean-Up Australia Day events – I went to one of the first held in Mordialloc more years ago than I care to remember, taking my young daughters along to learn from my example.
  • Volunteering regularly with a local environmental group. I joined Friends of Bradshaw Park and compiled an education kit for primary schools to encourage discussion about the importance of retaining and respecting local flora and fauna – again my daughters accompanied me on working bees to weed and plant.
  • Volunteering in schools to encourage care for the playground and environs. I gave workshops on the writing of poetry and short fiction around environmental issues. The fondest memory, a lovely book of pastel drawings by the children in daughter Anne’s class to illustrate a narrative poem I wrote about the then threatened Blue Whale.
  • Working with Environment Victoria to promote solar power and renewable energy. I’ve hosted a sign, letterboxed, helped establish a database of supporters, handed out information on polling day.
  • Attending and organising gatherings to hear speakers from groups such as Gene Ethics to the Australian Conservation Foundation. If you belong to a community group think about inviting speakers from environmental groups outside your comfort zone. Be challenged to think about deforestation, oil drilling, use of plastics and recycling…
  • Since a teenager, like many people, I’ve campaigned against nuclear power and in an ideal world, uranium would remain in the ground.

(Ironic, I know because I have benefited from chemotherapy as a cancer patient but as with energy sources, there are alternatives and there is no moving away from the fact the majority of uranium and byproducts are used or stored as military weapons, plus the world still has no solution to the dangerous waste created!)

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The New Way of Campaigning

There is no denying we live in a digital world now and the power of social media is immense – and it is not all as negative as some people think but a far-reaching and effective tool if, as Agent Maxwell Smart said all those years ago, ‘used for goodness…’

I respond to online appeals that often begin with an email and a request to sign a petition. After research, the knowledge gained helps me frame letters or emails to newspapers, politicians and companies.

Also, importantly, to initiate discussions among friends and family. Transferring and sharing knowledge one of the most important actions in any campaign.

As many signs at demonstrations advise (I love attending these too ) there is no Planet B.

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It was a privilege to go the extra step and arrange a meeting with my local member of parliament and gift this book, to remind him of what is at stake if the marine sanctuaries are not reinstated and extended.

For local communities, some icons like The Great Barrier Reef, and many endangered marines species, we are at a tipping point – in danger of reaching the point of no return!

The following information including beautiful photography is from the book to ask MPs for their commitment to protecting our oceans and marine life.

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Australia’s Proud history of  Commonwealth Protection of Sanctuaries

As with so many progressive policies in Australia, it all began with the Whitlam Government in 1973.

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The world’s oceans are the last great frontier for science and discovery and Australia is responsible for the third largest area of ocean on Earth

There are many sanctuaries still to be finalised – the good work must resume not be wound back or remain at a standstill.

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The dark red markers are current sanctuaries
  • Located at the junction of three major oceans, our waters are tropical temperate and sub-Antarctic.
  • We have more unique marine life than almost any other country in the world.
  • More than 85% of us live near the sea

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Healthy marine environments are central to our lifestyle, our livelihoods and our economy.  Australia has a proud bipartisan history of marine protection.

We are a nation of caretakers.

unique marine life


For many decades, our leaders have acted with the foresight to ensure a sustainable balance is found between what we take from the oceans and what we conserve for the future.

This is Australia’s insurance policy against the known threats of climate change, overfishing, introduced pests and pollution.

This leadership has crossed political divides and resulted in the creation of the world’s largest National Network of Marine Sanctuaries – backed by decades of science and overwhelming community support.

Our National network of marine parks and sanctuaries will protect our greatest treasures, including Australian icons like the Great Barrier Reef.

