A Day Exploring Kingston’s Public Art with Pandemonium a Distant Memory

One of the five Excavator sculptures by Greg Johns at Waterways

Write it on your heart that every day is the best day in the year.

Ralph Waldo Emerson

It is a new year and yet like many I feel I have lost a swathe of time since the onset of the pandemic declared by WHO three years ago on March 11, 2020. The absence of this blog for over a year, and many other activities I used to enjoy, concrete examples of how discombobulated life became and how life changed.

It’s like emerging from a time warp and no doubt there will be plenty of science fiction lovers who’ll agree and writers already penning work to add to the existing plethora of novels and films about evil viruses and zombies!

The last three years meld and become easily confused when recounting or remembering events, particularly outings, yet these were normal occurrences pre pandemic. I’m in my 70th year, but the confusion is not all down to ageing or the brain tumour diagnosed in late 2020 and now my constant companion with unpredictable and unsettling effects.

Covid-19 and the variants still developing and circulating a global problem, creating an historical ‘era’ much the same as the two twentieth century world wars or the 60s and 70s Vietnam War. Many of us experienced dramatic changes to routine, lifestyle, family and friendship circles with some changes becoming permanent. History will record and label it!

The cliched tide may have turned, people may be in denial the virus is still deadly, or are too tired to push against the policies and acceptance of ‘personal responsibility’ replacing behavioural rules put in place for the common good. Suffice to say, authorities (and most in the community) have accepted the roller coaster ride of active cases and deaths much greater now than during the ‘lockdown years’ and the inconveniences of higher than average ‘sickies’, cancellations, and staff and material shortages.

I too move out of my comfort zone more often, accept invitations and attend events when I can, and look forward to catching up with friends. Ironically, any recent cancellations have been due to Melbourne’s mercurial weather and the necessary but often disruptive Big Build.

Days of extreme heat discourage travelling too far from home or negotiating replacement services and the extra time involved. Even the daily walk with my beloved Josie has had to be cancelled in deference to her poor paws suffering on hot concrete paths, and her permanent fur coat.

Climate change is the other global disaster we have to live with and sadly, a disaster ignored for too long and not fixable with a vaccine, wearing a mask, or socially distancing. But, I digress because this post is an appreciation of still being alive and healthy enough to celebrate the area I’m lucky to live in and enjoy and spend a few hours with a dear friend!

Living bayside has enabled me to use walking and nature as a therapeutic balance to the misery of Covid and climate change and adverse health news!

Another of the five Excavator(2008) sculptures by Greg Johns at Waterways

The secret of change is to focus all of your energy, not on fighting the old, but on building the new.

Socrates

The weather and health smiled and my good friend Lisa Hill who organised the outing I wrote about in my last post, researched and organised another fabulous day. On Thursday, we explored some of the public art in the City of Kingston.

Kingston aims for their public art program to reflect and celebrate the area’s history, stories and cultures and sense of place. The public art they fund/commission can be ‘ephemeral, temporary and permanent’. They receive advice from the Arts and Cultural Advisory Committee (ACAC) which is made up of community members with experience and/or expertise in the arts and cultural sector, as well as City of Kingston councillors.

I was a foundation member of Cultural Arts Reference Group, City of Kingston (2004 – June 2005) the forerunner to ACAC so I’m glad to see there is still some form of input from community members involved in the arts – although most people think of visual artists and not writers when you mention public art, evidenced by the Council’s website and map suggesting a tour of twenty ‘easily accessible’ sites; all are murals or sculptures.

As we planned what sites to visit, Lisa said there was a suggestion you could explore the trail by bicycle, walking, or car. I’m not sure whoever put the map together tested the suggestions. Individual pieces are accessible to the public who live in that suburb – some highly visible like the one in Mordialloc that welcomes people if they enter via Nepean Highway, but we could not have looked at the handful of art work we chose without the car. If using public transport, walking or cycling, it would be a long day indeed like one of those tours you pay for shuttling from place to place with brief, timed stops.

Updated suggestions on tackling a tour of the twenty listed on the map could provide information or links to the various routes if walking, cycling, or travelling by train and bus.

Pompeis Boat(2010), one of three sculptures by Julie Squires at Mordialloc

On the Trail of Public Art

From Mordialloc, we set off for Moorabbin to seek Horscroft Place Pocket Park, home to the impressive Butterfly Renewal murals and The Monarchs sculptures, a project completed last year. Pocket Parks are being developed throughout Melbourne under the Victorian Government’s Suburban Parks Program. Kingston Council received $700,000 to develop Horscroft Place Pocket Park and the final concept developed in consultation with the Moorabbin community who opted for an environmental theme mural for the brick walls along the northern side of the site, a seating area, shady trees and a homage to the Monarch butterflies often seen in the area.

While we were exploring and taking photographs, a man stopped to chat. He shared how much he liked the butterfly theme because ‘you see plenty of them in the area’, but he thought they were called Painted Lady, a species of butterfly mostly found in Australia. It is a similar colour, as is the Red Admiral butterfly too, and both are often confused for the Monarch, which is larger.

Lisa’s car is fitted with GPS, which is just as well because neither of us knew that part of Moorabbin well and the pocket park is a small area, connected via a pedestrian and cycle thoroughfare, to the much bigger and more obvious Moorabbin Reserve, home of St Kilda Football Club. There is also access to a shopping precinct and other facilities on South Road.

We parked in the carpark at the Reserve and a lovely local lady directed us to the art work we were looking for – ‘a short walk away‘. It was out of sight from where we were standing and with the art trail map info fluttering in my hand, we set off!

Horscroft Place is mainly a street of small businesses and factories and there is the ubiquitous high rise development being constructed. The park will be a boon for the workers and new residents – a place to rest, sit, meet for a chat, perhaps eat lunch or morning tea. Once the vines grow on the colonnades it will be an even more pleasant and attractive walk to enjoy.

Perhaps too it will encourage people to value and appreciate indigenous flora and fauna and the importance of breathable, open green space.

Every moment is a fresh beginning.

T.S. Eliot

Bundle of Sticks(2008) by Elizabeth Weissensteiner, on wall of Clarinda Community Centre

Our next stop was in Clarinda to see the Bundle of Sticks on the wall of Clarinda Community Centre that is co-located with Clarinda Library. The Centre opened in 2005 and the Library 2004. The 2008 work by Dr Elizabeth Weissensteiner commissioned and is based on an Aesop’s Fable to illustrate we are stronger together than being quarrelsome and going our own way.

The design represents the strength of a community that has a shared identity and purpose. The work celebrates the values of the people of the area, multiculturalism and unity.” It is on the wall at the Viney Street entrance and less visible than the photograph on the website suggests because trees and shrubbery have grown.

Thank goodness Lisa had been to an author event held at the library and knew to check all sides of the building!

The art work is visible to passersby in the residential street. There is a parking area at the front of the library and in the nearby shopping centre and the Viney Street entrance an easy stroll. I hope locals and visitors take the time to pause and ponder the timeless message of the artwork and the fable. Aesop’s Fables have a moral behind each tale and were a staple part of my primary education in Scotland in the 50s and early 60s. I have a picture storybook given to me either as a birthday present or a school prize.

The purpose of art is to lay bare the questions that have been concealed by the answers.
James Baldwin

We had decided before heading out that with the time available, and expected weather change, we’d make art work neither of us had seen a priority, with a plan to end up at Waterways housing estate to enjoy a late lunch and the lovely view lakeside from The Nest Cafe in Waterside Drive.

Waterways is 8 minutes in the car, and 23 minutes on the bus, from Mordialloc but I’ve only been there a handful of times. Apart from the lovely lake and the super popular restaurant, it is a housing estate with attractive homes but narrow streets. Parking, like everywhere in Kingston is a problem. I visited a friend by bus years ago. She was one of the early residents and for a long time regretted moving from Parkdale to Waterways because she had to rely on her car for work, shopping and medical appointments. Access and exit to the estate, in her opinion, hazardous. I’m hoping the new freeway and extended bypass and intervening years have improved this situation, but I doubt the parking has improved.

C’est la vie, and the story of so much modern development when the demand outpaces delivery and developments go ahead while infrastructure and thoughts on the future, seem an afterthought. However, I’m a water viewing junkie and to me the lake, birdlife, trees, shrubbery and parkland are beautiful, well worth a visit, regardless of the art trail. Location is the selling point for the estate!

Ironically, the last time I visited Waterways was with Lisa in 2019, when pandemic fears were a whisper in some media circles. My breast cancer returned December 21, 2019, but fortunately, after the lumpectomy I bounced back enough to enjoy a delayed Christmas lunch with Lisa at The Nest.

We sat at a table overlooking the water, and could see some of Greg Johns Excavator series, but I paid more attention to the antics of the ducks and moorhens and other birds. This return visit we were taking a closer look at the sculptures, but also seeking new art work and will stroll away from the cafe.

Greg Johns was commissioned in 2002 by the Waterways residential development ‘to create a body of sculptures that responded to the development’s wetland environment.’ He created 5 birdlike creatures, ‘excavators‘, referencing the diverse and plentiful bird-life in the area. He used Corten steel, his signature material because it is a stable, rusted surface that continues to develop as the sculpture ages.

I photographed 3 of the 5 metal ‘birds’ on Waterside Drive in close proximity to The Nest, but snapped some live ones too. The moorhens, ducks and swans friendly and relaxed around people. There have been 105 different species of birds recorded in this area, much valued by Bird Observers Clubs.

We walked to the Westbridge boardwalk further down Waterside Drive to find the Waterways commissioned art work by artist Ken Blum. The 4 carved wooden sculptures reflect the wetlands and history of the local area, acknowledging the Boon Wurrung as the traditional owners of the land.

There are two carvings of birds representing the ancestral spirit of the indigenous custodians and two portait carvings revealing faces of two indigenous people. The portraits are placed as sentries to the wetlands and are primarily carved from cypress logs with chainsaws, axes and chisels.

Large stone platforms sit atop the sculptures to prevent water from rotting the trunk of timber. These 4 sculptures were my favourite – visually striking yet blending into the environment naturally. They belonged but stood out!

They are an important reminder of the Boon Wurrung’s connection to and then violent severance from the land by colonialism. Important in this referndum year when we will be asked to give our indigenous peoples recognition in the Consitution and a stronger voice in government on matters important to them. Recognition of our history and inclusion of the indigenous voice in decision-making crucial if we are to move forward as a nation.

When I saw the first portrait I saw resilience through tears of grief and pain, and Lisa commented on the fracturing of indigenous society. We both had a visceral reaction, which I believe is an important purpose of public art, not just to decorate or please.

Art can be subtle, overt, confrontational and nuanced. Woven naturally into the tapestry of our day to day lives, it helps build a culturally rich, tolerant, diverse and respectful society. Not just of people but the natural environment – from my first visit over a decade ago, it is heartening to see how native flora has thrived at Waterways.

Stories are the secret reservoir of values: change the stories individuals or nations live by and tell themselves, and you change the individuals and nations.
Ben Okri, Nobel Prize for Literature

The two birds I believe are an ibis and an eagle but we couldn’t find a plaque. I have read about Bunjil (Bundjil), the Ancestral Wedge-tailed Eagle, the creator and Waa, the Ancestral Crow (Raven) the protector, they feature in many indigenous stories. They are Moiety Ancestors of the Kulin Nation.

It’s important people seek out information from the Boon Wurrung and there are a range of resources accessible through Google as well of course visiting in person, the Koorie Heritage Trust or the Aboriginal Cultural Centre at Melbourne Museum.

The chances of disinformation, propaganda or downright fantasy/lies much more frequent with the changed media landscape. The plethora of social media sites often the ‘go-to’ for information, but not the most reliable. Local libraries are still free and much more trustworthy!

The ambience of Waterways and the boardwalks and paths around the lake made us forget the closeness of the freeway and that at the last census the estate recorded a population of 2,422 because there were so few people about. We had the paths to ourselves.

In order to create, we draw from our inner well. This inner well, an artistic reservoir, is ideally like a well-stocked fish pond… If we don’t give some attention to upkeep, our well is apt to become depleted, stagnant, or blocked…As artists, we must learn to be self-nourishing. We must become alert enough to consciously replenish our creative resources as we draw on them — to restock the trout pond, so to speak.
Julia Cameron

The time spent with Lisa exploring some public art in Kingston is a lovely memory day and it has helped me attempt to return to blogging, a pastime I enjoyed because I do love writing and sharing information if I’ve been lucky enough to travel or participate in something special.

However, this first post after a long absence has been a challenge to remember how to format and upload, plus learning and navigating changes and updates to WordPress. Apologies in advance if there is a blooper and well done if you’ve made it this far.

I’ve been writing regularly and posting form poetry and photography on Instagram and Facebook but more often than not it is doggerel or random thoughts needing a lot more work to shape into what I hoped to say but ‘practice makes perfect’ another instruction I remember from childhood and it is lovely to write for pleasure rather than deadlines or to teach.

I wish I had visited Butterfly Renewal & The Monarchs before my last Instagram post because it would have been relevant. I’ll finish with the poem and a wish we all learn to self-nourish and nurture the ability to enjoy replenishing our creativity!

