I’m on holiday from classes until July 30th and in my FB feed the Scottish Poetry Library announced June 26th 2019 as ‘International Writing Day’ with a link to https://www.nationalwritingday.org.uk/
Whether international or national – it is wonderful to have a writing day and that’s what I did, sharing Wednesday with a dear friend first met through the Mordialloc Writers’ Group.
Sitting at the kitchen table, we talked about writing goals and then wrote some poetry.
We both had discovered old notebooks containing poems written years ago and discussed how many versions need to be written to ‘get it right’ – and how it never is!
Have we improved or were those early words better? Did the words come easier then? What makes a ‘good’ poem?
We both agreed that in some cases, our poems recorded life and how we felt – a bit like journalling and many poems reminded us of past events we’d forgotten.
Other poems explored language, exercised our imagination, captured a moment or were a bit of fun …
Searching for Words and Meaning…
In writing class
we explore language
seek living words
sentencing each other
to work it out
or perhaps not
just listen, absorb and be
explore the language
search for words
taught in childhood
read in books
overheard on the train…
volume doesn’t matter
one sentence or two
from me or you
research for a living
search for meaning
out-search a life
writing in class…
Port Campbell Sunset With Mary Jane
Mairi Neil, 1995
We stand together to watch the sun go down
sharing a marvellous miracle –
the silvery-white ball now a shade of pink,
a glowing mandarin, yellow tint, then red
and settling seagulls strutting by the water
appear to blush, blending with the foaming tide
flowing in with a rush
The fiery sphere radiates brilliant orange
colour spreads across the sky, the orb starts to
This forehead and eyebrows of a sleepy giant
Until suddenly, the sky explodes aflame
our hearts pound
the sky astounds
The sun a misshapen balloon
A semi-darkened sky of colourful pools, puddles,
mere splashes mid-air
Was that brilliant display ever really there?
A Note To Kingston Council
Mairi Neil, 1999
(responding to a report in the newspaper of a resident weeping as a gum tree aged 100 years old was chopped down to make way for new development)
A concerned citizen stood weeping
wringing her hands in despair
but the chainsaws grind and gobble
so another block’s laid bare
gum trees go that once grew tall
shading homes for a hundred years
those living links to the past
chopped down despite her pleas
Eucalyptus gums are indigenous
native grasses and bushes too
home to a thousand insect species
and native birds becoming so few
where one house stood in a garden
two units are built – or more
imported trees, shrubs in fancy tubs
surrounded by a concrete pour
Developers have their dreams
And indigenous trees get in the way
‘Clear the land of all vegetation –
especially big trees,’ what they say!
Bulldozing through regulations
and done with unseemly speed
‘We own the land now and have rights,’
but neighbours see only greed.
Some developers say they deserve thanks
After all, they’ve ‘improved’ the land
sanitised lawns introduced boutique trees
concreted paths added buildings grand!
Individual rights must be paramount
because the ‘ME’ mentality rules
environmentalists caring for community
are soft-hearted, irrelevant fools.
Who cares about rangy, old gums
that provided shade and privacy too
Who cares about a balanced ecosystem
and that birds and butterflies are few?
If YOU care about what is happening
In community streets and suburbs
Then speak up, get involved, write letters –
and counteract the Real Estate blurbs!
Mairi Neil, 1996
A winter’s morn
white mist hides the sun
birds twitter unseen
Was it the coldest night?
A walk to the station
familiar path unseen
cold air, chilled bones
a bleak beginning
to another day of toil
At the railway station
commuters huddle in silence
but aboard in warmth a thaw
familiar faces smile greetings
cheerful chatter melts winter blues
The World Loves PowerPoint
Mairi Neil, 1996.
I got a CDRom to make an interactive PPP
this multimedia task completely confounds me
I sit with mouth agape marvelling at the show
from Encarta ’96 – so much I don’t yet know
I don’t know how computers work
the science and technology a wonder
the subliminal flickering of the cursor
disappears off screen – oh, my blunder?
Clicks and movement directs this brain
finger muscles used again and again
activating programs seems a breeze
but this technology can be a tease
my hands don’t appear to accept the hype
as on the keyboard they stumble to type
and repeat out-dated typewriting rules
trying grammar and spelling used at school
I got a CDRom to make an interactive PPP
This multimedia task completely confounds me
Bill Gates and Microsoft what have you started –
my confidence and sanity swiftly departed!
A Winter Walk in Woodland
Mairi Neil, 1997
The winter day cold but not drear
unusually, warm for this time of year
we choose a walk through the woods
and frost-hardened leaves crack
the path piled with fallen snow
our boots stain the pristine track
Children run ahead to climb steep hills
curbing their enthusiasm a battle of wills
they’re keen to explore and with innocence
embrace the wild creatures in this place
but most are hiding, nowhere to be seen
hibernating while of summer they dream.