The Finalised List of Marine Sanctuaries:

Great Barrier Reef
Flinders
Freycinet
Macquarie Island
Kangaroo Island
Apollo
Nelson

But until the following are included our special marine treasures remain at risk:

The Kimberley
Rowley Shoals
80 Mile Beach
Coral Sea

Arafura
Gulf of Carpentaria
Limmen Bight
Norfolk Island
Lord Howe Island
Solitary Islands
Jervis
Great Australian Bight
Recherche Archipelago
Bremer Bay
Margaret River
Perth Canyon
Albatross Islands
Shark Bay
Ningaloo

Please make an effort to discover these treasures and fight for them to be protected.

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THE CORAL SEA

The Coral sea – the cradle to the Great barrier reef – is one of the last wild places on Earth where ocean giants still thrive. And outside the sanctuary, the Coral Sea Marine Reserve created what is effectively the largest recreational fishing zone in Australia’s history.

THE PERTH CANYON

Beyond Rottnest Island, Perth’s backyard holds an underwater secret larger than the Grand Canyon. The Perth Canyon is one of only three places in Australia where the blue whale – the largest animal ever –  known to feed.

GEOGRAPHE BAY

As well as a popular holiday destination where people flock to relax, whale watch, fish and sail, Geographe Bay is a resting area for migrating humpback whales.

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LORD HOWE ISLAND

Home to the world’s most southerly coral reef, World Heritage-listed Lord Howe Island is a crossroads where five major ocean currents collide, creating a fascinating and unique mix of marine life.

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THE GULF OF CARPENTARIA

A crucial part of one of the last intact tropical marine systems left in the world.

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THE KIMBERLEY

The Kimberley has some of the last intact natural areas left on the planet. Its incredible beauty is matched only by its enormous diversity.

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THE GREAT AUSTRALIAN BIGHT

A globally significant breeding nursery for the southern right whale and southern bluefin tuna. The cool waters of the Bight have exceptional diversity – more than 800 species have been identified here.

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Currently, Greenpeace has an urgent campaign regarding The Bight.  I visited the iconic Rainbow Warrior when it docked in Melbourne, and the crew explained it was here specifically to make Australians aware of the dangers of oil exploration in one of the last unspoiled ocean havens in the world.

Local people living along the coastline have warned of the devastating consequences of an oil spill – and international companies ALL have a less than clean track record and CANNOT guarantee that won’t happen

The seismic blasts used to locate gas or oil in deep water are louder than grenades. The noise loud enough to burst human eardrums and can cause permanent loss to whales, which are many times more sensitive to sound. For marine animals relying on sound to communicate, mate and survive, this will be devastating!

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Furthermore, we should listen to the First Nation people living in the area – voices repeatedly ignored to our peril. What of their rights?

Overturning aqua nullius: securing Aboriginal water rights

This book by  Dr Virginia Marshall launched by the Hon. Michael Kirby AC CMG in 2017 provides important information we can no longer ignore:

Aboriginal peoples in Australia have the oldest living cultures in the world. From 1788 the British colonisation of Australia marginalised Aboriginal communities from land and water resources and their traditional rights and interests. More recently, the national water reforms further disenfranchised Aboriginal communities from their property rights in water, continuing to embed severe disadvantage. Overturning aqua nullius aims to cultivate a new understanding of Aboriginal water rights and interests in the context of Aboriginal water concepts and water policy development in Australia.

Drawing on the United Nations Declaration on the Rights of Indigenous Peoples, Marshall argues that the reservation of Aboriginal water rights needs to be prioritised above the water rights and interests of other groups. It is only then that we can sweep away the injustice of aqua nullius and provide the first Australians with full recognition and status of their water rights and interests.

It is time to acknowledge past mistakes and work together to safeguard the future from a humanitarian as well as a scientific perspective.

There is a national and international scientific consensus on the benefits of sanctuaries. Sanctuaries protect crucial feeding and breeding areas to help ensure we have fish for the future.

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Research consistently shows the number, size and diversity of marine life greatly increase once areas are fully protected, and there is growing evidence of ‘flow on’ benefits into adjacent waters.

Tasmania’s Maria Island sanctuary has seen rock lobster numbers increase by more than 250%, spilling over to boost fishing and combat destructive sea urchin spread.

