A good way to learn about the region’s First People is to take a vintage tram ride on the Dja Dja Wurrung Tram – a moving celebration of their cultural heritage that navigates the past and present of the changing environment since colonisation.
For the second year, the City of Greater Bendigo opened its doors and partnered with Open House Melbourne to host Open House Bendigo on the last weekend in October. Supporting partners were Creative Victoria, DELWP, Heritage Council of Victoria and the La Trobe Art Institute.
I was thrilled to volunteer again because Bendigo is a place you can easily fall in love with and being part of a volunteer crew hosting a building for Open House, I indulge my love of history and heritage and chat with a host of interesting people sharing a similar love or just satisfying their curiosity about buildings they pass every day or had a connection to in the past …
Whatever the reason, the air comes alive with stories, characters and settings and for a writer – to paraphrase our PM – How good is an Open House weekend!?
In a thank-you email received yesterday (and the wonderful crew who run Open House nurture and always thank the volunteers!) the statistics have been collated:
over 10,000 visits across 27 buildings and 9 special events
a clear demonstration of continuing public interest and engagement in the city’s architecture and heritage.
as expected the Beehive was the most popular building with over 2,123 people taking advantage of walking through the door
The cooperation and enthusiasm of building managers, owners and architects also make the program possible and local volunteers from a variety of community or educational organisations keen to showcase on this extremely busy weekend for Bendigo.
There is an annual Cycling Classic plus a Sustainable Living festival and lots of cross-pollination between events. I even paused to enjoy the excitement of one of the cycling heats:
Bendigo is only 90 minutes by train from Melbourne and although the weather wasn’t as pleasant as last year visitors were not deterred and not only the Beehive Complex saw increased numbers.
People queued patiently outside and inside the building to be allowed a walkthrough of half an hour – 15 minutes downstairs and 15 minutes upstairs and volunteers kept the numbers moving by ensuring the time limit strictly adhered to.
My teaching voice came in handy as I herded those on the upper floor, as did the timer on my mobile phone and the response from a good-natured crowd.
Why was the Beehive so busy?
The Beehive Building is a Bendigo landmark and dates back to 1872 when it was the Bendigo Mining Exchange. The building has been through many manifestations since then and therefore holds a variety of memories for the people of Bendigo.
Last year, Open House Bendigo allowed access to the construction site and the interest generated resulted in queues wending around the streets with waiting times of more than two hours – hence the timed viewing and entry this year!
The exclusive ‘sneak peek’ of ‘never-before-seen restorative works’ and the opportunity to hear from the Developer, Craig Lightfoot, a golden opportunity few locals wanted to miss.
I’ll own up to being critical of many building developers, especially those who seem to want to get rich quick and bulldoze and build rather than restore and redeem but after meeting Craig and seeing the efforts to beautifully restore the Beehive to its former glory I could become a fangirl!
His enthusiasm and passion for retaining heritage aspects obvious. Parts of the restoration will show the history of the building to spark interest and discussion but also as a reminder of the various tradesmen who applied their skills over the 147-year history of the Beehive. Where it is safe to do so, the history of the building and restoration work will be exposed.
In many of the rooms, you will see traces of past occupiers – paintwork, wallpaper patterns, ornamental plaster, brickwork, fireplaces…
Similar in style to Melbourne’s Royal Arcade and by the same designer, Charles Webb, the building’s original uses include a hotel, a mining exchange, a restaurant, offices and function space. The current development uncovers the rich layers of use by removing most of, if not all of the 1920s’ and 1950s’ changes, revealing key features of the original building. Visitors had access to the ground level construction site during the 2018 Open House Bendigo program, and this year visitors will access the newly completed arcade including the second story, revealing the intricate beauty of the glass ceiling not seen for decades.
Behind a still-to-be renovated staircase there will be a quirky memento. Workers have written their name and date they worked on the building, the earliest entry legible is 1939.
Craig assured me he’ll be adding his signature to the wall and that piece of plaster will be made stable and remain as is!
He laughed when I said his commitment to retaining so many historical details reminded me of Kevin Mc Cloud closing many of the episodes of Grand Designs with praise for the builders who retained the ‘autobiographical details’ of a building!
The Beehive Project has been several years in the making and started five years ago. After four years of planning, lots of compliance hoops had to be jumped: Heritage Victoria, CFA building regulations and health and safety issues as well as local building regulations. Times and expectations have changed since 1870.
To ensure disability access, a lift will be installed, modern toilet and plumbing, and most voids had to be removed because of health and safety requirements. Craig managed to keep the centrepiece that gives those downstairs a view to the floor above and the magnificent glass ceiling by widening the walkway on either side.
To remind people the voids were once there he reversed the fill-in floorboards and although the centrepiece had to be narrowed, the cast-iron railings remain, albeit they are replicas. Craig said the original railings were removed and sold off or are languishing somewhere in Bendigo.
Craig duly noted the suggestion and added it to a list of snippets he’d gleaned since opening the building for the public to view. Never underestimate the value of local knowledge!
The building has had many reincarnations – Craig’s plans are for the food and beverage industry. A function centre, with retail and pub or cafe downstairs and intimate and cosy private dining rooms and two larger reception areas upstairs, ideal for weddings and other celebrations like corporate functions.
Coincidentally, both weekends I stayed in Bendigo for Open House, I witnessed a traditional wedding party posing for photos – this year the group was on the steps of the Art Gallery.
I hope Craig gets plenty of bookings and if the response from locals is an indication the building will get plenty of use, people love it and regard it as a Bendigo icon, pleased that it will once again be a place to visit.
A young man dressed intypical tradie gear came through with his mum, grandad and other assorted family members. His first reaction was to retie a striped plastic ribbon cordoning off one of the no-go areas, ‘I’ll get into trouble if this isn’t tied tightly and people go in…’
‘If anyone cops criticism it should be me,’ I said, ‘ part of my job is to ensure people stay to designated areas and don’t go into rooms closed for safety reasons or because equipment and tools are stored.’
He took a bit of convincing from his mother and me that it was okay, it was not his responsibility and it was his day off!
I later saw him explaining to his family in great detail, how he stripped the old paint off, what he’d been instructed to leave, how he scraped, sanded and carefully applied new coats…
Careful, painstaking work, but often rewarded by treasures hidden beneath.
I’m sure he is learning a lot about past painting practices and the type of paint used. Most paints were lead-based and not the healthiest of products so I’m glad he is taking health and safety seriously!
A Cat Through The Roof!
As mentioned, Craig was noting a lot of the stories people told him about how they interacted with the Beehive Buildings. He intends to have a ‘Story Wall’ or some kind of archive where people visiting can learn about the building’s past.
The builders have uncovered ‘historic gems’ and some of these discoveries were on display for Open House – artefacts as well as building features like previously boxed-in metal columns, hidden plaster arches and a steel strongroom door thought to have once blocked the public from gold stored on the premises.
Last year, people got access to the ground floor, but this year they could venture upstairs and one story stands out – in fact, both Craig and I agreed we’d probably dream about it!
There was a staircase leading to ‘offices’ upstairs – the staircase where the tradies had left their marks. People were curious:\ ‘what is up there?’, ‘what will it be?’
A lady said her Uncle Bob and Aunt Win Woods owned the Dad and Dave Cafe and ‘lived up those stairs.’
She became quite teary talking about them and remembering childhood visits when she was around 7 or 9 years old. She recalled Uncle Bob built a clothesline for his wife and placed an extended wooden walkway above the glass ceiling so she could walk out and hang her clothes.
One day, the Siamese cat that used to follow Aunt Win fell through the glass! How narrow and dangerous was that homemade path to the clothesline?
Craig and I both agreed we couldn’t get the image of a falling cat out of our mind and I kept having surreptitious peaks upwards until the end of my shift.
Perhaps the story influenced my reaction when a young mum carrying a baby leant over the cast-iron railings to stare below. Stomach lurching, I moved closer as the much-criticised scene of Michal Jackson dangling his son from the balcony flashed through my mind.
Thankfully, an anxious friend accompanying her spoke up and the young mum moved away. I didn’t have to declare my nervousness or fear of heights.
Another lady told the story of coming up the back stairs and into a shop to get her wedding dress made. The tailoress specialised in wedding dresses and discreet fittings. Craig has chosen to leave the etchings of past occupants on two of the upstairs columns and restore the various staircases.
I hope Craig meets his deadline for March 2020 and that Bendigo will be host to Open House again because I know where I’ll be going to have a cup of coffee or ice cream or just a wander through the restored arcade because as I’ve discovered curiosity does not kill the cat!
… the peoples of the United Nations have in the Charter reaffirmed their faith in fundamental human rights, in the dignity and worth of the human person and in the equal rights of men and women and have determined to promote social progress and better standards of life…
The preamble to the Universal Declaration of Human Rights proclaimed by the UN General Assembly on 10 December 1948
Kingston for Human Rights Inc. aim to ensure the community is aware of the importance of the Universal Declaration of Human Rights as a blueprint for peace. It is regarded as the world’s most important document and has been translated into 360 languages, spelling out the rights of every human being regardless of race, religion or gender.
Each year the group also host a poster art exhibition for children to explore the concept of human rights and prizes are awarded for the posters best interpreting the theme, which this year was Help Clean up The Planet.
The artwork was in the gallery attached to the Shirley Burke Theatre where the event was held and here is a selection of entries who were from local schools. The competition sponsored by the City of Kingston, Lions Club of Mordialloc, Dingley Rotary and St Augustine’s Op Shop.
And the prize winners …
There was also a lovely musical interlude provided by students from Mordialloc College. Two female vocalists accompanied by their teacher, on the keyboard. Both my daughters attended Mordi College so it was nice to see an aspect of their music program showcased.
Geoff Cheong, the president of the Kingston Human Rights group acknowledged the traditional owners, the Boon wurrung before explaining the aims and a little of the history of the volunteer network instigated by the Baha’i Community of Kingston in 2000.
Members come from many walks of life and they are always looking for people to become involved and help support their aims. Contact can be made at www.kfhr.com.au or their secretary at firstname.lastname@example.org
Their sole aim is to stimulate awareness of the Universal Declaration of Human Rights and they maintain an independent status, non-political, non-sectarian and non-denominational. They invite highly qualified speakers to talk about some aspect of human rights and share their skills.
In the past Julian Burnside AO QC, barrister, advocate for refugees and author has spoken about the International Day of Tolerance, Rev Tim Costello AO and CEO of World Vision has spoken about the contribution of refugees to Australian society, Assistant Professor Margarita Frederico from Latrobe University has spoken about the human rights and abuse of the world’s children and Professor David Chittleborough from Flinders University spoke about water as a prerequisite for life… and so the list goes on.
This year keynote speaker, Tracie Armstrong is Director Cities Power Partnership at the Climate Council, Australia’s largest local government climate network, which advocates for green energy initiatives within local communities.
Geoff made the point in his welcome speech that the record of the Indigenous owners was one of 60,000 years of impeccable stewardship of land, sea and air and we should embrace their spirit as custodians, especially since there are increased challenges facing the world globally.
It’s Hard To be Sustainable If You’re Poor
Tracie was officially introduced by Gum Mamur a youth worker and one of last year’s inspirational guest speaker, Les Twentyman’s team. Adhering to the Declaration of Human Rights can unite and preserve the dignity and welfare of all. Tracie’s topic of Human Rights and the Environment vital and most important for our times.
Gum Mamur, a youth worker in Footscray shared his story of being born into a war zone in South Sudan. His mother travelled through 5 countries before finding refuge in Kenya and he spent 12 years in a refugee camp where many had no basic necessities like good health or water, therefore, no one worried about protecting the planet and nor did he when he first came to Australia!
On reflection, he experienced what can happen to the environment through neglect and overuse – when they arrived at the camp he remembered it as green and beautiful. However, as the war continued and thousands needed refuge, resources depleted and the area was desert by the time he left.
It is challenging to see how people around you only think of survival and only their own environment – and most of the people he looks after in his job here have similar attitudes, which he strives to change because we must care for the planet!
He is motivated to make a difference and believes the next 20-30 years are pivotal. 80% of his clients are Caucasian and 50% live beneath the poverty line. His challenge is to make them care about improving their lives and therefore the planet.
There are barriers such as no job, no housing, no easy access to health services, no easy access to food or water, feeling unsafe…
But these are surmountable barriers if resources are deployed, if they get support to find a job, decent housing, and turn their lives around! When you are struggling to survive it is not easy ‘being green’ and if struggling ‘to keep your head above water’ saving the environment and being sustainable is often not an option!
If society provides good conditions for people to live, employment and equality of opportunity, then those people can start caring about their actions in relation to sustainability!
What is the Climate Council?
Tracie explained that the Climate Council was once the Climate Commission and a government body but Prime Minister Tony Abbott abolished it because he didn’t believe it was necessary.
What the Climate Council does is an enormous topic but she didn’t want discussions or attention to focus on its creation or degenerate into an argument over global warming. Check out their website! https://www.climatecouncil.org.au/
The scientists made redundant by Abbott crowdfunded and created the Climate Council, separate from government. It is a not for profit organisation. Their first donation was $15 from ‘Steve’ but in two days they got so many donations that the site was shut down by PayPal because they thought it was set up by Mexican money launderers!
Tim Flannery who was pivotal in setting up the new organisation was in the South American jungle trying to get a signal on his mobile phone to give his personal credit details and prove they were legitimate!
That was 5 years ago and they are still going strong with lots of programs to encourage individuals, companies and communities to make the transition away from fossil fuels.
Tracie mentioned that during the last 40 years there have never been below-average temperatures recorded, bushfire season starts earlier and lasts longer, there are more incidents of coastal flooding and supercharged storms.
For those 40 years and under, climate change is a reality!
Why Is Climate Change Relevant To Human Rights?
Think economics, environment, social and sustainable development:
Policies to halt climate change can also impact on human rights –
The right to life impacted by weather events/disasters – death can be immediate if you live in areas not wealthy enough to be prepared.
Or it can be gradual if there is deterioration of food and water supplies – again, poor people don’t have an equal or level playing field.
The right to adequate food – crops and livestock will be affected, land may become unusable, fish stocks depleted. Tracie mentioned there have been tropical fish discovered in Tasmania!!
The right to water – drinking water and sanitation, increased risk of contamination
The right to health – disease incubation, waterborne and respiratory diseases will be increased (thunderstorm asthma)
The right to security – many people will be more vulnerable to poverty and degradation along with the environment
The rights of Indigenous people – there will be an impact on their relationship with the land.
Mitigation – lower the rate of accumulation, which in turn lowers greenhouse gas
Adaptation – planting trees on rooftops etc
Location – refugees and forced movement of people eg. Pacific islands
Disaster relief needed because low-income people will be disproportionally impacted by government measures against climate change.
A Climate of Fairness
This report states that policies must incorporate human rights
Refocus and recenter the debate on communities
Government decisions must have an input of local knowledgeand traditional practices
Minimum human rights standards
The size of the Melbourne rally – School Strike for Climate – was inspiring – more people are realising there is no planet B!
Demand there be no new oil, coal or gas projects
Suggest govt 100% fund a just transition and job creation for fossil fuel workers
The Climate Council works with local governments to transition to renewables
Celebrate and accelerate clean energy councils. 30 councils on board now
It was great to hear that Kingston Council is doing amazing things:
solar panels on buildings like libraries and community centres
Upgraded street lights using LED
Environmental upgrade agreement financing and supporting local schools who resource smart solutions
Some schools environmental ambassadors with a dolphin program
We are a wealthy country and don’t have an excuse not to do what we can!
The Federal Government Needs to Show leadership
The recent Recycling Crisis exposed how we were exporting our horrors to neighbouring countries
Climate Emergency – some state and many local governments are declaring climate emergencies – they are not waiting for Federal Government to show leadership on this issue
The Climate Council do not pressure political parties or governments because there could be a political backlash – some local governments are ahead, others worried, but the Climate Council don’t push it because it will alienate supporters.
People don’t want empty rhetoric – Kingston Council launching a food waste program for organic waste
How important is it to write to local members of parliament to express concern and demand action on climate and strike?
Very important! But how do we get our politicians to focus on more than sustainability –
Write Speak Demonstrate
The focus shifting slowly to climate justice rather than just climate action
Just to race for solutions can disadvantage others – for example, the Victorian State Government has introduced subsidies for renters to team up with landlord for rooftop solar. But many renters can’t afford copayment for solar panels. The intention is good but may not be workable. Few renters have a longterm lease so may be reluctant to copayment.