The children lament the ‘waterfall’ too small
a mere trickle of water, no cascade at all
plus modern development is eating the wood
motorway and shops gobble habitat for good
landscapes changed, altered beyond repair
rivers dried – the trees weep in despair
At an old canal, hopeful enthusiast rebuild
boxes to protect dormice with optimism filled
Mother Nature resilient, she can adapt and adjust
but nurturing people’s help a definite must
tiny snowdrops gleam – such a welcome sight
of unspoilt beauty to hold in memory tight.
I Never Thought
Mairi Neil, 1998
When we first met
I never thought
we would lie side by side
in a large comfortable bed
and not drown in passion
maturity and familiarity
take their toll
Our bodies still tingle
when hands caress
but we have grown
comfortable and content
seeking thrills less often
It is enough to know
desire and satisfaction
I never thought
we would lie side by side
and talk of mundane matters…
doors to be painted
garden beds to be weeded
leaky taps to be fixed
seams to be mended…
yet we do not rush
to start a project
or worry a task
It is enough to know
there is tomorrow
I never thought
spending a morning
with you puzzling to solve
a cryptic crossword
and I puzzling to
write a poem
would create a warm inner glow
provide contentment and pleasure
Our past… and imagined future
flows easily between us
Our love has a comfortable silence
as well as public vows
It is enough to know that you are here.
I Love Cooking (after Dr Seuss)
I love cooking, I love the smell
I love it more when it turns out swell
I love old recipes, they are the best
I gather ingredients and begin with zest.
I love my oven, it’s electric. If it was gas I’d be sick.
I love my bench top, granite and wide, equipment sits side by side.
I think my cooking is okay, there’s not much more I can say.
I’m not an expert like some boast, I’ve been known to burn the toast!
There’s people who just love their food, always categorising, bad or good.
I eat to live, variety’s not king, a few favourite recipes are my thing.
I’m happy to bake my apple cake. I am.
Can even manage scones, cream and jam.
I love to peel, dice, chop and knead.
It’s from cleaning up I want to be freed.
I love cooking – it’s a necessary evil – we have to eat.
But boy I’m glad – really glad – Nandos has opened up the street
This is the cover of a beautiful book about the importance of valuing Australia’s National Network of Marine Sanctuaries that I recently presented to my Federal Member of Parliament, the Honourable Mark Dreyfus QC, along with a letter asking for his commitment to continue to support the sanctuaries.
The letter signed by 64 constituents:
Dear Mr Dreyfus,
LABOR’S COMMITMENT TO RESTORE AUSTRALIA’S MARINE SANCTUARIES
This book shares a message from your electorate in support of Australia’s world-leading National Network of Marine Sanctuaries.
Following the Coalition Government’s devastating cuts to Australia’s sanctuaries – equivalent to removing every second national park on land – we welcome Labor’s commitment to fully restore the National Network of Marine Sanctuaries that Labor put in place in 2012.
Thank you for your support in restoring our sanctuaries – so that they can do the job of protecting our marine life, helping to ensure we have fish for the future and benefiting our regions and local communities.
I volunteered for the privilege of approaching Mark after I signed online petitions and followed campaigns to protect our ocean.
The organisation that will keep you informed and who cleverly produced such a positive campaign is the Australian Marine Conservation Societyand they are always looking for people to become Sea Guardians to protect our ocean’s wildlife.
A community of scientists & ocean conservationists working to save our marine life, established in 1965, it is an independent marine-focused charity. For over 50 Years committed staff have been dedicated to protecting ocean wildlife.
Mark was thrilled with the book and was happy to commit to protecting marine sanctuaries.
He said the situation regarding our environment is critical – and the science confirms this.
When part of the Gillard Government, he represented Australia at several international conferences and is well aware the current Federal Government is not doing enough to combat climate change and protect our sea and landscapes. he fought hard for the resources of the CSIRO to be increased, not reduced.
I was thrilled when I saw the book too – as a writer, I appreciate the power of illustrations to enhance words.
This book is a beautiful tool, to showcase how valuable our oceans are – a tangible reminder of what we will lose if the government doesn’t protect our coastline and the sea from overfishing, pollution from stormwater run-offs and shipping, plus exceptionally harmful oil and gas exploration.
We must provide and ensure marine sanctuaries. This book showcases many wonderful conversation starters for discussions we need to have – thousands of reasons to step up now.
How to get involved with the Campaign to Save Our Marine Life
Like many people who care about the environment, I’ve been involved in physical and online campaigns. It hasn’t been a sudden, one-issue jolt, but rather a weary trek from campaigns to stop littering to educating people about the dangers of pollution and wiping out the habitat of unique flora and fauna.