Sanctuaries also ensure coral reefs are more resilient to devastating bleaching and cyclones – making them more important than ever before.

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And it is not just Australia’s marine life that benefits…

Sanctuaries are tourism powerhouses supporting a range of growing industries in regional communities.

Long established marine sanctuaries are boosting tourism, fish populations and local businesses. They are an environmental, social, and economic success.

At Ningaloo Reef, 180,000 tourists visit and bring in $141 million each year.

Many of our treasured fishing destinations have been marine parks for years now.
Long-standing marine sanctuaries are working hand in hand with world-class recreational fishing in places like Ningaloo Reef, the Solitary Islands and right along the Queensland coast.

The establishment of our National Network of Sanctuaries has been one of the most evidence-based and consultative processes in Australia’s history.

Australians are enthusiastic supporters of marine sanctuaries, particularly once they have experienced them first hand. They express their support at public events direct to their local MPs and in the many thousands of submissions to government consultation processes.

Across the country, we hear the consensus: to be Australian is to treasure the big blue backyard that is our birthright.

It is our overwhelming desire to maintain the health of Australia’s oceans for future generations.

For our marine life, and way of life.

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We all share a duty and an opportunity to continue our nation’s proud history of stewardship of the seas – a bipartisan legacy for future generations.

On Sunday, I was rewarded for being a volunteer with Open House Melbourne, by a free trip on the river, which left from Docklands. I learnt how important the Melbourne waterfront is to Victoria’s economy. With imports and exports, it is the busiest port in Australia.

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The litter trap sign warns: If it’s on the river, it ends up in the river…

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Economic gains come at a cost and fortunately, there are many more people aware of the importance of keeping our waterways and the oceans healthy – not just in Melbourne but all along our coastline.

On the way to catch the boat, I passed a sculpture by Mark Stoner: The River Runs Through It – the message and reminder of what was and is, poignant and confronting and I hope does what good public art should do – allow us to pause, consider, and think about our understanding of the artist’s vision.

 

 

 

Citizens in democracies are lucky because we have an opportunity to ensure we vote on government policies that matter by letting our politicians know what we care about.

The most important issue for me is that action is taken to protect our waterways and oceans and attempt to heal the environment as we face climate change.

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Please feel free to use the information, perhaps get in touch and request your local member of parliament give a commitment too.

Is Love All We Need?

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#TravelEverywhereWithLove and Dogman

At the beginning of the week, I had to go into the city and because it has been a while, I took the opportunity to stroll through some of the streets and arcades I don’t normally visit and chanced upon a sculpture that looked vaguely familiar yet I hadn’t seen it before.

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Travel with Love is a global public art project that’s re-uniting the world. In the face of closing borders, it stands for keeping minds open and love flowing.

Gillie and Marc are creating interactive bronze sculptures featuring their iconic characters for leading cities across the world. When people see the familiar and beloved Rabbitwoman and Dogman in a city, they’ll know that they’re welcome there.

When I read the blurb, I remembered where I’d seen similar public art – in December 2017, walking along the St Kilda foreshore with visitors from England after showing them the little fairy penguins.

 As unlikely animal kingdom companions, the Rabbit and the Dog represent diversity and togetherness. Without a definitive race, religion, or culture, they symbolize all people as one.

A Case of Love At First Sight?

The artists, Gillie and Marc met on a film shoot in Hong Kong. Apparently, their differences should have been incompatibilities, but ‘their hearts said something else’. Seven days later they were married on the foothills of Mt Everest and are best friends and soulmates,  collaborating for over 25 years as artists.

They appear to be living proof that indeed ‘love is all you need’ and they are spreading that love by ensuring their art makes a powerful statement as a motivating force for compassion and conversation.

Sydney-based they have created these iconic hybrid characters, which are definitely eye-catching and I believe they do what all good public art should do – they start discussions.

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Dogman as paparazzi?