The Circular Economy
Those who manufacture must think of end product – pressure on manufacturers to think of what will happen to waste or what happens to the product when it is waste eg. Single-use plastics.
Many industries demanding climate policy and calling out for leadership.
We may only have a small population but produce the highest emissions because of what we do!!
Adani mine not necessary for India – there are no poles or wires for electricity. India is heavily investing in solar!
Technology helps the Third World – satellite connections for communications
Everything we do here will affect Third World countries, or they’ll follow us – the other side of the world always does whether for good or bad!
Climate change does not respect borders – we can’t sit on our hands
How do we engage those who won’t read reports or care?
Look on the Climate Council website on how to have conversations with climate deniers! We must keep momentum going – need 107% to care and do.
Read the book On Fireby Naomi Klein – see page 135 – she advises it is not all up to one person to fix the problems of the world, just do what you can.
There is strength in transformation – millions are changing and doing – be part of it.
I’ve lived in Mordialloc for 35 years and like many living bayside I’m forever conscious of the fragility of our environment: erosion of cliffs and sand dunes, the need for the perpetual replacement of sand on some of the beaches, the close proximity of the water table and propensity to flood, importance of the wetlands for bird migration and propagation, history of the swamps and flooding in certain areas, the risk of pollution to Mordialloc Creek…
The glorious walks along Mordialloc Creek alone, or with Jillian, my current walking buddy, or walking the family dog, Josie with one of my daughters. You never know what or who you will encounter.
I love strolling through Attenborough Park showing visitors the Indigenous plants, the boats moored on Mordialloc Creek and then wandering up and down the pier checking what fish are biting – or not – whether it is a good day for sailing – before finishing the tour enjoying a cuppa in one of the many cafes in Mordialloc and Parkdale.
indigenous camping ground
Cormorant on boat
Memories of sitting on Doyles’ deck abound – sipping a cider or cup of tea, revelling in the happy noises of chatter and laughter, birds twittering, ducks quacking, boat engines chugging and the steady drone of cars powering to work or home.
To live in such a peaceful community a blessing, especially surrounded by so much natural beauty. However, peace, tranquillity and beauty do not ‘just happen’ in urban areas because for every park, waterway or wetland there are friends’ groups and volunteers working hard to preserve the natural environment, forever vigilant against threats and encroachment.
Mordialloc Beaumaris Conservation League Caring for 50 years!
The reason we have so much natural space and loveliness to enjoy in Kingston is that there are those within the community ever ready to defend the environment – even if that means public demonstrations, court challenges to the council and state government proposals and decisions, or campaigns of awareness that something of value is under threat.
One such group is the Mordialloc Beaumaris Conservation League and at the end of September, I attended a low-key celebration of their 50th Anniversary.
This community group of volunteers dedicate their time to protecting and promoting the wonderful coastline of the Bayside suburbs and also monitoring the environment of Mordialloc Creek.
A name that continually pops up in regard to the group is Mary Rimington AM, who with her husband and children and a handful of stalwarts have done an outstanding job over the years, ensuring the group not only continues but achieves many successes.
Mary has been the secretary of MBCL for 30 years and is the keeper of archives – being a local school librarian BC (before children) her training and attention to detail a wonderful asset.
Research and accurate record-keeping and a passion for the environment have helped Mary be an inveterate writer to the newspapers. Her published letters in the local paper and The Age always demonstrate knowledge and field experience. Likewise the numerous submissions to government bodies and enquiries.
There was a board display at the celebration but also bundles of leaflets and material on shelves, which were full of remarkably rich historical information. I’m grateful to another active member of the group, Nina Earl for this summary:
the first AGM in 1969 and documentation and outcomes of other meetings
campaigns against a Bay Gas Pipeline and later channel deepening to retain the natural coastline and Mordialloc Creek
Copies of submissions, letters, maps, photographs, paintings
flyers on the long-running campaign for the Bay Trail,
three versions of brochures of Coast and Creek walks – the latest one used in local secondary colleges
the 2019 submission on the Mordialloc Freeway Environmental Effects Statement
the draft concept for the long-awaited Sandbelt Open Space Chain of Parks and Trails first proposed in 1984 and long supported by MBCL and still current.
The contrast between the booklets published previously and the latest one, more to do with cost and availability of technology than the information provided.
Although, there is no contest as to what booklet will appeal to young people and hopefully, encourage them to read and explore the local environment. The latest edition is stunning!
Here are selections from each to compare:
Mary’s son, Lew, the Treasurer for MBCL shared some firsthand memories of the various campaigns since his school days and how he and his siblings were often called in at short notice to be ‘in the picture’ if media showed interest in a campaign and a photographer turned up – his mother always media savvy!
The Hon. Clifford Hayes MLC Southern Metro and his Chief of Staff, Kelvin Thompson (an ex-MP) were invited guests and Clifford Hayes thanked the group, especially Mary and her family for their conservation work and keeping so many important and necessary campaigns in the public eye.
He promised to continue to advocate for the environment.
Mary spoke about some of the highs and lows of MBCL’s history – not every campaign was successful and some were more memorable than others. She commended the commitment and activism of Professor Michael Buxton and Peter Scullin who were unafraid of taking on the establishment and challenging the law.
I nominated Mary to be a co-speaker when I was asked to present at IWD 2016 because I was Kingston Citizen of the Year. When she was awarded the Kingston Citizen of the Year in 2017, I was thrilled her remarkable community service and devotion to all things environmental was recognised!
I have a deep respect for all that MBCL have achieved and know Mary is the devoted lynchpin of the group, even when some of the campaigns have been controversial or far from popular. I’ve lived in Mordialloc for 35 years and have seen the improvements to the foreshore, the Creek, the Wetlands – all areas championed by MBCL.
Other community groups have also been active for many years with a few prominent in the 80s and 90s when the council responded to their concerns and we are reaping the benefits today.
I became involved with some of the groups and in campaigns to rein in developers and retain the ‘village atmosphere’ so many Mordialloc residents value.
Campaigning to retain the integrity of the Green Wedge an ongoing battle debated every year for almost the last decade!
A climate catastrophe has been declared/recognised by many countries, at the same time Victoria has massive infrastructure projects and fast-paced housing developments, and in Mordialloc and surrounds we see evidence of this daily.
We need the diligence and courage of groups like MBCL to remind us of the value of our natural environment, of what we must conserve if we want to protect the habitat for countless flora and fauna facing extinction and to ensure our own health.
Infrastructure and housing important for a growing population but how we manage the necessary development important for the survival of the natural environment because our health and wellbeing depend on that too!
Groups like the Mordialloc Beaumaris Conservation League remind us to value the natural world and inspire us to action to convince legislators to protect and provide a vision of what is necessary for future generations.
It’s lovely to have a book signed by an author and although I couldn’t get to the book launch because of another launch, a friend kindly picked up a copy of Ros Collins’ latest book, Rosa by Hybrid Publishers.
The blurb announces the memories of Rosa are presented ‘with a deliberate overlay of lies and licence.’ The boldness of this statement, a little confronting, especially sincethe book is labelled Memoir – defined in the dictionary as a narrative or biography written from personal experience.
However, as a teacher of Life Story writing, I’ve lost count of how many times class discussions have debated the concept of truth in relation to the reliability and perspective of our memories, coupled with the attendant fear of causing hurt to someone still alive or even tarnishing the memory of someone deceased.
A memoir is considered ‘Creative Non-fiction’ and who is to say the emphasis is not on the word creative, which can be interpreted as ‘having the quality of something imaginatively created’ or ‘containing misleading inventions designed to falsify or conceal the facts’!
… memoirs depend on memory and, despite being the subject of philosophical investigation going back as far as Plato and of plentiful scientific research since the mid-nineteenth century, memory remains an elusive topic. How does it work? Can our fondest memories of childhood and loved ones really be reduced to molecular activity in the neurons of the brain? Will medical science one day be capable of eliminating the traumatizing memories that can paralyze us, and implanting happier memories in their place? Are memories the cause of the biographical continuity that bolsters our belief in personal identity? And how accurate are memories even among the healthiest of us? Does it make sense to base our present-day attitudes and emotions on recollections of our past experiences?
Robert Atwan, Creative Nonfiction, Issue #55, The Memoir Issue
In her introduction, Ros uses softer words to explain how Rosa differs from a previous book about her life, it is ‘much more personal… freely written’ and she admits to ‘taking liberties with the truth’.
There is still a lot of family history included in Rosa – she revisits Solly’s Girl (2015), a book that was as ‘accurate as my memory would allow’ and written as a companion piece to her now-deceased husband’s Alva’s Boy (2008). An acclaimed writer, Alan Collins wrote short stories and books about his Bondi childhood.
Ros Collins writes to entertain as well as inform and her conversational style with well-researched detail has produced wonderful stories revealing scenes of Anglo-Australian-Jewish life probably unfamiliar to many readers, and which I found fascinating.
‘Memoir with a little fiction, or fiction with a little history? It’s hard to say, Memories with licence.’
Although of a different generation, there were historical references, organisations and events I recognised. They triggered memories, especially involvement with the labour movement and the Australian Labor Party and various campaigns in the 60s, 70s, and 80s.
The divisiveness of the Vietnam War, the election of the Whitlam Government and the opening up of educational opportunities for older women, which Rosa took advantage of. ‘The Palestinian Debate’ which still causes angst and the trade union campaigns to improve conditions for Victorian teachers that raised the ire of Premier Henry Bolte.
Rosa ticked several boxes in the list of why I read books: for enjoyment, to be immersed in a different world, to learn something new, to encourage me to seek more information and to reflect on the human condition.
Ros is a woman of many accomplishments with several great achievements as a qualified librarian, yet, there is no pretentiousness when she explains her journey to becoming a director of a Jewish community library at fifty-seven and her vision of a national Australian-Jewish library.
With dedication, commitment, and tenacity she created the successful ‘Write Your Story’ program whereby the eclectic members of the Jewish community can access funds and help, and write their memoir.
‘Most memoirs -so far, more than 140 have been published, the largest such series in the world – are related to the Holocaust; eventually, as generations pass away, the stories will become more Australian, less European.’ (p122)
Her involvement with the community library for thirteen years followed by twelve years cataloguing the Yiddish library:
‘She brings the boxes of shabby books home to catalogue… A little pamphlet, held together with rusty staples; cheap yellowed paper, crumbling to pieces; no cover; a grey, grainy author’s picture.
… a first-hand account of how his village was destroyed during the Holocaust – most of the Jewish community died, locked up in the synagogue and then set on fire – he hid in a barn.’
Ros is reduced to tears translating the story for her husband – such is the power and importance of recording and sharing stories.
‘I couldn’t even find the village in the atlas, it’s been erased by some thoughtless publisher. It’s Yiddish, only a few people will ever find out what happened; there’s just my catalogue entry to provide a link.’
Her husband responds, ‘Libraries are important. This is your contribution.’ (p124)
Ros has catalogued and encouraged the recording and publication of so many stories of the Jewish diaspora and so it is fitting and fortunate, she decided to share her own life story and reflections – albeit with several references to her husband’s story and books. She has added a creative flair to her memories.
The deep love and respect Ros has for her parents, husband Alan, her sons and several close friends mentioned in Rosa shines like a beacon. There is no malice in any of her memories but there is a theme of regret.
Ros repeats several times how she wished Alan had been more open and honest about his feelings – not for her but the damage done in his childhood and the guilt he carried because his mother died in childbirth. Ros also regrets not having a closer relationship with her own mother.
‘Themissing mother. Rosa had always been aware, but when she first read his stories she’d never put it all together in her mind, never ‘joined the dots’, done the whole ‘lit-crit’ exercise. Perhaps it would have led them to deep and meaningful discussion and enriched their relationship if they’d talked about his emotions, but then, she reflects, he’d only have turned it into a quip, slid away from the subject with a bit of banter.(p156)
We learn about their unconventional courtship in London and Rosa’s decision to migrate to Australia as a ‘ten pound Pom’, their determination to build a home – physically a house and financially a business but also emotionally with children – three sons, plus later, a teenager, ‘the Boy’, a fostered child described but not named.
‘The six-year-old and the five-year-old took the view that they had now acquired an older brother, but for the three-year-old, the Boy represented an heroic Superman figure; their relationship became very special and the rift, when it came, was all the more painful.’ (p89)
A family disagreement and period of estrangement always difficult to write about, the temptation to omit or embellish to justify an action. In Rosa, it is deftly handled although Ros did give herself a ‘memory with licence…’
The use of dialogue to good effect, the attention to detail and use of senses to describe food, flowers and situations – techniques writers keep in their toolbox – Ros uses all of them to produce a good read.
Italics for non-English words and terms but also for emphasis and reflections in her voice. There is a flitting backwards and forwards to weave all the family stories and people together along with their place in history without rupturing the fabric of the overall story, which is why I believe others writing their life story could use Rosa as a template.
Our memories don’t all come in a linear or chronological fashion and from my experience in writing class piecing together short stories is a natural way of collating memories and weaving the threads together.
Ros is a proud secular Jew yet is determined her grandchildren will know the family history but does not want them to be weighed down by the Holocaust.
Throughout the book, the workings of family, worship, differences in synagogues, sects, customs and the politics of ‘those of Jewish persuasion‘ Alan’s wry remembrance of the phrase often used in the past, are explained and placed in historical as well as an Australian context. The knowledge and explanation of beliefs and practices, I found invaluable.
‘For many non-Jews, the Shoah, the Holocaust, is just another part of the war: Hitler had plans for something called the ‘The Third Reich’, and, by the way, he also intended to exterminate all of Europe’s Jews.
For Jews, the Holocaust is the war and Israel is our miracle: In every generation from Pharaoh to Hitler they have tried to destroy us; never again!’
Remembering is a solemn duty, as is recording and researching. Jewish literature wrestles with stories of survival, heroism and of course the complexities of the Middle East. Museums and memoirs multiply. Al, fifth-generation Australian and Rosa, second-generation English and ‘more British than the British’ do not exactly fit the norm for Melbourne Jewry, which is home to one of the largest communities of Holocaust survivors in the world. She thinks: We’re a perfect example of how deeply embedded the history is in our psyches even though neither of us was directly involved. (p117)
Ros relates a speech husband, Alan made at a Shoah commemoration event at Melbourne’s Holocaust Museum where he painted a picture of 1930s Sydney and his father:
‘a devout xenophobe with a particular focus on Jewish refugees who told him; ‘not to mix with them’, ‘Jew-hating out-of-work Australian labourers’ and ‘well-meaning policemen who called me Ikey.’
The older audience members nodded sadly in remembrance. (p118)
The more we share our stories and make a habit of listening to others the more tolerant society we will become – I hope!
Ros explained Alan finished his talk, given over 30 years ago at the Holocaust Museum thus:
So I write about what I know which is what it is like growing up and living and dying in this country where thank God, patriotism and zealotry are negligible and when a letter arrives with OHMS on the envelope it doesn’t contain an imperative to pack your bags. (p73)
Ros reflects in 2018 that she ‘doesn’t quite share his belief in the fundamental goodness of Australia, and long ago she cast off her allegiance to England…(p73)
Therefore, a book like Rosa that ‘flings open the windows and doors‘ and invites us to learn about a world of cultural habits and rituals often misrepresented, misunderstood, or unknown is one to grab for the bookshelf.
In the final chapter, aptly titled Rose Garden, Ros discusses the Jewish section of a cemetery and thoughts sparked by physicist/musician/celebrity Brian Cox’s remarks on television …
…belief in some form of afterlife ‘feels right’ or more precisely, the alternative, that after death we are nothing but a bag of chemicals from which ‘nothing has left, yet what is left is not longer me’ somehow ‘feels wrong’…
The central question is, can you build a time machine? The answer is yes, you can go into the future… Going back in time, or returning to the present, would be slightly trickier, however…(p183)
Rosa harks back to childhood and a fascination with Lewis Carroll’s Through the Looking Glass and Alice’s Adventures in Wonderland and repeats a conversation she had with a grandson.
‘Where will you go when you die, Grandma?’
‘Well I’m not absolutely sure because no one comes back after they die, but I think I shall go on a journey.’
‘A long one?’
‘What will you take with you?’
‘I think I can take my memory. Clever people now think it might be possible to travel through time – backwards and forwards.’
‘Oh, I’m sure you can Grandma, I once read a story like that.’
‘So did I, darling! (p185)
Many of us can identify with this conversation, fear of or concern about dying common.
