The beginning of the year always a mixed blessing because January 10th is John’s birthday and a reminder my husband and best friend is no longer around, yet it is a new year and the future beckons and being a glass-half-full person, I look forward to whatever challenges await.
For the last sixteen years, the girls and I have visited Stony Point each January to reflect and remember John – and yes, we chat or share our thoughts with him.
Whenever I give my writing class an exercise to write about their happy place, or a place where they feel serene, I have Stony Point in mind.
Serenity Writing Exercise
Once a year, sometimes more often, I visit Stony Point on the outskirts of Melbourne. This tip of the Victorian coast looks across to French Island among other smaller islets and the tide flows out to the sea. There is a pier always populated with anglers – more in some seasons than others.
There is a ferry to French Island and half the pier is now fenced off for Navy patrol boats installed during John Howard’s ‘be alert not alarmed’ crusade.
John requested his ashes be scattered where they would be carried out to sea, being ex-Royal Navy, John was more comfortable on the water than land and Stony Point fitted the bill.
There are mini-wetlands (or mud flats) at Stony Point frequently visited by shearwaters, pelicans and of course the ubiquitous seagulls. The area is attractive to fishermen and regardless of the season, you will always see boats coming and going.
The gutting and scaling table regularly visited by a host of birds who seem to know just when to land and wait for a feed. The take-offs and jockeying for advantageous positions to catch thrown leftovers provide a rambunctious display by the birds, especially the pelicans.
My daughters laugh at my delight and are convinced I have the largest collection of photographs of pelicans in the world! This year, I think they had a bet going and were counting how many pictures I took – I never discovered whose guess was correct!
Many people visit Stony Point and there is a caravan park with permanent residents as well as frequent holidaymakers. Every day there could be bushwalkers, anglers, picnickers, fossickers, commuters to French Island, naval personnel from nearby Cerberus base and a handful of locals who operate a rundown cafe/shop.
But there are times, like the other day, when we were the only ones soaking up the serenity for an hour or so before one boat returned and two families arrived to visit.
I’m sure others like me, come to sit or walk by the short strand of sand or along the pier. Others relax while waiting for the ferry to French island. The kiosk, the railway station, the car park – so little change in sixteen years.
Stony Point is the end of the line for the train – a little diesel that comes from Frankston. The station personnel seem to be from another era of railway culture – a more friendly era – attuned to the age of steam perhaps – like my Dad and Grandfather…
However, just like the rest of the Victorian rail system, upgrading is happening to the only non-electrified rail line operated by Metro. There will be electrification to Hastings soon, but who knows when the upgrade will reach Stony Point, a place where change is rare.
John’s Story Forever Linked to Stony Point
When I think of John, I remember his love for the sea. The vivid memories of years in the Royal Navy he loved to share. His time at sea an escape from a violent step-father. It gifted skills and room to grow. Life below deck a creative exercise in space management and curled in a hammock beneath clambering pipes was not conducive to sleep. In the 1950s and 60s, he served on destroyers and stowed belongings in lockers between gurgling pipes. Ironically, the life he loved contaminated him with asbestos…
When I think of John, I recall he joined the navy as a fifteen year old ‘boy sailor’ and said he learned to respect and consider others, to cook, clean, and iron, to share, to care for himself, to operate radar and radio, sort and deliver mail, be the butcher and food buyer for the mess, and also train as a deep-sea diver. He mastered calligraphy and latch-hook weaving and became the Mediterranean Fleet’s high jump and long jump champion in Malta. Above deck, he discovered the pleasure and benefits of breathing fresh sea air; the joy of time to scan for exotic lands, learn to read the stars, be entertained by dancing dolphins, flying fish, and the unforgettable sight of the majestic blue whale.
When I think of John, I hear his voice reciting poetry and doggerel, quoting favourite passages from books he loved or people he admired (he could recite Lincoln’s Gettysburg Address!) and singing songs from favourite entertainers. A man of few words, each sentence counted. John didn’t do small talk…
His stints at sea gave him time to sit and think, to listen to the stories of others, and absorb some of life’s harsher lessons. He witnessed horrific scenes while based in the Mediterranean when Britain became embroiled in the Suez Crisis. He visited many European ports and also South America and South Africa, experiencing a variety of cultures and cuisine. Moved out of the comfort zone of his childhood English village, people and places expanded his heart and vision.
When I think of John, I remember his love for the sea and how it shaped his character. A sea he now roams as his ashes float from shore to shore, revisiting the lands he loved, being part of a marine world he admired – free of human form, he can dance with the dolphins, fly with the fish, or ride a whale.
When I think of John, I remember his keen sense of humour, can hear his laughter and know he would laugh with us and enjoy the story I’m about to tell of our visit to Stony Point last Wednesday.
I was taking pictures of some Shearwaters and Pacific Gulls sunning themselves on the edge of the slipway jetty when a man in his early 40s and his two children, a boy of 8 and girl of 6, followed me towards the birds. Their conversation –
‘What kind of birds are they Dad?’
‘They’re ducks, son.’
‘No they’re not.’
‘Yes, they are – look,’ he points to the pelicans,’ see how small they are to the albatrosses.’
I’ve seen gannets and black swans at Stony Point but never an albatross.
When I shared the father/son conversation with the girls, we laughed – it reminded us of that funny TV ad for Bigpond or maybe Google, some years ago – when the young boy asked his Dad why the Great Wall of China was built and the dad replied, ‘to keep the rabbits out.’
For the record, the next evening on a walk with buddy Jillian, I took a picture of a duck in Mordialloc Creek.
And this is a pelican –
Pelicans – symbols of mutual aid and love
The Australian Pelican (Pelecanus conspicillatus) is the largest of the shorebirds that can be found along Victoria’s coastline. It has a wingspan of 2.3-2.5 metres and weighs 4 to 6.8 kilos. Wild pelicans can live up to 25 years. Predominantly white with black along the perimeters of the wings, it has a large pale, pinkish bill. An Australian pelican was recorded with the longest bill of any bird in the world. It is the most southerly breeding of all pelican species and is the only pelican found in Australia.
Between the bones on the lower bill is a stretchy patch of skin called the gular pouch. The gular pouch will stretch when it is filled with water and can hold up to three gallons. Pelicans also have a large nail on the tip of the upper part of the bill. They have short legs and large feet with webbing between all four toes.
Their diet is mainly fish but they are carnivores and will eat turtles, crustaceans and other waterbirds. They can soar to heights of 10,000 feet and can commute 150 kilometres to feeding areas. Highly social, these diurnal birds fly together in groups which can be very large. They breed in large colonies of up to 40,000 individuals.
Strong, slow fliers they often glide on thermals to conserve energy. During flight, they pull their head inward towards their body and rest it on their shoulders. They have been known to remain airborne for 24 hours as they seek food.
Pelicans pair up every breeding season and stay with the one mate for the rest of the season.
Adult pelicans rarely use the few calls they have but can hiss, blow, groan, grunt, or bill-clatter. The young are more vocal than the adults and will loudly beg for food. Australian pelicans primarily communicate with visual cues using their wings, necks, bills, and pouches, especially in courtship displays.
Like all birds, Australian pelicans perceive their environment through visual, auditory, tactile, and chemical stimuli. Opportunistic feeders, they adapt to human activity quite easily and directly approach humans to be fed or will steal food, which is problematic because they get caught on fishing lines and hooks.
The Pelican’s Paparazzi
Always gathered at Stony Point
pelicans wait for boats to arrive
yet with beaks and wings so large
it’s fishing skill keeps them alive
perhaps these pelicans are lazy
or maybe they’re super smart
stocking food for a week in that beak
without having to dive and dart…
Stony Point’s fishermen’s table
a magnet for seabirds galore
shearwaters, seagulls – even swans
compete with pelicans for more
discarded fish guts, heads and tails
whatever fishermen don’t want to eat
I love to watch and capture on camera
the birds vying for a treat after treat
I can’t explain my pelican fascination
except they soar skywards with poise
and whether they stand, sit or float
they exude serenity without noise
they don’t screech, squeal, or twitter
but seem content to ‘just be’
if reincarnation is really a thing
then it’s a pelican I choose to be!
So little has changed at Stony Point thank goodness, although over the years signs have been added like the new banner announcing the naval facility is now managed by http://www.portofhastings.com and the new sign about French island is detailed and attractive.
Love for More Than One Place
When I developed cancer in 2010, I had lived in Australia nearly half a century, yet still felt I didn’t quite belong, still found myself homesick for Scotland, the land of my birth. I loved Australia, especially my home in Mordialloc where I have lived for thirty-five years. I married there and gave birth to my two daughters and brought them up in Mordialloc, but there was a passion missing, a sense of belonging I needed to ignite because if I was going to die should I return to Scotland?
After I finished chemotherapy I decided to create a bucket list because breast cancer and the treatment had me on the brink of death several times due to complications. I had always wanted to visit Australia’s red centre and see Uluru, in Australia’s heart and a sacred place for the Aborigines. I felt if I could get closer to the earth sacred to Aborigines, a connection to their mother, the country, would perhaps rub off on me.
Through research on the Internet, I discovered a tour company taking a group of writers to walk the Larapinta Trail called Desert Writers. Led by Jan Cornell, we’d spend five nights camping in the desert and walk the trail with two indigenous guides.
I didn’t hesitate and booked to fly to Alice Springs in July 2011 – still almost bald and a little fragile from a lumpectomy, haematoma, then radical mastectomy, three months of chemotherapy and a nasty bout of pneumonia thrown in for good measure.
The trip would not only realise a dream but would affirm I could still travel, which is one of my passions. It promised to encourage me to write, the most important passion I have. However, more importantly, I hoped to gain a greater appreciation and deeper connection to my adopted homeland, something I had not felt since being uprooted from Scotland as a child.
The journey fulfilled all my hopes and last year when I returned to Scotland after a twenty- year absence I loved being back, but returning to Mordialloc was coming home.
My place is Mordialloc, where I can walk along the seashore and as far as I can see there is freedom, an infinite sea, and endless sky.
I can stroll by the Creek enjoying the beauty of native and imported flowers and trees, listen to birdsong, laugh at the antics of ducks and seagulls.
I can breathe and feel secure, even at night, because wherever I am near the sea, John is with me. We sprinkled his ashes at Stony Point so he can wander distant lands, many he’d visited as a boy sailor but always his spirit can return when he feels inclined to touch these shores again.
Whenever the girls or I am near the sea we know John is there, just as the Aborigines know their country and walk in the knowledge their ancestors are protecting their place and their stories.
When I die, my ashes will be sprinkled into the sea at Stony Point. My first journey will be to my birth country, the Western Isles of Scotland, but I will always return to these shores as long as the girls are here and so much of my life’s story.
At Stony Point, I feel calm, serene and comfortable. It is one of several places I cherish as well as marvellous Mordi!
Over the last few weeks, I’ve struggled to write about Remembrance Day 2018 – or write about anything else on this blog because this anniversary was important and I wondered how I could do it justice and make sense of a lot of the thoughts rattling around in my head – particularly considering the fractious state of today’s world – a fact we are constantly reminded of due to the 24 hour news cycle and social media.
So buckle up – grab a cuppa or read the post in stages:) ponder the words and meaning of the poems, savour the poignancy of some of the photographs.
Peace does begin with ourselves, our families, our communities…
This year, the centenary of the signing of the Armistice in World War One – 11 November 1918 – signified PEACE at last, after four years of carnage, but as many people have already written, humanity ignored all the lessons learned and we’ve hardly stopped skirmishing or creating full-blown battles ever since.
Six Excuses Not To Write
1. I was distracted by the Victorian Election and busy working for the return of the Andrews Labor Government as well as Mordialloc’s local member, Tim Richardson MP who genuinely cares about the local community and works hard. I made this a priority and to be honest enjoyed myself and met many interesting people. No encounter every wasted for a writer…
The personal is political. Ever since my involvement in the Vietnam Moratorium Movement as a teenager, I’ve made activism a priority – the community is too important not to care enough to work for social justice and be a peace activist. If enough people care to speak up, it does make a difference. A change of government in 1972 and Prime Minister, Gough Whitlam brought the troops home.
At a get-together, before the “Danslide” as Daniel Andrews Labor win is described, we met in Tim’s office and I gave the Premier a couple of Mordialloc Writers’ Group anthologies and advised, ‘there is no better way to understand a community than through the poems and stories of its writers.”
I hope he reads them.
2. I mulled for hours at how to express the disquiet I feel about exhibits and projects at the Australian War Memorial being funded by arms manufacturers and the millions of dollars the Federal Government has spent on memorials rather than the health and well-being of veterans.
At the Centenary Celebration in Canberra, I saw first-hand elements of concern. Huge guns and tanks out the front (ironically pointing over the Field of Poppies and at the statue of Sir John Monash) as if these harbingers of death and destruction should be celebrated. There’s always going to be arguments about what is glorification and what is commemoration but there should never be a debate about prioritising the welfare of veteransand recent reports indicate we are letting them down.
3. I’ve spent my life studying history (a subject I love), travelling to as many places as I can afford, visiting exhibitions and museums, reading widely – I’m a person who tries to join the dots to understand ‘the human condition’ we writers love to explore. This topic has so many dots to join and I have an overabundance of thoughts that don’t necessarily provide answers or coherence. It was easier to procrastinate … but in a case of physician heal thyself – I did ‘jump in and just write‘ and followed the advice I give students!
4. I read again the poets of the First World War and visited a poignant and confronting art exhibition at Melbourne’s wonderful Shrine of Remembrance. An experience that deserves its own post although inextricably linked to the topic and so won’t get its own post now – please visit and experience for yourself.
5. The trips to Canberra, and to Melbourne’s Shrine, were to visit the culmination of the magnificent 5000 Poppy Project. The organisers did a superb job and I was keen to see what happened to my contributions. (As if I could find mine among the thousands of donations but ego being what it is … I should have been more creative and added sparkles or something so they would stand out!)
In Canberra, several installations were truly works of art and in Melbourne, the knitted tributes spelt out the familiar quote and linked lines from The Ode from Laurence Binyon’s For The Fallen, and its well-known response. Too many of us probably say the verses without pondering the meaning but I guarantee seeing the words ‘in blood’ sears your heart – especially with the thin red trail linking each line, like droplets of blood and a poignant reminder each poppy represents a lost life.
6. Maybe the most valid excuse is that the last few weeks of the school year are always manic as I collate and publish class anthologies – and this year, retiring from my position at Godfrey Street after 6 years, I wanted to go out ‘with a bang, not a whimper‘. I cracked the whip for my students and myself and there really is a finite time to sit at a computer and remain healthy. I crossed that line too often, burning the proverbial midnight oil with bad posture and tension taking its toll on legs, bones, and back.
Poppies At Melbourne’s Shrine of Remembrance
After walking amongst well-tended gardens, I rested in sanctuaries for those broken by experience and memories. Each secluded ‘garden’ displaying plants of different spheres of war for Australian troops.
I strolled darkened corridors absorbing the important stories we need to remember – depicted in a variety of ways without glorifying conflict. I climbed stairs to have a bird’s eye view and photograph magnificent Melbourne and the sweeping grounds of Victoria and Domain Gardens.
Skyscrapers and tree-lined boulevards and busy thoroughfares vastly different to 1918. The city those volunteers rushed to defend now remarkably different to what they would have known.
I pondered what Brendan Nelson and Kerry Stokes might learn from the management of Melbourne’s Shrine if they visited. I prefer the way Melbourne presents the story and the stories it chooses to promote. They also have courteous, friendly staff and volunteers.
A young woman approached me when she saw me reading the Memorial Book –
Are you looking for a relative?
Yes, thought I may find my uncle’s name.
Wait a moment and I’ll get the key…
Within minutes, she was back wearing white cotton gloves and wielding a key. She asked for my uncle’s surname, unlocked the relevant glass cabinet, and carefully turned the pages until his name was revealed. She then stood aside so I could take a picture of the page.