Fleeting Thoughts

by Mairi Neil

Sweltering heat each breath an effort

yet like a floating scrap of paper

buffeted by the hot north wind

you flit, flutter and dance from flower

to flower. Pirouetting from geraniums 

to agapanthus, to lavender and rosemary …

a sip of iced water gives me relief, but

my computer screen demands words,

a deadline squeezing joy from a task

begun with passion – before today’s heat.

Time more your enemy with a lifespan of

a week, or months if you are lucky…

with minimum effort you flit and flutter

quenching your thirst, supping nectar

your drinking straw provided by nature –

oh, little butterfly, do you ever flutter

for pleasure in this topsy turvy world of

global warming and indeterminate seasons?

are you constantly searching to lay your eggs 

and propagate – diligently seeking perfection?

Some humans become prisoners of work or greed – 

but your timetable imposed by Mother Nature…

your exotic, colourful Monarch cousins travel

2000 miles from Mexico to California to breed 

the timeline of their migration a line of dead

as farming, pesticides and global warming

extract a toll that you, fluttering in pale anonymity, 

are perhaps yet to feel – I envy your energy

my fingers hover, try to capture thoughts… 

it’s still too hot but you brighten my day!

Let Loose after Lockdowns and Rekindling Love with the Creative Arts in Marvellous Melbourne

Shakesbear and his Complete Works by artist Cat Rabbit

I could count on my one hand the creative events and exhibitions I’ve been to in the last two years and I know I’m not alone. 

There was attendance at talks, videos and workshops online, but that’s not the same as the sensations experienced walking around, sometimes touching, smelling, hearing and seeing and most importantly feeling the buzz from emotional connections.

Attending events and exhibitions in person triggers memories and ideas and occasionally controversies. If you have someone to share the experience: to reminisce, laugh, cry, debate merits, discuss the impact and celebrate the success, it is a bonus.

Until last Thursday, the “live” events I’ve managed to experience have been with family – and all this year (the least said about 2020 the better!):

  • a Hannah Gadsby Concert at Sydney Myer Music Bowl with daughter Anne enabling great exercise of laughter muscles (February)
  • a fascinating Open House Melbourne discussion on The Great Birrarung Parkland by boat with Indigenous guides sharing their knowledge (March)
  • a tour of the National Trust’s Labassa and the history of the garden with Anne where we managed to dodge showers (May)
  • a wonderful weekend away with my two sisters, to see the Mary Quant Exhibition at Bendigo Art Gallery which happened between lockdowns so didn’t have to be rescheduled (June)
  • a visit to Como for the display of Miniatures and Doll Houses with both Mary Jane and Anne that had been rescheduled (November)

Cat Rabbit: The Soft Library

My good friend Lisa Hill is a prolific book reviewer and alert to events in libraries, writing festivals, bookshops – in fact all things bookish. A few weeks ago she asked if I would like to go with her to The Soft Library , an exhibition by artist Cat Rabbit at the Bayside Gallery, Brighton Town Hall and we booked a date for early December.

Entrance to exhibition

Cat Rabbit is a textile-based artist living in Naarm/Melbourne. Using felt, recycled and vintage fabrics, Cat hand stitches plush sculptural works of her imagined characters and the worlds they might live in. Her work translates to many formats – from children’s books to large-scale felt installations – always with aim of bringing softness and warmth to the viewer.”

Storytime

How could anyone resist an invitation to an exhibition promising softness and warmth – not only after surviving what we hope is the worst of a global pandemic but anytime!

Lisa is a friend who always goes above and beyond – not only did she offer to drive me but also negotiated with the curators to allow us to visit the exhibition before official opening time so we wouldn’t clash with any school or kinder visit because she worried about my severely compromised immune system when most children are still unvaccinated. The Omicron variant in the headlines revealing the Covid pandemic is stubbornly persistent. Athough no lockdowns and eased restrictions, the adage better to be safe than sorry always applies!

The soft library is an extraordinary new project by Melbourne-based textile artist Cat Rabbit. The artist has transformed the Bayside Gallery into a fantastical library run by bears, or ‘libearians’, many of who are famous literary characters. Lovingly made by the artist in felt and fabric, the library houses books and animations and a special giant ‘storytime’ bear who invites visitors to sit and enjoy an audio story. This whimsical and delightful exhibition celebrates the freedom found in play and pays tribute to the library as a place of learning and wonder – a home for the endless possibilities of the imagination.”

Advertising blurb

Many of these Story Box Library titles feature in the Cat Rabbit Exhibition.

An ideal place for an art exhibition on the theme of books

Brighton Town Hall is an imposing building with a history dating back to 1885  when the memorial stone was laid by The Hon Thomas Bent MLA, for the District of Brighton and Mayor of the Borough. (Whenever politician Thomas Bent is mentioned someone always adds ‘Bent by name and bent by nature’ and Lisa beat me to that observation! Mr Bent gained quite a reputation when he ‘served’ the people of Victoria and made himself wealthy.)

Above the memorial stone is a plaque dated 1978 when the restored town hall incorporating the central library was opened. Above that yet another plaque dated 1998, when the building became The Bayside Arts and Cultural Centre – Brighton Town Hall.

The design of the exhibition simulates an art gallery display – there are ‘paintings’ on the wall (all made of felt), there is the obligatory marble-look sculpture of a figurehead (made of felt), and the larger than life Libearian and the professional paraphernalia (cards, date stamp, pad etc) laid out on the desk are all felt. A story-teller sits with stories quietly playing on a loop and a circle of soft cushions await eager listeners.

Lisa and I spent a pleasant hour appreciating the imagination, talent and sense of humour of the artist. It is a display ready-made for children’s activities but paved with richness of detail to delight adults. We recognised authors, exclaiming over the craftsmanship and attention to detail and I thought of the various discussions initiated with the children lucky enough to attend.

There are shelves ‘laden’ with felt tomes – the titles wittily clever. Children are given an activity sheet The Great Detective designed to engage them with the exhibits but also to encourage close observation and attention to detail. They are asked: If you could write a bear themed book, what would it be about? What would the title be? (More than children can have fun with this activity and I mentioned to our hosts there could be fun with homophones as well as homonyms!)

I eventually solved a mystery that had been bugging me – I was sure I had heard of Cat Rabbit, even met her somewhere. When I saw the book Too Much For Turtle on the storytime stand I remembered Cat and the illustrator Isobel Knowles had been a guest author and illustrator for The Mordialloc Writers’ Group several years ago when I was coordinator.

Local primary children have participated in workshops with the artist and there is a trolley and shelf with felt books made by Hampton Primary.

There are also gorgeous individual postcards with a QRcode that will take you to digital details of authors and books and the creativity  of the artist. QRcodes throughout the exhibition allow further exploration of authors and books. Technology enhances exhibitions by adding or extending interactive elements.

Brighton Libearian Karyn Siegmann pens a lovely intro to The Soft Library confessing her love of books:

“And where is the one place you could get all the books you wanted to read, and for free? The local library of course. That magical place full of stories and ideas and places to curl up and imagine and think…

Libraries have seen so many changes over the years, but they will always be a place of comfort containing infinite stories, both real and imagined. Libraries house characters you can revisit again and again and stories you can learn different things from no matter how many times you read them. It’s a shared place, but at the same time it’s all yours!”

Most of the authors in the exhibition I’d read or heard of but some of the newer children’s authors I didn’t know. However, the exhibits triggered memories of a time in my life I loved when I regularly dabbled in felt craft. From firsthand experience, I appreciate Cat Rabbit’s amazing talent and the effort and hard work to produce such a showcase. I believe craft as an activity and as works of art gained popularity during lockdowns and I expect to see more exhibitions and also more work at open air markets.

My daughters attended a Steiner stream at primary school and craft and creativity interwoven with all subjects. We made tiny gnomes to help gather gum nuts for maths, wove recorder bags to house music sheets and made various animals for the story cloth when the children sat in a circle to read or listen to stories. Along with other Steiner mums I spent months knitting and sewing to prepare a stall at the annual school fair. 

I still do some craft for particular projects and each Christmas I place a Nativity at the foot of the tree – my tableau made in felt over 20 years ago needs a make-over but will outlast me!

Christmas Nativity

The Soft Library will be open until mid-January.

The festive season has a way of becoming too busy and after a lull of activities for two years Melbourne has a lot on offer, but I hope people make the time to visit the Bayside Gallery which has other exhibitions running as well – you won’t be disappointed.

And if the warm and thoughtful treatment Lisa and I received from the staff is replicated you’ll join their mailing list too!

Authentic Storytelling has the Power to initiate Progress by Promoting the Personal is Political

Image shared on social media

For many people in Australia, celebrating International Women’s Day in 2021 was bittersweet, especially in the atmosphere created by revelations of how toxic and abusive our Federal Parliament is as a workplace for women.

The ACTU acknowledged the 110th Anniversary of IWD by publishing a report on the challenges facing working women in 2021. The report’s key points are not easy reading: “At the turn of the 20th century, Australia was considered one of the most progressive nations for women in the world. In 1902 we became the second country to win some women the right to vote (it took until 1962 for First Nations women to win the same right) and the first to allow women to stand for parliament.” And yet today, ‘Australia ranks just 44th in the world for gender pay equity. In 2006 we ranked 15th.’

For someone like me, who joined Women’s Liberation in 1971 during my first year at university and who is a longterm member of the Union of Australian Women, I feel it is indeed another example of Groundhog Day, and I can’t believe we are not only still fighting for equal pay, but in some instances, we have lost ground as far as equity and respect is concerned.

I’ve owned the following badges since the 70s and 80s and have marched for equality every year on IWD and at other protests, including the one against Trump where many of us wore homemade Pussy Hats. The article underneath those pictures is from The Age newspaper in the 90s and asks the perennial question – in the struggle for equality, how much has really changed?

Impact of Covid-19 On Women

The ACTU Report reveals that women bore the brunt of losses from the catastrophic changes to society due to the pandemic.

• Women over-represented in insecure and low paid jobs
• Women dominated the frontline care, and the caring responsibilities at home
• JobKeeper rules unfairly excluded women workers
• Over 300,000 women emptied their superannuation accounts to cope during Covid, putting them at greater risk of poverty in retirement.

from Facebook

The reasons why feminism seems to be making little headway in changing deeply ingrained misogynistic attitudes in a culture that prides itself in championing the ‘fair go’ will no doubt continue to be the subject of essays, books, blogs, podcasts, documentaries and film, not to mention the plethora of talk shows and infotainment passing as news we see on television and online, but here is another old cutting from my scrapbook. The date 1999!

From The Age, 1999

2021, we have some high profile female journalists – some even host their own radio or television shows – but it is still men who actually control the boardrooms, the directorships and CEO positions, and who own the newspapers, television stations, and big tech giants of the Internet.

(I can hear people asking: What about Ita Buttrose? However, considering the LNP Federal Governments have cut the ABC’s funding since 2013, and the organisation’s loss of staff and resources, I think we can discount any perceived advantage Ita’s appointment holds.)

And so the struggle continues!

The first photo is from the 2019 IWD rally, the middle photo of IWD in the 70s (the arrow points to me) appeared in the 2018 City of Melbourne exhibition, We Protest, and the last photo is the cover of a book published in January 2000, detailing the history and incredible achievements of the UAW.

Choose to Challenge – Kingston Woman of the Year Award 2021

On Friday, March 5, I attended the City of Kingston’s IWD celebration. This was the third year of 24 women being recognised for their achievements and contributions to the community, with one awarded the title of Woman of the Year 2021. This year too, they added a new category of Lifetime Achievement Award.

The stories of the final nominees, all proven leaders in their field can be read online. They inspire others and make a difference through exceptional professional or personal achievements in the following categories:

  • Courageous Commitment: Women who are dedicated to making a difference to the health, well-being, safety, and/or sustainability of our community through advocacy, campaigning, fundraising, and/or thought-leadership
  • Excelling in Arts and Sport: Women using their sporting and/or creative talents to represent, motivate and inspire our community.
  • Inspiring Innovation: Women who are leaders in Business, Economics, Politics, and/or an Entrepreneur.
  • Success in STEM: Women excelling in Science, Technology, Engineering and Mathematics.

The Mayor, Cr Steve Staikos, acknowledged the barriers that continue to perpetuate gender inequality which is a key cause of family violence and violence against women. “Kingston Council is committed to working towards the vision of creating safe, equal and respectful relationships in our community where family violence and gender inequality are not tolerated.”

The Council, working with Youth Services, launched the Young Women’s Mentoring Program last year hoping to help inspire future generations of young women to achieve their full potential with many of the nominees from past years, and hopefully this year, mentoring young people. By acknowledging their achievements the Council helps encourage positive contributions, encourages women to keep sharing stories, and encourages us to keep lifting each other up.

An award winner from last year, Tara Graves winner was MC. Tara emphasised the importance of support from others and having a sense of community. The mentoring program so important to inspire and help young people and an opportunity for nominees to share their skills and give back. It encourages women to take part and show leadership at Council events, just as Tara is emceeing and it helps emerging leaders, bringing out the best in all participants. Tara hoped, “the nominees this year will participate because their stories inspire and challenge us to make a positive difference in the community.”