The conundrums, worries and questions of life wax and wane as we live and age, but writers continually reflect on the significance to the big picture, as well as the importance of those near and dear. Who do we love and how much do we matter to them and they to us?
It doesn’t matter what your background, race or religion as we near the end of our life most of us have failing health, increased vulnerability, and wonder how and in what manner we will die – and then what?
Rosa explores the distant and not so distant past, the present, and voices curiosity about the future. Ros has written a wonderful legacy and future descendants will understand their family’s Jewish history, current festivals and rituals, even if they choose to rationalise like she often did: The significance lies in the fact that we are together around the table, never mind the calendar.
Ros Collins was born in 1938 and after supporting her husband’s writing endeavours began to write short stories and now has two books to her credit – an inspiration indeed!
There is no greater thrill for a teacher of creative writing than to see the joy on a student’s face when they hold in their hands, the book they have written.
When that student has put years of effort into making the dream a reality and overcome health problems, the moment even sweeter.
Yesterday, I met up with some past students of my Life Stories & Legacies class that ran from February 2014 – December 2018, at Godfrey Street Community House in Bentleigh. We gathered in Sandringham to celebrate with Edna Gaffney the publication of her memoir, Chibby From Brandy Creek.
The Life Stories class at Godfrey Street, one of the most cohesive, supportive and friendliest classes in my 20 plus years of teaching, which has included four community houses. Several of the students still meet monthly and email or phone each other regularly.
Edna is the second to publish a memoir, another student will have one out for Christmas and another perhaps in the New Year. A great bunch of writers dedicated to their purpose of leaving a legacy for family and friends. They have all led amazing lives spanning decades.
Edna was in her mid-eighties when she came to my class with a determination to write a book about her mother, family life in Gippsland between the wars, and also her own life as a nurse, particularly, as one of the first nurses to be trained at Cabrini Hospital to care for cancer patients undergoing chemotherapy.
In her Dedication, Edna wrote:
These efforts to record memories, I dedicate to my family and future generations. I wanted to describe my early life living in Gippsland, rural Victoria, and to honour my mother. Our family experienced a lifestyle and events different to many others and to the expectations of people today.
Miracles can occur in most families, maybe not suddenly, but over time, and I consider the eventual reunion of my siblings after the death of our mother, a miracle. Six siblings were adopted during 1943-44 and the family split up, yet we eventually reunited as adults and became a family once again. I am writing down some details of our early life for those siblings who have no memories of our natural mother.
I also record my own experiences of family and career. Change of attitude, much-needed patience and endurance to cope and care for others, are some of the qualities I learned in my working and family life – becoming a parent a profound change. My chosen profession of Nursing has altered dramatically since I began Mothercraft Nursing at the Berry Street Babies’ Home in 1947.
A Powerful Story Shared
When Edna enrolled in 2014, like many older students, she had no computer skills and in fact, no computer. However, after absorbing what it means to be a writer in the modern world, Edna enrolled in computer classes at the Community House and bought a laptop.
I don’t think she’d mind me saying that her success in writing this book was not replicated in the computer class! Wisely, she concentrated on the writing and saved money and time by allowing her daughters and me help with typing. I have no idea what happened to the laptop except it was often threatened and may indeed have been ‘chucked out the window’.
Edna’s daughter, Jane-Maree arranged the launch yesterday and was a driving force in the final stages of the project as her mother’s health deteriorated. We were determined the book would be published before Edna’s 90th birthday on July 2, 2019, and made the deadline.
However, the actual launch delayed while Edna settled into a nursing home – a disruptive, often devastating, and certainly time-consuming challenge for everyone concerned.
Fortunately, Edna likes her new home and Jane-Maree said, ‘they were great’ providing the comfortable space for the celebration.
The Journey To Publication
Over the years, I published five of the nine anthologies for the Mordialloc Writer’s Group. Along the way I threw myself into lifelong learning, grappling with InDesign, attending workshops on desktop and digital publishing, reading books, online articles, trawling websites and information from email lists, and watching webinars to keep up with the rapid changes in the writing and publishing industry.
It is a privilege to share those skills with writing students and to be trusted with their precious words when they decide to publish. I know there are some disastrous self-publishing efforts and looking back at my early efforts, improvements can certainly be made, but I have become a small press publisher by accident and will continue to learn on the job.
Software and hardware capabilities and printing options have radically changed in a few short years. The cost, which has a big impact on choice has changed too – you get a bigger, better bang for your buck nowadays!
The aim of most writers is to be published – not necessarily a novel, memoir, or poetry book, but perhaps simply a short story or poem that begged to be written, or a slice of family history or an anecdote so memorable, it must be committed to print. (I prefer printed books.)
Some students come to class with a definite project in mind. They have a dream to publish a book with a target audience of friends and family.
Not everyone aims to have a book in Readings or become rich and famous with a bestseller or win a prize.
Not everyone wants to monetize (how I hate this buzz word) their talent or creativity.
Most want to write and publish for the joy and satisfaction of telling a story/stories and being able to share their writing with others who will read and appreciate their words. They desire to write or would feel strange not writing, perhaps love being a wordsmith.
When you believe in yourself and writing, being published is a realistic achievable dream.
Edna had a powerful story to tell and I gladly helped with advice and editing. My talented daughter, Mary Jane designed the cover, as she has done for several book ventures. (A reluctant book cover designer, she doesn’t refuse to help her mum.)
The class gave Edna feedback and encouragement and through this collective effort, a beautiful and readable book was offered free of charge yesterday with an option to donate to Berry Street Babies Home. (most people did!)
When you read Edna’s book you understand her strong commitment to Berry Street, where she trained as a Mothercraft Nurse, but also the deeply emotional link because of family circumstances.
Books for Purpose Not Profit
This is the third book I’ve produced whereby the writer has donated all or most of the profit because of their commitment to a cause or appreciation of events or people. There was no profit involved with Mordialloc Writers’ anthologies either, with any money from sales going towards the publication of the next book.
When Mordialloc Writers’ Group folded in 2018, I donated group funds to Mordialloc Beach Primary School to create a scholarship and encourage creative writing. The Principal, Sue Leighton-Janse suggested the money provide ongoing writing awards for Junior, Middle and Senior school, in the name of MWG. I only hope this happens.
You can read about Julie Wentworth: A Life Sharedhere. Julie, a teacher of Yoga, mentor and spiritual guide, donated the sale of her books to an orphanage in Africa caring for children with HIV.
Mary Jane and I had the privilege of working with Peter Hocking, who wrote about his recovery from a stroke and sold books to support The Stroke Foundation.
I’m sure writing and publishing is often a labour of love, and if articles discussing the state of publishing in Australia are to be believed, poetry books, even traditionally published, seldom make a profit with publishing houses using the sales from more popular books to counter-balance the low-profit margin in some literary genres.
Another book I worked on this year was a huge labour of love for a woman who wanted to celebrate her 70th birthday by publishing travel diaries kept by her parents on their first overseas trip in the 1970s.
Ruth inherited the handwritten exercise books, 500 slides and meticulously detailed itinerary notes and letters home. What to do with this material so that her brothers and sisters, her children, nieces and nephews, grandchildren will enjoy the old school and very personal travelogue?
She had a friend type the 55,000 words, paid to digitise then print the slides, and commissioned a nephew to draw maps of the route her parents travelled through continents and several countries, to introduce the three separate parts of their trip.
Ruth only printed 25 of this A4 landscape book, which I edited and published. Muriel and Len’s observations were side by side and Mary Jane chose 100 of the best photographs. Mary Jane created Ruth’s vision for the cover using Muriel and Len’s passport photos, the best close-up photographs Ruth possessed.
Not every book needs a launch or a large audience. Often writers can cover their costs and break-even. Family members may contribute or if written for a target audience (sporting/hobby club, regional or historical relevance) writers may make a small profit by self-publishing.
Writers keep control and have important input to the content, cover and cost of their book every step of the way from conception to birth if they self-publish.
It’s an exciting and worthwhile journey – not always smooth – but as John Denver sings in one of my favourite songs, ‘some days are diamonds, some days are stone,‘ and yesterday for Edna, her family and friends was a diamond day.
Well done Edna and thank you for allowing me to be a part of your dream!
I’ve taken a long time framing this post because of recent events and the adversarial way many parts of the media cover topics such as religion, refugees, and immigration and the resultant ire, ignorance and irritation that inevitably results, particularly on social media.
Ignorance is a keyword here – if more people moved out of their comfort zone and made the effort to learn, mix, communicate and appreciate each other’s contributions to the tapestry of society a lot of angst and misinformation could be avoided.
We are lucky living in Melbourne because there are myriad opportunities to access and enjoy what a multicultural community offers. We can live together in peace and mutual respect aware of each other’s contributions.
I’ve attended two enriching events recently, provided by the Kingston Interfaith Network to appreciate the diversity of our community.
It’s heartening to know there are people actively working to breakdown barriers and challenge bigotry and I’d recommend the annual bus trip the Network organises to visit various places of worship.
Religion & Politics Can be Discussed With Civility
Along with many baby boomers, I grew up with family traditions of attending Sunday School and church but it never translated as ‘blind faith’.
Both parents were immersed in church life in Scotland; they continued this involvement in Croydon when we migrated. I drifted away from organised religion in my teens and only returned to be part of a community as a young mother, to eventually drift away again.
None of us chooses the country, culture or community we are born into and the idea that there is a ‘true’ religion or ‘master’ race seems ludicrous and irrational.
I’m grateful for access to education and several fine teachers at high school and university, to have continued that education by travelling, accessing wonderful books, films, and essays and appreciating the contribution of others to a pool of general knowledge more easily available now through the worldwide web.
I know I’m not alone among my peers questioning human existence, our relationship to the natural world and seeking meaning to life – a journey that will end one day and that day is getting closer –
I recall the pithy words of a good friend, ‘We all die and one day we’ll discover whether there is a God or life after death!‘
In the meantime, I intend to enjoy the journey, learning something new every day, look for the joy because focusing on social injustice and world conflicts convinces me we are stuck in Groundhog Day! (“a situation in which events are or appear to be continually repeated” )
John Lennon’s Imagine is often played to a compilation of visuals – technology leaves nothing hidden! We see the horrific death toll of the two world wars, the partition of India and Pakistan, the euphemistic ‘Troubles’ in Northern Ireland, the Vietnam War, the Biafran/Nigerian War, the Middle East, Idi Amin’s Uganda … oh, how Lennon’s lines resonate with generation after generation …
Imagine there’s no heaven, it’s easy if you try. No hell below us, Above us only sky… Imagine there’s no countries, it isn’t hard to do. Nothing to kill or die for, and no religion too…
There is never a shortage of up-to-the-minute footage of conflicts – the world seems to produce tragedies at an alarming rate. For many people, their religious beliefs and being part of a community helps to make sense or at least alleviate some of the fear and pain.
A meme doing the rounds of Facebook also strikes a chord –
Many Beliefs One Community
The Kingston Interfaith Network ‘celebrates the commonality and diversity of our spiritual communities’.
encourage understanding and respect between people of all faiths and cultures
affirm spiritual and religious freedom
work towards peace, compassion and equality within our local community
In my writing classes, we have some wonderful discussions while sharing knowledge regarding human needs, the importance of belief systems and what form these may take whether philosophical or religious.
Discussion, reflection and sharing information and experiences important for writers to understand and create characters regardless of the genre but also for citizens when we have the current Australian Parliament discussing the introduction of religious freedom legislation.
Since 9/11, the constant stirring of fear and misinformation about Islam looms large.
The Royal Commission into Abuse of Children in religious and other institutions with many still quibbling about compensation to victims has shattered the trust and appeal of several churches, especially the Catholic Church.
Stories about cults or gurus ripping off or abusing vulnerable people are rarely out of the news.
The Israel Folau controversy started a debate about freedom of speech in the context of workplace contracts and religious beliefs.
Any Interfaith Network has its work cut out!
In Kingston, the Network engages with the community by being involved in:
Learning and Education
Community consultations and representation
I worked for the Uniting Church, Hotham Parish until daughter, Anne was born in 1986 and was fortunate to work with Rev. John Rickard who was a strong believer in ecumenicalism and social justice. A pharmacist before ‘getting the call’, he was a great boss – understanding, compassionate and down-to-earth.
I saw the church from a different perspective. Working closely with Hanover Welfare, the church raised money and provided services to people in need in the community, they also owned houses in Curzon Street and ran a kindergarten. ‘The church’ can be a landlord, employer, business entrepreneur, owner of private hospitals and schools. Practicalities to be dealt with that many don’t associate with theologians.
Another learning curve occurred in 2004 when I was commissioned to write the history of St Aidan’s Church and subsequently published The Little Church On The Hill for their Centenary.
The Chelsea/Carrum Anglican community influential in developing and providing youth services, fellowship groups for women, raising money for much needed social services and encouraging the arts but there were internal conflicts, debates about policies and implementation, and adapting to a world where Sunday was no longer sacrosanct.
Talking about the Christian faith my comfort zone but I still treasure a necklace made from a leather strip with the tooth of a moose blessed by an elderly Iroquois Indian when I visited their village in Montreal, Canada 1976. She wanted me to be safe on my travels.
World Book Day 2019
Kingston’s World Book Day was hosted in conjunction with Kingston Council’s Interfaith Committee, established by Council to provide a conduit between Kingston Council and the faith communities within local areas to encourage open communication, interfaith dialogue and partnerships and to address the needs of the local communities.
World Book Day theme for 2019 was Interfaith in the Libraries. Kingston’s Interfaith Committee chose to deliver a book donations event to Kingston Libraries to further support an interfaith dialogue within the community.
Invited to write religious affiliation, I wrote Humanitarian. Nobody baulked at the label, with some attendees commenting they wished they had written that rather than nominating a religion or leaving it blank.
A warm welcome epitomised the evening with many groups taking the opportunity to display the books attached to their Faith and donate them to the library. The buzz of conversations filled the room, people browsed the books and I met acquaintances from past involvement with community groups and Mordialloc Writers’.
There were printed sheets from a variety of religious groups within the Network summarising their core beliefs, sacred texts and laws, places of worship, branches, practices and festivals, origin story, morals and ethics… in no particular order here are the sheets I picked up:
The International Society for Krishna Consciousness (ISKCON) (aka the Hare Krishna Movement)
Catholic Church (Christian)
ECKANKAR (This means Co-worker with God -founded 1965, main temple Minnesota USA
Sufi works and practices: The Whirling Dervishes, the poetry of Rumi, the works of Ib Arabi…
Zee Cheng Khor Moral uplifting Society Inc (known as DEJIAO in Chinese)
Church of Jesus Christ of Latter-Day Saints (Mormons)
My knowledge of some of these groups minimal – and to know they worshipped in Kingston and felt welcome at the event is a testament to the religious freedom we already enjoy. (Note to Federal Government don’t fix what’s not broken!)
Fast forward to the annual bus tour I joined recently…
A Journey of Discovery
Kingston Interfaith Committee runs a bus tour once a year to places of worship to provide an opportunity for the public to learn about different faiths. Tour participants see different places of worship and ask questions in a respectful and supportive small group environment. There is no cost and a light lunch is offered by the Council.
I have been wanting to go on this tour for many years but work or other commitments meant I missed out. I was thrilled to join the 23 other participants (some followed the community bus in their own cars) on August 7, leaving from the Council Offices at Mentone.
Guided by Elisabetta Robecchi, Community Development Officer, Social Development, we visited four places of worship. There were people from Glen Eira and Casey communities. The only person with an outward sign of religious affiliation was a Sikh gentleman from Monash who told me most councils have these tours with some providing several a year. He had been on a few tours and generously shared his knowledge.
The places visited change each time so it wasn’t surprising to find some people had toured before, but most were first-timers like me – and what an eclectic group we were!
Elisabetta shared the two group photos taken at a mosque and Orthodox church.
We set off a bit late because of the difficulties of participants finding all-day parking – so for future reference:
use public transport like me, or plan ahead as to where you will park in Mentone and prepare for a walk to the meeting point!
Also, wear comfortable and easily divested footwear – most places you visit require removal of shoes.
Plus slip in a headscarf or make sure your jacket/coat has a hood for the places requiring women to cover their head.
Masjid Westall, Indonesian Muslim Community Cultural Centre, Clayton South
Lunch at Westall Hub
St George Jacobite Syrian Orthodox Church, Heatherton
Turkish Islamic and Cultural Centre, Keysborough
Shri Shiva Vishnu Temple
Hinduism is one of the oldest surviving religions in the world, with an unbroken succession of seers and teachers. It is practised by millions of people living in the vast subcontinent of India and in many other places where Indian migrants have settled, including Australia.