It was a busy day for visitors because the poppy installation was being removed the next day, yet the young woman took the time to offer me a service I didn’t know about – she went above and beyond and personalised my experience!
The exhibition by artist Craig Barrett called EVERYMAN is an emotionally moving experience. Craig incorporated poetry into his art.
In 2005, he wrote:
Four men from my family were caught up in the great tides of men fighting on the Western front of the First World War… Great Uncle George remains there… others returned home with their wounds and nightmares.
In recent years I have become aware of the poets of the First World War. These men were artists who conveyed powerful images through words from their camps, their trenches, and their hospitals.
I found myself especially moved by the words of the English poets Wilfred Owen and Siegfried Sassoon… Growing up I knew little and understood less of what these men had witnessed. The poetry of Owen and Sassoon has given me a glimpse of my own family and of the family of Man entangled in war…
These words resonated because I too have an “Uncle George” I’ve written about and it is this exploration and family connection that set me on a path, to learn why a nineteen-year-old relative is buried in Egypt. How did he die? How did his death affect his family, especially sister, Kitty whom we met in 1962 when we migrated to Australia?
I remember, Aunt Kitty’s air of sadness. I was nine-years-old and at night we sat at her feet listening to stories about the Australian branch of the clan, about ANZACS and a war in a land near where our ship had passed when we came through the Suez Canal.
EVERYMAN Siegfried Sassoon
The weariness of life that has no will To climb the steepening hill: The sickness of the soul for sleep, and to be still. And then once more the impassioned pygmy fist Clenches cloudward and defiant; The ride that would prevail, the doomed protagonist, Grappling the ghostly giant. Victim and venturer, turn by turn; and then Set free to be again Companion in repose with those who once were men.
Is Every Generation Destined to Repeat The Mistakes Of The Past?
Is there a need for us all to look deeper into what causes war, and what prevents a lasting peace?
Yet, there have been enquiries and research, backed by evidence and statistics, about the need for more resources to work in the community to combat radicalisation, and the alienation from mainstream society many young people experience. Experts encourage projects to improve inclusiveness and the mental health of those at risk of turning to violence.
Men who have been caught or suspected of terrorist acts often have a history of domestic violence. In Australia, more than 72 women and 20 children have been killed since January 2018 because of domestic and family violence. Despite knowing what we must do there seems a lack of political and social will and a lack of coordination and funding of resources to make a national difference to this scourge of homegrown terrorism.
And then there’s the refusal or reluctance of people to recognise the Colonial Warsand the Aboriginal nations who were here and valiantly fought to keep possession of their land from colonial invaders.
As John Lennon so aptly said, we have to make PEACE and do it right!
Will We Ever See A War to End All Wars?
Armistice Day November 11, 1918, which led to the end of World War One – the war to end all wars – did not herald a lasting peace. A war has been fought somewhere in the world ever since and many historians agree that the conditions of the peace seemed to set the scene for the Second World War.
Every day the nightly news brings us footage of soldiers and militarised police forces under fire or firing guns of formidable power somewhere in the world.
In many parts of the world, there are generations who have NEVER known peace. I was a volunteer tutor every Saturday morning to a Sudanese refugee for a year. A young woman in her 40s, with five children and a husband still stuck in a camp in Kenya, Mary had lived in a state of war in her country since she was 14 years old.
No life’s worth more than any other, no sister worth less than any brother.
Peace requires effort and political will and to suggest no one wants war is wrong – arms manufacturers thrive on war, which is why their influence (even in local elections under the guise of ‘shooters and fishers’ ) is alarming.
They fund public institutions and political parties for a reason. Look no further than the power the National Rifle Association wields in the USA. Working towards peace requires recognition that the Roman poet, Horace‘s oft-used quote Dulce et decorum est pro patria mori ( It is sweet and right to die for your country) encouraged militarism and is indeed ‘The old lie” that WW1 poet Wilfred Owens asserts at the end of his most famous poem.
A poem thought to have been written between 8 October 1917 and March 1918 after his years of witnessing the horrific slaughter and destruction on the battlefields of France and Belgium:
DULCE ET DECORUM EST Wilfred Owen
Bent double, like old beggars under sacks, Knock-kneed, coughing like hags, we cursed through sludge, Till on the haunting flares we turned our backs And towards our distant rest began to trudge. Men marched asleep. Many had lost their boots But limped on, blood-shod. All went lame; all blind; Drunk with fatigue; deaf even to the hoots Of tired, outstripped Five-Nines that dropped behind. Gas!Gas! Quick, boys! – An ecstasy of fumbling, Fitting the clumsy helmets just in time; But someone still was yelling out and stumbling, And flound’ring like a man in fire or lime . . . Dim, through the misty panes and thick green light, As under a green sea, I saw him drowning. In all my dreams, before my helpless sight, He plunges at me, guttering, choking, drowning. If in some smothering dreams you too could pace Behind the wagon that we flung him in, And watch the white eyes writhing in his face, His hanging face, like a devil’s sick of sin; If you could hear, at every jolt, the blood Come gargling from the froth-corrupted lungs, Obscene as cancer, bitter as the cud Of vile, incurable sores on innocent tongues, My friend, you would not tell with such high zest To children ardent for some desperate glory, The old Lie; Dulce et Decorum est Pro patria mori.
Can we blame the Romans for our culture of militarism and seeking military solutions?
Many of us read the words of these WW1 poets at school but whether we really absorbed their message is difficult to say – unless you had experienced war or grief and could empathise – and that’s difficult for school children.
It’s difficult for some adults, which is why writers must choose words carefully and why poetry, short stories and novels can help with empathy. Here is an interesting extract from a short memoir I read recently:
During my deployments, I only had to fire my gun twice in engagements, and, in retrospect, neither of those firings was likely warranted. Suffice it to say that both times, I could feel my heart shaking, and I came close to wetting my pants. The only film I’ve ever seen that captures this feeling—part terror, part adrenaline rush—is The Thin Red Line, and specifically in this woods scene, where the soldier becomes lost in the dark. He hears himself panting. Soon, bullets whish past him—directionless, it seems—and the only precedent for this, apart from Dante, astray on his path in the woods, might be Camus’s hapless prisoner in “The Guest,” who finds himself stranded and alone on the Algerian plains. What makes war so frightening isn’t the likeliness of death. It isn’t the suffering. It isn’t the inconsequentiality of humanness. Indeed, these are all apparent to anyone who’s reached middle age. Rather, it’s that sense of being alone. And I would hypothesize that it only comes to light in a warzone. After all, one realizes, especially in moments like this, that those who kill do not have any inherent fixed loyalties. Each human is invariably alone, regardless of the colors they wear.
Each year documentaries are made of the tragedy and sacrifice of a whole generation in WW1, but in the words of singer/songwriter Eric Bogle, ‘… it all happened again… And again, and again …’
GREEN FIELDS OF FRANCE
Oh how do you do, young Willy McBride Do you mind if I sit here down by your graveside And rest for a while in the warm summer sun I’ve been walking all day, and I’m nearly done And I see by your gravestone you were only nineteen When you joined the great fallen in 1916 Well I hope you died quick And I hope you died clean Or Willy McBride, was is it slow and obscene
Did they beat the drums slowly Did they play the fife lowly Did they sound the death march as they lowered you down Did the band play the last post and chorus Did the pipes play the flowers of the forest
And did you leave a wife or a sweetheart behind In some loyal heart is your memory enshrined And though you died back in 1916 To that loyal heart, you’re forever nineteen Or are you a stranger without even a name Forever enshrined behind some old glass pane In an old photograph torn, tattered, and stained And faded to yellow in a brown leather frame
Did they beat the drums slowly Did they play the fife lowly Did they sound the death march as they lowered you down Did the band play the last post and chorus Did the pipes play the flowers of the forest
The sun shining down on these green fields of France The warm wind blows gently and the red poppies dance The trenches have vanished long under the plough No gas, no barbed wire, no guns firing now But here in this graveyard that’s still no man’s land The countless white crosses in mute witness stand To man’s blind indifference to his fellow man And a whole generation who were butchered and damned
Did they beat the drums slowly Did they play the fife lowly Did they sound the death march as they lowered you down Did the band play the last post and chorus Did the pipes play the flowers of the forest
And I can’t help but wonder oh Willy McBride Do all those who lie here know why they died Did you really believe them when they told you the cause? Did you really believe that this war would end wars? Well the suffering, the sorrow, the glory, the shame The killing and dying it was all done in vain Oh, Willy McBride, it all happened again And again, and again, and again, and again
Did they beat the drums slowly Did they play the fife lowly Did they sound the death march as they lowered you down Did the band play the last post and chorus Did the pipes play the flowers of the forest
The horrors of WW2, Malaya, Korea, Vietnam, Iraq, Afghanistan… we keep adding to the toll, make the words of the poets even more poignant when we realise the average age of soldiers who die in wars are 19, 20, 21, 22…
ANTHEM FOR DOOMED YOUTH Wilfred Owen
What passing-bells for these who die as cattle? — Only the monstrous anger of the guns. Only the stuttering rifles’ rapid rattle Can patter out their hasty orisons. No mockeries now for them; no prayers nor bells; Nor any voice of mourning save the choirs,— The shrill, demented choirs of wailing shells; And bugles calling for them from sad shires.
What candles may be held to speed them all? Not in the hands of boys, but in their eyes Shall shine the holy glimmers of goodbyes. The pallor of girls’ brows shall be their pall; Their flowers the tenderness of patient minds, And each slow dusk a drawing-down of blinds.
Is a Plea for a Change in Priorities to emphasise PEACE too much to ask?
November 11 is a reminder, not only of the tragedy and futility ofWW1 and many other wars since but a warning of the fragility of peace and the importance of working hard to avoid conflict.
The Canberra Rotary Club is making an effort to remind people of the importance of peace and has built an easily accessible World Peace Bell as well as introducing the Rotary Peace Prize.
There are at least 23 of these bells throughout the world with plans for more. Volunteers man the bell at busy times encouraging people to recite an oath as well as ring the bell so the sound carries across the lake.
The volunteer who helped me explained the history and ensured I understood the affirmation, before reciting the lines aloud.
As I walked through Nara Park and visited the National Museum on the other side of the lake, the bell’s beautiful, deep, resonant tone tolled for peace.
The first recipients of the Peace Prize long-term advocates for world peace and activists in raising awareness and requesting an adjustment of society’s priorities:
Nation states, perhaps individual tribes and families. 21st-century social media exposes
All humanity – those not so lucky or ones we are told to fear –
Those trapped in places where war is an integral part of their journey from birth…
In my lifetime, the Middle East a constant muddle of bombs and brutality
Or the African continent with droughts, internecine wars, deadly viruses and famines
Not forgetting our neighbourhood’s volatility in the hands of Rocket Man & Dotard…
A world of sharing, no possessions to kill or die for, a world of peace
No borders! This dream elicits accusations ranging from lunacy to scorn
Dreaming and desiring the impossible…
Dreaming? Imagining a better future – isn’t that what we wish for our children?
Religious fundamentalists and fanatics insist
Everyone believe or have faith in a deity you can’t see, imagining a heaven and hell
And for many acquisitive others, it is land and possessions – they
Mean power, progress, personal esteem. It is difficult, but so important, to imagine
Sharing ALL the world and its bounties – thank you, John, for gifting your dream…
When you flip the peace sign upside down, it’s composed of the ancient rune ‘Algiz’ inside of a circle. ‘Algiz’ represents life, beginning, and protection; very fitting for a symbol of peace. … Add it all together, and an upside-down peace sign literally means ‘endless peace’.
He was 19 years old when they laid him to rest in Egypt and as far as I know, no member of the family has ever visited his grave. His death and the grief that followed changed the lives of his parents and siblings forever – a common tragedy for so many families worldwide detailed in letters, diaries, poems, novels, and memoir.
Dear Mum and Dad Mairi Neil
WW1 began in 1914, the fighting lasted four years, but grief lasts a lifetime.
I see you both in my dreams the image helps suppress the screams of many mates who have been shot–– This world has really gone to pot!
When I joined up to come and fight I thought I was doing what was right But Mum those Bible texts you read Don’t explain what it’s like to kill – or be dead.
Young Johnny Parker from down the road Shot on landing. Floats at sea –– a bloated toad. So many like him, bodies never retrieved No prayers, no burial, relatives deceived.
If I’m shot soon, or perhaps blown apart You’ll receive a letter to ease a painful heart But take what it says with a pinch of salt It’s madness here -no decency, nobody’s fault.
The cardboard dog tags disintegrated when a body rots or is incinerated Identities disappear over time – whole battalions consumed in lime
So just as I dream of both of you Hold fast your memories of me too Because if like snow, I don’t survive Only reminiscing will keep me alive.
My visit to Canberra for Remembrance Day to see the Field of Poppies (62,000 of them) and take part in the national ceremony commemorating the 100th anniversary of the signing of the Armistice that ended the First World War, allowed me to take part in a historic occasion but also made me reflect on the past, present and think of the future.
What stories we keep, how we pass stories from one generation to another, and the relevance and meaning of the stories we choose, whether personal or public.
In Canberra, amidst the field of poppies, it was sobering to discover people who didn’t know the significance of the flower, and others that didn’t seem to care, like the private security firm that used the field as an opportunity to have a promotional photoshoot – replete with uniforms and guard dogs.
Two men wandered around on Remembrance Day dressed in WW1 uniforms offering to pose for photos and a volunteer from the poppy project confided she had to chastise a group of young girls who laid down amongst the poppies uncaring of damage because they wanted to pose for pictures on Instagram and Facebook. There were also those who stole souvenirs from the installation, which volunteers spent hours replacing.
Parades and displays can be ignored but if everyone’s routine is interrupted – even for two minutes – perhaps it will make people ask why. Why the carnage, why do we go to war? Is there another way to solve disputes? Should we rely on a few leaders to decide our destiny?
Parliament House, Canberra
There were two displays at Parliament House (270,000 poppies).
The 5000 POPPIES project has left me in awe at how a simple idea encouraged involvement from people all over the world as well as educating about the loss of life in WW1 – and subsequent wars.
If it made people pause and consider the human cost of war, perhaps think of their family and their country’s history, seek information and reflect, then it has been a success.
Always the honour roll of those who died in conflict either at home or abroad confronts and shocks – alphabetical lists that in peacetime are associated with telephone books and thick tomes of the living.
Australia talks about thousands of lives lost, but for other nations it is millions! When I was in Irkutsk in Russia last year, a guide said to me, ‘In Russia, we list the names of survivors (mainly officers and ‘heroes’, I might add) because there aren’t enough walls to list the dead.’
Throughout the world, we have listed on walls, monuments, and in remembrance books, names while bodies and ashes lie elsewhere. Many resting in places where loved ones never, or can never visit.
Thousands of blood-red poppies a stunning visual reminder – each one different – representing the individuality of each lost life. The gaps in the field of poppies remind us not every casualty was/is found or identified.
For me, the creative project a chance to DO something and make a practical contribution to remembrance. Others, obviously, felt the same because it fired imaginations and activities in so many places: neighbourhood houses, U3As, schools, churches, numerous community and family groups and private individuals… and hopefully inspired discussions.
1918-2018: 5000 POPPIES – A TRIBUTE
At Parliament House, the forecourt installation of handmade poppies will be there from 9-18 November while the Marble foyer poppy installation will remain until 3 February 2019.
This display of poppies, lovingly created by 5000 Poppies project volunteers – many of whom are descendants of original Anzacs – is a tribute to the thousands of Australians who died in the First World War.
It complements the sea of handcrafted poppies that will carpet the Parliament House Forecourt to mark the 100th anniversary of the Armistice, 11 November 1918. With a direct line of sight to the Australian War Memorial, the display connects with the 62,000 poppies installed on the Memorial’s grounds representing every Australian life lost in the First World War.
Courtesy of traditional and social media we’ve been flooded with information – overloaded some will say, yet it is amazing how even after 100 years, new stories and information surface.