Change Habits To Save Habitats
Bali’s beaches are drowning in litter
Debris piles where no butterflies flitter
Apocalypse fed –
but the solution is not storming Twitter
The main culprit named is plastic
a product we embraced as fantastic
but it resists decay
and won’t go away
The destruction of marine life tragic!
Fast food a convenience we craved
Marketing gurus constantly raved
Junk created ignored
As rubbish was poured
Into the environment, we should have saved.
Who profits from accumulated trash?
Is life on Earth worth less than cash?
Consumers fed lies
While pollution spreads like a rash!
What species destroys its own nest
Where standards should be the best?
‘Away’ doesn’t exist
Rubbish isn’t a mist
We create it, so must produce less!
‘Reduce, Reuse, Recycle’ a catch cry
This must be real or we all die
The coral withers
Our PM dithers
Climate change deniers watch Earth fry.
To the tourists who boast loving Bali –
Has your behaviour increased the tally?
Of beach debris
Polluting the sea
Leave only footprints when you dally!!
Bali’s problem is really worldwide
from culpability, no one can hide
It starts with a ‘me’
I hope becomes ‘we’
From today let’s take the Earth’s side.
A plethora of organisations – many with a specific focus – campaign for various conservation and environmental causes. Over the years, I’ve spent time concentrating on one or the other, or spread myself between several.
My motto always to give what you can when you can.
I’ve rarely had much cash to spare but my writing skills and social justice passion come in handy!
The damage to all species, including humans can be through accidental or wanton destruction, industrial smog and lung disease, overdevelopment and lack of green spaces or the current emergency of climate change.
Belonging to the Union of Australian Women and always the relevant trade union covering my paid employment gives me a good grounding in old school activism.
Living in Mordialloc for 35 years it has been a constant priority to safeguard our beautiful bayside suburb.
Before the Internet and mobile technology, the art of letter-writing, collecting signatures with a clipboard, demonstrating with placards and letterboxing leaflets, door-knocking and street stalls were all valid methods of making a point and having your voice heard.
Activism Is A Label For Everyday Life
Attendance at Clean-Up Australia Day events – I went to one of the first held in Mordialloc more years ago than I care to remember, taking my young daughters along to learn from my example.
Volunteering regularly with a local environmental group. I joined Friends of Bradshaw Park and compiled an education kit for primary schools to encourage discussion about the importance of retaining and respecting local flora and fauna – again my daughters accompanied me on working bees to weed and plant.
Volunteering in schools to encourage care for the playground and environs. I gave workshops on the writing of poetry and short fiction around environmental issues. The fondest memory, a lovely book of pastel drawings by the children in daughter Anne’s class to illustrate a narrative poem I wrote about the then threatened Blue Whale.
Working with Environment Victoria to promote solar power and renewable energy. I’ve hosted a sign, letterboxed, helped establish a database of supporters, handed out information on polling day.
Attending and organising gatherings to hear speakers from groups such as Gene Ethics to the Australian Conservation Foundation. If you belong to a community group think about inviting speakers from environmental groups outside your comfort zone. Be challenged to think about deforestation, oil drilling, use of plastics and recycling…
Since a teenager, like many people, I’ve campaigned against nuclear power and in an ideal world, uranium would remain in the ground.
(Ironic, I know because I have benefited from chemotherapy as a cancer patient but as with energy sources, there are alternatives and there is no moving away from the fact the majority of uranium and byproducts are used or stored as military weapons, plus the world still has no solution to the dangerous waste created!)
The New Way of Campaigning
There is no denying we live in a digital world now and the power of social media is immense – and it is not all as negative as some people think but a far-reaching and effective tool if, as Agent Maxwell Smart said all those years ago, ‘used for goodness…’
I respond to online appeals that often begin with an email and a request to sign a petition. After research, the knowledge gained helps me frame letters or emails to newspapers, politicians and companies.
Also, importantly, to initiate discussions among friends and family. Transferring and sharing knowledge one of the most important actions in any campaign.
As many signs at demonstrations advise (I love attending these too ) there is no Planet B.
It was a privilege to go the extra step and arrange a meeting with my local member of parliament and gift this book, to remind him of what is at stake if the marine sanctuaries are not reinstated and extended.
For local communities, some icons like The Great Barrier Reef, and many endangered marines species, we are at a tipping point – in danger of reaching the point of no return!
The following information including beautiful photography is from the book to ask MPs for their commitment to protecting our oceans and marine life.
Australia’s Proud history of Commonwealth Protection of Sanctuaries
As with so many progressive policies in Australia, it all began with the Whitlam Government in 1973.
The world’s oceans are the last great frontier for science and discovery and Australia is responsible for the third largest area of ocean on Earth
There are many sanctuaries still to be finalised – the good work must resume not be wound back or remain at a standstill.