And although it is an ancient religion it continues to evolve and form new branches. Mahatma Gandhi (1869-1948) represents modern India and is a religious personality who was loved throughout the world. He preached truth and non-violence and his attempts to reform India’s religious-social tradition of caste legendary as is his fight for India’s independence from colonial rule.
You don’t need to travel to India to immerse yourself in Indian culture and learn about Hinduism.
First impressions of the Hindu temple and grounds is one of spaciousness, then lushness – the garden flowering and emerald green grass plentiful. Driving in from the road you see the Cultural Centre first, and around the corner, you release an audible gasp at the magnificence of the temple barely glimpsed from the road.
Inside, after removing our shoes, the first thing you notice is incense thickened air. A sign requested no photos but apparently, our temple guide (a deacon) gave approval and Elisabetta shared this one she took.
Priests were attending to devotees so I chose to switch my phone off and instead purchased a very informative book about the history of the temple and details about Hinduism, including festivals and beliefs. An incredible bargain at $5.00.
The huge area seems cavernous but there are different sections with mini enclosures holding statues of various deities. The air heavy with incense and burning charcoal and within moments I felt my eyes sting. It was obvious couples and families were worshipping with the three out of the six priests on duty.
A young couple prayed with a priest by a fertility deity (?). The priest ladled into our cupped hands, the concoction made from fruit and flowers and signalled us to drink. The nectar tasteless to me, stirring memory of drinking kava at a ceremony in Fiji. There was a small open fire like a mini BBQ but generating plenty of smoke. The fire alarm constantly beeped because of its copious smoke and from a couple of similar fires.
I had a fleeting thought of what could happen if there were sprinklers!
Our guide explained there are gods (deities) for Education, Fertility, and Birth etc. Planets match your birth sign and some gods look after you. He explained about puja or pooja, a prayer ritual performed by Hindus to one or more deities in devotional worship.
Prayers can also be offered to host and honour a guest or to spiritually celebrate an event. It may honour or celebrate the presence of a special guest, or their memories after they die. A table with baskets of fruit (oranges, apples and bananas) for $15 and a well-stocked kiosk is just inside the entrance. the deities require offerings.
A temple is a busy place with chanting in Sanskrit and the buzz of conversations plus people moving across the polished floorboards and around the perimeter where cabinets or shrines hold statues of the gods. The black, grey, or gold figures often draped with pure silk gowns and scarves.
We walked past a cabinet that appeared to have a Nazi sign scrolled on glass doors – and a member of the group asked the significance of this, which remains an important symbol in Hinduism.
The swastika represented something entirely different for thousands of years before its appropriation by the Nazi Party, and for many, it is a sacred symbol.
Versions of the design have been found in prehistoric mammoth ivory carvings, Neolithic Chinese pottery, Bronze Age stone decorations, Egyptian textiles from the Coptic Period and amid the ruins of the Ancient Greek city of Troy.
Its most enduring and spiritually significant use, however, can be seen in India, where the swastika remains an important symbol in Hinduism, Buddhism and Jainism.
Despite the explanation, one of our group whispered, ‘Try going down Carlisle Street with that on your car!’ A reminder that in a multicultural society we have to be even more diligent learning about other religions and beliefs and be perceptive to differentiate when a symbol should provoke instant repulsion and condemnation and when it is used in context of worship.
The etymology of the word “swastika” can be traced to three Sanskrit roots: ‘su’ (good), ‘asti’ (exists, there is, to be) and ‘ka’ (make). That the collective meaning of these roots is effectively ‘making of goodness’ or ‘marker of goodness’ shows just how far the Nazis dragged the swastika away from its Hindu association with wellbeing, prosperity and dharmic auspiciousness.
The symbol, normally with its arms bent towards the left, is also known in Hinduism as the sathio or sauvastika. Hindus mark swastikas on thresholds, doors and the opening pages of account books – anywhere where its power to ward off misfortune might come in handy.
… it was Indian religion and culture that was the original source from which the National Socialists derived the swastika.
In Buddhism, the swastika is thought to represent the footprints of the Buddha. It takes on a liturgical function in Jainism, and in Hinduism, the clockwise symbol (the swastika as we know it, with the arms pointing right) and the counterclockwise symbol, the sauvistika, pair up to portray opposites such as light and darkness.
The scent of flower petals mingled with fruit and incense and oils. I missed a lot of the explanations because naturally our guide spoke without amplification and my hearing is not as good as it used to be. Fortunately, the book I bought, published to celebrate a special Consecration Ceremony in April this year, is full of detail about Hinduism, the temple, the hard work and cohesion of the Indian community.
The Hindu Society of Victoria (HSV) was founded on Saraswathy pooja day in 1982 at the initiative of some Hindu migrants from Sri Lanka. Hindu migrants from India, Malaysia and other countries enthusiastically joined the Society. The topmost priority for this new gathering was to probe ways and means of realising a traditional Hindu temple. Prayer meetings were held on the last Saturday of each month at the Migrant Centre in Prahran. Poojas were performed to the pictures of deities by Sri Raman Iyer on these occasions. On 21 June 1984, this society was officially incorporated and referred to as the Hindu society of Victoria (Aust) Inc.
The HSV decided to buy a plot of land and build a temple… bought a block of land of 14.35 acres in Carrum Downs on 14 April 1985… made up of a bank loan, interest-free loans from devotees and donations. Bhoomi Poojah was performed at the site to invoke the blessings of the Almighty. Since then Thai Pongal Festival was celebrated at the site but prayer meetings continued at the Prahran Migrant Centre.
… there was a prolonged debate about the choice of deities to be installed in the temple. Eventually, the Management Committee decided to build a Shiva Vishnu temple facilitating devotees from all sects of Hinduism….
Building works started in October 1990 and Nagarajan Sthabathy and a team of 8 artisans arrived in November 1992… The Granite and Panchalokha Vigrahas and other artefacts required were crafted by well-known artisans in India. The Granite Vigrahas were sanctified by a special pooja at Kanchi Mutt.
Additional six artisans were brought from India in Jan 1994 to accelerate the temple construction… completed, with the erection of the raja Gopurams and consecration on 25 may 1997. This temple has become an inseparable part in the spiritualemancipation of the Hindus of Victoria. It has also become a must-see icon to all Hindus and non-Hindus in Australia…
Traditional Hindu temples are not just places of worship. They function as a place of learning, foster the arts and encourage social interaction. The Cultural and Heritage Centre opened on 5 May 2012, includes a wedding hall, restaurant with industrial-scale kitchen, library, Hinduism classrooms, museum and conference hall that can accommodate 200 people.
The Hinduism classes for children also offer Bhajan, Yoga and meditation for all ages. The centre hosts ceremonies on auspicious days, Hindu weddings, and a cafe open to the public, which operates six days a week.
A children’s park with playground equipment and an enclosure with peafowls and chicks as well as surrounding gardens with attractive flowers, trees, and lush foliage ensures a relaxing family-friendly environment.
The sign in the garden reads: Nature is Gods vesture. The universe is the ‘university’ for man. Do not pluck flowers treat nature with reverence.
We put on our shoes and joined the ever-patient bus driver after thanking our hosts for their welcome and farewelled the first place of worship for the day.
Shri Shiva Vishnu temple is one of the iconic Hindu temples outside the Indian subcontinent providing a spiritual and cultural legacy for future generations.
Whether you practice Hinduism or not, a visit will add to your knowledge and understanding, and appreciation of the wealth of talent immigrants bring to Australia.
Masjid Westall, Indonesian Muslim Community Cultural Centre
We travelled to Westall for our next visit to learn about Islam, a religion that has suffered the most backlash and bigotry in recent years despite Afghan cameleers being present in Australia since the early nineteenth century.
The first camel drivers arrived in Melbourne, Victoria, June 1860, when eight Muslims and Hindus arrived with the camels for the Burke and Wills expedition.
The word islam means ‘surrender’ and specifically implies ‘surrender to God’. A ‘muslim’ is therefore simply ‘one who surrenders’.
In the Muslim sacred text, the Qur’an, the story of Islam shares a common tradition with Judaism and a common Biblical origin when God (Allah) created the world. Chosen prophets spread the essential message of surrender to the One (Allah).
Muslims recognise all prophets including Moses and Jesus, Rama, Krishna and Buddha but the Prophet Muhammad is the vehicle whereby the Qur’an, the final protected Word of God was revealed.
Islam is the world’s second-largest religion with over 1.8 billion followers. They make up a majority of the population in 50 countries. We mainly hear about conflict in the Middle East but devotees extend all the way from the Atlantic Ocean to the borders of China although the birthplace of this compelling faith was Arabia when it was a semi-nomadic and semi-urban civilization.
Islam is the most adhered to religion in Indonesia and in a 2010 estimate, 87.2% of the Indonesian population (225 million) identified as Muslim making Indonesia the largest Muslim population in the world.
At the Masjid Westall, we were greeted by two deacons who were generous with their knowledge and time. From the outside, the building is not imposing and doesn’t look like a mosque but once we removed our shoes and went inside the calmness and decor confirmed it was not ostentatious but a place of worship.
According to the 2016 Australian Census, the combined number of people who self-identified as Muslim in Australia, from all forms of Islam, constituted 604,200 people, or 2.6% of the total Australian population, an increase over its previous population share of 2.2% reported in the previous census 5 years…
… there are now 604,000 people who identify as Muslim in Australia. In addition, the Census reports that 1,140 of the Muslims in Australia are Aboriginal or Torres Strait Islanders.
After a welcome prayer and blessing, the deacons let us wander freely and ask questions rather than give a formal guided tour. There are 3 Indonesian mosques in Victoria, and they do keep in touch with each other and share Imams, some are students from Saudi Arabia. The mosque is Sunni, the major and orthodox branch of Islam.
Islam hasn’t escaped the fate common to other religions: sectarian divisions. There are sub-sects, but the two main branches of Islam are Sunni and the Shi’ite. They spilt over the question of the line of succession from the Prophet Muhammad.
Muslims pray 5 times a day and a digital clock has the prayer times. During the day up to 5 people will come and pray because most are working – perhaps a taxi or truck driver if nearby, maybe students and teachers from Westall Secondary next door, or others ‘just passing’.
Sundown prayers and Fridays attract the largest number with up to 50 regulars. After Christchurch, many non-Muslims visited to offer condolences and support and prayed in solidarity. The mosque provided hijabs for them but because we were only visiting and not participating we did not need to cover our head.
We all commented on how luxurious the carpet felt beneath our feet and the room was spacious even with a section for the women and children curtained off. There is a library, also a study corner and out the back a kitchen and communal area where crafts and toys are stored on shelves.
Our two gentlemen guides had set up a table with nibbles and tea and coffee – most hospitable and welcome. One deacon tried but failed to get his pictures up on his phone to show me the crowd of well-wishers who came to the mosque after the horrific events in Christchurch.
No question went unanswered and cameras worked overtime. Several people stood with the Imam’s arch in the background, others were fascinated by the displayed prayer times and mentioned seeing taxi drivers pull over to pray.
I remembered a tale of two young men…
In 2013, flying to Italy via Borneo and London, I sat between the pair. One was returning to Egypt for a holiday after being in Australia most of his life, the other, a student returning home after finishing studies at Queensland University.
The young Egyptian/Australian struggled out of his window seat to diligently adhere to the prayer times – there was a prayer mat aft, available for passengers – and throughout the flight, he read the Qur’an.
He confided in me that he had become more devout because of prejudice at work and all the things said about Muslims in the media. He felt he had to learn more about his faith (his parents and sister weren’t devout) and his origins – hence the trip “home”. He seemed unworried about the fall-out from the ‘Arab Spring’ and the ongoing sporadic violence.
The young student, returning home to his family and Muslim country didn’t bother praying and read a popular sci-fi novel in between discussing general topics ranging from history to politics and poetry. He confessed he’d love to return and work in Australia because he loved the freedom to choose his lifestyle and the climate.
I’ve often wondered what happened to these two young men – did their future turn out the way they wanted?
A little more enlightened about Masjid Westall and seeing Westall Secondary College and surrounds for the first time we set off for our lunch stop at Westall Hub – a place I’d never visited before the intergenerational project last year and one I’ve visited twice in the last four months!
I thought about the fuss in Bendigo about the building of the mosque and cultural centre and reflected on how many people would have driven or walked past Masjid Westall with no idea there is a welcome within if ever their curiosity needs satisfied.
Breaking Bread often Breaks The Ice!
Kingston Council hosted a lovely lunch at the Westall Hub providing a chance to sit and make conversation, get to know each other and share observations.
‘That was a while ago,’ I replied, ‘You have a good memory.’
We shared our interest and curiosity about the tour. Ann, a practising Catholic was born in Lithuania; her mother could speak seven languages and because of this Ann understood Russian. Four of the people on the bus were chatting. ‘They’re speaking Russian and probably don’t realise I understand what they were saying,’ she said with a smile.
At lunch, a lady sat down beside me, ‘Do you remember me, Mairi?’
‘When I saw you, I thought you looked familiar, but I can’t place you.’
‘I’m Honey, you came to my library and ran a couple of wonderful writing workshops.’
‘Honey! Of course, that was a long time ago – how are you?’
A small world, indeed. The phrase ‘six degrees of separation’ springs to mind. Almost two decades have passed since I ran workshops at Springvale Library. I cherish the letter of appreciation from Honey and the opportunity she gave me to improve workshop skills.
I was not a ‘big name’ author yet she gave me a chance and a paid gig!
There was only one young person under 30 travelling on the bus but a Samoan family followed in their car a father with his son and daughter who could be teens or twentysomethings.
Chatting at lunch, he was pleased I’d been to Samoa. He new Aniva’s Place where I stayed. I told him about climbing Mt Vaea and paying homage to R L Stevenson’s tomb and we discussed the contribution RLS had made to Samoa, which explained why he was so revered.
He said, ‘His greatest achievement was uniting the chiefs and teaching them to negotiate and achieve independence.’
I mentioned how much new history I’d learned when in Samoa. I had forgotten they had been a German colony and about the peaceful surrender to the British during the war.
‘My great grandfather could speak German and he was an interpreter for the German/British negotiations,‘ he said and confided his Scots ancestry – family names being Crichton and Williams!
We talked a little more about Samoa and how surprised I was at the number and variety of churches in such a small place as Apia. Religion is important to Samoans and there are many rituals, including traditional Sunday feasting.
(A later discussion with his daughter and son ranged from the problem of feral dogs to their relief Folau was Tongan, not Samoan!)
Our conversation ended with a quiz – he asked, ‘What one word did Samoa give to the English language?’
The answer, ‘Tattoo.’
My final lunchtime chat was with Dr Dinesh Sood who said, ‘I used to be a practising Hindu but now I’m a scientist,’ and a lady who used to be Russian Orthodox professed to ‘being an atheist and humanitarian‘…
I said we were an eclectic bunch.
However, what I remember most about the lunch stop happened outside when I went for a walk after spying two galahs on the power lines cuddling up to each other. They looked like a heart and I thought, what a great photo opportunity.
I walked to the edge of the car park and as I aimed my camera, I heard a distressed chirrup. I looked down and a seagull sat on the nature strip with an obvious broken wing, begging for help.
What to do?
I returned to the Hub and asked at reception for help and a wonderful young woman responded immediately, ‘I’ll get a cardboard box and rescue it.’
True to her word, she sprang into action. I watched from the bus in trepidation when her initial effort to pick up the bird caused it to scurry lopsided across the busy road. Wielding her jacket, she persisted and as trucks and cars roared past, I fretted for her safety.
‘Please be careful,’ I murmured … miraculously, the bird and rescuer made it the other side, escaping further injury. She scooped the seagull into her jacket and returned to safety when the road was clear.
St George Jacobite Syrian Orthodox Church, Heatherton
The third visit for the day introduced a completely new church to me and again the obligatory removal of shoes.
We were met by the priest and a warm welcoming committee. There was a powerpoint presentation, also two short talks on the history and origins of what devotees regard as the first church where the name ‘Christian’ applied.
It began in Antioch, with St Peter, after the death of Christ and surviving persecution the faithful travelled to India.
The first family practising this branch of Christianity arrive in Melbourne in 2006. Since then the number of families has reached 200 and within a decade they have raised the money to build their church and also donate thousands to charity.
(They gave $20,000 to the Kerala flood victims among other causes. A generous effort for a small congregation!)