I’ve visited places, met people, and learnt history I didn’t know and fulfilled my love of joining the dots and understanding connections. On a recent visit to Caulfield Town Hall, to their art gallery, an amazing Poppy Exhibition made me pause and read the individual stories of local VC recipients but also drew my attention to the memorial boards that cover every wall of the spacious foyer – 31 large bronze panels with 1,554 names.
Although Caufield City Council first started compiling names of soldiers, sailors and nurses from the Caulfield district as early as 1915, it would be more than a decade before they were publicly displayed… In 1930, Caulfield Town Hall underwent a major redevelopment… which included a colonnade portico opening on to a spacious memorial foyer, with a marble dado surmounted by bronze tablets. Inscribed… were the names of all those who enlisted in the Australian Imperial Forces from Caulfield… the criteria for inclusion was to have been living in the City of Caulfield at the time of enlistment, and it includes both lost and returned service people… At the time of its construction, the municipality of Caulfield included the suburbs of Elsternwick, Balaclava, St Kilda East, Carnegie, Murumbeena, Glen Huntly and Gardenvale…
There is a lovely Japanese garden at Caulfield Town Hall and I hope people visiting the Remembrance Day display took some time, like I did, to sit and calm their anger (and it is anger we should feel) at what a senseless waste of life wars are, and especially WW1 – tragedies of epic proportions.
Yet, all over Australia, we have sister city relationships with countries that may have been our enemy at some stage of history – relationships that contribute to understanding and tolerance and help make a lasting peace.
Sassoon recognised how violence and war changed men and struggled to get much of his anti-war poetry published. When he wrote, “I believe that this War is being deliberately prolonged by those who have the power to end it,” in an open letter to the House of Commons, it took the intervention of poet Robert Graves to save him from court-martial declaring Sassoon suffered shell-shock and needed to be hospitalised.
Some could argue that it was only the insane who couldn’t see the truth of his words.
Through darkness curves a spume of falling flares That flood the field with shallow, blanching light. The huddled sentry stares On gloom at war with white, And white receding slow, submerged in gloom. Guns into mimic thunder burst and boom, And mirthless laughter rakes the whistling night. The sentry keeps his watch where no one stirs But the brown rats, the nimble scavengers.
While in Canberra for the commemoration ceremony at the War Memorial, I visited the current exhibition ‘Rome‘ at the National Museum displaying artefacts from the British Museum. There is a marble statue fragment of a barbarian (Ramleh, Egypt, 160-170 CE), which I thought depicted the anguish felt by war’s victims both civilian and military that the WW1 poets captured in words.
This bound captive is looking up at what remains of a larger figure, perhaps intended to depict Victory. He has Germanic facial features, but he is wearing a Phrygian hat of a style worn in the Eastern Mediterranean region. This suggests that he represents a generic ‘barbarian’ or enemy of Rome. Such depictions emphasise how one of Rome’s great missions was to ‘vanquish the proud’.
“From War” an Exhibition by the Australian National Veterans Arts Museum at Parliament House, Canberra
For many veteran artists making art is both an expression of personal creativity and a way of ‘making meaning’.
Veteran artistic practices draw upon, and extend beyond, the individual’s experience of war and service. For some, art is a lifeline and a life force; a way to tell stories and ask important questions about themselves and their place in society.
Representing a diverse range of mediums including photography, painting, sculpture, drawing, textiles and poetry, the artists featured in the exhibition reflect on their personal questions and processes, sharing unique stories of their lived experience.
The catalyst for the establishment of the Australian National Veterans Arts Museum was veterans’ mental health. It provides a creative and multi-faceted approach to supporting veterans and families through the arts, engaging with our veteran history and heritage, culture and identity to bring forward an approach grounded in creative expression and community.
Upending modern models ANVAM uses familiar tools, the arts and place, engaging early to promote validation, identity and purpose reframing the future for those returning from war or service.How do you capture the experience of war and its aftermath and convey that to others so they understand?
Sassoon’s honesty fobbed off as shell shock, which today we know as Post Traumatic Stress Disorder (PTSD) – and almost all veterans will have their share of depression as well as other symptoms of PTSD.
Statistics don’t tell individual stories, official documents can be doctored and presented from a particular perspective depending on what narrative governments want to spin. Even letters and diaries from those who were there or those writing about friends and family may have a particular perspective, may have been censored, or may deliberately alter facts to spare feelings.
I hope all politicians and senior Defence personnel take the time to look at the artwork and read the poetry on display at Parliament House.
A Poetic Honour Bill Charlton, (2013)
There is no greater accolade a soldier can be shown Than to have his deeds recorded in the verses of a poem. For medals tend to varnish and history can be wrong, And the stories we are left with, can be stretched as time goes on.
But the simple story-telling that’s contained within a poem Can survive through generations by word of mouth alone. And the rhythm/rhyming nature of these classics of the past Are easy to remember and ensure these stories last.
Great books will parch and crumble and epitaphs will fade And tombstones all will vanish no matter how they’re made. But the simple little verses that we pass on down the line Are remembered with affection and have stood the test of time.
So if you have the fortune to be mentioned in a poem Or you know some-one who has been, on the strength of deeds alone, Then be sure that it’s an honour, which can rarely be attained For it makes a man immortal for as long as it’s maintained.
Bill Charlton, born 1943, joined the Australian Army and served with the 1st Battalion Royal Australian Regiment in the 60s, including South Vietnam. Bill had always been interested in writing verse often sending snippets home to his wife, Robyn, which he never completed. He continued writing snippets for years after his service until he was encouraged to take up writing poetry by his wife and children, then the snippets became poems. His first attempt at poetry resulted in a literary award and encouraged he continued writing and published two books of poetry illustrated by Robyn: A Rugged Bunch of Diggers 1 and 2 and a children’s book Lulu, the Kangaroo. He continues to write individual poems for the 521 soldiers who died during the Vietnam War.
Sleep George Mansford, (September 2016)
If I could only sleep the sleep of sleeps To capture sweet deeds I can keep In the cloak of night greet blissful rest so rare To dream of peace and even love should I dare
I cannot escape this shrinking smothering room Painted with spite, hate and terrible doom I am shackled to the past and never to be free Deep sleep in pure white sheets is not to be
Oh to be deaf to shrieks and howls spat from spiteful guns Blind to flitting silent shadows mid the last rays of dying suns Be gone the shuffling file of haunted faces never to smile again If only a welcome storm to wash away the guilt and pain
In this lonely bed, to dream of peace, goodwill and love To walk mid young green forests reaching high above To hear the joyful welcome calls of feathered birds so bright To shut out the darkness of yesterday and seek tomorrow’s light.
George Mansford AM, born 1934, served in the Australian Army between 1950 and 1990 including Korea, Malayan Emergency, Malaysia, Thai Border, South Vietnam, New Guinea, Singapore and Cyclone Tracy. Having just returned home from Vietnam 1967, he started to write poetry after his first wife died. On losing his second wife and son, his writing increased dramatically as he discovered that writing was a fortunate distraction from grief and anger of war.
‘I found that promoting peace, love of country and such deep camaraderie was a wonderful sedative. It was what my loved ones and old comrades want.’
George is the author of Junior Leadership on the Battlefield and The Mad Galahs.
The Progress Barham J. R. Ferguson, (28 August 2018)
The fog that hugs my legs like a refugee, Shows the steps of progress towards my own peace. I have fought for the peace of others And lost more than blood in the process, But I know that hope stands not behind me.
See my anguish in the oils, See my scars in the sculpture, See my pity in the poetry, See my failure in the photographs, Hear my sorrow in the song.
I miss the moment of living the dream, Of knowing those at home are thinking of me. Praying for me. Worried about me. Today however, they only worry about me. It’s not the enemy that hunts me, nor the Danger that surrounds me. It is for the danger within.
My current battle is with doubt. Memories. Questions I cannot answer. Images so vivid, I can hear them.
But the fighter in me stands tall. I can win this war as I have done before. Not for me, but for others. This is why I served. This is who I am, Either in or out of service. So help me make that step.
And watch me emerge as a similar person To the one you knew. Similar, but better. That you can then See my ambition in oils, See my skills in sculpture, See my power in poetry, See my future in photographs, and Hear my strength in song.
It is now that I realise, My child that hugs my legs like a refugee, Speeds the steps of progress to my own peace.
Barham Ferguson, born 1968, joined the Australian army in 1987 and saw operational service in Papua New Guinea, Southern Thailand, Iraq, Afghanistan, South Sudan, Israel, Lebanon and Jordan. An Ambassador for the Australian National veterans Art Museum and a longtime supporter of veterans’ issues, Barham discharged in July 2018 and lives in Canberra with his daughter. He is the author of Love, Life and ANZAC Biscuits, (2013), and A Feeling of Belonging (1999).
Through The Mirror Barham J.R. Ferguson, (13 February 2017)
Through the mirror of the past, I see myself in memories vast. A warrior, not once outclassed, This was who I was.
From the dust of duty first, The last hoorah of machine gun burst, Wounds of war no longer nursed, The world knew who I was.
Homeward bound with dreams anew, Perceptions changed on what I do, My useful skills seemed less than few, I defended who I was.
Fighting family, fighting friends, The war has changed, it never ends. ‘’Is my life pointless?” Now depends, On knowing who I am.
Where to start, and what to do? What do I have that pleases you? There’s things inside that still ring true, They make me who I am.
Strength and honour. Discipline. These soldier traits have not worn thin, Unlike the uniform in the bin, These traits are who I am.
There’s many more that made me me, When I was in the military, But in these threads I now can see, That made me who I am.
Now it’s time to do what’s right, To find a mission, and gain insight, To be the me who can sleep at night, ‘Cause I do know who I am.
At the Australian War Memorial, there is a Flanders Field Garden planted with poppies and with the words of John McCrae’s poem carved on the walls to remind us that in Ypres, Belgium, ‘men died in their thousands and the medieval town was reduced to ruins.’
In Flanders Fields John McCrae
In Flanders fields the poppies blow Between the crosses, row on row, That mark our place; and in the sky The larks, still bravely singing, fly Scarce heard amid the guns below. We are the Dead. Short days ago We lived, felt dawn, saw sunset glow, Loved and were loved, and now we lie, In Flanders fields. Take up our quarrel with the foe: To you from failing hands we throw The torch; be yours to hold it high. If ye break faith with us who die We shall not sleep, though poppies grow In Flanders fields.
The Unknown Australian Soldier
This year was the 25th anniversary of the interment of the Unknown Australian Soldier, who represents all Australians who have been killed in war. At the head of the tomb are the words, ‘Known unto God’, and at the foot, ‘He is all of them and he is one of us.’
“Plans to honour an unknown Australian soldier were first put forward in the 1920s, but it was not until 1993 that one was at last brought home. to mark the 75th anniversary of the end of the First World War, the remains of the soldier were recovered from Adelaide Cemetery near Villers-Bretonneux in France and transported to Australia. After lying in state in King’s Hall in Old Parliament House, the Unknown Australian Soldier was interred in the Hall of memory at the memorial on 11 November 1993. He was buried with a bayonet and a sprig of wattle in a Tasmanian blackwood coffin, and soil from Pozieres was scattered in his tomb.”
The eulogy for the Unknown Soldier was first delivered by the Honourable Paul Keating in 1993. In Canberra, on the Centenary of the Armistice, a recording was played of his speech.
The words are memorable and moving but perhaps the lines that need to be emphasised more often are:
This Unknown Australian is not interred here to glorify war over peace; or to assert a soldier’s character above a civilian’s; or one race or one nation or one religion above another; or men above women; or the war in which he fought and died above any other war; or of one generation above any that has or will come later…We have lost more than 100,000 lives, and with them all their love of this country and all their hope and energy…It is not too much to hope, therefore, that this Unknown Australian Soldier might continue to serve his country – he might enshrine a nation’s love of peace and remind us that in the sacrifice of the men and women whose names are recorded here there is faith enough for all of us.’
The current exhibitions in Canberra at the National Museum and National Library add more food for thought as well as steps in the evolution of the ‘nation’ Paul Keating was talking about.
Rome reveals how integral the military was to the Roman Empire’s greatness and an exhibition on Captain Cook and his Voyages touches on the Colonial Wars and Aborigines fighting the invasion of their land by representatives of the British Empire.
The powerful Roman and British Empires now diminished and if nothing else, the tide of history seems predictable but has mankind learnt a ‘love of peace’?
Thank Goodness For Community Initiatives
While national politicians and governments may let their people down, there are plenty of instances of grassroots initiatives – and therefore HOPE.
Nara Peace Park, Canberra, is a case in point – not only has it the Peace Bell but myriad sections, sculptures and plaques making a statement about peace.
TOKU 2010 by artist Shinki Kato born 1955
Toku was commissioned to celebrate the 1300th anniversary of Japan’s ancient capital, Nara. The sculpture has three main elements: A five-storied pagoda form which represents Canberra; a floating stone representing Nara; and the form of a small bird symbolising peace.
The bird resembles a Latham’s Snipe, a species which migrates annually between Japan and Canberra. The artist has created Toku to express the amicable relationship and mutual understanding shared by Canberra and Nara as sister cities.
There are tranquil areas to meander through or sit and enjoy the beauty of the gardens and lake. The day I visited, families were picnicking and playing.
The Pen Mightier Than The Sword
As you walk through the park there is evidence that we shouldn’t take the beauty, or sentiments, for granted. At the base of several trees are plaques – sadly some were damaged and worn by the weather. The plaques reminders that writers from poets to journalists have lost their lives fighting to express and defend ideas and freedom of speech.
“The spirit dies in all of us who keep silent in the face of tyranny”
The plaques and trees were a ‘memorial to writers who have fought for freedom of speech” and was conceived through the vision and work of the ACT members of PEN International and dedicated by the Minister for Arts and Heritage, Mr Gary Humphries MLA, on 17 November 1996.
East Timor – Greg Shackelton, Brian Peters, Malcolm, Rennie, Tony Stewart, Gary Cunningham Journalists murdered October 1975 and Roger East Dili, December 1975
Konca Kuris tortured and murdered for advocating women’s rights in Islam 1960-98
Galina Starovoitova shot St Petersburg Russia 20 November 1998 aged 22, Larissa Yudina knifed Elista Kalmykia Russia June 1998 aged 33, killed for defending democracy and free speech
Meena Kishwarkanel poet, journalist and defender of women’s rights 1957-87
Robert walker Aboriginal poet 1958-84
Among the dedications:
Kenule Beeson Saro-Wewa, Nigerian playwright,
Meena Kishwarkanel, poet and journalist,
Russians: Galina Starovoitova, ethnographer and dissident politician, and Larissa Ludina, newspaper editor,
Konka Kuris Turkish feminist writer,
Robert Walker Aboriginal poet, and
the Balibo Five, Australian journalists murdered in East Timor 1975: Greg Shackleton, Brian East, Gary Cunningham, Tony Stewart, Malcolm Rennie and
journalist Roger East killed in Dili, 1975.
Hopefully, somewhere a memorial plaque will be made for Jamal Khashoggi recently assassinated by agents of the Saudi Government. The plaque, a permanent reminder of those who use words to defend our right to speak and challenge those who think suppression and violence a solution.
However, for every writer silenced, there is always another who picks up the pen to peacefully bring about change. The belief that the pen is mightier than the sword and words can make a difference, a good enough motivation for me to keep writing.
My second duty stint last weekend for Open House Bendigowas at the Town Hall, Sunday morning. According to a tourist brochure on heritage buildings:
“If it was good enough for Denmark’s royal palace, it was good enough for Bendigo. German artist, Otto Waschatz decorated both, adorning Bendigo’s Town Hall interior with mythical figures and rich gold leaf. Outside, muscular ‘Atlas” sculptures support the clock’s weight. These are fitting fixtures for architect William Vahland’s greatest work (1878-86).”