A short video of the established Young Women’s mentoring Program heard from some of last year’s nominees and also the young people who joined the program. Messages from mentors included:

  • The importance of listening
  • the joy and importance of sharing skills
  • encouraging the seeking of help for mental as well as physical health
  • encouraging teenagers to grow into womanhood feeling positive.

Teenagers shared what they got from the program:

Importance of checking-in on a regular basis with those who you love and love you,

  • important to communicate
  • realising they are not alone or on their own,
  • a sense of optimism
  • it’s okay to be interested in multiple things and passionate about more than one thing
  • you don’t have to be always focused on one aim,
  • the value in learning from different life experiences and that it’s okay to be different.

Tell Your Truth – Speak Out – Own Your Story, Design Your Destiny

The keynote speaker was Mariam Issa, an inspired coach, storyteller, and author of A Resilient Life, co-founder of the non-profit organisation RAW – Resilient Aspiring Women – a multi-cultural program to encourage diversity and encouraging women to achieve while healing from personal, physical, mental or emotional trauma and life’s tribulations. RAW supports women’s resilience through intercultural dialogue and exchange facilitated by storytelling, cooking and gardening.

Mariam, originally from Somalia, said her African ancestry believes there is no death. We live in continuous life, and represent all the elders in our DNA. She meditates, and one day she saw a cross, and even although she is not Christian but Muslim, this visualisation she understood to mean the following:

At the top of the vertical line is the storyteller, and at the bottom is the listener. On the extreme left of the horizontal line are our ancestors and past experience, and on the extreme right of the horizontal line is youth and the future.

She asked us to visualise this cross and the description and to add a bubble above the cross and each world we live in is in that bubble. Everyday it is important to realise we are all the bubble amid many bubbles. The story doesn’t belong to any one group – not the past, or future. The story is now and the segment of time we share.

Cultures who don’t share stories die. Mariam is a storyteller and cultures in the past used storytellers to share stories of the past in oral histories, settle disputes, celebrate special times, share knowledge. Mariam considers oral history similar to how we use technology today to process and pass on information.

Language and Rhythm are powerful tools.

Stories give us insights. Mariam considers her life is a safari and she uses stories as a platform to transform experiences through questions. We should use opportunities to be inquisitive, engage, and be inspired and connected. Resilient and inclusive communities bring together diversity and amazing stories.

Humanity is at a crossroads with the world changing rapidly.

2020 – revealed our inability to predict the future and the power of focused presence. Imagination is a lens to create a new reality of equity and equality that must be built into the system and we must challenge the systemic oppression of women.

Mariam’s mother was a weaver of mats and she told her daughter, it was important to change the pattern and your mat because life changes and we must adapt. We must change all the time. Don’t spend too much time looking at past mistakes or worrying too much about the future.

  • Claiming your rights is claiming your story. People meet the women within when you are faced with adversity and speak up or act.

Mariam was a Somalian refugee and like all refugees from a different culture, arriving in a new country, everything they knew about themselves was questioned. Her culture deflated and it was difficult to retain her cultural identity, especially after 9/11. Fortunately, she kept a journal and reflecting on this she saw a pattern of phases common to many refugees.

Phase 1: Victimhood: They were living in Brighton with feelings of powerlessness and despair. Separated from birth country and culture and extended family, she gave birth to her fifth child shortly after arriving from her war-torn country and a refugee camp in Kenya. She went into post natal depression. It was a dark period of settlement. She struggled but continued to hang on to the dream many refugees have, that one day they can return to their own country and be happy.

9/11 had happened and the media hype and many politicians rhetoric was anti-Islamic. She lived in fear and sent her children to an Islamic school, across Melbourne, expensive to attend and travel to, even when she knew the standard of education and the curriculum at Brighton public schools was better.

Phase 2: Anger: She took her four-year old daughter, her youngest child to kindergarten. Although excited to be part of all kindergarten entailed, her daughter asked, ‘Do they not want me because I am African?” Mariam realised what the fear and victimhood was doing and got angry wanting to change the situation. 

The angry phase was better – she made better decisions. She put her children in local schools, she stayed in Brighton and decided to settle in Australia, not always dreaming of ‘going home’. She made a choice to adapt to the community. Her ancestors were courageous nomadic people, they knew how to adapt and she would too.

Choosing to Challenge

It is hard to move forward, she believes you navigate adversity not ‘come through it’. You must challenge yourself – as her mother advised, ‘change the mat’. Mariam’s passion is to unlock the contributions of others and her daughter now joins her as a storyteller and was speaking at a school in Sunshine.

Mariam told the story of the day she decided to change.

On a winter’s day, she sat in front of their only heater clutching a coffee to get warm. Looking out of the window, a vision appeared that remains with her – it gave her inspiration on that winter’s morning. A young woman in lycra went by, holding a dog on a leash in one hand and pushing a baby’s pram with the other. And she wore perfect make-up.

Mariam wondered at this woman’s motivation and fortitude – it reminded her of women she had observed in Kenya who got up at 3.00 am, put a child in a sling and a basket on their head and walked more than half a mile to market. The vision started a curiosity about that woman in lycra, and others who lived in Brighton. 

(There was a murmured giggle from the audience at this point in the story – many of us I am sure recalling ‘Karen from Brighton’ and the fuss during the 2020 Lockdowns!)

Mariam started work as a cleaner in Brighton, cleaning homes of the women in lycra, and then worked in aged care. Cleaning the big mansions she met many ‘lycra’ women and was introduced to the coffee culture. She also met plenty of old people abandoned to loneliness in aged care.

Women are at the forefront of culture everywhere but lifestyle did not necessarily bring happiness, nor does isolation. She believes in bridging gaps. Life is happening to us all the time, we must participate and create a life bridging gaps within the community. Working towards goals of inclusiveness and similar goals she created her own business.

She discovered food the best social catalyst and established her own business cooking East African food called Cooking with Mariam, and was even on TV with well-known Australian basketball player, Andrew Gaze.

Then she became an author – writing her book about resilience, and now she has founded RAW (spells war in reverse) believing resilience springs from women. The more women thrive, the more communities thrive.

We Are the System

Choose to change, ponder the stories of other, find the courage to challenge any system oppressing you. Be curious, ask questions. Take the power you have within. Mariam asked Tara what she thought was possible in this space of uncertainty as we recover from the global pandemic. Tara answered: The future is female. Women must be empowered, must be taken more seriously in the workforce and in places where decisions are made.

Mariam is a woman of faith and finds that most faiths regardless of religious persuasion share many similar beliefs. She ended her speech with the following:

  1. Accept worthiness comes from your existence. You exist therefore are worthy.
  2. We are all one – I am because you are. There is no you or me. Accept the fullness of who you are.
  3. Whatever seed you put in and how you nurture that seed is what you plant. The law of cause and effect.
  4. Law of presence – we suffer because of past or future fears but we must focus on now.
  5. A need to promote and create a safe space so the vulnerable can reach out.

The program also included two uplifting, energetic and joyous dance performances. The first from Indigenous Outreach projects and the second from Tribal African drum and dance ensemble by Melbourne Djembe group. Both encouraged audience participation which emphasised we were indeed there to celebrate and not dwell on all that needs to be done.

There will be time enough to harness our Angry Phase!

IWD Rally Melbourne 2018

The Future

As an artist, I never wanted to be fettered by gender nor recognised or defined as a female poet, musician or singer. They don’t do that with men – nobody says Picasso, the male artist. Curators call me up and say, “We want your work to be in a show about women artists,” and I’m like, why? For Christ’s sake, do we have to attach a gender onto everything?

Patti Smith, writer and musician

In 2021, the Earth can’t risk the Groundhog Day Effect

sunrise nearing Shetland

Although it is difficult to make headlines or initiate a public discussion about anything other than the global pandemic or Trump and his supporters’ refusal to accept the results of the USA Election, Greta Thunberg who just turned 18, has reminded us global warming is still happening with devastating consequences.

For those who have never seen the movie Groundhog Day, perhaps take a few minutes to Google,  or accept the explanation below…

Groundhog Day Effect

Based on the movie Groundhog Day starring Bill Murray. It is the idea that every action that one makes; the rewards and consequences of those actions are not followed through the next day. If someone were to make a big choice, commit a crime, offend someone, make a mistake, or meet someone throughout a period of a regular 24 hour day, those rewards and consequences for all of those actions are not carried through the next day. It is all forgotten. In other words, it’s like yesterday never happened. Therefore this pattern can keep on repeating for an unknown amount of time.

 I’ve known about the dangers of the Greenhouse effect, global warming, climate change – call it what you will – all my adult life and yet each year the public discussion seems to be the same. I’m with Greta – why aren’t we woke yet?! 

A Member of the Victorian Parliament Warned about Climate Change in 1990!

Here is an extract from the Gazette the Victorian MP Jean McLean used to deliver to her constituents.

Before social media, many members of parliament made an effort to keep the electors informed via regular newsletters. Jean McLean was especially interested in the environment and social justice issues – climate change most certainly an environmental AND social justice concern.

(It was time-consuming to get the message out with the tools of typing, Gestetner printing or photocopying, hand stapling and enveloping, even before relying on Aussie Post or volunteers like me to distribute, but I am so glad Jean did! )

extract from Jean McLean MP's Gazette.jpg

Currently, we are in the midst of a pandemic with a coronavirus never seen before and mutating at an alarming rate.  My recent diagnosis of melanoma (and I know many others in my circle of friends who have had skin cancers) proves the scientists’ predictions tragically spot on!

Pollute And  Perish – a Catchcry of the 70s

selection of protest badges
selection of badges from the 70s onwards – anti-nuclear, pro-solar, warning of radiating our food

Environmentalists and conservationists have been warning about global warming since April 22, 1970, when the first Earth Day was held in the USA and scientists coined the term Greenhouse Effect. They forecast the Earth’s future in doubt because air pollution was warming the planet – pollution primarily caused by the burning of fossil fuels.

In the 80s the anti-uranium movement gained momentum against those seeking nuclear power because of the Chernobyl disaster, a place still contaminated 35 years later. It wasn’t the first but is perhaps the worst nuclear power station disaster,  yet some people still suggest nuclear power as an alternative energy source.

Since the 70s, environmental activists usually lumped in with  ‘the Left’,  disbelieved and vilified, shrugged off with contempt as ‘greenies’ and ‘tree huggers’.  Although social media favours ‘snowflakes’ and ‘leftards’ and other generic insults to cover numerous issues, not just the perceived ‘hoax‘ of climate change!

Not surprisingly, many who disbelieve climate change also favour the conspiracies around COVID19, although ironically there are some who believe the science of climate change but not the science of epidemiology (and vice versa)!

Climate messengers have expanded, from both sides of the political divide and even in the corporate sector. They admit climate change is real and we are experiencing dire human and economic consequences by ignoring the science. 

Natural disasters on the rise mean the tragedy of global warming can’t be ignored, but we shouldn’t forget many of our current political and corporate leaders have always KNOWN!

They’ve had:

  • Access, to scientific reports and data like the World Oceanographic Commission and World Meteorological Organisation, mentioned above,
  • plus a variety of other national and international research bodies. 

acrostic poem about earth day

Ignorance and lack of action a choice we really can’t afford now:

This time last year I was at home watching news of bushfires ravaging Victoria and NSW and making pouches for rescued wildlife.

Friends in the USA and Canada have shared the devastation of the 2020 fires in California that compounded the grief of coronavirus suffering.

Since the global pandemic struck, I have increased email correspondence to friends overseas or locals keeping social distance because of lockdown. Often the discussion is about the future and we recognise the existential threat of global warming. It may be off the front pages of newspapers but not forgotten by the people living with the memory of last summer’s fires in both hemispheres.

majestic tree copy.png.

Shirly is 88, and a dear friend in England who is married to a cousin of my husband’s, and like many living in the UK, she copes with what she describes as a world ‘in a mess… it’s as if Margaret Atwood wrote the year we’re living.  Dystopian.

On January 4th she wrote
 
Yesterday, quite accidentally, I turned the news channel on and your PM was extolling the joys of coal and the fact that this was Australia, not some little country dependant on Europe or America.
 
We can do what we like. We have coal and we’ll use coal.
 
He said it as though he was giving the people an enormously good piece of news. As though global warming had nothing to do with your country.   I couldn’t believe my ears.
 
But there are so many non- believers, we shouldn’t be surprised…

How right she is and the many reports about climate change updated because of another year’s data prompted others in Australia to remind the population of  PM Morrison’s pathetic position:

fb_img_1609967712420-1

I published a version of this poem in 2019 appealing to the then PM, Malcolm Turnbull. The appeal is still the same, although the PM, date, and increasingly worrying data have changed, plus we have the new ill-informed Deputy Prime Minister in the mix.