A group of dancers performed a traditional dance of celebration about a reluctant bride being convinced the wedding is a good idea!
The costumes, music and performers a delightful treat and afterwards many took advantage of the opportunity to ask questions and join in discussions. I was fascinated by the striking curtains and altars – the furthest away can only be entered by the priest and designated elders, the smaller one is open to all.
Having St George and Jacobite in the name intrigued me – as a Scot, Jacobite referred to supporters of King James II of England or of the Stuarts claim to the throne. I know many Christian churches use different versions of the King James Bible as their sacred text but never realised one incorporated Jacobite in their name.
The mythology of St George predates Christianity and any stories I learnt as a child about his Christianity – light conquering darkness – were set in the 10th or 11th century, hence him becoming the patron saint of England. The origin story of this church interesting and proves religion is full of surprises.
Later, delicious and sumptuous afternoon tea made some of us reluctant to get back on the bus. We were farewelled with an unexpected gift and will certainly remember our visit!
Turkish Islamic and Cultural Centre, Keysborough
Our final visit for the day was another mosque and one I’d seen from the highway many times. The imposing building flying the Australian flag and one with the symbol of Islam – the star and crescent moon.
Outside, we were warmly welcomed by a teacher from an Islamic school and several students with an open invitation to ask questions and let the students be our guides.
After removing our shoes and covering heads, we sat and listened to a welcome speech by the Imam and a young female student. The Imam’s mobile phone rang, ‘Excuse me, could be Jesus calling,‘ he said.
I love his sense of humour! In fact, laughter and smiles a significant part of the day in all the places we visited.
After the phone call, he continued with his explanation of the Five Pillars of Islam: Shahadah (Creed), Salat (Prayer), Zakay (Almsgiving), Fasting and Pilgrimage (Hajj) and a brief history of the mosque and fielded questions before inviting us on a tour.
The art and woodwork stunning inside the mosque. Most of the artisanship done locally, some imports from Turkey. The ceiling magnificent, the chandelier adorned with a Qur’anic verse in Muhammed’s favourite colour, green.
Oh, I didn’t know he was Irish,’ I quipped and my young guide laughed. She pointed out the balcony upstairs where women worship and explained the delicacy of the stencilling on the ceiling and how time-consuming the job was for the artist.
The colours, designs, placement of artefacts, windows, doors, balcony – all hold symbolic meaning. There are three places where the imam can preach depending on the number of devotees. There is a beautiful raised staircase with detailed carving and inlays.
One of the young students sang a prayer and it reminded me of being in R L Stevenson’s house in Samoa and the young guide singing a verse of his favourite hymn. Another memorable experience was being alone in the church at Hermannsburg Mission, Central Australia and Jan Cornell, the leader of the group I was with sang to test the acoustics.
The unaccompanied human voice raised in a song of praise can be truly beautiful.
Our visit coincided with one of the regular prayer times and the Imam excused himself to attend to several men waiting to pray. We sat up the back in silent contemplation.
I don’t know what the others were thinking but as I watched the prayer ritual it struck me how vulnerable these men were and how trusting. They didn’t know any of us but believed they were in a safe space just like those worshippers in Christchurch and many other places where people have been attacked.
Their trust, vulnerability, and devotion humbling.
We trooped outside for the last few photographs and the bus journey home. If there are different places on the list, I look forward to joining another tour.
No one tried to convert me and I had no epiphany, just interesting conversations and experiences to mull over and deposit in my memory bank.
Warning: Aboriginal & Torres Strait Islander people are advised this post may contain names and images of deceased people.
I couldn’t let this week pass without celebrating NAIDOC, especially since the message is such an important one for all Australians to heed.
We invite you to walk with us in a movement of the Australian people for a better future. The Indigenous voice of this country is over 65,000 plus years old.
They are the first words spoken on this continent. Languages that passed down lore, culture and knowledge for over millennia. They are precious to our nation.
It’s that Indigenous voice that includes know-how, practices, skills and innovations – found in a wide variety of contexts, such as agricultural, scientific, technical, ecological and medicinal fields, as well as biodiversity-related knowledge. They are words connecting us to country, an understanding of country and of a people who are the oldest continuing culture on the planet.
Unfortunately, because of circumstances beyond my control, I haven’t attended any events this year as in the past, but as I continue to organise the house in preparation for full retirement, I unearthed newspaper clippings and articles on various subjects, that I kept for research or out of interest.
Revisiting this treasure trove stirred a lot of memories of connection with Aboriginal and Torres Strait Islander peoples since my university days and involvement in the first Aboriginal Embassy, 1972.
I’ve spent several days of reflection thinking about what I’d write today.
It’s sobering to remember that it was only in 1975 that the one-day acknowledgement of National Aborigines Day became a week-long celebration with diverse activities to acknowledge our past, examine our present and hopefully look toward a better future.
Among the pile of paper, I must decide to scan or throw out, there are many book reviews, opinion pieces and essays written by Aboriginal and Torres Strait Islanders as well as academic or investigative reports by non-indigenous writers.
However, the realisation that there has been some progress made is tempered by the current Federal Government’s reluctanceto consider a true voice in parliament for First Australians and its outright rejection of the Uluru Statement from the Heart.
Broaden Your Knowledge About Australia and Its History/Herstory
This is also the International Year of Indigenous Languages – a United Nations observance in 2019 with aims to raise awareness of the consequences of the endangerment of Indigenous languages across the world and to establish a link between language, development, peace, and reconciliation.
The traditional owners of Melbourne are people from the Kulin Nation, with surrounding groups including the Woiworung and Boonwurrung (the Mordialloc traditional owners) and you can learn some words here.
Last year, I visited Canberra and the National Museum, which has some great exhibitions as a starting point for those seeking knowledge and understanding:
empathy, not sympathy; acceptance not tolerance.
At the entrance of the National Museum is a magnificent set of sculptures of the Bogong Moth, acknowledging the cultural traditions of the Aboriginal peoples who lived in the ACT prior to the European invasion and settlement.
What do our First People mean by Country?
Almost every public ceremony at all levels of government now includes a ‘welcome to country’. If you wonder why or don’t know how to explain it to visitors, an explanation follows.
Country’ is more than just the name of a place. When used by the Aboriginal people it is about a connection to all aspects of the land; landscape, ecology, spirituality, seasonal rhythms, people and culture.
For most of us, everything we read about our First People is either white/colonial/European perceptions of Aborigines or Aboriginal perceptions of themselves.
To read Aboriginal writing allows Aborigines to speak for themselves and state their view of Australian history.
In 2019, there is a wealth of Aboriginal writing to choose from including poets, creative writers, non-fiction and academia.
Albeit almost two decades ago, in his book, Writing from the Fringe: A Study of Modern Aboriginal Literature, Hyland House, Melbourne 1990, Mudrooroo Narogin divides Aboriginal history into five periods:
From the Beginning to 1788: the time of the dreaming, before the coming of the Europeans.
The Time of the Invasion(s): Aboriginal culture is threatened and is forced to adapt.
The Utter Conquering of the Aboriginal Peoples: many of the old ways of communication are destroyed or drastically changed.
The Colonial Period: outright oppression gives way to paternalism, then to assimilation.
The Period of Self-Determination: dating from the Referendum in 1967 and the Whitlam government in the early 1970s – still continuing…
Evidence of early Aboriginal habitation of the continent includes bones uncovered at Lake Mungo in south-eastern Australia and the sites of volcanoes, such as those at Tower Hill, near Melbourne.
The oldest continuing culture in the world dates back 50,000 – 60,000 years depending on what archaeological discoveries you choose to focus on.
What we know now is that Aborigines comprised many language groups, each with their own country. They created a network of overland commerce, developed ingenious ways of finding water and food in deserts, were expert trappers and fishers, skilled herbalists and farmers with a hundred different plant foods to supplement a diet of meat, fish, eggs and insects.
Colonial Invasion Without a Treaty
From the late 18th century, British and other Europeans arrived on the shores of this continent, some willingly, others with no or little choice: – officers, soldiers and sailors of the Crown, convicted felons, free men and women searching for economic opportunity and a new life or fresh start.
They built towns on Aboriginal land tended and shaped over thousands of years and so began the Frontier Wars and decades of conflict over the sovereignty of the land.
Aboriginal writers of note during the 1960s and 70s argued for Aboriginal land rights and self-determination. People like Oodgeroo Noonuccal (Kath Walker) and Kevin Gilbert brought an Aboriginal voice to wider audiences. Both of these wonderful poets died in 1993 – a tragic loss to Australian writing.
A newspaper clipping I have from The Sunday Herald, August 20, 1989, has a story by Brett Wright titled, Our Forgotten War. This challenges the lie that Aborigines didn’t fight for their country or were always the victims.
” John Lovett, Aboriginal Advisor and former elder of the Kerrupjmara clan, surveys the stony ruins of a lost culture.
“This is one here,’ he says, standing in a ring of weathered rocks, barely discernible in a volcanic landscape strewn with boulders. Further afield, at the edge of a drained swamp known as Lake Gorrie, are the remains of stone fish traps, used to catch eels when the lake flooded.
Historians say the ruin is almost certainly the base camp of a group of Aboriginal guerrilla fighters who fought the squatters in the black version of Vietnam: the Eumeralla War of the 1840s.
Records show the resistance to white settlement was intense and bloody in Victoria’s Western District. The 1838-39 drought left the Aboriginals short of food and water, and they were forced to drive off the squatters.
In 1842, two clan leaders, Tarerarer and Tyoore, nicknamed Cocknose and Jupiter, led attacks on stations around Eumeralla River, near Macarthur. They attacked shepherds and took their sheep for food.
The Eumeralla War had begun. An unknown number of lives were lost on both sides, as the attack led to fierce reprisals by the settlers. One of the raiding parties from the Nillangundidji tribe numbered 150.
“The tactics used were very similar to those used by the Viet Cong in the Vietnam War,” Mr Lovett said.
… concentrating their attacks on settlers who had taken up land around sacred sites, the Lake Gorrie guerrillas were very successful… the campaign continued for two years until native police killed Jupiter and Cocknose. With the leaders gone, the resistance movement faded.
“What we were fighting for was to survive, to maintain and keep our traditional areas,” said Mr Lovett …(who) believe sites such as Lake Gorrie should be recognised. “It’s relevant for white and black people to know the history of Australia.’
Fast forward 20 years and a lot more truth about how the invasion and settlement of Australia played out debunks peddled myths that the Aborigines didn’t fight for their land or try and repel the invaders.
Perhaps the greatest lie that I was taught at school regarding Aborigines was that there were no Aborigines left in Tasmania after Trugannini died. The National Museum has a fantastic exhibition detailing the cultural heritage of the Tasmanian First People.
There are many stories showing the diversity and richness of Aboriginal and Torres Strait Islander cultures and the most compelling are those of resistance, resilience, cultural adaptation, creativity and leadership.
There is a lot to take in when you walk through the galleries devoted to Australian history and culture and so it’s a relief to sit and rest in a special place designed to help you relax, reflect, and yarn. And yes, you can recharge your mobile phone, if like mine the battery is low because the camera worked overtime!
Yarning circles and gathering circles are important places. They are where stories and knowledge can be shared in a caring environment that’s relaxed and comfortable. With our bodies, we include ourselves in the listening and learning that is being gifted.
Nancy Bamaga, Thabu/Samu
We could do with yarning circles in every home and community.
On Thursday evening, July 4th, my friend Jillian came with me to a fabulous event in the annual Glen Eira Storytelling Festival.
Not only was the event free but they put on a cuppa and delicious choice of biscuits if you turned up before starting time and plenty of us did that!
I no longer work at Godfrey Street in Bentleighwhere I used to encourage my students to enter the writing competitions (and in past years a couple got guernseys!) however, my Facebook feed alerts me to Glen Eira Council posts.
For anyone writing recent family history (Jillian) or stories about or based on their own life (me), Thursday’s event was a great shortcut for historical detail, reminders of what Melbourne’s suburbs used to be like and a way to generate ideas to turn your life into interesting fact or fiction with specific research done by people passionate about the past and with an established following for their writing.
Nostalgia and the ‘Burbs
Award-winning television and radio broadcaster, Libbi Gorr hosted a panel of contemporary artists and authors with research, websites, and books devoted to cultural observations of our changing suburbs.
Libbi, currently, on ABC Radio Melbourne Weekends was known as Elle McFeast in the 90s.
Lisbeth Joanne “Libbi” Gorr is an Australian broadcaster working in both TV and radio. Gorr is also an author, voice artist, writer and performer. She first came to prominence with the satirical television character that she created called “Elle McFeast”.
With her comedic skills to the fore, Libbi introduced herself by saying she looked up the meaning of Libbi and it was a wallflower, so she chose Elle because in the 90s the model and magazine was associated with long legs and great tits.
She explained that if you wanted to know her job on ABC Radio Melbourne think of her as the Waheed Ali of the weekend except she has a Jewish background, or Miranda Kerr after a feed and Oprah on Crack…
She was a young Jewish girl growing up in Murrumbena, a suburb ‘not quite Caulfield’. Her father originally, from Shepparton but his family escaped the pogroms of Russia. Her grandfather came to Australia at the same time as the Myer family but he worked on the Snowy Hydro scheme.
Sidney Myer’s family got the Sidney Myer Bowl, her father got a fruit bowl – Shepparton.
Libbi’s mother born in Caulfield – a pharmacist like her mother – ‘two generations of druggies’. Her father owned a petrol station, Gorr Automotive so Libbi said, ‘she could sniff cocaine or petrol’…
Libbi’s introduction, placing herself as a local with a connection to place important for the ‘home crowd’ – and it was a crowd – in excess of 100 people packed the room. Not a bad turn out for a winter’s evening.
The blurb on the invite about ‘burbs said:
As corner milk bars disappear, video stores shut their doors and quirky suburban houses and landscapes give way to gentrification, a group of writers, photographers and artists have set about capturing the quirks and nostalgia of our changing suburban landscapes.
Join us for an evening of cultural observations from the ‘burbs, trips done memory lane and some musings on the very strange phenomenon we call nostalgia.
Why is Nostalgia important?
Before Libbi introduced the panel she mused that Carl Jung answered that question when he studied how childhood experiences are cemented as unconscious memories connecting us to our past.
Our unconscious is the part of the mind containing memories and impulses of which we may not even be aware.
Jung talked about ‘collective unconscious’, a term to represent a form of the unconscious common to mankind as a whole and originating in the inherited structure of the brain.
We all have experienced premonitions – a sense that we know who is on the phone before it rings and we pick it up. We all have had deja vu, that feeling we’ve been somewhere before…
Jungians, almost by definition, tend to get enthused anytime something previously hidden reveals itself when whatever’s been underground finally makes it to the surface.
Carl Jung founded the field of analytical psychology and, along with Sigmund Freud, was responsible for popularizing the idea that a person’s interior life merited not just attention but dedicated exploration — a notion that has since propelled tens of millions of people into psychotherapy.
… Jung, over time, came to see the psyche as an inherently more spiritual and fluid place, an ocean that could be fished for enlightenment and healing.
Whether or not he would have wanted it this way, Jung — who regarded himself as a scientist — is today remembered more as a countercultural icon, a proponent of spirituality outside religion and the ultimate champion of dreamers and seekers everywhere, which has earned him both posthumous respect and posthumous ridicule.
Jung’s ideas laid the foundation for the widely used Myers-Briggs personality test and influenced the creation of Alcoholics Anonymous. His central tenets — the existence of a collective unconscious and the power of archetypes — have seeped into the larger domain of New Age thinking while remaining more at the fringes of mainstream psychology.
Nostalgia is a sense that connects and cements us all and Libbi wanted the panel and the audience to consider what we get in a community when we share it or live it…
Jessie Scott, video artist and author of The Coburg Plan. Jessie is doing her PhD – the subject, video stores. She has researched many, interviewed owners and customers.
Eamon Donnelly, artist, photographer and author of The Milk Bars Book. Born in Geelong, the family moved to Melbourne. He began to take photos of places/shops. Many are now defunct and others are disappearing fast. He spent 15 years documenting change before publishing his first softcover book. A cultural artisan, his hardback book was on sale for the evening.
David Wadelton, a contemporary artist, photographer and author of soon to be published, Suburban Baroque.
Aron Lewin, journalist/writer – recording football and real estate, chronicling progression of Melbourne shops, a Real Estate reporter. He set up the Tales of Bricks And Mortar website https://talesofbrickandmortar.com/author/alewin1/ after collecting stories about longstanding shops, restaurants and cafes across Melbourne.