Seeing these magnificent features a definite drawcard on Sunday, however, I don’t think the artist envisaged the hall being the registration point for cyclists involved in the second Bendigo Cycling Classic – hence the signs around the doorway asking for care and respect for the walls and floors.
The Bendigo Town Hall stands out and beautifully renovated in 2003, it is well cared for and was one of the many buildings representing gold-rush-era heritage.
Located in the heart of the city and built in the height of the gold rush period like so many of the other wonderful buildings, it is a remarkable legacy of a time when money was plentiful, dreams were big, and prominent townsfolk and those who made the decisions for the municipality ensured the wealth and splendour of Bendigo’s ‘golden age’ did not go unnoticed.
Town Hall: Council Chambers
Local architect WC Vahland was commissioned to redevelop the Town Hall and came up with a masterpiece that helped secure his place as one of the city’s most revered architects. The Town Hall interiors feature decorative plaster adorned with 22-carat-gold leaf, reflecting the stories the stories of a city built on gold.
In 2003, The Bendigo town Hall returned to the elegance and beauty of its 19th-century heritage after an extensive restoration and renovation program including plasterworks murals and gold leaf worked by skilled artists and artisans.
A snippet from another tourist promotion:
The name Bendigo originated from a world famous bare-knuckled boxer, William ‘Abednigo’ Thompson. A shepherd, on the Ravenswood run near Bendigo, he was handy with his fists and became renowned as a great fighter. He lived in his hut on a creek which flowed through the valley where gold was found. It is said that this shepherd, nicknamed ‘Abednigo’ lent his name to this rich goldfield – and the rest, as they say ‘is history’.
The Cornish Miner
Erected in appreciation of the endeavours of all the underground miners of Bendigo and District who created the economy from which grew a beautiful city thus leading to further developments and helping to provide the base for Victoria to become an industrial state.
Cornishmen and their descendants formed the majority of these miners. Erected by the City of Greater Bendigo on behalf of its Citizens and the Cornish Association of Bendigo and District 1996.
Open House Bendigo, 2018
On Sunday, between 10.00am and 1.00 pm, 179 people took advantage of access and traipsed through the Town Hall, joining 600 from the day before.
Jaws dropped at the old Council Chamber’s polished wood, rich leather, gorgeous wall murals and marble posts, rich gilded ceiling and pelmets.
However, despite a clear sign and my gentle reminders, I had to ask a couple of people more than once NOT to sit in the Mayor’s Chair or rub their hands over the wood and leather.
And it wasn’t young people who were the culprits but seniors who should have known about the damage human sweat can do to artefacts and that if hundreds of people were allowed “just one photo please of me sitting in the chair” the likelihood of damage is high. I’m sure if the mayoral robes had not been encased in glass, some people would have been tugging at the chain.
The policeman role aside, I loved the stories people shared with me and the many remarks of appreciation of the skilled craftsmanship and pride in the presentation evident in the old and new council chambers and the hall.
Two ladies talked about making their debut in the Town Hall – one in 1956, the other in 1966 when Mr Oliver (who happened to be her boss) was the mayor.
He let her sit in the mayor’s chair! She can remember the fear of the small group of girls waiting in the chamber before descending the staircase to walk the full length of the ‘great hall’ to be presented to the mayor (Mr Oliver). ‘It was terrifying,’ she said, never having been so exposed to officialdom and public scrutiny, it was a relief to dance the Charmaine, their presentation dance.
She explained the event to her grandchildren who listened with polite interest and I was struck with the fact that after more than half a century, her overwhelming memory is of feeling anxious and intimidated.
Another lady was proud to tell me her son-in-law painted all the gold lettering in the hall during the renovations. I wish she had been nearby when a rare negative interaction occurred.
An old man in a faux stetson wanted to know how much gold was in the paint and how much the gilding cost. He was disappointed I didn’t know. I told him to speak with Nathan, the Town Hall representative who was managing the numbers of visitors downstairs.
Cold eyes beneath the hat stared at me for a moment, before cross-questioning who I was and why I was there. I explained about Open House and that as a long-term volunteer from Melbourne I volunteered for this inaugural Bendigo event.
His response thick with sarcasm, ‘How very altruistic of you,’ as he walked away disappointed I couldn’t give him the statistics he wanted.
I was glad Nathan was there because there was so much going on and the visitors were constant. He had shown me around the place before the doors opened and when we looked into the current council chamber he warned that although most people are respectful to watch out for ‘anti-council’ behaviour.
From my position in the hallway, I could see inside the old chamber but also see the new chamber because the wall is all glass. I kept my eye on Mr Stetson – rightly or wrongly I’d earmarked him!
Impressed by its ‘grandeur’, many people asked me why the council had stopped using the old chamber and when I pointed out the obvious they could see the new room was much more suitable:
the old council chamber did not have room for the current number of councillors, staff or press or the modern day technological requirements
the old council chamber did not have room for a public gallery and ratepayers are allowed into most council meetings
the cost of maintaining the old chamber – regularly cleaning it and repairing any wear and tear if it was used would be much more than for the modern chamber
The new council chamber had rows of seats for visitors plus a gallery of photos of previous mayors.
The current mayor of Bendigo is female but in the early days of the city as the dozen pictures lining the walls reveal, the ‘founding fathers’ were male.
I can almost guarantee future depictions of mayors will not be oil paintings or photographs by prized photographers or placed in huge gilt frames. I even wonder if the mayoral robes will be donned – times have changed!
The early mayors were all active in business and community organisations, each leaving a distinctive legacy and exceptional worthwhile achievements that resonate today. A lady confided to me with pride that one of the mayors pictured – Cr JH Curnow JP, 1901 and mayor 1902-4, 1912-13, 1919-20, 1927-28 – was a relative and she had no idea of his achievements!
It Is Important to Acknowledge Mayoral Milestones
Thomas Jefferson Connelly, a solicitor, was elected mayor in 1887 – the first Bendigo native and the youngest man up to that time to hold office. He was born in Sandhurst and was 29 years old. He was president of the Australian Natives Association and a driving force behind Federation and a close friend of Australia’s second PM Alfred Deakin. Sadly, Connelly contracted typhoid fever as a result of overwork in his private practice and died at only 34 years of age leaving a widow and three children.
Ambrose Dunstan was one of Bendigo’s oldest Justices of the Peace and on many occasions was the assistant coroner. From 1891-2 he was President of Australian Natives Association. During his term during WW1 house numbering was carried out, 182 building permits issued and he unveiled the Soldier’s Memorial Statue, recently refurbished 2018.
“The news that the armistice had been signed by German representatives reached Bendigo about midnight on November 11th 1918. At 2am on November 12th, Mayor Dunstan read a message from the Governor-general on the steps of the Town Hall to a crowd of over 1000. The joyous peal of St Paul’s bells and the continuous tolling of the town clock awakened the people, who came to the city in large numbers. The mayor invited those present to give thanks and proceeding closed with the National Anthem. Peace had been declared.”
We are close to celebrating the centenary of that PEACE and thinking about the huge numbers of war dead and casualties still makes me weep. It is not an exaggeration to think almost every household would have been touched in some way and I can just imagine the joy of this spontaneous gathering in the predawn light.
David John Andrew another early mayor ‘led a very active public life and there were few movements in which he was not connected.’ Captain of the Bendigo Fire Brigade in 1898 he held that position until his death. Chairman of the CFA he ‘heartily devoted himself to the promotion of the best interests of firemen and the firefighting service generally.’Born in Scotland, he was prominent in the Bendigo Caledonian Society, the Victoria Scottish Union and the Masonic Order.For many years, as the Secretary of the Easter Fair, he was interested in the Bendigo Hospital and Benevolent Home and pursued the matter of sewerage strenuously. He believed when Bendigo was sewered the death rate would be lowered considerably and cited that in 1909 there had been 719 births and 548 deaths. He committed his life to humanitarian causes and during the years of the Great War, he organised support for Australian soldiers and prisoners of war.
Mayor William Beebe, MBE, continued as a councillor until ten weeks before his death in 1920 and was mourned by many including PM Hughes who sent condolences: “ My deepest sympathy in your sad bereavement. Bendigo has lost a very worthy citizen and Australia one of her most loyal sons.” Beebe took the lead in patriotic movements and social, religious and philanthropic objectives hence being awarded the MBE.
Born in Sandhurst in 1857 he worked with his father as a stonemason, studied architectural drawing at the School of Mines and with his father designed and built several buildings during the 1880s. Later as an architect, Beebe was responsible for the ANA Hall, the City Markets, the Fire Station in View Street, the Royal Bank (now a restaurant) and Lansellstowe and numerous private homes.
Another young councillor (39 years), Mayor Michael Guidice (1922-24) directed his energy and faith to commercial enterprises for the advancement of Bendigo. Managing Director of Bendigo United Breweries he was associated with the moving picture industry from its pioneering days.
In 1913 he formed the Bendigo Lyric Photoplays and personally supervised the opening and work of the new Lyric theatre that year as well as being governing director of The Shamrock Hotel. He was a moving force in forming the Shakespearean Reading and Literary Society and assisted in the formation of the Bendigo Choral Society.
Mayor Ernest Vains (1924-25) was born in Kerang and started a Stock and Station Agent’s business in Bendigo. “Hehad a great capacity for work and attempted to attract industries…” Director of the Bendigo Sun and the Farmers and Citizens Trustees P/L, playing a prominent role in the formation of Bendigo Rotary Club in 1925. A keen outdoor sportsman, a member of the Bendigo Jockey Club, secretary of the South Bendigo Bowling Club and office bearer Golden Square Bowling Club. When retiring from office 1926, he noted four deaths ascribed to diphtheria and two from typhoid fever and overall 497 deaths and 689 births.
Mayor Frederick Niemann born in sale 1879 and mayor during the Depression years took a prominent role in retaining the railway workshops in Bendigo. He was one of the founders of the Advance Bendigo and North League and held the position of Chief Magistrate in Bendigo with many years of experience in commerce and industry.
Thank you, Mayor Niemann, for saving the railway workshops! I caught the train to Bendigo for Open House weekend. On the way, there were plenty of rolling green fields with emerald green grass to feed the grazing cattle, horses and sheep. No obvious signs of drought yet.
The Bendigo to Melbourne train line opened in October 1862 but the steam train then a different beast entirely from the comfortable and relatively smooth ride V-Line offers today.
Another mayor in the 1930s, Mayor George Bennetts built up the well known Bennetts Arcade Stores, one of the most progressive of its kind in Bendigo and later acquired by Woolworths. Bennetts was a keen bowler and member of Bendigo Golf Bowling Club, a Justice of the Peace and responsible for the Easter Saturday Street carnival.
There is a street sculpture by artist Maggie Fooke “After The Procession” dedicated on October 1993 and commissioned by the Bendigo Easter Fair Society. I didn’t remember seeing it on an earlier visit to Bendigo perhaps because it looks so natural! It was ‘refurbished and restored and presented to the people of Bendigo to celebrate the 140th Easter Procession on the 5th April 2010.
W.C Vahland the architect for the Town Hall, came originally from Germany seeking gold but stayed to practice his profession as an architect. How lucky was Bendigo!?
He may have struck out finding gold, but his legacy of fine buildings increased the wealth of Bendigo.
A comment on the refurbishment – a young man was keen to show me travel pictures on his phone. Inside the huge twin towers in Abu Dhabi, there are the exact same light fittings used in the hallway between Bendigo’s two council chambers – and he has seen them elsewhere!
And a final comment from an appreciative visitor to Open House at the Town Hall. She had visited ‘by default’ because like many people in Bendigo she wanted to see what had been achieved so far in the redevelopment of the Beehive Building, which was still a construction site and had been boarded up for several years.
However, her curiosity didn’t extend to waiting in a queue for over an hour and she was thrilled to come straight into the Town Hall, learn history she didn’t know and be amazed at the beautiful finishing touches on the walls and ceiling.
The woman was really enjoying the Open House weekend and agreed wholeheartedly with the current mayor, Cr Margaret O’Rourke,
“Bendigo has so much fascinating architecture that will be wonderful to share with visitors and residents alike.”
I’ve been volunteering for Open House Melbourne for over eight years. In that time, I have had the opportunity to attend workshops and learn interesting facts about architecture, design and heritage. I’ve visited buildings and appreciated aspects and behind the scenes rarely experienced by the general public.
Open House Melbourne is an independent organisation fostering a public appreciation for architecture and public engagement in the future of our cities.
Each year more and more buildings and events are added to this fabulous weekend. Last year they expanded to Ballarat and this year it was Bendigo. The two regional centres will probably ‘open up’ alternate years.
Both events were a great success with thousands of visitors to the buildings, not only from locals but many people making the trip from Melbourne to take advantage of the warm welcome from the regional communities.
In Melbourne, I’ve been privileged to volunteer at:
Each shift has offered unique experiences. Special ‘thank you’ events for volunteers, allowed behind the scene tours of the Phillips Shirt Factory, Lonsdale Street and Willsmere (the old ‘lunatic’ asylum).
Now open House has expanded, I’ve visited buildings in Ballarat (2017) and this year Bendigo, educating and enjoying myself in the process. The last weekends in July and October now regular dates earmarked on the calendar
Bendigo Beamed in Spring Sunshine
Bendigo was chosen as a significant regional hub creating an opportunity for locals and visitors alike to celebrate this wonderful city. It was a chance to view different architectural styles and learn about Bendigo’s rich history, its cultural attractions and to consider how future developments will impact the city.
Despite competition from several major events occurring at the same time (The Bendigo Agricultural Show, the second Bendigo Cycling Classic, and Bendigo Sustainable House) the support for the inaugural Open House Bendigo weekend was fantastic (11,000 visits across 23 buildings)!
The weekend provided a range of talks, walks, film screenings and workshops plus the buildings open for inspection and appreciation, all encouraging an exploration of the diversity and design of Bendigo’s built environment and history.
Bendigo was proclaimed a city in 1871, the year the Bendigo Easter Fair began – Australia’s oldest ongoing festival. I was rostered on duty at the Bendigo Tramways Depot, Australia’s oldest continually operating tram depot.
All Aboard For A Great Ride
The Bendigo Tramways depot was built in 1901 for the Electric Supply Company of Australia Ltd. At the time of building, the property also included what is today the Bendigo Woollen Mills, which housed the steam engines, generators and boiler until 1972. The depot was completed in 1903 for the operation of electric trams. (The first depot was constructed in 1890 near the railway station.) In addition to the tramway shed, the facility included cooling ponds, a blacksmith’s shop, carpenter’s shed, elevator house, and other support buildings.
The Tramways Depot and Workshop may not have survived had it not been for the Bendigo community’s will to keep the trams running in Bendigo once they were shut down as a public transport option. This led to the introduction of the tourist tram service in 1972. The tourist tram service celebrates 46 years of service in 2018.
The Bendigo Tramways is known nationally and internationally for its heritage tram restoration capabilities and its rare collection of heritage trams. Trams from all over the country, including Melbourne’s City Circle trams, are all restored to their former glory in the Bendigo Tramways Workshop.
There were guided conductor tours on the hour led by an enthusiastic and knowledgeable guide, Ian, along with a specialised in-depth pre-booked tour led by Luke, the Workshop Manager. However, when more people turned up, Luke kindly accommodated them and ended up with a group of 24 instead of 15!
The guides were extremely proud to point out the work carried out so far for the City of Melbourne refurbishing the famous restaurant trams and the vintage trams used on the free city tourist loop.
On duty from 9.30am to 1.00pm, I had the opportunity to chat with Pam in the gift shop/cafe. Pam warned about the dust from the imported plane trees and said a light breeze can blow the dust about and start people coughing. She spoke from experience and said if anyone did start coughing to suggest they go to the cafe and she’d supply a glass of water. Pam discovered the problem with the plane trees after going to the doctor thinking she had asthma or an allergy.