Easy actions many of us can take is to care and plant more trees, become a dendrophile. Also reduce, reuse and recycle,  and start conversations with friends and neighbours to lobby local councillors and politicians about the importance of renewable energy and government policies that help create a sustainable environment.

ancient tree.png

Most importantly, we can use our voice and our vote. This year there will be a Federal election in Australia, we must make sure climate change is addressed.

 

Never doubt that a small group of thoughtful, committed citizens can change the world; indeed, it is the only thing that ever has.

Margaret Mead

A Public Health Crisis Requires Personal Responsibility and a Personal Response

leaflet from chemist.jpg
A leaflet freely available on the counter of my local chemist

Many people know me through my writing and teaching, but another hat I have worn for several years is that of a consumer health representative and as we deal with COVID-19, I’ve attended several excellent ZOOM meetings organised by Victoria’s Health Issues Centre (these are recorded and worth watching). 

Various health organisations continue to work towards improving how health is delivered whether the topic is related to COVID-19 or not. I also presented (via an online platform) to a conference at Melbourne University, organised by medical students for their 2020 MD Student Conference (MDSC). (Details below)

I’ve taken surveys for Swinburne University, where I volunteered for research, the Breast Cancer Network, and given feedback to the Cancer Council of Victoria. Sharing my experience with breast cancer and any health information, I discover, is often a motivation for writing.

life stories anthologies

Health Literacy Must Be A Priority

Health literacy is about how people understand information about health and health care, and how they apply that information to their lives. It is about how they use that information to decide on treatment and lifestyle.

Over the years, I have been able to use my writing skills combined with personal experience of the health system to give input and feedback to help health professionals and various institutions and government bodies improve the health information provided.

The Central Bayside Community Health Centrethe Health Issues Centre and the Cancer Council welcome volunteers and are always willing to hear how they can improve health service delivery and patient outcomes.

From the Australian Commission on Safety & Quality in Healthcare:

  • Individual health literacy is the skills, knowledge, motivation and capacity of a person to access, understand, appraise and apply information to make effective decisions about health and health care and take appropriate action.
  • Health literacy environment is the infrastructure, policies, processes, materials, people and relationships that make up the health system and have an impact on the way that people access, understand, appraise and apply health-related information and services.

https://www.safetyandquality.gov.au/our-work/patient-and-consumer-centred-care/health-literacy

Volunteering To be  A Health Advocate May Help Others 

My health advocate journey began in 2009 when I attended a focus group at Central Bayside to help them rewrite leaflets about Diabetes.

My father had been diabetic for many years (mature-age onset) and moved from tablets to insulin before his death. From firsthand observations, I knew there was room for improvement in the brochures publicly available.

At the time, I was enrolled in the Masters of Writing so my writing skill was, and still is,  useful to share.

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A reference letter explaining my early involvement with community health.

Pandemic Restrictions Resume in Victoria

It is worrying that COVID-19 cases have spiked in Victoria causing a Lockdown of several suburbs.

For me, the upsurge is not surprising because when the initial Lockdown was eased mid June many people behaved as if the pandemic was over despite Premier Daniel Andrews saying repeatedly, ‘just because you can doesn’t mean you should’ and the Chief Medical Officer, Professor Brett Sutton reminding us continually, ‘this coronavirus is ten times more infectious than flu.’

Few, if any, of us enjoy forced isolation, but most people DID put the health of others before social considerations and obeyed the rules. Let’s hope we can do it again!

  • The message of the dangers of COVID-19 has made headlines since March – not just here but overseas. Any other topic has great difficulty gaining oxygen. Most people can access the Internet – there is no excuse for being ill-informed.
  • In the beginning, there were mixed messages, especially from the Federal Government, but by April all States had the same mantra about social distancing and washing hands. Debate continues about wearing masks, but many people have made that choice and it helps reinforce social distancing.
  • There is concern not enough effort was used in Victoria to ensure the message was inclusive of multi-cultural communities but frankly considering every country is touched by COVID-19 and we have multi-cultural television and radio stations with many communities having their own language newspapers, I don’t think that can be the only reason. There is also an excellent website with health translations in more than 100 languages. More likely it is the socio-economic make-up of those suburbs with people working the casual and low paid jobs of hospitality, retail and transport that have continued throughout the Lockdown period – plus the pressure on schools throughout Australia to reopen. The virus is highly infectious – it was never about elimination (a vaccine is a long way off and will ever only be 70% effective anyway) but aiming for suppression and control.
  • Debate still rages about schools going back too early and the opening up of businesses and venues but considering the world is coping with an unprecedented crisis this century our various levels of government are doing their best – it was always going to be a balance between health and economic survival. Again – personal behaviour is the key.
  • Sadly, some people CHOOSE to believe the seriousness of the pandemic and ignore regulations.

It is up to individuals to be aware, follow the rules, and take care.

Recording The Pandemic For Future Generations

In April, my friend Matilda Butler who runs the womensmemoirs.com site in the USA with Kendra Bonnett, asked women to write about COVID-19.

I submitted a reflective piece you can read on the site plus poems and stories from other women or read here as a pdf: article for Matilda

Now, with a sense of security rapidly diminishing if we continue to see larger numbers of infections, an update will be needed and it may well have a different tone!

There are writers all over the world recording this pandemic from a variety of perspectives and journalists and bloggers tapping daily. Next year and the years to follow, we’ll see a plethora of films, documentaries, plays, poems, novels and memoir…

When Lockdown began in April, I wrote a series of blogs with ideas for writing – good therapy to cope with isolation but also starting points to write your perspective on current events.

Here is a snapshot of one lot of research and there will be plenty more – only today, I completed a survey from the Breast Cancer Network.

I’m sure every community organisation and government department and local council is collecting data. The City of Kingston is – so have your say and contribute to the pool of knowledge about this time in history.

COVID 19 SURVEY RESPONSE SWINBURNE UNI

A summary of the results of the City of Kingston’s May 2020 survey:

From the 202 responses collected between 13-21 May 2020, they identified the following insights:

  • A lot of people adapted to using technology to remain connected (89% of people)
  • Around half were worried about being infected, but most (97%) had access to facts and information on quarantining
  • 41% were worried that they or their families wouldn’t recover if infected
  • Physical activity was cited as the main activity providing relief
  • The main concern people had about being isolated was the loss of connection with their social support network

You can access the full report and also see regular updates from the website.

special light to record my interview
a special light was sent by courier for my interview

The Use of Technology Has Zoomed During COVID-19

As mentioned before, I have been extra careful since January because of a recent breast cancer operation and so adapted easily to Lockdown, isolation and social distancing.

When the Cancer Council asked me to contribute to the medical student conference at Melbourne University, I accepted because it could be prerecorded. The session recorded in May, but broadcast on June 25th.

The organisers and presenters plus the film crew amazing. It was a positive and fascinating experience. A great learning curve in the use of technology!

Here are screenshots from the session: “Breaking Bad News”.

This session forms part of the Day 4 program theme “The Ultimate Equaliser”. We have chosen this theme to give medical students the opportunity to have in-depth discussions on mortality and the human condition. We are very fortunate to have a number of esteemed healthcare professionals presenting on Day 4. An integral aspect of medical education is learning from patients, as they are often our best teachers. We feel that it is essential to include personal stories in a session on breaking difficult news, so that we can keep patients at the centre of our education.

 

I was one of three women who volunteered to share their stories on the day, and I read two pages from my story published in the book Journey – experiences with breast cancer.

Here is the selection – EXTRACT FOR MELB UNI MD CONFERENCE 2020. They also attached notes I had discussed with Georgia during the various phone calls and emails preparing for the session. NOTES – interview regarding cancer May 26th 2020.

My initial thank you to the organisers:

Thank you to the organisers for the opportunity to share my story. Thank you, too, for those who will listen who are joining the medical profession – as we have seen during this pandemic, the pressure, expectations, danger and sacrifices for frontline workers has revealed how important, precious and valuable you are for a healthy functioning society.

Personally, I’m grateful to medical science for my life. The improvements in breast cancer detection and research plus treatment available in Australia meant my cancer diagnosis in 2010 disrupted my quality of life but was not a death sentence.

And that is what the mention of cancer means to most people – a terminal illness that once you are diagnosed and even go into remission, it is a coiled snake waiting to strike. That metaphor turned out to be true for me because of my breast cancer, albeit another type, returned in December 2019.

In the words of my wonderful breast surgeon, Dr Peter Gregory – ‘nine years Mairi, you almost reached ten!’ His disappointment and disbelief matched mine because of course there are legendary milestones, whether true or not, of 5 years and 10 years – making those free of a recurrence is believed to extend the likelihood the cancer won’t return , or worst spread to other parts of the body.

Both times my cancer was picked up by breast screening and although at a recent event put on at Peter McCallum’s I discovered only a small amount of cancers are picked up by mammograms, I am so grateful to have access to this free program in Australia.

And my thank you after everything went as planned!

Dear Georgia,

To be cliched – the pleasure was all mine:)
Thank you again for giving me a platform for my story and I think you, Tansy and all the others have done an amazing job considering the circumstances in which you have had to operate.
Thank you for always being so courteous and ready to respond and adapt to my needs, even when it probably inconvenienced your own,
All of you can be immensely proud of what you are achieving but more importantly the place from where your efforts and the impetus has come – creating a first class health system that cares for everyone’s needs.
I was most impressed with – I think it was Lily who said it – ‘welcome, this is the way of the future…’ You and your co-workers are all very talented and I can see the benefits for a lot of digital expertise being applied in the future for conferences etc because who knows how long travel or large gatherings will be risky to organise. Also, what you have done over the last few weeks has been amazing in establishing a pathway for all sorts of voices to be included at conferences where usually only certain ones are invited.
I know the title consumer rep has been coined, especially by organisations fighting for equity in the two-tiered system we have (private V public health) and for a multitude of voices to be heard, but I personally never want to move away from the word patient when I am referred to treatment for my health because it implies being in the care of a doctor/medical clinician. Whereas consumer can so easily be applied to someone shopping or dining whose main interest is value for money rather than the esoteric outcomes of quality of life regarding health procedures! 
We are all individuals and our bodies can respond in various ways and so care provided must always be personal and often tailored to suit the individual – not mass consumption – what works or is accepted by one may be inappropriate or not work on another.
A bit like in the 90s when suddenly those receiving education became clients rather than pupils or students. 
Word choice matters because we all come with our own prejudices, perspectives and experiences but it would be nice if we could agree on a terminology that gets the balance and duty of care right – and in some areas of our society there has to be an authoritative balance some times.
I want to be empowered to have a say in the health system but I also want to acknowledge the expertise of the people looking after me and that their advice is coming from a place of knowledge and wanting to heal me and I am happy to accept they know more than me but I hope they are also prepared to listen and set aside some of their assumptions.
Good luck with all your other planning and remember to take some time out for relaxation and fun – you deserve it:)
All the best
Mairi

 

We have a good health system in Victoria and there are people working all the time to make it better.

The health system had to take stock and organise to cope with the pandemic and remain functioning. It could have so easily become overwhelmed like other countries – especially Italy, Brazil and the USA.

In Victoria, the effort to keep everyone informed and to meet everyone’s expectations has been excellent.

The initial postponement of elective surgeries to ensure there were enough hospital beds and equipment if needed has been lifted, but if people don’t heed the warnings who knows what strain will be put on available resources?

The message I received and took on board is ‘don’t forget your health check-ups’ . An important message to act on. 

I went for my regular skin cancer check and they discovered an invasive melanoma. Despite increased testing for COVID-19 the results of the biopsies came back quickly and an operation including skin graft is scheduled for next week.

But if the system becomes overwhelmed, others in the future may not be so lucky.  We must stop the COVID-19 infection rate increasing!

I started off the post with a leaflet explaining the logic and simple steps to avoid spreading viral infections. These work for flu as well, and one welcome side effect of the isolation rules is that fewer people are contracting flu this season!

Here are just a few of the public notices around Mordialloc I see every day advising people about COVID-19:

I’m sure these informative signs are replicated in every suburb – authorities can only do so much – members of the public must cooperate.

Being in the high risk age group with underlying health issues, I sincerely hope people will make the effort to be informed and obey the rules so we can suppress the rapid spread of this coronavirus.

Support all those frontline health workers, plus the workers in other occupations who have remained or returned to work and must cope with new rules and the compliance necessary to combat COVID-19.

Fb meme about kindness.jpg

 

World Environment Day 2020 – A Time To Appreciate Mother Nature

 

lake in Victoria Gardens

This year’s World Environment theme is time for nature:

The foods we eat, the air we breathe, the water we drink and the climate that makes our planet habitable all come from nature.
Yet, these are exceptional times in which nature is sending us a message:
To care for ourselves, we must care for nature.
It’s time to wake up. To take notice. To raise our voices.
It’s time to build back better for People and Planet.
This World Environment Day, it’s Time for Nature.

World Environment Day 2020

COVID-19 lockdowns restrict movement in neighbourhoods, towns, cities and countryside in countries throughout the world and have done so for several months, and most people now realise how important it is to breathe fresh air and to enjoy outside activities.

The easing of some restrictions in Victoria saw hundreds flock to national parks. Many places were overwhelmed and had to be closed because the recommended 1.5 metres of social-distancing couldn’t be enforced.