Projected in the background were slides taken by the panel and whenever a familiar shop appeared, a murmur of recognition rippled through the audience.
I nudged Jillian when a picture came up of a milk bar in Edithvale and one in Seaford – several of my students have mentioned these shops in their stories.
David Wadelton – Documenting Transition
Abandoned shops, shops replaced with apartments, empty blocks… places symbolising change and loss all interest David. Change over time affects not just buildings when factories are replaced by apartments, shops on a local strip disappear or are replaced by a shopping centre…
He was fascinated by how different postwar migrant housing was compared to traditional Aussie houses. Old weatherboard home extensions added a top storey of brick to make houses look more European. The decor and colour schemes inside were soft furnishings and souvenirs from ‘the old country’.
He has photographed milk bars, newsagents, fish and chip shops… Lightbox signs: ‘sweets and smokes’ in Footscray; an adult ‘newsboy’ in Northcote, small Barbershops in business 50+ years with souvenirs of their European homeland and their adopted homeland on the walls and counters.
He has a picture of Thornbury Espresso slide, Hattams clothes shop still with a sign ‘we take bankcard’…
David has a following and audience on Flicker, Instagram, and Google’s YouTube – he has made the transition from traditional print to digital.
While David was talking I thought about the milkbar that used to be at the end of Albert Street Mordialloc before several adjacent shops were demolished and turned into an ugly block of flats.
Several people tried to make a go of the business, impacted by an expanded Safeway supermarket and a new Jewels Supermarket built in Main Street. An elderly couple ran the milkbar in 1984 when John and I moved into Albert Street.
It was not long before they retired and it was bought by a man who owned another shop in Warren Road. He installed his son and a mate to run the shop before a retired army officer, originally from Wales became the last manager.
Albert Street changed dramatically in the early 90s – a petrol station/garage demolished for a nursing home, washing machine repair shop transformed into a hairdressing salon and the milk bar and mini hardware shop demolished for a block of flats. Several stand-alone houses made way for units.
Aron Lewin – Writing Poems About People and Places
Aron saw a picket fence shop and wondered who would start a shop like that, how long would it last – and it inspired a poem about why and how… and he got an idea for a website.
He went to interview the owners but they were not interested. However, from there he looked at other small business owners in the area, shops in a strip – proprietors all knew each other with most shops around 40 and 50 years. In fact, the owners were local identities.
He focused on ones that stayed in the same place for years because he wanted to capture their stories before businesses closed and disappeared as they will…
He was fascinated by what motivated these business owners, why did they choose their particular trade/product/lifestyle? What were their challenges, successes, failures? How did they see themselves in relation to the community?
He took photos with his mobile, then teamed with a proper photographer. He aimed to interview ten people but now has fifty stories!
From a small beginning, his enthusiasm and passion to record the stories and details of old shops across Melbourne propelled and grew into a big project. It’s all about connections and relationships with a local community – stories about the butcher, the baker, the barber… recorded before the people and places disappear.
A slide of Franks Bakery, Elsternwick flashed onto the screen eliciting lots of noises of recognition from the audience and Libbi.
‘Aw, Frank, lovely man – been there forever.’
Aron said, ‘ I saw a sign couple of days ago. It’s closing.’
‘Oh, no!’ gasped Libbi, ‘is this true? Does anyone know?’ she asked the audience.
There were murmurings and Libbi googled to check if there was anything on the Bakery website – as did others on the panel and in the audience!
Jessie Scott – Extracting meaning From Unloved & Neglected Sites
A video artist/photographer, Jessie’s PhD is about Video Stores. She grew up in Moonee Ponds and the western suburbs. So many small places are disappearing, the renowned Olympic Donut place is gone and street after street subjected to gentrification with the real estate boom.
At university, she rediscovered video shops when she was studying video art and did an assignment, her Miraculous Ribbon Project. Slides of Colac Video and Network Video shops that existed then but those stores are either closed and empty or gone now.
No longer the ‘Home Entertainment Experts’.
A Video Ezy shop was her local store. She got a text message to say it was closing and having a ‘fire sale’. That moment was when she realised how painful nostalgia felt because part of her childhood disappeared when that store closed.
People congregated to discuss, gossip, share news in the video stores. Staff would point out good movies – there’d be discussions, it was a social and family place.
Video Stores were often the first point of contact with a broader culture for people. Nowadays with the explosion of the Internet, there is access to whatever you want but when she was growing up it was a family outing to choose your entertainment for the weekend.
Jessie’s talk reminded me of the two video shops we had in Mordialloc. Most of the time, John took the girls to choose their movies – $5 for the latest release (if they were lucky), or more likely a selection of the weekly $2 ones. (I’m talking ’90s.)
Captain Beaky’s store was their favourite and the owner nicknamed the girls ‘the horror queens’ because they loved hiring the latest horror movies – Buffy the Vampire Slayer popular!
The man in the other store on the opposite side of Main Street was nice and friendly too. Just as well because when we returned from a holiday once, the friend looking after our house and dog forgot to return the videos and left them where Goldie decided to treat them as toys she disliked.
When I offered to pay for replacements, the Video guy just laughed and said not to bother because accidents happen. Obviously, a dog lover or no one else had our taste in videos.
Eamon Donnelly – The Milkbar Man
He was born 1981 in Geelong, his happy memories as a child are of copper coins in his back pocket as he rode his bike or walked to the milkbar to buy some lollies or ice cream.
His favourite milkbar run by the Hawkings Family.
Milkbars had colour, warmth, sounds and smells – sweet aromas – lollies, ice creams, and the owners knew everyone. They also sold cigarettes and often newspapers.
He is nostalgic for the 1980s. In the 1990s, his parents sold their renovated home and moved to Melbourne suburbia. Their new suburb did not have nearby milkbar but a golf club as a substitute.
Eamon went to university and studied graphic design and art. He returned to Geelong to take photos of his old family home and didn’t recognise the area: the family home altered, several milk bars gone – some had old signage left, others the building vanished.
He started to record Geelong first, then Melbourne – so many small businesses closing but iconic brands and typography remembered by lots of people.
Milkbars made milkshakes and spiders – many also provided school lunches being a nearby tuck shop (one even called the milkbar that).
He got a story in The Age about his first book – a soft cover book. Jenny, the daughter of one of the milkbar owners – the Hawkings – Googled him and got in touch. She loved the photographs and they corresponded.
He experienced a ‘Full Circle Moment’ – he was invited to meet the family and the Hawkings remembered the Donnellys. They met and had dinner and reminisced and discovered so many incidents were their life or the life of family members and friends crossed.
Eamon started to interview families because lots of people got in touch after the first book came out and he saw the need to save their stories.
Audience Response confirmed we love to indulge in Nostalgia
A young woman introduced herself as Phyllis. She grew up in a milkbar and her father is in Eamon’s book.
She got emotional and apologised. Her dad passed away two years ago so the book is a treasure, ‘ I come from a Greek background, Dad was Greek.’
Libbi asked how she managed not to gorge on lollies and Phyllis laughed. ‘Dad was Greek, he said, if you steal lollies, I’ll cut your hands off, and I believed him!’
Phyllis then went on to say how much she admired her father and others like him who had little or no English when they arrived in Australia yet still ran a business.
How did they do it? Her father couldn’t speak enough English to learn or remember customer’s names but called them by descriptions like ‘giraffe lady’ (a woman who was really tall). He remembered customers that way.
She believes the milkbar building is still there in Elsternwick but now an Indian restaurant or perhaps a dodgy hamburger place!
Eamon remembered Phyllis’s dad and said there is a beautiful black and white photo of him behind the counter in his shop. He remembered how he was always smiling when he greeted customers.
A man in the audience shared a story too.
His uncle had a milkbar in Swanston Street in Melbourne city just before Bourke Street. It was a cafe too and ‘served Aussie tucker: bacon and eggs and chips.’
He used to help his uncle during holidays by selling toffee apples.
His parents had a milkbar in Huntingdale Road near Huntingdale Railway Station and in the 1960s, it was one of the busiest milkbars in Melbourne.
He ran the milkbar at 15 years old because his father got ill. They made sandwiches for nearby factories which proliferated at that time in Huntingdale. They opened from 6am – 10 pm but got a sleep-in at weekends and opened at 8.00am.
Because of some quirk in the law, they couldn’t sell groceries after 5.00pm but bribed the inspectors. They’d board up shop and after the inspection open up again. The inspectors went away with a carton of cigarettes or large salami sausage or something similar. They also sold sly grog – brandy – an inherited side of the business from previous owners.
He remembered they sold sanitary pads, which were wrapped in brown paper in those days. Ladies would come into the shop and ask to be served by his mother. She would come and duly serve them but yell to him, ‘Get a packet of pads for the lady.’
Local shops provided entertainment, produce and local news!
David has been chronicling architecture of the 70s 80s 90s. Other buildings, as well as shops and milkbars, fascinated by their nostalgic and iconic status.
His focus on the broader conspicuous change – they were on every street corner, they personify and represent change on a broader scale – no room for family businesses anymore.
Regarding the houses of migrants of that era with taste-defying interiors, garish colour schemes, eccentricity and clash of ideas – this is vanishing. Everything homogenised today, everything the same – colour schemes beige and shades of beige!
We are seeing a homogenising of culture, tastes have radically changed. He is just documenting but sees so much slipping away. His mission to record a way of life vaporising before our own eyes.
What contributes to the change?
Employment laws have an impact:
Contracts, transient and casual employees, staff constantly changing in franchise stores like 7/11 so no attachment to customers, no special relationship like with milkbars and small family businesses.
No sentimentality with 7/11 and similar franchises
Convenience stores have prepackaged mixed lollies – no choosing your own,’ one of these, two of them…’ The signage generic, the atmosphere different.
You remember the place and the people in a family business, you are cemented to it even if an employee.
You chat and value the conversations, reflect on relationships that extend beyond the shop – perhaps go to school with children, attend the same church… the shop an extension of that community.
Do relationships stay in the shop or do they exist and extend beyond that boundary?
Eamon said the Hawking Family became friends and a connection developed with the project but people do get displaced.
Jessie said one of the video store owners she interviewed was so well-liked by his customers that some volunteered to keep the store open while he went out cleaning to earn enough to keep the store afloat.
Unfortunately, the store eventually had to close. Many people say they regret stores closing and miss them after they have gone but don’t patronise them to keep them viable.
Another audience member volunteered her story. She lived and worked in a local shopping strip and most of the business owners were Holocaust survivorsand WW2 migrants.
They frequented shops where they could be understood, where people spoke their language and knew their culture – Jewish shops, Romanian, Polish, Scottish.
Everyone knew each other – it was a community for new migrants.
She worked in a milkbar in Malvern in the 70s, so did her sisters. The downside was she couldn’t ‘buy cigs on the sly’ because they knew her parents.
She recalled how milkbars were referred to by their stock: a Peter’s milkbar, a Streets’ milkbar even one referred to as the weird guy you wouldn’t visit – especially on your own!
It was a night for confessions.
A man in the audience said he attended Mt Scopus College and with the help of milkbar in Armadale, he started a profitable enterprise.
He and his mates bought lollies at one price and then sold them for an inflated price from his school locker. He raised money for bands like Sky Hooks to visit and play at lunchtime concerts at school. Chocolate buttons and snakes were the most popular lollies!
When Libbi asked did Netflix and other digital technology kill video and going to the movies there was a muted response.
A man suggested that it is a change in culture and we are distancing ourselves from our neighbours so don’t blame technology because we take it up – it is a choice.
Years ago, on hot nights people sat in front gardens or on verandahs and talked to each other. Pre-television they went for walks and talked to each other.
Fences have become increasingly higher built between properties. First tall fences then security gates, even on unremarkable houses that would not be immediate targets for thieves.
A woman said that times may be changing again because of rules in some of the new estates in places like Pakenham, no front fences are allowed and side fences must be a certain height. Different councils have different rules.
DO YOU KNOW YOUR NEIGHBOURS?
Sadly, many people don’t know their neighbours citing new development, ageing and the movement and shifting of the population as reasons.
A woman who grew up behind a fruit shop said someone should do a story on the demise and change of fruit shops.
Libbi asked if she was a Cincotta and the woman said, yes. Her family owned businesses in East Malvern, Murrumbeena and Hughesdale.
Fruit shops have been absorbed into supermarkets and the trade absorbed by multi-nationals and the changing trends like organic fruit and vegetables – all big business nowadays.
Has Cafe Culture replaced the Milkbar’s Role?
There is a strong cafe culture today and it is a parallel culture to the old milkbars with regular customers. The cafes are often on street corners, many developed from converted milk bars.
They are a modern social hub. For example, in Northcote, the milkbar on the corner is now a cafe – it’s about loyalty.
An Inkerman Street milkbar taken over by a cafe. They kept the name and signage, use old fashioned china crockery – a contributor to future nostalgia.
In milkbars, relationships were built and they were a meeting place for people in the neighbourhood – many cafes fulfil a similar role – providing familiarity and friendship.
Glen Eira Town Hall
The evening had to end but people were reluctant to leave and as Libbi thanked the panels and organisers she pointed out how important a community hub is to keep the spirit of community alive and to help people belong and feel part of a place.
These events Glen Eira put on don’t cost a lot, you feel comfortable, you’ve been with people and interacted in a meaningful way, and because it is local there is little or no travelling time…
We were all given a paper bag of mixed lollies on the way out … the reminiscing, the discussion, the relaxing warmth …
The evening proved we do yearn to share stories of the past and Nostalgia and the ‘Burbs a great success!
Well done Glen Eira Council!
If you have a story of a milk bar or other local business please share it – I have a list of stories I can write or add detail to ones already written to include milkbars:
I tasted my first Choc Wedge at a milk bar in Croydon 1962
My first trip alone on a bicycle was to the local milk bar in Croydon 1963
Lee had written about her childhood half a century ago, the friendship with the owners and staff at Pellegrini’s, memories of being a migrant in Melbourne, and of her mother taking her regularly to this Italian restaurant for pasta and other familiar delicacies reminiscent of a Europe they’d left behind.
Our lunch date would begin by meeting ‘under the clocks at Flinders Street Station,’ a place, where I’m sure almost every Melburnian this century and most of last century, has used as a meeting place at one time or other.
Flinders Street Station, an iconic building holding many stories within its walls and parts of the interior, especially the upper floor Ballroom – a place everyone wanted to see when I first volunteered for Open House Melbourne a decade ago because like other sites during the last weekend in July, the public rarely have access.
My lunch date story a salutary lesson to not delay plans because we never know what is around the corner and often don’t appreciate a person or place until they’re gone, which is a nice segue into a story about the heritage restoration of Flinders Street Station…
Alas, as mentioned, parts have been closed off to the public for many years because lack of proper maintenance made some of the building unsafe and until final restoration work is done (an expensive, time-consuming process) it may be many more years before the whole building is restored to its original glory.
The Restoration of Flinders Street Station
On May 29, I attended a free seminar in the Victorian Parliamentary Library by heritage architecture expert, Peter Lovell, on the Restoration of Flinders Street Station. Peter’s talk and the venue fascinating.
Access to the parliamentary South Library was appreciated, a place I’d only seen in passing, while on a quick tour of Parliament House, during the Centenary of the Women’s Petition for the vote.
The Victorian Parliament Building also a Melbourne icon and although it has received more maintenance attention than Flinders Street Station, the restoration process is drawn out for this building too.
The day of Peter’s talk wintry with intermittent heavy showers and a biting wind, which probably explains why not all those who booked turned up, despite repeated emails to advise if ‘no show’ because there was a ‘waiting list’.
Peter also advised to allow twenty minutes to ‘go through security at the front entrance’ but there would be ‘a welcome desk in the vestibule’.
I arrived five not twenty minutes early because of unavoidable delays on the Frankston Train Line. (ah, the irony!)
My demeanour must have registered panic because the young woman on security duty said, ‘Take your time, calm down,’ as I fumbled to show the email with the details of the event, and get out my mobile phone and perfume – two items on a ‘must show’ list.
The security process reminiscent of airport security and sadly a sign of the times and upgrading the old building to accommodate new security technology a priority. How you do that in keeping with nineteenth-century architecture and expectations of access from the general public, no easy task.
Hurrying, and feeling guilty about being late I dropped my handbag, partially spilt the contents on the ground and held up a queue of others also wanting to enter via the public entrance of Parliament House. (Murphy’s Law obviously working and I could hear my wee Irish Mum’s voice, ‘more haste less speed’…)
Not a great start to the event!