Many of the others working at the depot are volunteers. Ian was super knowledgeable, efficient – and passionate about trams like all the volunteers. He loved the people he met volunteering and said, ‘You know, I’ve met people from all corners of the world here. I met someone from Zimbabwe and we discussed their country. I wouldn’t have met him if I wasn’t doing this job.’
Steve, a volunteer driver, in a previous life was a stipendiary magistrate who loved trams! Another Ian was the driver who gave me a lift back to town. The tram was packed and I got to sit up front with him in the driver’s seat.
Ian has been driving the vintage trams for 17 years and when an unusual fault occurred he told me it was only the second time it had happened.
I had no idea the variation in controls until I wandered around the depot peeking inside all the different trams – some still in use, others being refurbished.
Each tram has an interesting history but without the work and passion of a team of volunteers, the tramways could not have achieved many of the major milestones and awards, especially winning gold in the 2016 Australian Tourism Awards or the Hall of Fame in 2014, 2015 and 2016 Victorian Tourism Awards.
No 7 decommissioned in the 1930s, became a sleep-out before being returned for restoration in 1988. In 2000, the body was stripped of any structural additions, cleaned and put on display.
Tram No 30 was driven by HRH Prince Charles in 1974. This Birney tram was built in 1925 in Philadelphia USA, for South Australia and operated on the Port Adelaide line until 1935. Purchased by Geelong it operated there as Tram No 30 before being transferred to Bendigo and used for spare parts. However, in 1972 it was restored to be one of the Vintage Talking Trams and became the flagship of Bendigo Tramways.
One of the volunteer conductors told me the story of Charles and Di’s visit. Princess Diana was standing on the balcony of The Shamrock Hotel where they were staying. Prince Charles knew she would be out there to wave and watch him drive past. He was determined she see him driving and was so excited he went through two red lights. Needless to say, they didn’t forward on the traffic ticket!
Tram No 44 was one of two trams restored especially for the Prahran and Malvern Tramways Trust Centenary in 2010. Built in 1914 in Adelaide, South Australia for Prahran and Malvern Tramways Trust it was sold to the State Electricity Commission of Victoria in 1951 for Bendigo operations and painted in green and cream livery of the SEC. Ten years later, repainted maroon and cream, it joined the talking tram fleet.
Tram No 84 has the most magnificent feature interior timber work of all the trams in the fleet. Built in Melbourne in 1917 for the Prahran and Malvern Tramways Trust it was later sold to the SECV in 1931 for operation in Bendigo. In 1935 it was configured to be operated by one man. It developed ‘excessive body movement’ issues and was withdrawn from service in 1965 and because of internal disagreements between supervisors didn’t return to use until 1975 when made operational by the Bendigo Trust to run on special outings. In 2010 it was refurbished to its original California configuration for the centenary celebrations of the Prahran and Malvern Tramways Trust.
Tram No 21, an M class tram was built in Adelaide in 1917 for the Hawthorn Tramways Trust. It was sold to the SECV in 1935 to operate in Bendigo. Retaining its one-man configuration it was repainted in the SEC livery of green and cream and ran until the closure of Bendigo’s public transport system in 1972. In 1992, it was repainted in the grey, white and blue livery of Hawthorn Tramways Trust to celebrate a significant event in the history of the City of Footscray. It operated as a Vintage Talking Tram until 2000 when it was removed to be restored to its 1930s condition. Thanks to the Bendigo Tramways Work for the Dole program it returned to service in 2005.
Tram No 29 was the focal point to save the trams from being dispersed and sold off when the Bendigo Tramways closed in 1972. State cabinet supported The Bendigo Trust’s proposal to run a tourism tram service using the SECV’s trams and tracks on trial until Easter 1974. However, the SEC had promised Tram No 29 to a museum in Adelaide without consultation or knowledge of the Bendigo Trust.
Community anger manifested itself in a mini-uprising and blockade to stop the tram being taken out of the depot with local businesses sending their vans and cars after the Mayor used the media to rally the citizens. The furore resulted in a ministerial committee and negotiations culminating in the entire fleet being sold to The Bendigo Trust for a ‘mere $1’ in 1977.
Relations between an aggrieved South Australian museum and the citizenry of Bendigo were later assuaged by the discovery of a sister tram, also a Birney, being used as a garden shed. Representatives of the Tramways trust negotiated the donation of this tram when the owners were promised a replica of a nineteenth century cast iron street lamp created by a skilful committee member.
The tram was restored with a grant from the State Government and presented to the Australian Electric Tramway Museum, Adelaide in 1976. Proving ‘all’s well that end’s well.’
It is mindboggling to see the before and after examples in the workshop – the state of donated or discovered trams, the craftsmanship and skill applied, and the finished product of beautiful polished wood and painted tram interiors.
Of course, the depot has a special supervisor overseeing the work –
The rescue cat, Birney joined the team in 2014. Originally, he was to catch mice but the sign on his office promotes him to Tramways Superintendent and of course, the Gift Shop has a range of souvenirs. I was lucky to see him at close quarters but with the increased visitors he wisely withdrew and found some spot in the sun far away from the madding crowds.
A Bit Of History Puts Trams In Context
With the advent of electric trams and extended tracks ‘housewives’ moved away from their local shops in the suburbs and bought goods in the heart of the city at a time when shops didn’t close until 11 pm on a Friday night, along with many hotels. ‘As a result, there were many wavering legs on Friday evenings trying to negotiate the flagstones of Pall Mall in a desperate attempt to catch the drunk express home.’
I had to get at least one picture of myself on a tram and chose No 8 – it was a number 8 to Toorak that gave me the inspiration to write A Ticket to Vaudeville,the first short story I received payment for when it was published in The Weekly Times in the 80s – ironically that newspaper’s head office is in Bendigo.
Bendigo’s first people, the Dja Dja Wurrung
The Dja Dja Wurrung Tram takes passengers on a journey of discovery into the unique and fascinating traditions of Bendigo’s first people. The Dja Dja Wurrung, one of the five communities of the Kulin people, a federation of five distinct but strongly related communities, which also includes the Boonerwrung of Mordialloc and other southern bayside places.
All Kulin had as their defining social moiety either Bundjil, the eagle, or Waa, the crow. Long before they had contact with the European world, they had complex trading networks sharing stone axe heads and highly crafted possum-skin cloaks and other examples of useful craftsmanship and art.
Archaeological evidence shows their connection to the land extending beyond 40,000 years. It is estimated that between 20,000 and 60,000 people, speaking over 30 languages lived throughout Victoria when Europeans arrived in 1835.
Rapid colonisation, the stealing of Aboriginal land, and the destruction of families by murder and disease forced Aborigines onto missions resulting in a loss of language, traditions and more lives – a cruel devastating and violent period of history.
Today the 25,000 plus Aboriginal people who live in Victoria are concerned about self-determination, maintaining their culture and restoring their lands.
The tram is a moving lesson and illustration of Dja Dja Wurrung culture and painted on the roof sides there is a host of information proudly showing their customs and practices are alive and respected – keeping them connected to the past, the present and the future. Their cultural heritage recognised and protected as a celebration of identity and community.
Even the upholstery tells a story.
Recognition and Settlement Agreement
In 2013, the Dja Dja Wurrung peopleentered into an agreement with the Victorian Government recognising them as the traditional owner group for this country. The agreement recognises Dja Dja Wurrung people as the traditional owners of Central Victoria and binds the state of Victoria and the Dja Dja Wurrung people to a meaningful partnership founded on mutual respect. The list of recognised Apical Ancestors is also on the tram.
The Dja Dja Wurrung have lived on traditional lands and cared for country over many thousands of years. Country is more than just landscape, it is more than what is visible to the eye – it is a living entity, which holds the stories of creation and histories that cannot be erased. The Dja Dja Wurrung have nine aspirations for their country, including…
Rivers & Waterways
Our rivers and waterways are healthy and meet the needs of our people and land.
Our upside-down country is healthy again (healed from the effects of mining).
Every Dja Dja Wurrung person is happy, healthy and secure in their identity, livelihood and lifestyle.
Djandak (a traditional way of business)
We have a strong and diverse economic base to provide for our health and well-being and strengthen our living culture.
As our country’s first people, Djaara have an established place in society and are empowered to manage our own affairs
All crown land on Dja Dja Wurrung country is Aboriginal title and we are the sole managers.
Along with illustrations and stories of the creators, there were details of the following native animals:
GNANA-NGANITY (bat) -There are 77 bat species in Australia. Bats are nocturnal and are the only mammals capable of sustained flight. They use echolocation to navigate during the night and to find food. They are natural pest controllers as 70% of them live on a diet of insects. A baby bat is called a pup.
MUMUMBARRA (bee) – There are over 1600 species of bees that are native to Australia. Native bees are smaller than European bees and many of them don’t sting. They can be black, yellow, red, metallic green and also black with blue polka dots, and can range from fat and furry to sleek and shiny.
BALAM BALAM (butterfly) – Australia is home to more than 400 species of butterfly. A butterfly does not eat but receives nutrients from drinking nectar and pollen from flowers and plants.
MUR-MURRA (dragonfly) – the dragonfly is an aquatic insect and spends most of its six-month life near the water. There are 320 known species of dragonfly native to Australia.
GALIYT (witchetty grub) – Witchetty Grubs are mainly found in central Australia. The grub is the larvae of the Cossid Moth. Witchetty Grubs can grow up to 12 centimetres long and are eaten as part of Aboriginal diet.
DUM (frog) – The frog is the only native amphibian to Australia and tends to live near wetlands as their skin needs moisture. Depending on the species some have a special slime coating and others can burrow into the ground to keep moist.
GUWAK (kookaburra) – the kookaburra is the largest member of the Kingfisher family of birds. They eat small mammals, lizards, snakes and insects. The laugh of the kookaburra is actually a call to mark their territory.
BARRANGAL (pelican) – The pelican is found throughout Australia. They can fly 3 kilometres above the earth. Their bills can hold up to 13 litres of water and they can eat up to 9 kilograms of food each day.
WIRRAP (cod) – fish were an important part of the Dja Dja Wurrung diet and were caught in different types of traps made from rocks or nets. The Loddon and Campaspe Rivers are where Dja Dja Wurrung ancestors lived and many types of fish were found in these waterways.
BARAMUL (emu) – Baramul is fast and can run up to 50 kilometres per hour. The female lays eggs and the male emu sits on the nest to hatch the young. Mu equality! The noise that the emu makes in its throat can be heard 2 kilometres away.
YULAWIL (echidna) – The echidna is one of two monotremes, which are egg-laying mammals. The other is the platypus. Both animals feed their babies on milk. A young echidna is called a muggle. Echidnas live for around 45 years in the wild.
DUAN (phascogale) – A phascogale is a relative of the quoll and Tasmanian devil. Their diet consists of insects, spiders and centipedes. They will also eat nectar from the ironbark flowers. The male phascogale dies at around one year of age, just after breeding season. The phascogale is a shy animal and has a very bushy tail.
I retired to magnolia-on-view, the Airbnb I was sharing with friend Susan whom I met volunteering for Open House Ballarat and reflected on an amazing morning and all the new cultural and historical information absorbed.
The atmosphere in my little corner of Bendigo friendly, relaxed, and fun. I was surrounded by positivity and people giving back to their community. Ian and I both agreed, volunteering for something you love gives you energy.
I met up with Jack who lives in the redeveloped Willsmere and who had been our tour guide for the place. He remembered me. A nice compliment considering as a grey-haired senior I’m often considered to be in the realms of the invisible and irrelevant now…
I laughed with a couple of locals – a retired gentleman who lived in the same street as the Depot but who had never visited. It took Open House Bendigo to change his ‘will do one day’ into ‘will do today’ and he’d brought along a son and grandson who now live in Melbourne!
I met Sandra, a writer and editor who has just moved to Bendigo. She volunteers and writes biographies for people in palliative care.
The weekend was exceeding expectations and making me forget the ache in my ribs from an unfortunate car accident a few days before.
I checked the roster and prepared to open another door!
On Wednesday, October 4th, Kingston Seniors Festival 2018 was launched at Westall Community Hub in Clayton South, a new community centre and library that will be twelve months old on Sunday.
The Festival opened by the Mayor, Cr. Steve Staikos who celebrated the completion of the latest Intergenerational Project: The Power’s in the Word.
The project presented in a partnership between the City of Kingston Social Development team, Kingston Youth Services and Kingston Arts.
I heard about it from Lydia Sorenson, the Positive Ageing Officer, Social Development whom I’d worked with when she was with Youth Services in 2016, my first involvement with an intergenerational project.
I was thrilled to work with Youth Services officers Mealea and Sophie who were involved in the earlier project too.
Lydie, me and Mealea
In 2016, I wrote a short film script and collaborated with a multi-aged team to produce it. Along the way, we learned about camera angles, lighting, sound, scouting locations and props, permits, schedules and networking.
Favours asked of friends and family. We shared skills and professional knowledge – I gave a writing workshop, photographers lectured on the importance of light, sound experts ran us through recording equipment and dialogue, cinematographers and not for profit filmmakers gave tips and inspiration on what was possible with a limited budget and excess enthusiasm!
The school children and teenagers involved shared their ideas, knowledge and confidence of new technologies and love of all things screen. The premiere of the completed project held at the Shirley Burke Theatre in Parkdale.
Everyone revelled in the Academy Award atmosphere…
It was such a positive experience, I didn’t hesitate to get involved in this latest project. My friend Jillian and fellow writer played the lead role in my short film, but ill health and travel commitments meant she couldn’t be involved in Power’s in the Word. However, she made the launch and enjoyed the presentations.
This project began in June and entailed a commitment of 12 workshops on a Tuesday evening at the Kingston Arts Centre in Moorabbin.
It was a privilege and fun to be involved with several other seniors and young people. Artwork, including linocuts and poetry, were made and displayed and at the launch, several of us read a poem written for the occasion.
Both projects enabled me, not only to meet and interact with people I may never have met otherwise but also moved me out of my creative comfort zone.
We worked alongside writer Emilie Zoey Baker and visual artist and printer Adrian Spurr who taught and supervised the linocuts we produced. To learn printmaking was the drawcard for me, and to link it with poetry.
Adrian was everyone’s idea of a favourite art teacher. He made a klutz like me feel I’d produced something appealing!
The ten finished pieces from the group looked impressive although I’m not sure what the mayor will do with his framed copy!
Great Things Never Come From Comfort Zones
We started to meet in June and for 13 Tuesday nights we learnt printmaking, discussed various topics, shared stories, and wrote haiku and short prose.
There was a schedule but lots of flexibility.
It was winter and people got sick, or members of their family did. As with any free and volunteer project, people also dropped out. The timeframe coincided with the Melbourne Writers’ Festival, which meant Emilie’s attendance and input varied.
Adrian’s print workshops turned out to be more intense and time-consuming than the organisers realised. The schedule below rearranged as the weeks passed:
Briefly, you imagine yourself in a desert and there is a cube of whatever size, material and colour you choose. There is a ladder – you decide where it goes, and a horse – you decide where it is in the position of the cube and what colour and type of horse. There are flowers – how many, colour, type or where growing is up to you. There is a storm cloud – how far away or severe is again up to you.
Ruminating Over Rumi – Mairi Neil
Miles of sand stretching to the horizon…
a clear blue cube, water glistening like dew
a ladder of tree branches rooted in the earth
the cube drip-feeds a carpet of yellow daisies
a large grey mare, heavy with foal shelters
alongside the cube, nibbling at the flowers
preparing to lie down.
Aware the sky is now changing
white clouds becoming bruises on a sea blue sky
transforming to stormy grey
the ladder trembles and sinks
returning to the earth as the cube begins to melt
the landscape awaiting rebirth…
If you Google there are numerous interpretations of the significance of your responses. Emilie’s interpretation just one of many and had some similarities to this:
The cube represents you. The size of the cube is your ego. What it is made of (wood, marble, or the texture) determines your feelings or personality.
The ladder represents your goals. The length of the ladder shows the scale of your goals, the shorter the ladder the more simple the goal.