We are in the middle of a pandemic that has forced governments to act for the greater good of the public health, even closing international borders despite severe economic consequences.

Ironically, because of less air travel and movement of people, plus reductions in road traffic and industrial pollution, there has been an improvement in some natural areas such as cleaner waterways and a resurgence of wildlife.

However, the consequences of climate change are still severe and deadly and as many people have pointed out – if you believe and obey the science regarding the COVID-19 pandemic why are we not believing and acting urgently on the science about climate change!

As this picture doing the rounds of Facebook shows, the damage fossil fuels cause is not a new discovery – this newspaper date is 1912!

FB_early warning of global warming
a sobering Facebook meme when you look at the date!

The Speech A Prime Minister Should Make in 2020
© Mairi Neil

Men and women of Australia
and those who identify as other
there is no time to waste
you must listen to our Mother

Mother Earth, I’m referring to –
the mountains, snows, and sea
the seasons, soil, and sunlight
sustaining you and me

Mother Earth is terminally ill
Man has definitely not been kind
we’ve raped, polluted and poisoned
for wealth, we craved to find

Addicted to manufactured comfort
we’ve gouged mountains into craters
safe harbours are now wharves
to accommodate gigantic freighters.

Explosions altered landscapes
concrete towers replaced trees
animals hunted to extinction
polar ice caps no longer freeze.

Climate change is not a phrase
but a reality for the natural world
Global Warming’s rising tides
cities consumed as tsunamis swirl

Leaving disasters in their wake
human structures or nature’s design
Mother Earth almost beyond healing
permanent solutions we must find

Climate deniers knuckle draggers
as are those mouthing ‘innovation’
drought, bushfires and failed crops
the word should be desperation!

The time for procrastination gone
also the sand for burying your head
Earth’s lungs struggle daily to breathe
how long before humanity all dead?

dead bird and dandelion

Mordialloc Beach
Mairi Neil © 2013

The day is calm. Tranquil. A great-to-be-alive day. The scent of eucalyptus and pine compete with salty air and whiffs of abandoned seaweed.
The cyan sea a mirror for whipped cream clouds. Dainty dollops on a baby blue plate. Gulls sit or glide atop the glassy surface. Bathed in brilliant white sunlight, I imagine I too float and dream.
But in the distance, palm tree fronds tremble, casting lacy shadows on the warm sand. The clink of moorings and creak of masts drifts from the creek and a sudden gust of wind whips sand to sting legs and face. Airborne seagulls now screeching origami kites.
A dark veil unfurls from the horizon shattering the steel blue mirror swallowing the fluffy clouds.
Peaceful contemplation disappears, waves soap around my feet, slap at ankles, sunlight fades. I retreat to the shelter of groaning eucalypts and pine, the taste of salt bittersweet.

cormorant and seagull

Living Fossils (a villanelle)
Mairi Neil © 2014

Celebrate parks and open spaces
how they let us breathe and play
they put smiles upon our faces

Nature provides wondrous places
adding beauty to the everyday
wildlife parks, wilderness spaces

Trainers recommend 10,000 paces
exercise and be healthy they say
and put smiles upon our faces

In childhood, egg and spoon races
kite-flying, hide-n-seek, even croquet
celebrated parks and open spaces

Living demands no ‘airs and graces’
whether skies are blue or grey
let’s put smiles upon our faces

Find joy in parks and open spaces
because they let us breathe and play
and they put smiles upon our faces

In the future, they’ll discover traces
of how we spent our lives each day
they’ll dig up parks and other spaces
and put names to forgotten faces.

The importance of trees to our wellbeing and the earth’s health is, at last, being recognised by local councils (including Kingston) and I hope many more will become dendrophiles.

tree at park

We Have An Extinction Crisis In Australia

Today, I received an email from birdlife.org.au

Dear Mairi,

This year hasn’t been what any of us expected.

Australia was already in the grip of the extinction crisis, which meant our birds were facing unprecedented threats… and then the devastating bushfires struck. Fighting the extinction crisis became even more urgent.

Now we’re in a pandemic. While it’s changed how we live and work, COVID-19 hasn’t impacted our commitment to save Australian birds for future generations. We know the bushfires have compounded the extinction crisis. And we need your support to continue our vital conservation work.

Our experts estimate that the number of nationally threatened birds could rise from 134 last year to over 150 after the fires. And among them, for the first time I can recall, are birds such as the usually resilient and successful Superb Lyrebird. A wet forest bird, once considered relatively safe from bushfires, this iconic species lost over half its habitat in the inferno.

We fear the Superb Lyrebird may have plunged from being ‘common’ to being ‘threatened’ in just a few devastating weeks over summer.

Lyrebirds now desperately need a refuge.

Are We Birdbrained?
Mairi Neil ©2020

If the birds disappear or die
will bugs be kept in check –
what are the consequences
if Nature’s balance, we wreck?

Birds are landscape gardeners
planting seeds throughout the land
a tiny wren may be responsible
for the towering ash so grand…

Where would you live if your home
vanished from the neighbourhood?
If someone decided it was needed
for farmland, furniture, or firewood…

Would you relocate? Permanently migrate?
It’s Hobson’s Choice – face extinction
or take another’s territory to populate –
hoping survival is your fate.

Not only birds are endangered
global warming threatens us all –
We must act now to stop
habitat destruction, water shortages,
population pressure and urban sprawl!

magpie in garden

3.05pm Flinders Street to Frankston
Mairi Neil © 2016

He shovels a healthy salad
into bearded mouth
his bamboo fork environmentally friendly ––
but not the plastic container…

She swigs kombucha
for inner health
ignoring Mother Earth’s digestive tract
blocked by the plastic bottle and cap.

Fast food aromas embedded
in train carriage upholstery
waft in the air, cling to clothes.
Junk food litter clutters floor
peeks from discarded plastic bags…

Excess packaging the norm
as the world chokes
and even those who profess to care sucked in
and swallowed by consumerism

Landfill dumps grow garbage
litter        refuse       muck
There is no ‘away’ in throw!

Parks and Places to Play Important For Childhood Memories

  1. Write about the wild or natural places you remember playing in as a child.
  2. Where do you go today to breathe in and experience the natural world?
  3. How important is your garden, and what pleasure does it give?
  4. Describe your favourite walk?
  5. What bird, tree, flower do you see from your window/s?

yellow daisies

I spent my first nine years in Greenock, Scotland, an industrial town on the River Clyde that used to be famous for shipbuilding – the yards built the Queen Elizabeth and first Queen Mary, plus submarines for Australia.

I can’t remember much of the first three years living in a tenement in George Square, the centre of the town, but when we moved to Braeside where I started school, there is plenty of material for trips down memory lane.

Despite the rustic name (brae means hill in Scots), there were no built parks for us to play in. We spent a lot of time in back gardens (‘back greens’) and playing games in the street. Traffic minimal in the 50s and early 60s with my dad being one of the few in the street to own a vehicle. He had a motorbike at first, then bought a Bradford van.

Cars rarely disturbed our play which included hopscotch chalked on pavements (we called it ‘beds’), skipping (often with rope leftover from the clothesline), football, rounders, and British Bulldog and similar games involving lots of chasing, hiding and rough and tumble.

However, we also roamed the hill towering over the houses opposite and the farmer’s fields at the bottom of our road and a swathe of land separating upper and lower streets. The housing scheme stretched up a steep hill, Davaar Road being the topmost street and in the middle of that street, our house was number 35.

Across the road, behind a row of houses, there was a path we could climb to the top of the hill and see Gourock and the River Clyde. There were no tall trees but plenty of scrub, granite boulders and heather. Enough natural flora to keep us entertained with games influenced by episodes of popular shows broadcast by the fledgeling television industry: The Lone Ranger, the Cisco kid, Robin Hood and His Merry Men, and whatever adventure story Walt Disney promoted when he invited us to ‘wish upon a star’ on Sunday evenings.

Up the hill, I learned how to make daisy chains and to check who liked butter by waving buttercups under the chin. A memorable part of the long summer holidays was collecting twigs, branches and anything that would burn to prepare for bonfire night in November.
We never forgot Guy Fawkes and to “Remember, remember, the fifth of November, gunpowder, treason and plot!”

The hill also welcomed children roaming in hordes carrying buckets and jam jars to seek blackberries when in season. The incentive of Mum’s delicious bramble jam spurned us on. We even spread our hunt into the farmer’s fields at the bottom of the street where we weren’t supposed to go. We knew the resident bull to be a danger to life and limb – plus when the Tinkers (Gypsies/Travellers) came they camped in the fields and we were warned to respect their privacy.

Mum and Dad didn’t practice overt bigotry against Travellers like some people. Mum helped them whenever she could by paying them to do odd jobs and buying some goods they hawked, such as wooden ‘dolly’ clothes-pegs.

However, any place forbidden meant we incorporated them as a deliberate dare in games. There must be a guardian angel for stupid children!

Stranger danger not indoctrinated, and we were never overly fearful, although warned to be careful, not ‘ask for trouble’ and to obey the limitations placed on us. But I remember roaming even further afield and going to what we called ‘the secret lake’ along the Aileymill Road. This pleasant track linked the new housing scheme with isolated cottages on the way to Inverkip and Skelmorlie, tiny towns further down the coastline.

If she knew, Mum would never have sanctioned that sojourn, but we fished for tadpoles and hunted frogs and let loose our imagination and energy.

I revisited the secret lake in the 70s and like everything else seen through adult eyes; the lake had shrunk to a large puddle rather than a lake. The farmer’s fields smaller too, and the bull nowhere in sight!

I checked out my old house in the 70s and again in 2017 – Davaar Road has not changed much although the houses modernised inside; sadly Aileymill is no longer bush to roam but another housing estate.

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Walk the Neighbourhood Absorb the Beauty of Your Place

Walking to Mordi Station in Winter
Mairi Neil © 2009

Plane tree stripped bare
branches black against
the fading daylight
roosting rosellas
rainbow decorations.
The aroma of roast chicken and gravy
drifts from the Main Street café —
Christmas in July!

“birds are the always-present possibility of an awakening to the natural world that too many people have not yet experienced.”

Corey Finger of 10,000 Birds

egret by creek

A Little Bird Cried To Me
Mairi Neil ©2020

A world without birds, I refuse to imagine
nature’s poetry and music gone
the only tweets from computer geeks
and no delights of avian song…

Marshlands, waterways, local creeks
forests, grasslands – our neighbourhood
birdlife helps keep the climate stable
feathered friends do a host of good!

Yet, species disappear or struggle to exist
habitats destroyed by so-called progress
when wildlife families decimated
conservationists struggle for success

Intensive farming and overuse of pesticides
reduce available safe food for birds
wholesale slaughter by hunter psychopaths
killing for ‘sport’- barbaric and absurd

Factory farms breed fowls for food
exotic birds for the fashion industry
collectors and others cage birds as pets –
but birds are meant to fly free

The world will soon descend to chaos
if all the birdlife disappears from Earth
fragile ecosystems are finely tuned
each creature has an intrinsic worth

A world without birds, devastating
Nature’s poetry and music gone
the only tweets from computer geeks
unless we work to save avian song…

FB_Poem for peace
another lovely gift of words via Facebook

It’s hard to Build a Frame of Mind for Writing – Seek Support and Encouragement

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Day Fourteen – Do you still have a blank screen?

For many writers, it’s difficult to make an initial start on a project – to find the words for that first sentence or paragraph.

When a global crisis strikes we’ve just multiplied our difficulties and anxiety a thousandfold!

But as the quote above emphasises unless you start, you can’t shape your idea into the story, poem, play, script, or novel that is inside waiting to be shared.

It’s important to know that all writers – even the ones with published best sellers – struggle at times to write or to write to a standard they’ve set for themselves. They too will be struggling with the consequences of COVID19 as various dramas play out.

We are all learning that human beings, regardless of who you are or where you live, are in this crisis together.

Fortunately, the World Wide Web is literally bursting with creative people sharing their skills and ideas. There is heaps of advice and encouragement suggesting activities.

But if you are isolated alone and depressed, or sharing a house with little privacy, motivation and serenity hard to muster.

Supporting each other and giving positive, critical feedback on a piece of writing is important. Just as important as being prepared to rewrite and edit your writing. Published writers have professional editors to offer support and feedback but for the majority of writers, support is found in understanding friends, writing groups and writing classes.

I look out my window onto a street normally packed with the cars of commuters, workers and visitors to the Aged Care Centre and also U3A attendees – Kingston U3A classes held a block away. Many workplaces are in lockdown and so are U3A classes, along with classes at community houses, schools, colleges…

Writers and those dreaming of being writers have lost their physical support and the important interaction, feedback and inspiration from face to face contact.

Write from memory?

Sore Feet and Soaring Thoughts – a haibun
Mairi Neil

A wonderful warm spring day. A clutch of residents from the nursing home, walk around the block for a dose of Vitamin D and fresh air. The two carers dressed in floral finery, not wings and halos.