Fortunately, the promised Welcome Desk was indeed welcoming and despite the tone of the emails suggesting non-negotiable punctuality, a friendly, and chatty attendant escorted me to the Library where I had a good fifteen minutes to feast on my surroundings and relax by eyeing off the floor to ceiling shelves!
The books eleven shelves high above a bench with two shelves below, so no wonder there was a ladder leaning against the wall and the top two shelves empty.
My imagination kicked in, reminding me of that scene in The Mummy with a chain reaction of crashing shelves in the Cairo Library because the librarian over-reaches, wobbles on the ladder and the shelves of books fall like dominoes.
The sign for the seminar read Foundations – Architecture with influence – Flinders Street Restoration Project and then my eyes wandered to a variety of books, their titles almost jumping out at me:
A coffee table-sized, Unemployable
Blair – a thick hardback
A big blue tome titled, Australian Poetry
Another hardback, Paul Kelly
A hardback book of Cycling on an easily accessible bottom shelf…
Brought back to reality the guest speaker was introduced by Caroline, the Parliamentary Librarian…
Restoring Heritage Buildings A Specialist Field
I sat in the front row ‘all the better to hear’ the talk by the chief architect of the firm responsible for restoring the outside of iconic Flinders Street Railway Station. The seminar was the third of a three-part series on Architecture Restoration of Significance, the analysis and reuse of older buildings.
Peter’s firm specialising in Heritage – he surveyed Parliament House – furniture, fittings and the building – ascertained its conservation status and how to retain the important historical aspects and ensure it can function in the modern era before major renovations occurred.
ready for speech in Great hall
Peace and prosperity mural
statue of Queen Victoria in great hall
Red velvet chair
leather sofa in entrance hall
door handles restored
His resume is impressive: recently the Windsor Hotel, Princess Theatre, Palais St Kilda and the State Library; also the Essendon Airport Control Tower, Wilson Hall Melbourne University, Melbourne Laneways, Sidney Myer Music Bowl and now Flinders Street Station.
Many important landmarks since European settlement that are valued by the public have received Peter’s attention to detail and extensive research to ensure what can be restored is done so to enrich our history and heritage.
All good presenters put their audience at ease and Peter was no exception, jokingly referring to the current series on SBS Great British Railway Journeys introduced by ex-Tory politician Michael Portillo.
Peter apologised for the absence of a bright jacket to show off his knowledge of railway history! (Portillo’s signature dress code is an outlandish colourful blazer and each series he works his way through the colours of the rainbow.)
This led Peter into a segue on the various colours of the paintwork of Flinders Street Station. The paintwork appears different during the day and night and over the years.
In the 1980s the paint colour used for Flinders Street was investigated and fashion consultants of the day said the colour chosen was ‘awful‘.
Now, 30 years since that paint exploration, the current restoration began and the paint colour harks back to the original colour scheme.
The initial investigation revealed a failure of the fabric externally with extensive structural cracking. When the project began, the Christchurch earthquake had just happened therefore the Government’s main concern was the stability of the building.
There was an update of the Conservation Management Plan and the significance of this was what could or could not be changed.
The track level and platforms and range of shops along Flinders Street – all spaces were analysed. The ceilings contained the largest collection of press metal work in Australia.
Flinders Street Station
… is of National social, architectural, aesthetic and technical significance as one of the landmark buildings of Melbourne…possibly the most well known and heavily used public building in Melbourne…providing an imposing entry and exit point for thousands of travellers every day of the year…
The platforms, the ramps, stairs, subways and concourse, have been used by millions of commuters since 1910. Except for unsympathetic alterations to the ramps up to Swanston Street made in 1983, all these elements are intact and considered an integral part of Melbourne’s historic character. Even minor details, such as the ‘do not spit’ signs, the large mirror on the ladies toilets off the Elizabeth Street subway and the original timber signboards, are widely known and enjoyed.
The steps of the main arch facing into the city became a convenient and popular meeting point known as “under the clocks” and is still popular today. While the opening of the city loop in 1980 has reduced the dominant role of the station, it is still an important destination and meeting point.
As a large and imposing public building located at the major symbolic gateway into the city, on one of the most important intersections, it is a familiar and well loved landmark, and the view of the building from Flinders Street has become one of the most photographed and instantly recognisable images of Melbourne.
Heritage Council, Victoria, 2008
In 2017, while volunteering for Open House Melbourne at the Nicholson Building, I got a great bird’s eye view of the preparations to paint and restore Flinder Street Station.
Who designed Flinders Street?
The railway architect, Mr James Fawcett, and railway engineer, HP Ashworth won a competition to design a railway station for Melbourne. Fawcett, according to Peter was a ‘one horse wonder’ because he doesn’t design anything else major as an architect. Flinders Street Station is broadly Edwardian Free Style, the main building is strongly influenced by French public architecture of the 1900s, and is the only such example in Melbourne.
Fawcett was a watercolour painter of some renown – check out the Fawcett Collection at the State Library. He also designed Woodlands Homestead, a prefabricated house and was ‘a run-of-the-mill domestic architect of conventional Edwardian bungalows‘.
However, a number of suburban and country railway stations were probably also designed by Fawcett & Ashworth, such as Glenferrie, Essendon and Caulfield because they were built between 1900 and early 1920s and employ a similar, but far less elaborate, architectural style.
Peter showed slides of some old paintings of Flinders Street as a tiny train station in early Melbourne. Other paintings showed the historical development and the station growing to have original platforms and the Degraves Street stop.
In 1899, the government held a competition to design Flinders Street and Fawcett, an employee won so there was a suggestion it was ‘an inside job’.
This was the period of the famous Thomas Bent MP, later Premier of Victoria (seen as corrupt in some people’s eyes and referred to as ‘bent by name and bent by nature’…) Bent was certainly a colourful character and left a much-talked-about legacy especially regarding the railways. There are stories about him in two of Mordialloc Writers’ Group anthologies! (Scandalous Bayside, 2008; Off The Rails, 2012.)
Fawcett invested in art architecture, he liked innovation. In the original design, the train halls were supposed to be covered and go East-West like London’s. However, cost-cutting meant covered train halls abandoned and their direction changed to North-South.
A large multiple-arch iron roof over the platforms, with an enormous glass wall facing the river, was never built. This aspect of the design was in the manner of the grand European and English railway stations, except that the arches were to have been across the platforms, rather than along.
It was a grand design though and the fourth floor was to be commercial offices – and whether these offices should be private businesses or only for government and the railway was a bone of contention. (Nothing new there politicians still argue over commercial versus public use and profit and investment, financial return …)
The station was not completed until 1910but built for commuters and had shops, canteen for workers, cafes, even a childcare centre… ahead of its time …
The office portion of the station is of social and historical significance for having incorporated extensive and heavily used public facilities. Large and convenient public toilets for women were provided at a time when such facilities were rare.
Apparently, in the 1920s it was the busiest railway station in the world. A claim with no mention of what other stations were considered for that honour and whether it encompassed a Eurocentric world view, Southern Hemisphere or included Asia!
Extensive facilities provided for the Victorian Railways Institute, which catered to the thousands of employees of the railways, as well as their families and friends. Located on the top floor, the Institute’s rooms included a Concert Hall under the main dome, a library, two classrooms and a gymnasium, a billiard room and a lecture hall at the Elizabeth Street end, which was converted to a Ballroom circa 1930.
Many of these facilities were available for hire by outside organisations and by the 1950s Flinders Street Station was home to 120 cultural social and sporting organisations, such as cat lovers, rose devotees, talented debaters and poetry lovers. This function continued until the Institute moved out in 1984.
I can remember attending the first Train Travellers Association meetings on the top floor in the late 1970s. These were the days of the old ‘red rattlers’, the Tait trains with their wooden panelling examples of Fawcett’s design work.
Carriages had leather straps hanging from the ceiling for standing passengers and too few seats catering for the postwar population explosion increasing the number of commuters travelling into the city each day.
Sadly, at the time I didn’t appreciate the heritage aspects of the upper floors!
The Train Travellers Association born out of the frustration and anger of commuters and guest speakers included Jim Fraser, Secretary of the Victorian Branch of the Railways Union (ARU) and the Shadow Transport Minister Steve Crabb.
They talked about their ideas on how to improve the Railways system, which had been badly neglected by various Liberal Governments who harboured a dream to sell the network off – one finally achieved by Jeff Kennett in 1992.
There is no doubt that Flinders Street Railway Station was a major, stupendous building on its completion in 1910 and it still looks grand and impressive today.
A drawing of Melbourne in 1838 depicts Elizabeth Street as a creek, this is incorrect but because of the proximity of the River Yarra, Flinders Street Station buildings are on variable foundations and there was a creek flowing into the Yarra River. The proximity of the foundations to water provided challenges!
Flinders Street is basically a brick building but has attached timber elements. The timber wall cantilevered off the brick section. The timber tended to tip from the building. The original construction fraught with delays and difficulties over a decade, and scandals about incompetence led to a Royal Commission.
The base built of basalt and granite and the timber lining supported by load-bearing brick. It should have been a brick and sandstone exterior but the cost meant that was abandoned for bricked stucco.
A survey in 2015, despite budget constraints, demanded urgent repair work. There was major cracking on the roof and in some walls, people could be killed below if bricks dislodged. An inspection revealed the major culprit – blocked downpipes and a roof that had leaked for 30 years!
If only proper maintenance had been carried out at the time… I heard my Mum’s voice again, ‘a stitch in time saves nine’.
Restoration Complex and Costly
The roof was intricate, a mixture of concrete, copper, corrugated iron – there were leaks everywhere, flashings buckled. Water damaged interiors could have been avoided and the cost of restoration halved if drains had been cleaned!
Internal work still has to be done and the slides Peter showed of the horrendous damage to the Ballroom/gymnasium, which had been used into the 1970s drew a collective gasp of horror from the audience. Timber rotted from neglect, decorative plaster ruined.
However, often it is not easy for any authority to argue for money for renovations if the public or even a small group with loud voices or influence consider it ‘a waste of time’ or ‘money is needed elsewhere’… but as every homeowner knows, you must look after your assets and budget for maintenance!
A scaffolding survey documented the process needed to restore the building and this was at ground level first so the estimate was $23 million. However, this cost blew out to $70 million when they discovered the damage to the roof and upper floors and walls.
The use of pressed metal, which includes ceilings in most office areas (in a huge variety of designs) as well as dados and friezes in some, is the most extensive in Victoria and the red painted, block fronted wall facing the platforms is the largest example of zinc cladding known in Australia.
After Christchurch, governments accept the earthquake threat is real and any major renovations or new buildings must acknowledge this threat. Initially, at Flinders Street, they planned to anchor the tower with tensile rods but it was not feasible to drill into the brickwork to anchor the building – this was deemed too disruptive and invasive. And not doable because of cavities in the brickwork.
Ingenuity and good tradespeople meant they found a way of reinforcing the roof structure. There were concrete slabs relied upon to hold the building together. The water damage and corrosion needed a new structural slab and waterproofing.
Before removal of the concrete slab, they built a bracing system to earthquake-proof the building. Seismic issues for old buildings are massive. All chimneys had to be braced – it doesn’t look elegant but the area is not accessible to the public and safety trumps elegance!
How to deal and manage risks without disrupting the running of the railways or putting commuters and the general public in danger?
A lot of the work was carried out at night where there was a three-hour opening of no train traffic! There were thousands of people involved in the project yet it was completed while the railways still operated.
The rail corridor a busy place and if a train stopped on the system it costs $50,000 an hour, therefore, they couldn’t afford to stop trains running.
Restoring the Clock Tower
The clock tower and the front steps are probably the most photographed parts of Flinders Street Station. Many of the marriages at St Paul’s on the diagonal corner make sure the station is in the background, the time of their wedding visible on the clock!
Restoring the clock tower the most challenging, requiring enormous anchoring and bracing. They used metal braces but kept the clock structure by inserting a concrete base/brace to anchor the tower. An extraordinary feat of engineering and architectural knitting of braces to the building.
The clock face had putty containing asbestos and they couldn’t salvage or reuse the glass. However, they sourced oval glass from Mexico after a worldwide search. The face is all laminated so it will not fall into the street.
Removing all the asbestos was a major challenge.
The zinc used in the pressed metal work was in good condition but it was a major campaign to restore where water had caused deformities. The repairs to the wall will now last for another 100 years.
Repointing the brickwork an exercise in patience and craftsmanship.
The use of red brick contrasted with coloured cement render, the use of banking (especially in the tower), and the grouping of windows vertically under tall arches shows the influence of American Romanesque Revival.
Salt coming through the brickwork ignored for too long and you can see the white stains. Despite several efforts, they still can’t remove the marks without major damage to bricks so abandoned the idea.
There was lots of exploration about various methods of repair, plenty of trial and error because it was heritage restoration and they were not replacing everything. the brief is to keep as much of the original as possible!
During the restoration they unravelled issues, in many cases, it was a discovery process but there was a great team of builders, engineers and tradespeople.
They didn’t put graffiti coating on the paintwork because it would be too costly to keep replacing. The building has had eight or nine paintings over the years but original paint not good and streaked within seven years.
The building has always been painted the same combination of colours – creamy yellow, red south walls, green for windows.
Lead paint was an issue too. It had to be stripped off in a controlled environment or the decision made to leave as is and paint over.
South wall the best in the whole building.
There was a beautifully designed heating system, hydronic radiators but all pipes were covered in asbestos. They couldn’t risk removal or repair so cut off the radiators and sealed them to avoid asbestos drifting into Flinders Street and the Station via the vents.
The dangers of asbestos and working how to remove it safely is an issue for whoever renovates the interior.
Lighting improved colours – the interior of the dome was beautiful when cleaned. In the Ballroom, they stripped off the plasterwork and discovered pressed metal ceiling. They inserted a steel structure to seismic-proof the building but little interior work completed – that’s for the next stage of the project.
Cracked balusters a badly seismic issue for tipping – rubber mouldy and new balusters made and pinned. Water penetrated through massive cornices.
They put in lead capping to conserve it although not these originally but had to rebuild moulding.
The stained glass magnificent designed by Fawcett because he was interested in art nouveau. Only modest replacements and it is hard to pick new panels, the rest were basically cleaned and conserved.
Refreshment rooms have glorious windows which needed epoxy repairs only – on the first floor – not accessible yet.
They were conscious that restoring the outside is only stage one and so they needed a storeroom because nothing that was removed was thrown out.
They even kept items left behind by workers over the years: 1950s watches, hats and other curios. These are stored alongside ornamental plasterwork from the Ballroom. Each item labelled and stored.
Caroline gave me a special tour of the library at the end of Peter’s talk when I said it was my first visit. I loved the spiral staircase, the polished wooden doors, the magnificent ceiling and chandelier and ornamental work on columns and cornices –
Caroline answered my many questions and showed me the Reading Room, explained how one of the columns cleverly disguised the chimney for the fireplace and told me the pet name (which I have forgotten) they use for the plaster lion saved from a previous renovation.
It was an informative and friendly afternoon. History and heritage two of my loves and Caroline invited me back – an offer I hope to take up sooner rather than later!
On the way out, I passed students in the hall and thought how lucky they were to have a tour – I was an adult before I ventured inside the parliament building and have spent more time on the steps demonstrating than wandering inside!
But as I walked past the portraits of premiers I stopped beside my favourite – Joan Kirner – the artist has caught her twinkling eyes and her over-riding quality of kindness.
Six Degrees of Separation
Joan was a trailblazer for women’s rights and started her public life as an activist in the Croydon area in the 60s. I attended Croydon High and my mother admired Joan, greatly. Joan later became President of the Victorian Federation of State School Parents Clubs and later still the first female Premier of Victoria!
As I wandered into the foyer still reminiscing, I bumped into two other activist friends for women’s rights. Both were past speakers for the Union of Australian Women’s Southern Branch: Fiona McCormack then CEO of Domestic Violence Victoria but now the new Victims of Crime Commissioner for Victoria and Robyn Dale, Office Manager for Nick Staikos, MP for Bentleigh.
Fiona is the daughter-in-law of a longtime, dear friend; Robyn’s son, Tim went to school with my daughter, Anne and Robyn’s boss, Nick Staiko is also President of Godfrey Street Community House where I taught creative writing for seven years!