The horse represents your ideal partner.
The flowers represent your family and friends. The number of the flowers determines your connections and how close you are to them
The Storm represents the obstacle(s) in your life. If the storm is close to the cube/ stationary, then you are experiencing some emotional, mental and hard situations right now. If the storm is in the distance then you have overcome many challenges and will continue towards victory.
Emilie said she had never come across ‘a pregnant horse’ response before!
Psychoanalysis can make you hungry for comfort food…
After that exercise and the interesting discussion it raised, I was ready for a cup of tea.
Most of the workshops were between 4.30pm and 6.30pm, a couple started at 5.00pm. The lovely council officers ensured food was delivered, they arranged taxis if needed. Always their priority was the happiness and comfort of participants.
In a way, there was too much food, but we gratefully took home plastic containers of leftovers – especially on the pasta and pizza nights that the young folk enjoyed the most. A couple of the participants shared cakes and sandwiches with their U3A writing class the next day!
Collographs and Monoprints and Love
I missed the workshop on Collographflower prints because I fell that day and had an unplanned trip! The work the others produced amazing, particularly when most were new to the art form.
The larger pieces below examples of Collography.
The writing task was about ‘Love’. I missed out on creating a collograph but could write at home without too much effort.
Can love be put into words?
Trust, passion, security, contentment –
limiting the concept seems absurd.
Love is all encompassing, enthralling,
ecstatic and entrancing, but also
mundane, steady, unconditional ––
not all excitement and romancing.
It’s the years of care from a doting Dad –
caressing his ageing skin and feeling sad.
Massaging Mum’s arthritis, being close
savouring the aroma of her Sunday roast.
It’s marmalade and toast made with
daily devotion – delicious pancakes
and scones triggering emotion.
A smile causing the heart to flutter –
a light behind your eyes for no other.
Unexpected flowers to cheer the day,
orchids or roses have something to say.
A heartfelt cuddle, a warm embrace,
loving strength, if trouble you face
It’s gentle bedtime snores confirming
belonging and comfort at night.
Shared laughter and crazy dreams
It’s pride and happiness on sight.
A special tone of voice, whispering
your name, and other endearments,
a baby suckling at breast, content
the promise of future fulfilment.
Nurturing children, bathing and caring
the pleasure of siblings playing together
the squabbles, support, and sharing.
Holding hands with lovers and
celebrating each day with joy
free to be embarrassed or unduly coy.
What is love? Can words describe it well?
Live it, breathe it, only your heart will tell…
Monoprints – what a challenge
Adrian told the class to follow on from their idea for the Collograph and draw something for a monoprint. This would then be drawn on acetate with ink applied and a print produced.
I can’t draw a straight line without a ruler, in fact, I can’t draw anything and don’t try.
I tried to draw the flower head to appear like a bird – what a mess – a few more strokes and it looked like a bird sucking on the plant.
‘Don’t fiddle’ my mantra – it would have to do.
Adrian gave it the okay and I printed it off. He suggested I use a different paint tool and create a second print. And I did.
In one session I did something I never thought I could.
The monoprint was an expression of a haiku written on the train on the way to the workshop.
After worrying over the session I missed, feeling embarrassed at my artistic ineptitude and lack of talent, I achieve something that doesn’t look too bad.
I’m enjoying this project!
Outside my window July flowering delights homegrown paradise
Writing on Place – haiku
With my first haiku written about a place – the garden – I continued on that theme and write about my home in Mordialloc.
For You – My Garden Haiku
Mairi Neil 2018
Outside my window
July flowering delights
The warm dawn sunlight
penetrates the ti-tree bush
baby birds awaken
withstand sea breezes daily
to perfume driveway
A sturdy bottlebrush
succour to Noisy Minors
Jack’s living tribute
from majestic woody throne
a morning Etude
on blooming grevillea
picnic on the wing
A whiff of rosemary
reminds us of sacrifice
seeds of love and hope
Freshly cut roses
carefully arranged in vase
memories of love
Floral posies in
the colours of love
Marigolds dusk glow
sunflowers smiling happiness
promise of sweet dreams
Comments from Participants
And You Too Can Haiku!
Emilie gave everyone the most common guidelines for haiku: the standard seventeen syllables split up into three lines of five, seven and five syllables respectively.
A good starting point, however, most of the young participants didn’t know about haiku poetry we had a lesson where everyone was writing and mouthing syllables as they counted and worried about fitting into the criteria.
Nowadays the form is more fluid. Poets write one, two or four-line haiku and the syllable count can vary enormously.
The extreme minimalism– absolutely no unnecessary words – and the presentation of a defining moment are the most important requirements.
It is important to present the thing itself, the simple truth. No tricks –
The haiku is a classical Japanese form. It was an important influence on the imagists – poets like Ezra Pound and William Carlos Williams, and later the Beat Generation, in love with Zen and now it is popular with the generation into mindfulness and ‘living in the moment’.
That is essentially what the haiku is: a moment; a vivid image that seems to make time stand still.
Economy and observation are its two main qualities – excellent disciplines for writers, no matter how old or what genre you prefer.
Writing on Place – Childhood – and an idea for Linocut
Brainstorming, thinking in haiku mode, and seeking an image from childhood that could translate onto a tile to be printed – an image I could actually draw so it resembled my words and was achievable for a novice in the art of linocut!
Childhood Memories of Scotland
At our kitchen table
babble of happy voices
the breath of family
Weather for lamb roasts
rosemary thriving in pot
the smell of Sunday
Scones, pancakes and tea
bramble jam bubbling on stove
Mum’s off-key singing
Bitter icy winds
Jack Frost and his snowmen arrive
snowball fights are fun
The teapot ever ready
Soothing sorrows and worries
culture and comfort
Dad’s railway uniform
always trailing soot and coal
and the sound of steam
Daily tidal dance
a rumbling in the distance
tuning life’s rhythms
But shipyards must close
jobs and happiness are scarce
Australia needs us
At the dinner table
lively discussions hosted
no topic ignored
Time to leave our home
the inner child’s fear frozen
warm climate ahead
The learning curve and level of excitement rose as Adrian demonstrated the various carving and cutting tools and the method for sculpting. We were given a special board to ensure no nasty slips with very sharp objects!
Despite there being octagenarians, septuagenarians and sixty-five year old me around the table, there was no tragic blood-soaked workshops.
It is not an easy task drawing on a tile and then deciding what is positive and negative space so that you cut out a design and produce a print of what you want – what parts of the drawing will remain solid and black, what parts will not be inked.
Tanya, one of the participants who is a well-known artist in her own right, advised me to chalk white the parts that I didn’t want to carve and then wipe off the chalk when finished. Great advice.
Most of us took our tiles home in between sessions and used the tools Adrian kindly lent us so that we’d be finished by the end of the project. I am indebted to my daughter, Mary Jane for helping me and ensuring I didn’t cut away too much of the tile.
My first attempt at inking resulted in a couple of dirty marks. Adrian showed me how to clean up the tile and reprint until I was satisfied with the finished product. The second print was fine.
What a relief to know that you get a second chance, even with something as complicated as this.
Writing on Place – First Home – Belonging – What we remember…
It’s amazing how one memory triggers another and in a writing workshop, like pirates, we pick up gems from others and it helps us to remember, reflect and write.
One of the most sincere forms of respect is actually listening to what another has to say –
Bryant H. McGill
Another youth worker involved in the project was Sophie and one night, some new young people joined us and we did a getting to know you exercise called Intergen Bingo. We moved around the room to discover various facts about each other to match at least three pieces of description to a person:
was born overseas
has a dog
favourite food is pizza
catches public transport
likes listening to rock music
plays a musical instrument
cannot eat a certain food
likes to tell stories
plays a sport
has an older sibling
can speak another language
has a job
has green eyes
likes going for walks
The room was soon abuzz with multiple conversations, laughter and surprise. The questions had led to more questions and a better understanding of each other.
I ticked plenty of the boxes, discovered three others had hazel eyes like me, that dog lovers outnumbered cat lovers and the names of two groups the Avalanchers and Jokers played music regarded as ‘surf rock’ – a genre I didn’t know existed.
We discussed what to read at the launch of the project. The presentation needed to be as close to a minute as possible.
A poem about the house we came to live in when we migrated to Australia in 1962 was deemed suitable.
I grew up in bushy Croydon
the trees grew thick around,
milk and bread delivered
to a tuneful clip-clop sound.
Kookaburras laughed and swooped
to steal our pet cat’s food
it wasn’t Snappy Tom, of course
but ‘roo meat, raw and good.
The streets were mainly dirt tracks
a collection of potholes and clay,
most people walked or cycled
and even strangers said, ‘gidday’.
Our weatherboard house peeled
the corrugated tin roof leaked too,
a verandah sagged under honeysuckle,
the rooms added as family grew.
Mosquito nets caused claustrophobia
possums peered down chimneys three,
but the dunny banished down the back
the most terrifying memory, for me.
Electricity brightened inside the house
so torch or candlelight had to suffice
night noises and shadows of the bush
and the smelly dunny was not nice!
The path to the toilet lined with trees
growing tall to seek the sun
but when the dark cloak of night donned
branches became hands from which to run
During the day our block was heaven
definitely a children’s adventure-land
blue tongues, geckos, tadpoles and frogs
all shared our world so grand.
A snake the greatest danger
or a bull ant bite on the toe
a truly carefree wonderful time
my rose-coloured glasses show.
I also read Sammar Bassal’s haiku because she was too bashful to read it herself.
The poem and tile great representations of how the library was her home as she struggled to learn English and find a place in her adopted country.
A design student, Sammar’s tile detailed all these wonderful fantasy characters emerging from an open book.
Home away from home Surrounded by written words The library has gone
October is a month when Victoria celebrates seniors and the City of Kingston’s Seniors Festival has the theme ‘Get Social’ encouraging everyone to be involved and feel part of their local community.
Involvement in the Intergenerational project and exhibition, visiting the Westall Hub for the first time and meeting up with many new people during the course of a wonderful, learning opportunity was not only social but fun.
Kingston is a proudly diverse city, with residents coming from more than 150 countries, speaking 120 languages and following more than 28 different faiths. Council is committed to helping foster an accepting and inclusive community, regardless of anyone’s origin, ethnicity, faith, economic status, disability, age, gender or sexual orientation.
Cr. Steve Staikos, Mayor, City of Kingston.
Whatever the intergenerational project is next year, watch out for it and participate – you won’t regret it.
Here are a couple of pics of some of the seniors involved plus Sammar and the Mayor ‘getting social’.
I often use time like this to either wind down by reflecting and writing or observe and write – as I tell my students to do – never miss an opportunity to gather material for stories and poems!
It had been a memorable day. The first real hint of spring warmth in the air and I informed my boss of my intention to retire from Godfrey Street at the end of the year. I’ve decided to apply for the aged pension and ‘retire’ from most paid work.
Instead of teaching and travelling between neighbourhood houses, I will only teach at Chelsea – and not until second term 2019 – giving myself a transitioning period to work out how to stay connected with community, teaching, writers and the craft of storytelling I love.
Sitting and sipping coffee brought relaxation and a sense of relief – I’d made a decision I’d been avoiding although discussed aloud with family and close friends.
The times and life definitely a’changing!
It has been a long winter – everybody I meet says so and I have to agree, so how wonderful to feel the warmth of the sun – it energised me to be more positive.
Sunshine makes you feel better and brightens the day, especially if you work indoors like me – and so much of writing is expressing inner thoughts, delving into dreams, fears and phobias along with fantasies, imaginings and ideas… classrooms become incubators and separated from ‘outside’.
A breath of fresh air does wonders in more ways than one and I always appreciate walking or using public transport to stay grounded in reality. Having breathing space before and after work and on a sunny day, the walk a senses overload.
Albert Street to Mordialloc Station at this time of year reveals blossoming trees and flowers blooming in various gardens, including my own.
The magpie trill competes with noisy minors, and the wattlebirds have returned to caw loudly while clawing back their territory as the grevillea and bottlebrush bud. The air is perfumed with apple and plum trees along with camellias and the perennial geraniums.
The garden at the community house in Bentleigh tended by volunteers and is delightful in spring.
The walk from Bentleigh Station up Centre Road to Godfrey street perfumed with a variety of eateries and a more pleasant stroll after State Government and Glen Eira Council’s efforts to beautify the shopping strip ‘back to normal’ after the upheaval of the level crossing removal.
If I hadn’t taken pictures and documented that massive infrastructure project memories would fade as to how it looked.
Recording Memories Important
That’s what I love about my Life Stories & Legacies class – in fact, all my classes where people write their recollections. So many different perspectives and experiences.
Trish, a student in my Mordialloc class several years ago recalled a memory about Bentleigh when I gave an exercise about a milestone most of us are eager to celebrate:
‘What do you remember from childhood when you reached double figures?’
On my birthday, the day was sunny – good things happen on sunny days, especially if a Sunday. We lived in Richmond and I was told we were moving to the country. I felt happy and excited because there would be cows and horses. We climbed in the family Buick and drove off to Bentleigh – that was ‘the country’ in the 1940s. It seemed a long drive with outer suburbs just developing and no traffic worries. The house was unfinished and surrounding paddocks our playground. Horses from Mentone intruded into the paddocks sometimes and I was scared of being trampled.
The lady at end of the road had a cow and chickens and I remember the taste of frothy warm milk straight from her cow. Francesco street was where we lived and Mrs White our only next-door neighbour. There were vegetables growing nearby and goods were delivered by horse and cart so plenty of manure available for growing. Whenever I smell the pungent aroma of horse manure, I remember moving to live in Bentleigh when I was ten years old.
There will always be critics of development and change (there are some I don’t like) however, Premier Daniel Andrews’ legacy of upgrading, building and planning much-needed infrastructure for our public transport system is amazing and long overdue. Hats off to the engineers and workers who carried out the vision.
A witness to the important change in Bentleigh:
The bottom two tiers of the MCG could have been filled with the earth excavated from under the McKinnon, Bentleigh and Ormond level crossings once intensive digging began for rail under road trench.
The Level Crossing Removal Authority estimated 150 tipper trucks left the excavation sites each hour as 500,000 tonnes of earth was moved to a Heatherton tip in the initial ten days.
Construction crews of 1000 plus workers toiled around the clock to minimise inconvenience and get the Frankston services running. The job completed in 37 days instead of the scheduled 94!
Short-term pain for long-term gain.
A great new station.
It may come at a political cost because people dislike disruption to their routines and with an election looming whinging from naysayers will be funded and organised by political opponents, but as someone who has never owned a car and with a great belief in living sustainably, I’m glad the state government has made investment in efficient public transport a priority.
Climate change already wreaks havoc, Melbourne’s roads are clogged, reliable public transport the most sensible and sustainable way to move people.
By removing level crossings, adding new lines, linking suburbs, creating a reliable coordinated transport mix – all of these will help a cultural change.
And at Bentleigh as in other level crossings, it will save lives as an extract from one of the Mordialloc Writers’ anthologies, Off The Rails illustrates.
Jeff Lasbury operated the kiosk on Bentleigh station for several years :
Monday, March 23rd 1998 was like any other day until 8.00 am when I heard the train horn blast, a woman scream, and a sickening thud accompanied by the hissing sound of the air brakes being applied by the train driver.
I opened the kiosk door and poked my head out to look down the ramp to the level crossing praying no one had been hurt. I could see nothing untoward and breathed a sigh of relief. I stepped out of the kiosk but decided to turn back because the train had pulled into the station as usual, when I caught sight of a body lying on the tracks almost directly in front of me.
I looked again… everything appeared unreal, an eerie silence descended. It seemed a long time before someone found something to cover the body of the young woman. I assumed the body female because of the scream I had heard but minutes later a hysterical woman came to the kiosk window and between sobs explained it was her screaming. She had witnessed a young man hit by the train.