Shuffling slippered feet
walker wheels squeak and sticks tap
dull pleated skirts flap…

Without a sideways glance, a gaggle of schoolgirls overtake the pensioner posse. They preen and prance. Laughter tinkles, iPod cords dangle, mobile phones jingle.

A raven squawks as
strutting peacocks and tired chooks
enjoy the sunshine

The ambulatory group not seeking to collide, or slide to the other side – yet. Today’s challenges taken in their stride.

Smiling carers guide
stumbling feet and rheumy eyes
to avoid a fall

Gnarled arthritic hands cling to walking frames bumping over paths once traversed with prams and baby strollers. Reminiscent of bygone children’s frolics, parrots chitter overhead and magpies chortle and caper.

Pavement cracks trigger
memories. Past lives flash of
mothers, daughters, wives.

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For all those finding their writing life interrupted and those new to writing, or using it as therapy, fun, a way to ease the boredom of life in isolation because of COVID9, I suggest you pick up a pen and write whatever comes to mind.

  • Write in response to prompts I’ve posted – not just since COVID19 disrupted our world but there are many posts with suggestions and ideas – just search or flick through the posts.
  • Write whenever a picture, comment, sound, smell triggers a memory or idea – sometimes a walk through your house will do this.
  • Where did you buy that painting? Why? Imagine yourself inside the painting looking out…
  • When and where was that photograph taken? Why? Can you describe the preparation, the occasion … is there something or someone missing?
  • Write a story or anecdote a friend or relative told you
  • Can you remember the funniest story you ever heard? What about the one that revealed life is stranger than fiction? The story you introduce by saying ‘you wouldn’t read about it…’
  • Write whatever you feel like venting about today
  • Write a list of what you have to celebrate
  • Record how you and your friends are coping with the forced isolation and all the conflicting news stories and advice
  • Jot down ideas, lists of observations and descriptions for characters you might use, overheard conversations, remembered dreams, absurd thoughts… all will come in handy when you feel up to writing or have that ‘place of one’s own’ to write.
  • Write a letter or email to a friend you haven’t heard from for a while or start regular correspondence with a friend or relative
  • Send Easter cards, postcards or letters to people you used to catch up with, or in lieu of whatever you used to do at Easter time

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keeping a record of ideas a gift to yourself

Writers Do Need To Write – We Are Society’s Storytellers & Storykeepers

Human beings can’t live without the illusion of meaning, the apprehension of confluence, the endless debate concerning the fault in the stars or in ourselves. The writer is just the messenger, the moving target.

Inside culture, the writer is the talking self.

Through history, the writing that lasts is the whisper of conscience. The guild of writers is essentially a medieval guild existing in a continual Dark Age, shaman, monks, witches, nuns, working in isolation, playing with fire.



When the first illuminated manuscripts were created, few people could read. Now that people are bombarded with image and information and the World Wide Web is an open vein, few people can read.

Reading with sustained attention, reading for understanding, reading to cut through random meaninglessness – such reading becomes a subversive act. The writer’s first affinity is not to a loyalty, a tradition, a morality, a religion, but to life itself, and to its representation in language.

Ego enters in, but writing is far too hard and solitary to be sustained by ego. The writer is compelled to write. The writer writes for love. The writer lives in spiritual debt to language, the gold key in the palm of meaning. Awake, asleep, in every moment of being, the writer stands at the gate.



The gate may open.


The gate may not.


Regardless, the writer can see straight through it.

Edmond Jabès

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Writing Activities To Try Today

MOOD

It was a dark and stormy night’ may be cliched but it is a good example of setting the mood straight away!

  • The MOOD is the created atmosphere or context of your story.

Films set the mood by lighting, sound effects, selected music and the tone and delivery of the actors’ dialogue and actions.

In poetry and prose, writers must rely on the words we use – we must choose the right phrases to paint the scene and create the mood.

By considering the theme and purpose of your story you can determine the mood that will engage the reader:

Sombre, light-hearted, otherworldly, comical, sacred, upbeat, depressing, scary, angry…

  • The PLOT is the sequence of events that happen, the THEME is the underlying thread that connects all of these things.

A theme is what gives a particular work its depth, texture, and meaning.

To remember the difference between plot and theme, author Colin Thiele offers this advice:

A plot is what the book is about. The theme is what the book is really about.”

Points to consider

  • Who is your audience and what do you want to tell them?
  • What effect do you want your words to have on the reader?
  • What word choice will make your work spooky, suspenseful, comical, touching or inspiring…

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Your Turn

Set the mood in the first paragraph and write on the theme of friendship or sacrifice
For example:

  • To have a friend you must be a friend
  • Life is a series of ups and downs

During this catastrophic global crisis – the big picture – there are examples of countries helping each other with medical supplies and workers. There are also many closed borders. What stories can you write about the positives and negatives of borders… narrow it down to the effect on one or two people – lovers separated, families stranded, strangers showing kindness…

Everywhere communities are rejigging how they do things – daily activities turned upside down, new habits formed, a greater awareness of what is important, what are necessities, luxuries, privileges…

  • Scientists sharing knowledge
  • Sudden job loss, facing ill-health, separations but also new friends, hobbies, activities…

Create a character or write from a personal point of view.

Five Writing Prompts Based on Theme

Choose one of the following famous quotes for a story and think of the theme it suggests – you can choose a different one that is assumed:

  1. You never reach the promised land. You can march towards it. (IDEALISM)
  2. At the end of your life, you will never regret not having passed one more test, winning one more verdict or not closing one more deal. You will regret time not spent with a husband, a child, a friend or a parent. (SUCCESS)
  3. Are you there God? It’s me, Margaret. I just told my mother I want a bra. Please help me grow God. You know where. I want to be like everyone else. (YOUTH)
  4. If grass can grow through cement, love can find you at every time in your life. (LOVE)
  5. A truth that’s told with bad intent beats all the lies you can invent. (TRUTH)

Here are some of my old efforts written in class – I know you can do better:)

This one was an editing exercise and ironically seems relevant living under the spectre of COVID19. It was prompted by editing but has a theme of truth The Answer Not Blowing In the Wind, a short story of 395 words by Mairi Neil

This one was from a prompt of ‘a parked white van’, theme love See Change – Mairi Neil

This one was from a prompt about changing seasons, theme love and friendship Late Bloomer a short story of 499 words

Happy Writing

Armchair Travel Can be Fun If You Share Your Stories

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Day Thirteen – Writing About Where you’ve Been – What Have You Seen?

In a world where COVID19 has locked down, cities, countries, and communities and people are practising social isolation, now is the time to reflect and relive your travels.

Time to sort out memories, photographs and mementoes and write about them from the safety of your home.

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my little bear at the mailbox

You may have had time before but needed the inclination or incentive…  hopefully, you’ll gather some ideas as you read this post.

Reality says it may be many months before we will be able to do anything but armchair travel if the destination we seek is in another country or even another state.

Today, think about writing your recollections as a contribution to collective knowledge and adding to history/herstory – especially if you have photographs.

The spread and damage of COVID19, has produced new border controls, changes to travel, work and leisure… the world is not going to be the same after this global catastrophe.

Your memories and stories have always been important to you, they may now be important to others.

I’ve been privileged to travel widely since a child. Since blogging, I’ve shared some recent travels – to Samoa, to Mongolia, to Russia, to England and to Scotland – and many places in Victoria as a volunteer for Open House Melbourne, Ballarat and Bendigo.

I’ve been inspired to write poetry as well as short stories or personal essays to explain  memorable experiences:

Visiting Singapore 1973 – a haibun
Mairi Neil

We crowd on deck as the cruise ship glides into Singapore harbour, a week after leaving Fremantle. The silver sun aglow in a cloudless azure sky. Skin fiery scarlet from too many hours in the ship’s pool as Singapore City wobbles and wilts in the heat.

I ache for relief
from this tantalising veil
and covet the sea

Engines thrum and screeches of gulls mask the first hint a change is on the way. Rain falls in sheets and shafts. Solid blocks of water pound the decks.

Clouds scud across sky
the veil now a fog blanket
hiding the city.

Beneath our feet racing rivers fill deck gutters and our shoes. On automatic pilot, we slosh for cover, although there is no icy wind in this downpour.

No unsettling chill
just instant relief
from relentless heat

Rain hammers metal, swamps furniture and people, drenching everything not covered. Metal rails hiss. Steam sizzles on the shrinking, not sinking ship. No crevice escapes. A continuous stream of trickles and dribbles demonstrates the power of this deluge.

A turmoil of grey
idyllic tropics in grip
of monsoonal rain

Yet, within minutes, the ship docks and the downpour stops as quickly as it began. Singapore city a perfect watercolour painting showcases sunlight and serenity. The tropical shower and haze but a dream as perspiration leaks from every pore.

Share Your Travel Memories

Once you have organised a story – or many – enjoy the pleasure of armchair travel and swap with those in isolation with you.  Or share online via Skype, Face Time or Zoom. The digital tools available ensure your photos or slides will be more entertaining than the slide shows of old.

I remember more than a few family and friends falling asleep when I showed my China slides in 1979!

However, when I taught at Sandybeach Centre 20 years ago, they ran a regular program for people with limited mobility called Armchair Travel, and I volunteered one afternoon to share my China travels. I had learnt to choose the most interesting slides for that audience. I targeted correctly and they retained interest and were appreciative. Make sure your pitch matches your readers, listeners or viewers:)

Anyone who travelled in the 50s – 70s will remember those family slide nights before Super 8 movies superseded the modern version of ‘magic lantern’ shows in village halls.

People have always been fascinated by travel tales, especially of the exotic and unusual. The popularity of Sir David Attenborough or the Leyland brothers is testimony to that!

The shelves of the  Travel Section in bookstores are always overflowing and Lonely Planet publications have been successfully guiding adventurous travellers for years. 

Updates when friends travel flood social media with Facebook and Instagram designed for travel photos more than any other.

But these pics are soon forgotten unless you put them into context with words. Write a few sentences about each pic or retell your experiences over a beer or cuppa.

What Travel Experience Can You Write About?

Think and share what made your travel experience different from those of thousands of others. Even if you haven’t travelled overseas or interstate you have a travel story because you can write about your neighbourhood and everyday journeys.

In 2012, Mordialloc Writers’ Group published our 8th collection of poems and stories, Off The Rails, around the theme of the Frankston Railway Line – a journey thousands of people do daily and a topic the 21 featured writers embraced with relish and creativity.

You might have journeyed on the Orient Express, the Trans Siberian, the Flying Scotsman or Puffing Billy – write about:

  • why you made the journey
  • who was with you
  • the people you met
  • the best memory
  • the worst memory
  • if you would do it again

Remember too, those walks around the neighbourhood you are allowed during COVID19 can turn up ideas for stories – fictionalised if you want. Set a story in one of the houses that intrigues you or garden you admire…

Ask questions that you don’t know the answers to:

  • Who, what, why, when, where… and make up the answers!

I took these pictures this morning when walking the dog.

Who did the drawing? What was their motivation?  How long will the drawings stay there?

Write up the reactions of people – good and bad – was seeing them transformational for someone? Did it trigger memories?

The drawing of Frida Kahlo stunning for a child or teenager to draw – could be the start of an intriguing mystery or a memory of a visit to Mexico?

There are houses with bears or pictures of bears in the window – I’ve put my bear outside yet there are no children living here now.

Your characters in the story don’t have to be obvious or stereotypical.

A house advertised a birthday boy – 8 years old today. His party probably cancelled yet his parents found a way to make him feel special and stay connected to the outside world.

Write a story where you or your character has to find a creative solution to a problem.

How do you make someone feel special in this catastrophic time if you normally treat them to an outing?

 What’s your funniest travel story?

Humour is a great way to make a story memorable and different from everyone else’s experience. The stuff-ups or unexpected laughs are usually the tales we recount first (and often) when we return from our trip.

Humorous framing or retelling can also ease the embarrassment or shame when you make a cultural faux pas or do something stupid like miss a flight, board the wrong train, get lost in a foreign city or say something strange in a foreign language you just learned.

Here is my tale of travelling with a young child in the 90s:

What is the strangest thing that has happened to you travelling?

What is the nicest (or most horrible) food you have eaten when travelling?

(A class exercise Monday 15th October 2012 )

Have You a Taste For Travel?
Mairi Neil 

When I went to Alice Springs in 2011, to walk the Larapinta Trail, I braced myself for the time when I would be offered a witchetty grub. I remembered a student, Amelia reading a story of her encounter with the delicacy when she worked as an infant welfare nurse in the Northern Territory in the 1950s. I didn’t want to shame myself by refusing and offending indigenous hosts if they offered me a meal.

Five giggling Aboriginal girls had arrived at Amelia’s house with outstretched hands, displaying half-a-dozen thick white grubs whose sluggish twists indicated they were still alive.

The girls’ gift a gesture to show Amelia she had been accepted by the community. Amelia assured me that once cooked, the grubs tasted meaty. She shared a picture of herself, sitting on the ground in a circle around a campfire, head tilted back and mouth open, ready to accept the long white grub poised above her. Her eyes sparkled as a friend snapped the photograph for posterity.

Could I be as gracious and adventurous as Amelia?