Another first added when I visited the Dining Room in Parliament House and shared a cuppa! Of course, we talked about politics and women’s rights…
Six Moments in Kingston is a public art bus tour that celebrates Kingston’s rich history. Responding to six infamous local stories, this ambitious public art commission features performances, music, street parades, broadcasts, sculpture and videos sited around Kingston. Audiences board a public art bus to tour secret locations where each story occurred…
However, I am glad I made the effort because it was a fantastic couple of hours and lifted my spirits!
I even met up with some friends who were ‘a blast from the past’ and so returned home in a buoyant, jovial mood.
Thank you Kingston Arts!
The event was advertised as the biggest public art program in Kingston and judging by the full buses and well-organised and resourced tour (repeated over two weekends so you still have a chance to book!) the logistics and potential for hiccups must have had the organisers biting their nails.
But the tour is seamless and heaps of fun from the starting point at the front of Kingston Arts Centre to the end, by the tent installation in the carpark of the centre.
Curators David Cross and Cameron Bishop, together with a stellar group of contemporary artists, lead SIX MOMENTS IN KINGSTON, a dynamic series of six public artworks set in sites around Kingston.
Each artwork responds to an infamous local story, including the mysterious disappearance of aviator Fred Valentich in 1978, following his sighting of a UFO; a celebration of globally successful Parkdale rocker Rick Springfield’s worldwide hit ‘Jessie’s Girl’; Phil Carman’s infamous head-butting incident at Moorabbin Oval, and the story of Julie Cooper, Moorabbin’s first female councillor and Mayor. And much more!
Hop on board a magical mystery bus tour to visit six delightful artworks in secret locations around Kingston! Each tour lasts under two hours. The bus tour features local stories told by legendary Australian actors, Michael Caton (The Castle) and Kate Fitzpatrick.
Six Moments – Six memorable Stories
While we waited for the bus two young women sat in a tent erected in the forecourt. This tent, linked to the installation in the Kingston Arts Car Park (both by artist Steve Rhall) and the story of the occupants told in depth when we were on the bus.
The installations, inspired by an event in 1982, honour Moorabbin’s protest histories. At this site, two homeless schoolgirls set-up camp outside the town hall to proclaim what should be a fundamental right to all people – shelter.
It links to the work by artist Spiros Panigirakis, which refers to the removal of the historic ‘Grange’ homestead built on Kulin Nation land further down the road on Nepean Highway.
Whilst its future contested, the homestead became a squatter’s residence and at one stage it was suggested before its demolition, that it could become a women’s refuge or a hostel for the homeless.
However, the battle with developers was lost (sound familiar?) in 1983 and the Moorabbin Police Station was built and homelessness replaced in the news by other issues.
Story One – the Fundamental Right To Shelter – and to Protest
The bus drove us past the police station and as the story of ‘The Grange’ unfolded we learnt a little about the artist Spiros, his application to ‘paint the story of Moorabbin’s development on a purpose-built wall’ and the process of getting a Heritage Overlay.
This project reflects on the divisive and contentious debates led by a number of interest groups – arts, theatre, youth groups, accommodation services and commercial enterprises – around the restoration of The Grange, a prominent settler homestead built in 1856.
Redeveloped in 1977, the Moorabbin Police Station now occupies the old Grange site.
The project considers the site, the edifice of the Moorabbin Police Station and the suburban home of Tony and Dimitra Panigirakis in Moorabbin. It explores the notion of redevelopment through a series of fictional redevelopment proposals for the current site of the Moorabbin Police Station.
Using planning documents, real-estate hoardings and other public platforms that announce proposed redevelopment plans, heritage issues and planning approvals, a series of developer’s hoardings explore the notion of who controls redevelopment.
Working with Kingston Council landscape architects and urban planners, as well as his parents iconic Moorabbin home, Panigirakis looks at the ways municipal bureaucracy mediates redevelopment ideas and architectural propositions.
The work culminates in a series of installations across Moorabbin, and the production of an artist’s book that incorporates administrative and visual documentation surrounding the journey of the project.
As someone who doesn’t drive, my visits to Moorabbin are via public transport therefore many parts of the area I’d never seen before. It was fascinating and enlightening.
There were examples of a variety of architectural styles and I assume, it is the heritage overlay that has protected neighbourhood character of some of the streets and prevented Hilston Grove’s transformation into a ‘pigeon coop city’ with hastily (and in many cases shoddily) built apartments that has afflicted much of Kingston.
In 1977, the Grange was set alight and in the same year Spiros was born – I liked how the stories of the young girls attempt to get the authorities to do something concrete about homelessness joined dots and linked to the fight to save the Grange examining the big picture of neighbourhood character and housing.
We listened to the deep and soothing tones of Michael Caton as he explained how the history of the country could be told through the prism of Melbourne’s heartbeat – represented by Kingston (lots of smiles at that) – and the six stories would reveal the culture and the history of the area between the years of 1976 and 1981.
He supported the artists’ assertions that the image of Moorabbin as ‘a sleepy suburb‘ in the late 70s and early 80s ‘disguises a politically charged population actively participating in international protest movements.’
I came to live in Mordialloc, now part of Kingston, in 1984 but lived in other suburbs of Melbourne for the latter part of the 70s. It was good to be reminded of some of the ‘Headline’ stories of past media frenzies and to consider how close to home the events happened.
Story Two – When Sport is Not Necessarily Sporting
I have to confess that most stories about sport – particularly sporting celebrities, leave me underwhelmed.
I played sport when I was younger and was captain of the hockey team at Croydon High School in the 1960s, played hockey for ANU Seconds in the 70s and for the B-grade team for the City of Croydon – I even played netball as a young mum at Mordialloc Community Centre until a fall and cracked sacrum made that inadvisable.
I am a team player but would rather play than watch sport and prefer the days when Sport was added to the News and not considered the main item.
My knowledge regarding the 1980 scandal of Phil Carman’s behaviour negligible – in fact, non-existent.
The story revolved around Phil Carman who was one of the VFL’s most awarded players despite being frequently reported for bad behaviour.
Local performers explored an infamous head-butting incident between Phil Carman and umpire Graeme Carberry on Moorabbin Oval. This was filmed by video artist Laresa Kosloff and displayed on a large screen in the foyer of the club building.
Phil copped a year-long suspension and it was the end of his football career, which by all accounts was turbulent. He’d probably last one game nowadays!
Phil Carman was one of the VFL’s most brilliant players, dazzling spectators and developing a passionate following amongst fans in the 70s and early 80s. However, his career was marred by violent incidents, resulting in short-lived contracts with four VFL clubs.
This behaviour culminated in the 1980 season at Moorabbin Linton Street oval when Carman head-butted umpire Graeme Carberry, earning him the longest suspension in VFL history (20 weeks), and signalling the end of his career as a player.
Laresa Kosloff creates a choreographed video work with local footballers, exploring the gestures and symbols that characterise the Phil Carman incident and Aussie Rules football during the late 70s and early 80s…
Inspired by the ‘headbutt incident’ Laresa is currently working on an abstract interpretation of the moment that investigates the unique and universally understood language of sport.
Laresa grappled with finding a way to bring sensitivity and critical analysis to the moment without being dismissive or disrespectful to the footballing community. As with most of her practice, she navigates this thin line through carefully choreographed humour and slapstick comedy, keeping this quirky work accessible and open to all.
She has spent hours going through interviews and game footage and sketching the postures and movements inherent to the game. Through this process, she began to map out the language of gestures, emotions and the body universally understood to sporting fans across the globe.
Many of those on the bus obviously understood footy better than me and loved the video installation. I was more interested in seeing where tax dollars have been invested in this very new stadium.
As a first-time visitor, I found the home of St Kilda Football Club quite amazing and I’m sure the community is thrilled.
Our art tour interruption seemed to go unnoticed by the public intent on watching a game in progress.
No doubt the head-butt story filled the pages of local and state newspapers in 1980 and I am aware of recent controversies in sport but still have a lack of enthusiasm when some football stories (like who has a knee injury) are elevated to prime importance in the nightly news bulletins.
However, in display cabinets in the foyer, part of a Heritage Museum, the exploration of the club’s Indigenous connections is interesting with the stand taken by Nicky Winmar against racism a pivotal moment in the code.
Perhaps the subject of a future storytelling tour?
And of course, there is always the importance of what diehard fans bring to the spirit of the club.
In the 90s, when my daughters attended Mordialloc Primary School there was a yearly fundraiser revolving around Melbourne’s football teams and team colours replaced uniforms for the day.
On ‘Pie & Tinnie Day’, students bought a meat pie and can of soft drink from the Canteen and donated one and two cent coins by creating a line on the floor behind their footy team’s poster.
I learnt then how popular St Kilda was as their line snaked out the door. It was a team most in the Southeastern suburbs regarded as theirs.
Our household not footy enthusiasts but my daughter, Anne barracked for Footscray because they were called the ‘dogs’ and had a bulldog as their emblem. Devoted to real live dogs, which still are her favourite pet, she put her couple of dollars on the floor for Footscray.
However, I often had to rush home and grab John’s loose change from his bedside table so that Anne, who seemed to be the sole ‘doggy’ supporter wasn’t embarrassed by having the smallest donation line in the school!
There are consequences if you live in Melbourne you must follow footy and defend your team’s honour at all costs!
When we left St Kilda’s grounds, the bus turned onto the Nepean Highway near Wickham Road and I saw a few more streets I’d never seen before we entered a semi-industrial area.
Story Three – Fair Pay Worth Fighting For
On the bus, we heard the story of workers protesting for fair pay and better working conditions in 1979.
One of the strikers used his car to block access to the factory. A tow truck was called and while the driver was connecting up the vehicle, its owner stole his keys and threw them over a fence.
Although the original factory is gone, we were taken to the site and saw a re-enactment of
… an infamous incident involving a tow truck and physical struggles between constabulary and workers at the former Phillip Morris car park; a public art installation using illuminated LED boards and text developed with community consultation.
This project has been developed alongside The Gathering Place and Kingston Koorie Mob.
We stayed on the bus but the scene came alive through hearing the descriptions on the police radio and through conversations on the ground all played through the intercom on the bus.
Driving up to that area of Moorabbin, it struck me how high up we were compared to other parts of the city. It was an interesting perspective I’d not seen or understood before.
Story Four – Moorabbin Airport Mystery Remains Unsolved
On the way to our next stop, we were informed that Moorabbin Airport is the second busiest airport in Australia and the home of the Australian National Aviation Museum founded in 1962.
The first fact was interesting but not surprising – anyone who lives in Mordialloc will testify to the regular sound of aircraft overhead.
I visited the Museum years ago and knew friends who volunteered there and wondered how much it had changed because there was often appeals for people to get involved.
But the story we heard on Sunday was a much more recent event and the enemy – if there was one – came from another world…
In 1978, Fred Valentich took off from Moorabbin Airport in a Cessna and within minutes, radioed sightings of a metallic object hovering above him and then there was silence!
It was a routine training flight to Tasmania but when he and his plane went missing it became the subject of so much speculation it entered the realm of the ‘Twilight Zone’ – the name of a popular TV Show of stories about the paranormal and aliens.
“It is not an aircraft.”
On the evening of October 21st 1978, nineteen-year-old pilot Frederick Valentich disappeared shortly after take-off from Moorabbin airport.
Before his disappearance, Valentich reported sighting a metallic aircraft moving at high speed. Reports further southeast noted a similar aircraft sporting multiple lights on its belly before transmission abruptly ceased. Valentich and his plane were never seen again.
Partnering with the Australian National Aviation Museum and the Victorian UFO Action Group, artist collective Field Theory will work with volunteers to tell the conflicting stories, myths and unassuageable mysteries that took this story to the top of Australian security organisations.
This interactive project drops the audience deep inside the many mysteries surrounding this story.
On the bus, making full use of the intercom again, we heard the conversation between the pilot and air traffic control, we also heard excerpts of the Minutes Of October 27, from the investigation into the missing plane with a conclusion ‘human factors’ played a significant role.
There was mention of the pilot’s low IQ, his failed exams and psychological assessments, his dream to be in RAAF probably unattainable and his stories of many flying activities a facade to impress.
On the 15th October, during a drive in the Dandenongs with his girlfriend, he was reported to have said if a UFO landed, he would go in it but ‘not without you’.
The authorities emphasised he often talked about UFOs and they worked hard to besmirch his character.
His girlfriend went into a hotel near where the plane disappeared and asked for the pilot by name. They’d arranged to meet at 7.00pm but he’d already vanished.
There were articles in The Australian about a clairvoyant and New Zealand author, Colin Avery who held a seance. He said he’d been contacted by Fred. His message being – I’m in space with aliens.
He told Fred’s father to go into his son’s bedroom and wait to be contacted. Unfortunately, there was a mix up with time zones!
Sixty seconds of the radio transmitted conversation is believed to have been edited with accusations the pilot claimed he was in a galaxy far away, no longer having a physical body but was with others chosen.
I wonder what really happened??
I wonder if this tree at the airport holds secrets?
Story Five – Who Knew ‘Jessie’s Girl’ Lived in Mordialloc?
The next story stop was perhaps the biggest surprise to me – it was a five-minute walk from my house and as the bus pulled into the parking lot at Central Bayside Health we heard the story of Rick Springfield and his hit record Jessie’s Girl, which ushered in the new pop sound – a generational hit record produced by an Aussie!
Rick hailed from the ‘aspirational suburb’ of Parkdale and often visited the family home in Melrose Street, a haven of middle-class suburbia. He held his wedding reception in the house and used it as a bolt hole with not much changed from his childhood except the corner milkbar now a beauty salon.
Kingston has produced many famous sons and daughters but none quite like Rick Springfield who, in a little known fact, spent his teenage years in Parkdale.
First a heart-throb and actor in American soap General Hospital, Springfield became internationally famous for his worldwide smash hit single, Jessie’s Girl, released in 1981. The song climbed to no.1 and went platinum in the USA and Australia.
Artist Shane McGrath and local musicians honour Springfield’s place in the rock pantheon, creating their own renditions of Jessie’s Girl in the streets of Parkdale, headed up by a phalanx of bull terriers, after Rick Springfield’s love for the breed.
The scene recreated was the promotional video Rick made and we marched behind the banner and a tambourine and flute band, singing along to a boom box belting out Jessie’s Girl until we were outside Rick’s house with “Rick” himself, led there by four dogs!
Apparently, each day there is a different musical band with a brass band promised one of the performances.
Regardless of the musicians, it is a lovely, happy, interactive interlude.
Story Six – the Final Flourish
The last story featured was that of Julie Cooper who paved the way for women to enter local politics when she was elected Moorabbin City’s first female Councillor in 1976 and went onto being their first female Mayor in 1982.
A stadium named in her honour continues to be a point of contention.
On the 12th of June 1902, Australia became the first country in the world to give women the right to vote and stand for office.
However, in Moorabbin, it wasn’t until 1976 (74 years later) that the first female councillor, Julie Cooper, was elected. Julie went on to challenge the norms of local government and fulfilled another milestone when she was elected the city’s first female mayor in 1982.
Her groundbreaking achievements are today reflected in a Beaumaris stadium that bears her name and marks her role in creating opportunities for women in local politics.
As we returned to the Kingston Arts Centre we heard about Craftism – craft and activism combined to make social change – something dear to Julie’s heart.
Since the term craftivism was coined by Betsy Greer in 2003, the idea has blossomed into a global movement of like-minded makers who mend the fabric of society and make with meaning.
Textile artist Tal Fitzpatrick, along with local crafters practising hands-on craftivism, celebrates the contribution of female and gender non-conforming leaders and invited participants to take part in the struggle for gender equality.
A Melbourne-based artist who is curious about the ways craft can be deployed to bring people together and drive positive social change, Tal hosted a series of free craftivist protest banner-making workshops in Kingston during March and April.
Participants created a textile protest banner of their own. Materials were provided and these were the banners we collected at Moorabbin Station and carried and marched back to the Kingston Arts centre carpark to finish a wonderful tour!
We walked up Nepean Highway carrying the wonderful banners high led by Marcia chanting:
‘What do we want?’
‘When do we want it?’
I think Julie Cooper would have approved.
In fact, I know she would because her daughter Mandy and family were there marching and Mandy Cooper and husband John are the friends I reconnected with and previously mentioned as ‘the blast from the past’!
A selection of the banners will also be featured in an exhibition curated by Tal, called Crafting Resistance: Six Moments in Kingston at Kingston Arts Centre in September 2019 so if you can’t take part in a guided tour of Kingston’s streets and some of the stories they hold this weekend perhaps attend the exhibition – I can guarantee you won’t be disappointed.