Overwhelmed with sadness, I felt numb, and struggled with disbelief…
The young man had been a customer and recently celebrated his 18th birthday. That morning, his mother dropped him off near the station because he was running a bit late. The boom gates came down and the lights were flashing, however, like many pedestrians, he crossed the first line because no train was on that line, but there were two more tracks to cross. Worried about missing his train, which neared the station, he crossed the barrier, looking in the direction of his approaching train ignoring the other way. He walked into the path of the city-bound train, which he probably didn’t hear coming because of the Walkman plugged into his ears.
Floral tributes appeared at the level crossing the next day, and a day later, the wire fence in front of the kiosk blossomed with more. Most were single flowers, some not particularly beautiful but left by people who knew and loved the young man, all touching tributes to a tragic lost life…
Some years later, a young woman walked past the kiosk to the ticket machine further up the platform. She took a little time to get her ticket and then came back past. She lost her life in exactly the same way as the young man.
Almost every level crossing will have a similar tale to tell or examples of near misses – I won’t miss the Centre Road level crossing or its clanging lights and boom gates.
A tragedy is far away from my thoughts walking Centre Road on a sunny day, the chaos of mounds of dirt, grunting and growling heavy machinery, buses replacing trains, the traffic and pedestrian diversions are all in the past too.
The new station functions well – toilets and waiting room at street level, a lift and ramp plus stairs – facilities appreciated by everyone, not just rail users.
Murals and music and a delightful community meeting place also appreciated.
I loved the piano that stayed for some time and the many people who took advantage of the freedom to tinkle the ivories… especially the ones who had talent – they attracted smiling listeners, including me.
New cafes and shops have opened and old ones refurbished. Outside tables always abuzz with the old and young plus plenty of canine companions.
The disconnect of Centre Road caused by the level crossing now gone and people (including myself) visit shops and cafes ignored before.
What will 2019 bring?
I freely admit there will be a period of adjustment for me because I’ll miss the twice-weekly trips to Bentleigh and the community house.
I’m always surprised how easily workplaces you like become a second home but I’m looking forward to spending more time focusing on my own projects ‘at home’ and Bentleigh is only a train trip away!
It has been many years since libraries have only been about books – and some would argue that’s never been the sole aim of public libraries. Rather they are important community assets, providing critical services and transforming lives.
My local library is at Parkdale – a 3-minute train ride or 15 minutes walk away from where I live in Mordialloc and part of a network of libraries in the City of Kingston.
We are lucky because years ago with the onslaught of computer technology and digital books and proponents of neoliberalism’s desire to privatise and ‘monetise’ there were plenty of people murmuring about whether libraries were worth funding.
Like many public facilities and services, they came under pressure to justify their existence.
‘Books are outdated,’ a common enough catch cry…
InThe New Penguin Compact English dictionary (updated 2000) the definition of Library is:
1. a room, building or other place in which books, periodicals, CDs, videos etc are kept for reference or borrowing by the public
2. A collection resembling or suggesting a library
3. A series of related books issued by a publisher
Kingston libraries offer:
books in large and regular print, audio books, eAudiobooks &eBooks
magazines, music CD, DVDs, BluRays & Wi games
Wi-Fi and computers with internet access
computer & internet classes
programs for children – storytime tiny tots, book bugs & school holiday programs
Readz teen book club
author talks and workshops
items in community languages
comprehensive genealogy collection & computers for research
local history resources
Moving with the times…
3D Printing is an emerging technology and libraries and schools are investing in printers. When I saw these free workshops advertised I booked myself in.
I’d seen a 3D printer in action in 2014 when I spent a long weekend in Ballarat at Easter time and there was a festival happening. The Ballarat Mechanics Institute had a demonstration of a 3D printer but the room was crowded and the queue to get near the machine long, so I didn’t really learn anything except that someone had printed a row of green plastic figurines to amuse any children who’d turn up – and they were the majority of the audience.
My brother-in-law was in St Vincent’s at the time recovering from having several toes amputated because of his diabetes so the world first operation at the hospital was the main topic of conversation!
The opportunity to learn how to use the technology too good to miss.
An Introduction by Alan, the Librarian
3D printers are commonly associated with plastic – the same substance used to make Lego is the most common plastic used.
It is a filament – a thread fed through a tube into an extruder. The plastic gets hot – 240’ centigrade, the melting temperature required to take the plastic off when dried.
PLA also common with the melting temperature cooler at 190’ centigrade. It gives a more polished finish but a lot harder to take off the machine because more brittle.
ABS and other plastic easier to take off when dried.
More Than Just Plastic
3D printers also use metal and at an industrial level, they use layers.
3D printers also use paper in layers.
3D printers also use food – This developed with the idea of addressing malnutrition and/or feeding the military, making edible objects; a mini-ecosystem
3D printers used in medicine – making copies of hearts to see if there are holes and also making prosthetics.
A Parkdale Library customer printed a prosthetic hand for his grandfather.
3D Printing in the news…
Innovations in 3D printing technology could make it possible to ‘manufacture’ living organs, skin, tissue and bone rather than relying on transplants and artificial materials. Scientists are already creating bio-compatible prosthetics as well as lightweight exoskeletons, 3D models that aid in education and research, and even cool customizable limbs.
The printers enable cheap production and easy design method. Many of the designs available are free under a Creative Common License.
Select how your design will be printed remembering to factor in how much strength may be required to support whatever you are printing to get the shape and proportion you want. A lot depends on the thickness and weight of your object.
The time it takes to print will depend on the size and thickness – a thin bookmark may take a half hour to print, thicker objects 48 hours. Fluffy the three-headed pet of Hagrid in Harry Potter took two days. It was a 6-inch solid object and took less than a reel of the plastic thread, which costs $25 a reel.
The printer the library owns only prints objects in a single colour and the reels of thread we could choose from were primary colours. (I chose green for my object.)
After a look through the designs available, you load a design from the software already on the computer.
Follow digital track (data loaded) and save on an SD card like a camera.
Think of a design and imagine it in 3D – as a solid cube
The software doesn’t tell you when support is needed – you have to factor that in when you design. eg, if printing a drawer you have to remember there needs to be a space
Objects are printed on a raft – this supports the object and helps with removal from the heat platform.
Designs using software .spl and .obj are compatible with the library computer. The printer is Duratrax bought for $3000 two years ago.
Customers have found it useful – a man needed a plastic component to fix a window blind but the component was unavailable in Australia and out of date with the product no longer made. He asked the European company to send a file compatible with Parkdale’s 3D printer and he printed off the part!
Kids have completed projects too using the printer.
We were all encouraged to design and print an object – the first 3 hours of printing free, $5.00 for every hour of printing after that, with a maximum of $25.00 (the cost of a reel of the thread).
There will be a failure to print if the power supply is interrupted while the object is being printed.
Once cleaners pulled out the plug so the print had to be started again!
I chose a ‘Celtic’ bookmark, the design quite intricate. It was calculated to take 1hr and 26 minutes to print.
I picked it up yesterday and my daughter, Mary Jane removed the backing raft.
On Sunday, I took part in Open House Melbourne again – another year of memorable experiences. The weekend the showcase event of an organisation committed to ensuring cities remain sustainable and livable, that people care about architecture, design, historical significance, and community values and stay engaged with their environment.
Each time I learn a little more about the history of this wonderful city as well as making the acquaintance of many delightful people. In the past, volunteers identified by a brightly coloured scarf and badge but this year we went for a ‘faux tradie'(?) look – a one size fits all fluoro pink vest!
The day always wonderful but the weather not always so…
July-August still winter and this year mercurial Melbourne let us know it.
Sunday, a particularly bone-chilling cold day with a consistent arctic wind from Hobson’s Bay visiting as intermittent squalls in the afternoon to remind us what season it is!
I was a building volunteer at The Esplanade Vaults in beachside St Kilda and although I’ve walked past this historical treasure many times (especially on Sunday when I got hopelessly lost and disoriented because I got off the tram one stop too early!) I never knew the vaults existed, or their significance before I was rostered on duty.
Apologies for my ignorance to all those who lived in, or frequented the popular tourist destination of St Kilda, and perhaps loved the shops ‘among the arches.’
They existed for a good part of a century before they were bricked up in the 70s because road widening narrowed the footpath and made access a hazard.
Almost 900 people visited ‘the vaults’ over Open House weekend, with almost half of them on Sunday – many blown in and appreciative of the dryness inside, if not the lack of heating and other creature comforts.
What remains is but a hollow shadow of the popular shops many remember but interesting to see inside because of their history.
The vaults date back to 1891 when public transport on the Upper Esplanade, St Kilda was upgraded to a new cable tramway replacing the Melbourne Tramway & Omnibus Company’s horse-drawn omnibus.
The roadway widened to accommodate tram tracks and included in the design was the ‘provision for ten shops with arched ceilings, the walls raised to hold the road above.’
The shops had verandahs and faced the St Kilda Baths on the Lower Esplanade. The St Kilda City Baths still there and I can recommend their friendly staff and coffee and cake. The older photo below of the Baths circa 1933.
The shops among the arches sold a range of merchandise suited to the location including ice cream, nuts, confectionery, haberdashery, and fish and chips. The walls are hollow and thick and it’s amazing how the noise is deadened. Nowadays trams and other traffic are constant above the shops and the road outside but are muffled to be almost unheard in the vaults.
The doors have wooden lintels and you can see the thickness of the walls. It is obvious what parts of the vaults are the original 1890s bricks and the more modern bricks used to seal them.
One of the visitors to the site on Sunday who looked about my age, perhaps older, told me a story about his childhood:
‘You know one of those shops just around the corner used to be a fish and chip shop. I’d ride my bike down here and buy some fish and chips, then leaving my bike leaning against the shop wall I’d cross the road and spend several hours on the beach. Didn’t matter when I came back my bike was still there.’
His nostalgic story ended on a wistful note, ‘No need for locks in those days…’
The City of Port Phillip Values Its Heritage
Only some of the original shops can be accessed and 2016 was the last time the Council opened them to the public. Sandra, a representative from Port Phillip Council’s Heritage Centre had set up a table to promote their local history and heritage program. It was an added bonus to have people knowledgeable about the city on hand.
My daughter lives in East St Kilda and I’m looking forward to warmer weather to follow detailed guides to five interesting walks:
Immigrants Trail (4 kilometres – 70-90 minutes)
Foreshore Trail ( 11 kilometres – 3 hours)
To Market To Market (1 kilometre – 30 minutes)
Around The Hill ((1 kilometre – 30 minutes)
Solar System Trail (5.9 kilometres – 90 minutes)
This last walk intriguing and the result of a 2008 project with the Astronomical Society of Victoria, Lonely Planet Foundation, City of Port Phillip, Monash University, artist Cameron Robbins and Scienceworks!
St Kilda’s Built Heritage
The shop verandahs were removed in the 1950s but it wasn’t until the 1970s they were bricked up because of the widening of Jacka Boulevard.
Inside the vaults, on Sunday, there was a slideshow of historical pictures on a loop. Various views of St Kilda lit up one wall and old photos were fixed on the walls in another room. Sandra lamented there were no pictures of the shop interiors, or indeed close-ups of the shop fronts when they were thriving.
I’m sure there are snapshots in some family albums and perhaps one day they’ll be donated to a library or museum. Until then, people visiting just have to use their imagination – and everyone agreed the shop owners must have been expert at using space because the vaults are small. No wonder they needed the verandahs and a wide footpath!
There was a volume of a history of St Kilda for sale plus some postcards and I bought these to share with my writing class, especially those who are writing life stories and memoir. Those who write historical fiction will find them a good resource too.
The detail of the fashions on postcards, what people are doing, the landscape or seascape, expressions on faces – all fodder for a writer to mine.
When I went to class on Monday, I showed the postcards to student Heather (90 this year) and lent her the book because I remembered a story she wrote about trips to St Kilda and having pony rides on the beach. The period the book covers, 1930 – 1983.
Heather was thrilled, emailing me Monday night:
Am so enjoying the book. Found the name of our swimming coach, Alex Sauter who ignored me and spent all the lesson on my brother. What a wallow in old memories!
love and thanks Heather
Nothing wrong with wallowing in memories and the indigenous people of St Kilda have stories and legends too which we often forget when discussing the history of places. Stories and buildings from European settlement are only a small part of Australia’s history.
‘St Kilda’s’ Story Thousands Of Years Old…
Open House recognises this by stating:
ACKNOWLEDGEMENT OF COUNTRY
Our programming exists on what always was and always will be the land of the people of the Kulin nation. We pay our respects to Elders past, present and emerging, as well as to all Aboriginal and Torres Strait Islander people in the wider Melbourne community and beyond. Indigenous sovereignty has never been ceded in Australia and we try to be mindful of this in everything we do, given our focus on the modern built environment.
The vaults are what remains of the engineering structure of the 1890s and came about as part of the embankment works and built into the supporting wall for the cable tramway.
However, local historian and conservationist Meyer Eidelson who wrote the guide to some of the walks I’ve mentioned was interviewed about the vaults in 2016.
In 1841, Derimut a leader of the Yalukit Willam who owned the land European settlers claimed as their own was bitterly disappointed by this theft. He cursed the settlement saying one day blood would rain from the sky and all would be swept away.
The shoreline of beach sands and the tea-tree grove is the traditional land of the Yalukit Willam clan of the Boon Wurrung. Legend tells of a grinding site for axes on the foreshore and also that the creator Bunjil who protects the Kulin Nation and travels as an eagle, placed rocks to stop floods and protect the indigenous settlement. Meyer believes the original foundation of the Upper Esplanade could be part of the network of those sacred rocks.
There is also more recent mythology about hauntings, victims, vampires and numerous intriguing ghost stories.
All believable when inside the vaults.
Light from the tiny vents creates shadows that dance across the floor and up the walls. The effects of the changing light from outside, the glow of artificial light inside, and the vibration from above and the steam of cars alongside plus the wind whistling through the arches interesting enough during the day but would be a dramatically different mood and atmosphere in the evening.
On Sunday, as the foreshore and streets filled with families and others enjoying Open House, I recalled how St Kilda’s history is chequered with various murder stories, not to mention periods where almost every story was negative – either about drugs or prostitution.
The year I volunteered and was on duty at nearby Edgewater Towers, many of the stories centred around its suitability to feature in fledgeling Australian TV crime dramas because of the notoriety of some St Kilda residents!
I guess it would not be too difficult to imagine the worst if you were alone in one of the dank vaults. (Although they are surprisingly clean and free from the ‘back-alley/abandoned building’ aromas of rodents, rubbish and rotten food.)
Probably, because they have been sealed. Also with no plumbing connected and extremely thick brick walls, any living creature looking for residence would be birds through the top air vents – and yet there was no evidence inside of them.
However, there was a time when people did squat in the vaults and contrary to the general adverse image of people living rough, whoever claimed these catacombs as home left evidence of trying to decorate and soften the harsh reality of cold, rough bricks and concrete.
On Sunday, I encouraged the children who accompanied their parents, to look for the hidden (and some not so hidden!) objects pushed or stuck into cavities in the walls:
marbles, pieces of crockery, plectrums, mirror tiles, old rusty tin, pencil, CDs… a heart image…
A great place to have a writing workshop – perhaps at night with candles flickering…
Who put the objects there and why?
Were they found objects or had more significance?
How long were the people there?
Where did they go?
When I finished my shift for the day I was faced with the reality of watching a man settle himself on a bench for the night next to the vaults, his bright orange checked blanket belying the misery of his homelessness. The view of the foreshore and bay more a curse than a joy as a promised storm rolled in on the bruised clouds and I couldn’t imagine how cold his night was going to be.
I was reminded of two other issues in the public arena during the afternoon:
Outside the baths, a timely reminder to ‘ditch plastic bags’ while sharing information about how traditional owners used plants.
Also, on duty at the vaults was Armah, a security guard originally from Ghana. We had a wonderful discussion about the fact Africa is a continent, not a country and how he has lived in Melbourne 21 years and never been in a gang!