The thought of putting what looked like a fat white caterpillar into my mouth, never mind swallowing it, made me nauseous. I’ve always had what my mother referred to as a ‘weak’ stomach – perhaps if I closed my eyes I’d be able to eat enough not to offend. If I concentrated I’d be able to keep it down rather than gagging or vomiting – my usual reaction to nasty tastes.

The more I thought of eating witchetty grubs the more obsessed I became of what they would taste like. They looked shiny and soft. What meat could they be like with that texture? Perhaps they firmed when cooked. A vision of people crunching on cooked insects surfaced as I remembered the fascinating produce of street vendors when I visited China in 1979.

I remembered too, the constant dissection and examination of every meal on that tour by one of the other travellers in our group. She made me long for a Vegemite sandwich as she poked and dismembered every meal with chopsticks looking for evidence we were being served rat, cat or dog. Cultural assumptions and prejudices rife when it comes to food and her behaviour shameful.

Why I couldn’t I embrace a meal of witchetty grubs, when research provides evidence of their nutritional value? Was I riddled with prejudice too?

Near the end of the five-day trek in Central Australia, I had to face the witchetty grub dilemma. Throat constricted and mouth dry, I could barely form the words to ask our Aboriginal guide, Nicholas to describe the taste of the large fat witchetty grub wriggling in the palm of his hand.

Sweat bubbled on his lip from exertion. A streak of dirt above one eye where he’d wiped his brow, gave a warrior glint to his expression as he showed the delicacy with pride. Nicholas and his auntie had spent almost an hour digging at the roots of an acacia bush to retrieve the prize. ‘It tastes like the yolk of an egg,’ he said, ‘and has a similar texture.’

He watched me closely and must have seen the mix of emotions cross my face, perhaps heard the gulp as I tried to swallow. Egg is not one of my favourite tastes.

‘One witchetty grub,’ he said, almost to himself.

I realised how much he craved the wriggling grub in his hand but innate generosity obliged him to give it to me.

‘It’s not really big enough to share,’ I said. ‘You and auntie did all the hard work. Maybe I’ll taste them another day.’

Our smiles of relief a mirror match as Nicholas hurried away before I changed my mind.

What Armchair Travels Will You Create?

Can you match a photograph with a short poem like haiku or terse verse? I write this after a trip to Italy but it could apply to many famous places crowded with tourists. The joke about ‘exiting through the gift shop’ is very much a reality in our consumer-driven world. What do you think those communities are like now?

Write about what a place was like when you were there and research what it is like now and write a comparison.

Verona Italy

Memories of Lago Di Garda, Italy
Mairi Neil, 2013

Lake Garda absorbs the rainbow on her shores,
sways to the call of African and Indian hawkers,
moans softly as the Peler, a northern breeze,
blows from pine-clad slopes, and is
ready for the challenging midday switch
when Ora, a cooler wind, whistles from the south.
Reminiscent of a Norwegian Fjord
She is the lake who thinks she is the sea

Each afternoon she lifts the rocky hem
of her blue dress and sashays to pick at
sun-bleached pebbles or reedy soil.
Fat ducks and swans float and gossip. Gulls dive,
searching the lake’s belly for lunch or supper
Rumbling planes overhead ripple her dress
and she runs icy fingers through sandy frills
sparkling with a thousand scattered gems.

She ignores the constant drone of tourist motorbikes,
bicycles, cars and coaches speeding through galleries
built by Mussolini and prefers the memories of
Hannibal, Hardy, Goethe, Rilke and Wharton.
Torbole fishermen, tend boats and mend nets
as they have done since the fifteenth century,
amused and puzzled by modern foolishness,
their dark eyes follow colourful flapping sails.

Lake Garda’s duty is to be Madame Bountiful,
nurturing sardines, eels, carpione and trout.
Tourists and locals, promenade to and fro Riva
or ride the ferries that trust her arms.
Summer and winter sun attracts holidaymakers,
but Lake Garda indulges lovers of sports trophies,
scantily clad onlookers, and awestruck children
who worship at the shrine of physical prowess.

Lake Garda – the lake who thinks she is the sea.

More Writing Prompts

  • Write a prose poem about a place or a short story recreating the setting.
    What memories are evoked?
  • Choose a place that makes you happy or sad; or two different places where you have had contrasting experiences. (Perhaps a childhood compared with adult experience, going somewhere alone compared with a trip with family or friends, seasonal visits – winter compared to summer, idyllic memories compared to the place after a natural disaster.)
  • Contrast the two places or the mixed feelings about the same place.

Write a HAIBUN ( a combination of prose and haiku) – about your journey/journeys.

HAIBUN (hie’-bun, the “u” pronounced as in “put”) A Japanese form in which a prose text is interspersed with verse, specifically haiku. A haiku typically appears at the end of a haibun, but other haiku may appear earlier, even at the beginning. Haibun often takes the form of a diary or travel journal.

Write a poem or story using the technique of an extended metaphor:

  • Life is a journey
  • Life is a mere dream
  • Life or love  is a camera full of memories
  • Home was a prison

Have you ever had the holiday from hell?

Have You A Favourite Holiday destination?

Currumbin a Sanctuary of Serenity
Mairi Neil, 2001

Looking from the balcony of our Currumbin holiday flat, the Pacific Ocean roared and vomited white foam onto the golden sand. This was not a beach for non-swimmers or the faint-hearted. Waves crashed against jagged rocks in the distance, massaging them smooth by the next millennium but the continuous licks and slaps hadn’t altered their shape in any noticeable way since my last visit.

I stared at the black shapes rising and disappearing in the waves. Dolphins or sharks? Then laughed as the black shape rose on a wave, stretched and balanced and fell. The group of dedicated surfers braving morning chill certainly needed wet suits, and their crouching and clinging in the force of the gigantic waves an amazing workout.

A group of rosellas arrive on the balcony. They line up on the railings waiting for the plate with seed, confident I will provide their breakfast. Chittering and hopping from ledge to chair back to patio tiles, they nag me to perform my act of goodwill.

Music drifts from above. A radio disc jockey drones, children’s sing-song chatter wafts from the swimming pool below, a van backfires in the distance and the pump that tirelessly cleans the swimming pool chugs into life at regular intervals. There are ten floors of holiday flats but if inside and the balcony door is closed, each flat is soundproof.

Peak hour traffic builds, Currumbin is coming alive and I know if I don’t go for a morning walk I’ll be dodging retirees and their pet dogs, fitness fanatics in lycra shorts and Reeboks, and crew for magazine and film photoshoots because this apron of sand is immensely popular. Thank goodness the flotilla of boats on the horizon don’t try to sail closer to shore.

The rosellas are a mass of squawking as I place the seed plate on the balcony table. A hot rising sun dispels the remaining coolness and shadows of the night. The ocean sparkles turquoise. I shake yesterday’s sand from my sandals, grab a hat and make for the lift. The half-hour walks along the beach towards the surfers just what the doctor ordered.

Even More Writing Prompts

Write a poem or story where you are describing the joys of summer to an extraterrestrial life form.

  • Write a story that begins, “She tripped and fell into the burning sand…”
  • Write a story that ends, “Roll on winter.”
  • Write a poem or story where everything that provides relief during the summer randomly breaks down. The air conditioning suddenly stops working. The power goes out in your home. You can’t seem to start your car.
  • Write a story that begins “This was no ordinary day…”
  • Write a story that ends – “She found her paradise after all.”

Enjoy A Cultural Experience Without Leaving Home

A friend I met when I was working on celebrating the 125th Anniversary of Mordialloc Primary School, told me her husband was scared of flying. They were teachers and all they wanted to do when they retired was travel overseas but she refused to travel by ship.

No flying, no sailing – what could they do to satisfy their desire to visit other countries?

They compromised and innovated. They borrowed books and documentaries from the local library and researched the customs, costumes, music and food of a country. After a few weeks, they visited the place via armchair travel.

They dressed appropriately for the season, cooked a custom meal, played the music you’d expect to hear and totally immersed themselves as if they were in the chosen country. They even spoke learned phrases from a new language to each other.

Armchair travel on steroids! Happy travelling –

Happy Writing!

Are You an Owl or a Lark or Just Want to Hibernate like a Bear?

group of heroes

Day Twelve – Let’s Dig and Delve

Most people connected to the Internet and using some sort of social media platform will have seen the quizzes going around like chain letters of old and the finger games with folded paper.

You have to answer personal questions, are given a score or a personality description and then you must pass it on. Frequently, one of the questions wants to know are you an owl or a lark.

We can get right into writing prompts because I’ll assume most people have already put themselves into a category!

It is an important question to answer – know yourself well if you want to create realistic characters with flaws, foibles and interesting features.

Although, as I suggest in the post’s title, during this catastrophic COVID19 pandemic, many of us would love to hibernate like bears and wake up in a few months with the crisis over and some semblance of normality we used to know!

Are you a lark?

  • Describe your perfect morning.
  • To what would you compare morning and why?
  • Have you a morning ritual?
  • How has the ritual changed over the years?
  • Did you become a lark when you started working because you had to?
  • Do you prefer mornings or dark?
  • Have you an opinion or a story about a rooster?
  • How do you know it is morning? What morning and evening sounds can you identify?

Think back to your childhood –

  • Can you remember what mornings were like before you went to school?
  • Did your mum work outside the home – was there a strict timetable to stick to?
  • Were you looked after by someone other than family?
  • Where were you living – city or country?
  • Is there one particular morning you have never forgotten?

quote about walking to school.jpg

  • What were mornings like when you attended school?
  • Were you always early, or late – how did you get there?
  • Was breakfast cooked or not?
  • Did you have chores to do?
  • Did you have pets to feed? Dogs to walk? Horses to groom? Cows to milk?
  • What were mornings like when you went to high school – more independent?
  • Did you look after your own uniform? Did you polish your shoes?
  • Did you walk to school? With siblings, friends, boys and girls?
  • Did you have a paid job like newspaper or junk mail delivery before school?
  • Did you have to escort a younger sibling to their school, to kinder?
  • How old were you when you took responsibility to make your own breakfast?
  • How old were you if you had to help others in the morning – siblings, ill parent, grandparent?

Have you made a conscious effort to change a morning routine? Why?

  • Write about what was/is/or could be your perfect alarm clock – this could be birdsong, a piece of music or a particular song, children’s laughter, a purring cat, a romantic kiss… or as my youngest daughter wrote in a writing workshop once, ‘my perfect alarm clock is one that is broken.’
  • Did you have a routine for working days and another for weekends?
  • What morning is/was your favourite and why? (Sunday is often a special morning even for those not religious but also special events like Easter or Christmas morning, or a birthday ritual!)

godfrey street life stories

How has your morning changed during this COVID19 crisis?

Are You An Owl?

  • What time do you normally go to bed – before or after midnight?
  • Are you an insomniac? Have you a cure for insomnia or tried any that failed?
  • Are you a shift worker? Has this disturbed your sleep patterns? How did it affect your metabolism?
  • Did you have a bedtime routine as a child?
  • Do you have an evening or bedtime routine now?
  • Did your sleeping habits change when children came along?

  • Was it a lifelong change?

  • Did anyone else in the house alter their sleeping patterns?

  • What daily rituals do you adhere to?
  • Do you get a second wind in the evenings?
  • Do you have an afternoon nap? A siesta?
  • Do you catnap? Do you have forty winks or longer?
  • Have you any stories about sleeping in, uncomfortable mattresses, disturbed sleep

  • Do you take earplugs and an eye mask when you travel?

  • How do you compensate for lack of sleep? 

  • Is there a place you like to go when you can’t sleep?
  • What is your most poignant and memorable experience of being a night owl?

Write an opinion piece based on your life experience:

Different people have different behaviour patterns and preferences. However,  most of us still need the obligatory minimum of 8 hours of sleep per night to look our best, function well and achieve our goals.

Humans are naturally polyphasic (multiple sleep times per day), just like our natural eating habits. Research is often conducted into the impact of cortisol, melatonin, and even caffeine on our sleep-wake cycles,  how the use of these can be modified with lifestyle changes. Sleep can be changed based on lifestyle but sleep needs cannot.

The impact of artificial light from computer screens alone has a substantial effect on melatonin production and largely explains why people have trouble syncing their sleep-wake cycle with sunlight. Manipulation of artificial light is used by the military to help soldiers stay awake abnormally long hours and to adjust to different time zones or work shifts.

If I had free choice, I’d be a siesta person. Early to rise and late to bed, with a long nap after lunch.

From A Lark to An Owl
Mairi Neil

“….The lark’s on the wing;
The snail’s on the thorn,
God’s in his heaven;
All’s right with the world.”
Robert Browning (1812-1889)

I wouldn’t say I’m a lark, I don’t wake up singing, but I do love the mornings – especially those sunny mornings in spring and autumn with the grass still gleaming with dew. When I step out to a clear sky and the air warm, but not hot, I can smell the promise in those mornings that all is right with the world.

Backyard blackbirds flit from cherry plum tree to Photinia, rest awhile on the fence before singing their joy. Magpies peck the lawn before flying atop the gum trees and carolling, wattlebirds sup nectar from the grevillea and lorikeets munch from the seed block I’ve placed in the bottlebrush.