Two of the sculptures in St Kilda paid homage to well-known women:

  • Inspired by Angelina Jolie’s humanitarian efforts with conservation, education and women’s rights. Angelina RabbitgirlStronger than ever – stands tall and strong showing she’ll never give up.
  • Marilyn Monroe may be the world’s most recognisable sex symbol, but behind her twinkling eyes and dazzling smile was a fragile and fearful rabbit-like woman struggling to cope with her own fame. She was also one of the first celebrities to be honoured by the paparazzi. Happy Birthday Mr President highlights society’s obsession with celebrities in a fun and accessible way.

( Marilyn Rabbitgirl strikes that famous pose I wrote about when Bendigo Art Gallery hosted a giant Marilyn statue and exhibition a couple of years ago)

The third sculpture is of coffee mates a beloved motif in Gillie and Marc’s art. These coffee drinker friends warmly remind viewers of their first-morning coffee. Early Morning Coffee shows Dogman and Rabbitwoman peacefully enjoying a morning coffee.

It was loaned to three separate locations in Melbourne: Melbourne Emporium, 500 Bourke Street and St Kilda Pier.

St Kilda Pier bought the sculpture after their three-month loan period because the sculpture was so successful in bringing together the local community.

I don’t know whether Travel With Love will remain on St Collins but considering the current debate engulfing our parliament in recent days concerning refugee policy, I really hope so, because unlike our Federal Government’s attitude this sculpture encourages unity rather than enmity.

In response to the worldwide plight of refugees and immigrants, and changing border control policies, Travel with Love has been created as a stand for global unity. Connected by the public art project, each visitor (traveller and resident alike) will feel like next door neighbours.

…Rabbitwoman and Dogman tell the autobiographical tale of two opposites coming together to become best friends and soulmates. The Rabbit and the Dog, as unlikely animal-kingdom companions, represent diversity and acceptance through love.

Rabbitwoman and Dogman have a dream that all creatures, regardless of race, religion, or orientation can feel accepted and never be judged.

Dogman holds a magnificent red apple. In Chinese, the word for apple is ping. Ping also happens to be the word for peace –  a critical facet to the sculpture’s design.

2018, the Year of the Dog was going to be a year of good fortune, and the artwork aimed to engage existing community residents, while also attracting new visitors to this vibrant hub of multi-culturalism in Melbourne.

In Chinese tradition, when a dog enters a home it symbolizes the coming of good fortune. Dogs are loyal, clever and brave. Best friends to humans, they are known for having harmonious relationships with people from all walks of life and don’t discriminate against socio-economic status, race, religion, or orientation.

 “In the face of last year’s unstable global landscape, an apple signifying peace holds particular importance by spreading the message of diversity and acceptance for all beings… Gillie and I feel deeply connected to this representation, as all of our art is built upon the foundation of love and togetherness.

We combined the powerful image of Dogman with an apple in the hopes of inspiring the public to be brave in the pursuit of a better world. ”

Gillie and Marc

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Writers & Love

Love is the extremely difficult realisation that something other than oneself is real. Love, and so art and morals, is the discovery of reality.

Iris Murdoch 1919-99: ‘The Sublime and the Good‘ in  Chicago Review 13 (1959) 

Most people experience love, without noticing that there is anything remarkable about it.

Boris Pasternak 1890-1960: Doctor Zhivago (1958)

Love doesn’t just sit there, like a stone, it has to be made, like bread; remade all the time, made new.

Ursula K. Le Guin 1929 – 2018: The Lathe of Heaven (1971)

You know very well that love is, above all, the gift of oneself!

Jean Anouilh 1910-1987: Ardèle (1949)

Romantic love is one of the great and popular themes for art, especially literature and screen and in our society, we even set aside a special day to remind us of the fact!

Love The Day
Mairi Neil

Valentine’s Day, a day for lovers
Mr or Mrs Hallmark tell me so.
A day for lovers under covers
Valentine’s Day? A day for lovers!
A day when you forsake all others
A day that costs a lot of dough
Valentine’s Day, a day for lovers
Mr or Mrs Hallmark tell me so!