I showed Armah a funny clip of the Ghanaian parliament which is doing the rounds of Facebook and he couldn’t wait to get home to tell his family and share it.
Armah has been back to Ghana a couple of times to visit family but like most migrants happy here, he considers that Australia is home.
I wish Dutton, Turnbull, Bolt, Guy et al – the pathetic politicians who dog whistle and use racist slurs to get votes could have chatted with Armah and hear the damage such targeted remarks do to communities.
Cold and tired, I caught up with my daughters for a cup of tea and a chat, sharing the memories triggered by my few hours in St Kilda.
I learnt to ice skate at the famous St Moritz rink along with thousands of other Melburnians in my age bracket.
I attended dances and functions at the St Kilda Town Hall.
Mordialloc Writers read at one of the first St Kilda Writers’ Festivals
I’ve visited numerous friends who live in different parts of the suburb
I still recall with fear my first visit to Luna Park and the terror of the scenic railway ride!
As I replied to Heather – there’s nothing wrong with wallowing in memories!
There is another post doing the rounds of Facebook –
The someplace may even be close to home. I wonder what building I’ll be allocated next year…
Who will I meet? What will I learn? What will I remember?
How many degrees of separation will there be… and will the weather be kinder!?
On Tuesday morning, in a buoyant mood, I set off for work – my last class for the term – and mind already turning over a list of appointments, events, ideas for lessons, and a list of catch-up household chores to be squeezed into the winter break.
In a folder ready for photocopying and collating, the prepared anthology of the writing students of Godfrey Street’s Writing Creatively Class.
I had burned the metaphorical midnight oil for several nights but tiredness banished when I organised the wonderful work produced this semester. The cliched spring in my step real because a task satisfactorily completed – a job well done.
Pride Comes Before A Fall
However, life has a way of reminding me never to be too comfortable or smug!
I’d only strode a few yards from home when I was flying through the air before landing with a thud on the concrete path.
Wings definitely clipped!
Three days later, beautiful bruises reveal themselves in places well-hidden but still painful, I reflect on how lucky I am (no broken bones just sore muscles) and I now obey (within reason) both my daughters’ exhortations, ‘Can you just sit and do nothing – pleeease!’
I’m trying to ‘go with the flow!
Déjà vu or Ground Hog Day?
While sitting in Frankston Hospital’s Accident & Emergency, Facebook reminded me of my travels last year and yes, unbelievably, it was this time last year when I was limping through the last leg of the big overseas adventure because I’d tripped in the hallway at my cousin’s house in Renton near Glasgow.
Despite my lovely cousin’s pleas, I didn’t get checked out by a doctor and ‘walked through the pain,’ which led to all sorts of complications when I returned home.
My daughters were most insistent I didn’t repeat any stoicism.
I reluctantly agreed, despite feeling like one of the guest speakers at a Women’s Hospital function who said once she retired ‘a trip’ became ‘a fall’ and she was sent off to a Fall Clinic as if she had a chronic problem.
My accidents were both unexpected trips, but landing on concrete is more likely to do damage than a floor – and it felt decidedly more painful!
I can laugh about Tuesday now, but the audience of half-a-dozen workers were not laughing when I landed beside them. Several strong pairs of arms hoisted me to my feet when I told them I was ready to stand and prove I didn’t need an ambulance.
At another time I might have revelled being fussed over by a batch of young men but I just wanted to return the few yards home and ‘have a Bex and a good lie down!’
A young man escorted me the 100 feet and carried my bag. He returned a few minutes later to check I was okay but I told him my daughters were on their way.
The cavalry arrived to greet a crying mess sitting draped in a bath towel toga with a large icepack on both knees and double-checking fingers, wrists, elbows, neck and all the other places that hurt.
Maybe it is a sign of age but the pain was excruciating. Shock set in and I started to shake – the girls were decisive.
A cup of tea and a couple of Panadol and we headed for Frankston Hospital.
Mobile phones a godsend that day. They had tried for an appointment with our local doctor when I first rang them but the clinic was booked out. They’d also rang my manager and cancelled the class.
While Mary played nurse and found some looser pants for me to wear that wouldn’t pressure my knees, Anne marched down to the worksite introduced herself and recorded the company’s details. She got a contact name of a supervisor because I’d caught my foot on the corner of a manhole cover they’d removed but left jutting out from the area of pavement blocked off.
Distracted and curious by the activity I tripped, but maybe the whole path should have been closed. Lessons to be learned all round!
The day became surreal and emotions ran high – suffice to say various temperaments exposed and moments bordered on slapstick, television soapie, Grey’s Anatomy, Brooklyn 99 and then an unexpected lovely moment…
We arrived home from Frankston to find a huge box of fruit on the doorstep and a handwritten note from one of the workers hoping I am okay and wishing me well.
I really appreciated their kindness.
I also appreciated my daughters’ devotion and decisiveness – they proved themselves capable and caring adults and in all the drama I had a moment of parental pride and joy – they will survive, perhaps thrive – without me and have obviously discussed and thought about ‘the ageing me’ with one of them declaring at one stage, ‘You are not superwoman and don’t have to be supermum anymore.’
And so for a few days, I am ‘taking it easy’ factoring in Panamax and Voltaren Emulgel with the vitamins and blood pressure tablets!
I’ve been touched by visits and phone calls from friends and I’m blessed that injuries don’t seem to be too drastic and the holidays will be great recuperation time.
And Today is Poet’s Day
POETS day is a term used by workers in the United Kingdom to refer jocularly to Friday as the last day of the work week. The word “POETS” is an acronym for “Piss off early, tomorrow’s Saturday”: hence Friday becomes “Poets day“.
With ‘enforced’ leisure I’ve started going through notebooks and extracting the ideas jotted down – maybe I’ll get some creative writing done!
I came upon this poem – apt because it was Tuesday Class I was heading to when I tripped so here’s ‘the postcard’ I ‘didn’t send’.
Remember the perennial joke from primary school if you witnessed somebody tripping?
Oops, I tripped.
You didn’t send me a postcard!
An Acrostic Tuesday
Tuesdays during school term, I teach in Bentleigh
Up the line from Mordialloc towards the city
Easy to get to by public transport, especially trains
So convenient! And I love it! I know I am lucky, even on
Days when inclement weather suggests
A day in bed or seat by the fireside…
Yet, I‘d never use bad weather as an excuse. Unless
On Sunday, March 4th, I was privileged to visit Willsmere in Kew and participate in a Heritage Walk with a resident as our guide. This 25-acre site including buildings is now a beautiful community of apartments and gardens.
Referred to as the ‘lunatic asylum” Willsmere was converted and developed in 1993, but with the proviso that certain areas of the heritage listed site are opened to the public twice a year.
The former Kew Lunatic Asylum was built in 1872 during a period when several large public buildings were constructed after the gold rush enriched many people and the Colonial Government. Victoria was an independent state (hence the flag outside Willsmere today) and the authorities promoted the idea of an asylum to “portray Melbourne as a civilized and benevolent city.’
The building displays the influence of Europe with the architects GW Vivian and Frederick Kawerau creating Italianate and the French Second Empire buildings. There are two distinct entrances flanking the main door, one each for male and female inmates who were always separated. Inside they had separate exercise yards as well as wards and cells.
Many historical details remain and the effort to retain architectural features, including paint schemes, brickwork, tiles, wooden window surrounds, doors and balustrades make it an interesting site to access.
I have volunteered for several years at Open House Melbourne and was thrilled to receive the invitation as a thank you gift for being part of the team. The Open House Movement is worldwide and a wonderful addition to Melbourne’s community calendar.
I encourage everyone to set aside the last weekend in July to learn more about Melbourne and its buildings. (Last year the program extended to Ballarat so mark the last weekend in October too!)
Many of the buildings listed for Open House don’t have a museum (like Willsmere) but most provide historical information and/or context that makes visiting memorable.
History Attached to Willsmere
As a history buff, I love learning about old buildings. Willsmere has links to the architecture of colonial times but there is much more to uncover because it was built for a specific purpose.
My mother did “mental nursing” as it was called in the 1940s, and I recall her stories about how shocking it was that people with epilepsy were locked away and treated as ‘lunatics’ along with those with a psychiatric illness. She nursed alongside my father’s older sister Mary in the epileptic colony of the Orphan Homes of Scotland.
I grew up with parents who were experienced, understanding, and compassionate and over the years I witnessed Mum providing a cup of tea and listening ear to several people recovering from breakdowns or bouts of mental ill health.
Delving into the history of places like Willsmere reminds us that even with the best intentions a society can go down a terrible path through ignorance.
In a brochure about Willsmere, three famous patients are listed with the barest of details and I am sure their full stories would involve serious heartbreak and trauma. They were probably paying patients too.
Thomas Wentworth “Tom” Wills, (August 1835 – May 1880). He was an Australian sportsman credited with being the first cricketer of significance and a pioneer of Australian Rules football.
Edward De Lacy Evans who was born Ellen Tremayne or Tremaye. (? 1830 – August 1901) A servant, blacksmith and gold miner, who immigrated from Ireland to Australia in 1856, and made international news in 1879 when it was revealed he was a woman.
George Henry Stevens “Harry” Trott (August 1866 – November 1917). An Australian Test Cricketer committed to Kew Asylum after a series of seizures. Eventually discharged, he returned to play cricket for Victoria between 1888 and 1898.
Everyone in the asylum had a category: male/female, paying/pauper, manageable/refractory… the latter put into punishment cells that even with doors permanently open will make you shudder.
The museum established to preserve the history of the Kew Asylum and Willsmere Mental Hospital is a sobering place. Credit must be given to Central Equity Ltd., the developers for providing funding to preserve this part of our heritage.
The archive comprises over 60 objects salvaged during the redevelopment of the site, plus reproductions of historical documents, plans, and photographs.
The museum is a gallery, some bedrooms and an old day room converted to a library. The area, originally Ward A-A, which housed female private patients who had a view across the Yarra towards the city – whether this taunted or relaxed the women we may never know, but certainly, some of the equipment like the machine for electric shock therapy, hint at the barbaric treatment of earlier days.
One of the largest asylums in the world, the Kew Mental Asylum symbolised Victoria’s civic confidence after the gold rush. It was anticipated that being ‘sent to Kew’ would cure the mentally ill, through humane conditions, a moral environment, routine work and medical treatment.
…Enlightenment principles were applied to the treatment of mental illness. “Lunatics” were placed in new asylums where illnesses of the mind would be cured by a scientific approach…Unfortunately, Kew never lived up to these benevolent intentions. Few patients were ever cured and released into the community…Kew was subject to repeated public criticism leading to a Royal Commission in 1876… conditions and morale were low…
Within years of construction, Kew was condemned as a failure. Governments never provided sufficient funding to prevent overcrowding or employ sufficient staff. (Now isn’t that a familiar story!!)
As a result, many patients simply locked away until their death. The Royal Commission declared:
For a large percentage of our insane population we are quite sure no restraint is necessary, and yet they are all confined together under a system that must be monotonous and oppressive.
In the 1950s, Dr E. Cunningham Dax, director of the Mental Hygiene Authority, initiated a series of reforms to make conditions more tolerable. Kew Asylum gradually converted into Willsmere Mental Hospital, specialising in the care of the aged, including patients with Alzheimer’s Disease.
The paintwork, lighting and floor coverings in the museum area are typical of the Willsmere Hospital when it closed in 1988.
Female patients lived in the northern half of the building, men lived in identical southern wings. On both sides of the Asylum, paupers were housed apart from paying patients, and the difficult inmates were confined to the wards at the back near the kitchens and laundry.
Life on The Wards
Patients were encouraged to take part in activities that gave structure to their day and considered therapeutic. Some worked on the asylum’s farm, which included an orchard, fowl house, 200 pigs, 30 cows and extensive vegetable gardens.
Others worked in the laundry, kitchen or workshops, sewed clothes and made cushions, cared for fellow patients, or assembled components for outside firms. Social activities were held when staffing permitted, such as dancing, music and games on the cricket field built by the asylum community.
A staff psychiatrist from the 1920s recalled the ‘daily scene of desolation and despair’:
Most of the patients were on the airing courts walking backwards and forwards in solitary perambulation, untidily huddled together in groups like resting sheep, or isolated and stationary, looking into space as though they were held in the crystal of a dream.”
Willsmere constitutes a rare, mostly intact, 19th-century lunatic asylum and is still an architectural Melbourne landmark above the Yarra Bend Park. At one time it was the highest constructed point in Melbourne with the site considered suitable for Government House but dismissed by early colonists as too isolated.
Walking around you get the sense of its height and the slope of the grounds. There’s the necessity for stairs to access some apartments from the outside as well as internally.
The design included “ha-ha” walls. These retained a view without the feeling of being enclosed. The height of these brick walls deceptive being built at an angle at the bottom making them impossible to scale.
I was fortunate to be part of the smallest group shown through Willsmere that morning. Jack, an extremely well-versed resident was our guide. Knowledgeable and a longtime Open House volunteer, he explained about the conversion of the site into a modern community of apartments and townhouses. Every sentence he spoke laced with well-deserved pride. The surroundings show love and care and the shared facilities remarkable.
The restoration work tastefully done. Red painted doorways, windows and other features are restored or new versions of the original design. Green painted features are new additions, such as the entrances to many of the apartments.
The modern concrete paths were built during the redevelopment because originally, patients and staff used the covered walkways, now converted into verandahs.
Gardens of Trees, Flowers, and More Trees
I fell in love with the gardens, especially the trees, some of which are on a heritage list too. There is an ancient peppercorn which may be one of the oldest surviving trees left in suburban Melbourne. It is as old as Willsmere.
How many thousands of feet tramped past this gnarled trunk, how many people sat in its shade, praying, relaxing, contemplating life and death?
Male patients and staff played lawn games from 1878 and the bowling green was rebuilt by the Lawn Bowls and Greenkeepers Association as a gift to the hospital in the 1950s. There was also a cricket oval north of the asylum walls during the 1870s.
Today there is a communal barbecue area, a swimming pool, a tennis court and paths crisscrossing lawns providing lovely walks for residents to play and walk.
Jack put the conversion of this site in perspective when he said there are about 800 residents on this 25-acre site in beautiful surroundings which encourage community and a healthy lifestyle.
He pointed to the other side of the Yarra River where there is a proposed development of an old industrial site of similar acreage. The planned capacity is 2000! I can imagine the future residents of that development will look at the 1990s as a golden age.
How to Get to Willsmere
It was a difficult but not impossible trek by public transport for me, especially on a Sunday, which explains why the email invite said ‘not suitable access via public transport’.
However, I’ve never driven or owned a car and believe ‘where there’s a will there’s a way’ – or I’d have limited outings and adventures!
Metro’s My Journey and double-checking with Google Maps works well for public transport. I caught a train from Mordialloc to Melbourne Central where I had a choice of two buses leaving close by and dropping me at different streets off the Chandler Highway.
One bus route offered a walk of 1.5km (19 mins) and the other 1.8km (23 mins). Therefore it’s approximately a twenty-minute walk to Willsmere once you get off the bus – mainly uphill if trusting Google where you find yourself at an entrance not accessible to the general public!
I reread the email I received and realised I should have keyed in a different entrance gate. Just as well it was a gorgeous day and an interesting walk through a suburb regarded as ‘well-to-do’. Definitely not poverty row and the housing development tastefully done, even keeping the original entrance wall to what was once the Kew Gardens.
I chose the bus heading for Box Hill Station going and a different one returning to the city. However, heading home I had the benefit of residents’ know-how with a more direct route to the bus stop. There is no substitute for local knowledge – even better than a combination of Google Maps and Metro Journey Planner!
A pleasant, mildly undulating, treed walk to catch the alternative bus took me past the site of where Kew Children’s Cottages used to be. This stirred up memories of visiting there as a teenager in the 1960s.
As part of Croydon Uniting Church’s outreach program, my Sunday School teacher, Mr Alabaster organised