Most of my life I have been motivated to rise early and get on with whatever task is on the agenda – whether it be study, school, work, or play. One of six children, I was the one who woke the household much to the disgust of siblings – especially during the teenage years. No matter how late I went to bed, my body clock had me rising early to breakfast or I’d suffer a headache. I couldn’t lie in bed until noon like my older sister, Catriona or brother Iain – the two definite night owls in our family.

Mum loved telling the story of me falling asleep over my dinner from when I sat in a high chair up until I went to school. Often I was carried into bed from the dinner table.

The change from a lark to an owl arrived with motherhood. My first baby Anne, turned night into day and destroyed whatever energy was needed to face the morning. The tiredness of caring for a newborn babe ranges from fatigue to exhaustion.  Sleepless nights breastfeeding on demand, soothing a colicky baby, changing nappies, walking the floor crooning nursery rhymes or any other song that came to mind. (The People’s Flag & Internationale my favourites – no wonder both girls fight for social justice!)

New to parenting I employed all sorts of distracting tricks to calm fractious cries when the girls were ill or just out of sorts. From being a sound sleeper, I became a light sleeper, awake at the least disturbance from cot or bed.

Each morning, I fought to stay awake, sometimes falling asleep with a slice of toast in my mouth from the breakfast tray my loving, but well-rested husband prepared before heading off to work. John’s years in the Royal Navy meant he could sleep through WW3.
My body seemed to relax into a deep sleep two minutes before the 6.00am alarm for John to get up for work. Jolted awake, I faced the morning, not with a joyous song but fear. Would tiredness make me an incompetent mother?

Some say biorhythms determine our health, fitness, and response to nature, and crises occur when these rhythms are off their beat. Motherhood was the first serious change in the tempo of my life but it was not the last. The long period of caring for John when he was ill with COAD, asbestosis and later lung cancer meant I spent many nights lying listening to his struggling breaths. Uninterrupted sleep became a precious commodity.

Older, but not necessarily wiser, my sleep patterns so disturbed I am now officially (a) cuckoo!

Bendigo

Are you an owl? Describe your perfect night. Now throw a spanner in the works and write about when the morning or evening wasn’t so perfect!

… we should not only welcome day-dreams but train ourselves to be aware of them. In fact, the cores of most of my novels have come from daydreams. Daydreams are our primal storyteller at work, sending us scenes and topics that our imagination or subconscious wants us to investigate. Each day, we should devote time (I usually do this before sleeping) to reviewing our day-dreams and determining which of them insists on being turned into a story. Don’t push away those daydreams that make you uncomfortable: The more shocking the day-dream, the more truthful about us it is. Embrace that truth.”

Morrell

Do you daydream? Do you dream in your sleep? Write a story based on your dreaming experiences – maybe you have a recurring dream?

“I write in the first person because I have always wanted to make my life more interesting than it was.”

Diane Wakoski

Happy Writing

 

Writing A Recipe For A Good Mood

I love Cooking poem.jpgWriting Post for Day Five – Count Your Blessings To be Alive

Keeping a sense of perspective and humour amidst all the gloom and doom can be difficult but for mental health – and physical as shown by the fights in supermarkets  – it is necessary.

Many people are doing their bit online – sharing jokes, funny memes, clips of singing, dancing, live performances of every creative art and hints, like mine, to ease the anxiety and stress of being cooped up while in quarantine or working from home.

Working at home doesn’t necessarily mean you are alone – especially if children are home from school. Perhaps the only time alone will be in your head! Put those thoughts to good use, focus on ideas (the more positive the better), grab a notebook, and write.

This post is about writing recipes, not for food or cooking. There are plenty of free recipes for that on the Internet and I’m sure with the panic buying and shortages there will be a host of new food recipes doing the rounds.

Not to mention books: How I Survived  Covid19 When The Pantry Was Almost Bare…

(I could write that one because I refused to panic buy and with a compromised immune system I’m avoiding the queues in shops!)

Humour & Love Is Needed

I started with my Dr Seuss inspired poem written in a lesson about rhyming poetry to grab your attention. I mean who doesn’t know or love Dr Seuss?

But now, here are some ‘rules’ or suggestions:

Eight Steps For Writing A Recipe To Lift Your Mood

  • What would your ideal day consist of? Jot points down – often a list is a good format – or maybe even start with the same introductory phrase: Each day I’d love to 
  • Now make a mind map. In the middle of a blank piece of paper write ‘My recipe.’ Here is an example of a mindmap from the Internet from ResearchGate:

Illustrative-example-of-a-mind-map-of-Happiness.png
These initial thoughts on happiness are certainly relatable!

  •  Now describe your ingredients. Go through them one by one
  • All recipes specify quantities for every ingredient. Add these to your ingredients on the mind map.
  • Try adding similes or metaphors to make your recipe more interesting and imaginative.
    (A simile is a comparison of one thing to another using the connecting word ‘as’ or ‘like’, a metaphor just is and doesn’t need the introduction. For example:- When my first daughter was born a popular song at the time was ‘A Little Ray of Sunshine’. If I was using a simile, she’d be like a little ray of sunshine, but with metaphor, she is my little ray of sunshine. A subtle but important difference.)
  • Method of Preparation – it’s your recipe so explore, be daring, be innovative – give readers a window into your soul…
  • Serving Suggestions are necessary, of course:
    (Add a ‘garnish’ to your recipe, these are the finishing touches that present a dish to perfection.)
  • Add a title – What word or feeling would sum up your recipe? Try and keep it relevant and short. Or call it like it is:

A Recipe For A Good Mood
Mairi Neil (2016)

Ingredients:
a chorus of Mary Jane’s chuckles
an eyeful of Anne’s excitement
a cacophony of birdsong
a dash of possum
a snuggle and lick from Aurora
a strong trace of walking on the foreshore
a breath of rosemary and lavender
large helpings of writing time
a ladle of television murder-mystery
unlimited cupfuls of English Breakfast tea
a glass of cider (or two)
a shower of sunshine
a whisper of an autumn breeze
a turntable of favourite music
a reflection on the love of family and friends

Method:
Add liberal dollops of Mary Jane’s infectious laughter
Organise Anne’s surprises to drizzle at intervals
Enjoy Aurora’s daily cuddles and friendly licks
Encourage the possums to nestle in the trees
Welcome the magpies’ morning trill, the butcher birds’ songs,
the wattlebirds’ chok-chok and the doves evening coos.
Wait for the aromatic profusion of rosemary, lavender, geraniums
and roses and rainbow colours of seasonal displays
Embrace the sea air and lapping of waves

Mix and serve daily, in no particular order. Whether sunshine or rain this recipe has my personal guarantee.

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One of my Mary Jane’s delightful paper cuts

Try writing another recipe with different ingredients or write a recipe for a friend, a family member, based on what that person likes:

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Or perhaps a recipe based on current affairs (especially if you have a solution to the current catastrophe – remember we’re focusing on a good mood but absurd is okay), the perfect holiday, a travel experience…

**And if you are not into poetic -style recipes whatever is stirred up and remembered can be written in prose – another life story, or piece of fiction!

There Are Benefits To using  A Mindmap To Brainstorm Ideas Before Writing

  • A mind map is a diagram that uses words or sketches to note ideas linked to a central keyword. (This is often called theme in creative writing. A piece of writing can have many themes but often there is an overarching one.)
  • A mind map gives you the opportunity to explore many different concepts and shows the process of developing them. There is no limit to size – if you want to be expansive grab a sheet of butcher’s paper!)
  • Mind maps are useful for generating, visualising and organising ideas. They are often used to make decisions and solve problems in the corporate world, but for creative writers, we generate ideas for stories or poems, and to recall memories.

What Does Your Ideal Day Consist of?

Prepare the mindmap –

  • Favourite season
  • Favourite sounds
  • Favourite time of day
  • Favourite place
  • Favourite colours
  • Favourite hobby & activity
  • Favourite weather
  • Favourite smells
  • Favourite animals
  • Favourite books
  • Favourite films/TV shows

Use whatever interests you, add extra categories.

Write examples next to all or chosen categories – there may be more than one answer. (Go with your initial one perhaps)

When describing your ingredients go through them one by one.

What words would you use? Think of associations with your central ingredient and write them around that. Think of descriptive words that you could use along with similes and metaphors.

Let your mind roam freely, don’t think too hard or edit yet. Try not to judge one word as being better than another at this stage.

Repeat for as many ingredients as you wish and if you use the senses in the description it will help to make your recipe poetic.

This is a Recipe For a Good Mood, rather than a recipe for food, but all recipes have measurements – some are exact like half a tablespoon of sugar…

In your recipe, measurements don’t have to be standard. You can use traditional measures but be creative and add more inventive indications of quantity.

A small amount could be –

  • a pinch,
  • an echo,
  • a thought,
  • a moment.

A large amount could be –

  • a pound,
  • a mountain,
  • a shout,
  • a deluge.

Think of other ways we measure things, such as time, space, height and distance.

Here is a list of words for measurement (some traditional, others not) – you can add more in the comments:

  • pint                                   
  • quarter                                   
  • pound
  • ounce                                   
  • teaspoon                                
  • glass
  • cup                                      
  • drizzle                                    
  • pinch of
  • slice                                     
  • jar                                         
  • lick
  • echo                                    
  • mountain                                
  • tickle
  • cacophony                         
  • scattering                               
  • smattering
  • eyeful                                  
  • thought                                  
  • twinkle
  • suggestion of
  • wrinkle
  • beat
  • scrap
  • squeak
  • trace
  • ladle
  • shower of
  • blink
  • breath
  • fan
  • gaggle
  • whisker
  • chorus
  • trunk
  • particle
  • rattle
  • cube
  • scribble
  • scratch
  • dollop

This recipe is about feelings, therefore, make it as richly descriptive as possible.

Similes add depth to a description. eg. A summer’s evening as soft as velvet
Spring blossom falling like snow

If your ingredient is A tranquil summer or A Quiet Summer Day/Evening

Think about comparisons: What things are quiet?  for example tranquil as…. a soft wind in the trees, a sleeping mouse (or any pet), an owl in flight, a swan gliding…

Rather than repeat the description of ‘quiet’ twice, choose different words to mean the same thing eg.. A sprinkle of quiet summer, tranquil as an owl in flight.

Tip:
Do this for one or two ingredients, not every line because you can defeat the impact of the mood you want to create.

Copy-of-LI-Voices-Quotes

•There’s no right or wrong way to approach your method of preparation. 

  • Write out the list of your ingredients onto a piece of paper.
  • What will you mix your ingredients in?
  • In what order will you add them?
  • Is there a special way they need adding?

This is where you can grab one of those recipe books off the shelf that you have stopped using because it is easier to Google but you haven’t thrown them out because of an emotional attachment, they were a gift, or sometimes it is quicker to check a page than wait for Malcolm Turnbull’s oh, so slow, NBN to download.

cook books.jpg

Check out the instructions on a favourite recipe and substitute your ingredients:

  • vigorously beat,
  • fold in gently,
  • stir slowly,
  • sprinkle liberally
  • beat with a fork

You might put a fractious toddler in a large garden and lightly whisk a sprinkle of quiet summer….

Look at the methods of preparation from the list below or choose your own:

  • whizz
  • mix
  • beat
  • stir
  • whisk
  • simmer
  • heat
  • cook
  • boil
  • sprinkle
  • Add
  • coat
  • cut
  • tip
  • pour
  • cut
  • divide
  • split
  • heat
  • warm
  • scatter
  • skim
  • knead

Garnishing & Serving Suggestions:

Add a ‘garnish’ to your recipe, these are the finishing touches that present a dish to perfection. You may like to think of it as the cherry on top of your Recipe For a Good Mood

For example:

  1. Serve with a sprig of stories and a warm feeling.
  2. Garnish with a cuddle from a sister and enjoy with a relish of friends
  3. Best enjoyed with a glass of Cider
  4. Serve with optimism and chocolate cake.

You can say how many people it serves – perhaps the ‘recipe poem’ is for a special celebration – birthday, anniversary, wedding, christening…

Add a title. What word or feeling would sum up your recipe? Try and keep it short.

Fun, Warmth, A Giggle, Feeling Blessed, Chilling Out…

Write Your Recipe For a Good Mood –

prose or poetry!

Preserving History

And here is a bit of history in a recipe book – a selection of pages of a book put together on my kitchen table for Mordialloc Primary School as a fundraiser in the 90s.

Most parents contributed a recipe, and some helped with surveys and collection and encouraged their children to illustrate. Some of the data is worthy of a time capsule!

There were no computers, no money for offset printing and the book was divided into sections, with bits of general knowledge and current research regarding food sprinkled throughout.

The aim was to encourage harmony, tolerance and an appreciation of each other’s culture and it worked – families had fun contributing and we learnt a lot about different countries and foods.

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We even got a review in the Herald Sun – not bad for a wee school and complete novices. You never know where your ‘kitchen’ creativity will lead!

herald sun review.jpg

Happy Writing!