Remembering Mum
Mairi Neil

I can see you sitting reading a book
Twisting your hair, deep in concentration
I know you’d rather read than cook
I can see you sitting reading a book
Into another world with such a contented look
Did Dad envy the Mills and Boon destination?
I can see you sitting reading a book
Twisting your hair, deep in concentration

But there is also love of country, place, objects, family, food, music, hobbies, sport, film, books, politics, pets … the list extensive… all can add profound meaning to life, be the inspiration for getting up in the morning, the reason for decision-making, and for daily satisfaction.

LOVE

  • a word, a feeling, a concept, a theme… love can be small, specific, detailed, contained within a personal circle or there can be the bigger picture – a love for humanity.

However, you experience love, I hope it involves tenderness and caring, perhaps duty and responsibility, resilience and loyalty, commitment, maybe even fun if it is something rather than someone.

No matter the interpretation or experience, I agree with Gillie and Marc that life is better with love, and kindness, especially when it comes to treating neighbours, immigrants, refugees and others marginalised.

We are lucky to have talented artists who can confront us with ideas, and councils, philanthropists, and communities prepared to invest in public art – whether it be sculpture, murals or other installations.

When I was in Irkutsk, Russia there was a whole park full of installations, many the embodiment of well-known rhymes and fairytales or figures from mythology.

3 wise monkeys.jpg

I loved this one based on the three wise monkeys: hear no evil, see, evil, speak no evil. A cultural icon originally from the east (Japan) and well-known in the west.

I remember a small brass ornament that always sat on the mantlepiece during my childhood and I know many people in my age group (aged pensioners unite!) will remember something similar.

I wrote a prose poem years ago in class when I gave the students an exercise based on ‘an object of significance’ from their childhood.

Three Wise Monkeys
Mairi Neil

Mizaru, Kikazaru and Iwazaru sit on the mantlepiece:
seeing no evil, hearing no evil, and speaking no evil.
A Japanese pictorial maxim transplanted to Scotland.
Brought home by a great uncle, a ship’s captain,
these wise monkeys an added admonishment
to a childhood steeped in Presbyterian rules.
Yet, the shadow of evil an unseen cloak –
we live in the tatters of World War Two.
Crowded cemeteries, buildings awaiting demolition,
food rationing… crippling austerity,
shattered families struggle to find meaning,
shudder if ambulance and police sirens wail.
Speak no evil an achievable rule perhaps
but hearing no evil more difficult
and what of seeing evil or evil seen?
The brass monkeys a cold and chilly weight
in my child’s hand… etching a mystic message
of rules, to chant in the playground.

In Yekaterinburg, Siberia there was a delightful animal orchestra near the arts precinct. They brought a smile to my face and like the fairytale park in Irkutsk presented a different image of a country often represented in the media by military statues and huge murals of revolutionary figures.

Yekaterinburg Russia.jpg

I also loved this one of folk musicians in a park renowned for festivals and open-air concerts. having lived through the 70s and adoring Dylan and Donovan as well as Baez and Mitchell, this couple melted any language barriers.

Yekaterinburg - Zoopark.jpg

But perhaps my favourite piece of public art when I travelled was Wincher’s Stance by John Clinch (an apt name). It was named by Susan Ritchie and commissioned by Strathclyde Passenger Transport Executive. Of course, it’s in Glasgow.

(In Scotland, winch is to kiss and cuddle. It also means to go out regularly with someone.)

winchers stance sculpture.jpg

The emotion this couple radiates is recognisable to anyone who arrives or departs from those they love – it can be the joy of reunion, or ensuring a lasting impression.

It can be easy to walk past public art or grow accustomed to it or take it for granted so I’m glad I came across Dogman and reading the artist’s statement helped me reflect on its message.

Love may not be ‘all we need’ but caring for each other and recognising similarities rather than differences is a good start.  A big thank you to the many public art installations that encourage reflection and conversation!