Located at the junction of three major oceans, our waters are tropical temperate and sub-Antarctic.
We have more unique marine life than almost any other country in the world.
More than 85% of us live near the sea
Healthy marine environments are central to our lifestyle, our livelihoods and our economy. Australia has a proud bipartisan history of marine protection.
We are a nation of caretakers.
For many decades, our leaders have acted with the foresight to ensure a sustainable balance is found between what we take from the oceans and what we conserve for the future.
This is Australia’s insurance policy against the known threats of climate change, overfishing, introduced pests and pollution.
This leadership has crossed political divides and resulted in the creation of the world’s largest National Network of Marine Sanctuaries – backed by decades of science and overwhelming community support.
Our National network of marine parks and sanctuaries will protect our greatest treasures, including Australian icons like the Great Barrier Reef.
The Finalised List of Marine Sanctuaries:
Great Barrier Reef
But until the following are included our special marine treasures remain at risk:
80 Mile Beach
Gulf of Carpentaria
Lord Howe Island
Great Australian Bight
Please make an effort to discover these treasures and fight for them to be protected.
THE CORAL SEA
The Coral sea – the cradle to the Great barrier reef – is one of the last wild places on Earth where ocean giants still thrive. And outside the sanctuary, the Coral Sea Marine Reserve created what is effectively the largest recreational fishing zone in Australia’s history.
THE PERTH CANYON
Beyond Rottnest Island, Perth’s backyard holds an underwater secret larger than the Grand Canyon. The Perth Canyon is one of only three places in Australia where the blue whale – the largest animal ever – known to feed.
As well as a popular holiday destination where people flock to relax, whale watch, fish and sail, Geographe Bay is a resting area for migrating humpback whales.
LORD HOWE ISLAND
Home to the world’s most southerly coral reef, World Heritage-listed Lord Howe Island is a crossroads where five major ocean currents collide, creating a fascinating and unique mix of marine life.
THE GULF OF CARPENTARIA
A crucial part of one of the last intact tropical marine systems left in the world.
The Kimberley has some of the last intact natural areas left on the planet. Its incredible beauty is matched only by its enormous diversity.
THE GREAT AUSTRALIAN BIGHT
A globally significant breeding nursery for the southern right whale and southern bluefin tuna. The cool waters of the Bight have exceptional diversity – more than 800 species have been identified here.
Currently, Greenpeace has an urgent campaign regarding The Bight. I visited the iconic Rainbow Warrior when it docked in Melbourne, and the crew explained it was here specifically to make Australians aware of the dangers of oil exploration in one of the last unspoiled ocean havens in the world.
Local people living along the coastline have warned of the devastating consequences of an oil spill – and international companies ALL have a less than clean track record and CANNOT guarantee that won’t happen
The seismic blasts used to locate gas or oil in deep water are louder than grenades. The noise loud enough to burst human eardrums and can cause permanent loss to whales, which are many times more sensitive to sound. For marine animals relying on sound to communicate, mate and survive, this will be devastating!
Furthermore, we should listen to the First Nation people living in the area – voices repeatedly ignored to our peril. What of their rights?
This book by Dr Virginia Marshall launched by the Hon. Michael Kirby AC CMG in 2017 provides important information we can no longer ignore:
Aboriginal peoples in Australia have the oldest living cultures in the world. From 1788 the British colonisation of Australia marginalised Aboriginal communities from land and water resources and their traditional rights and interests. More recently, the national water reforms further disenfranchised Aboriginal communities from their property rights in water, continuing to embed severe disadvantage. Overturning aqua nullius aims to cultivate a new understanding of Aboriginal water rights and interests in the context of Aboriginal water concepts and water policy development in Australia.
Drawing on the United Nations Declaration on the Rights of Indigenous Peoples, Marshall argues that the reservation of Aboriginal water rights needs to be prioritised above the water rights and interests of other groups. It is only then that we can sweep away the injustice of aqua nullius and provide the first Australians with full recognition and status of their water rights and interests.
It is time to acknowledge past mistakes and work together to safeguard the future from a humanitarian as well as a scientific perspective.
There is a national and international scientific consensus on the benefits of sanctuaries. Sanctuaries protect crucial feeding and breeding areas to help ensure we have fish for the future.
Research consistently shows the number, size and diversity of marine life greatly increase once areas are fully protected, and there is growing evidence of ‘flow on’ benefits into adjacent waters.
Tasmania’s Maria Island sanctuary has seen rock lobster numbers increase by more than 250%, spilling over to boost fishing and combat destructive sea urchin spread.
Sanctuaries also ensure coral reefs are more resilient to devastating bleaching and cyclones – making them more important than ever before.
And it is not just Australia’s marine life that benefits…
Sanctuaries are tourism powerhouses supporting a range of growing industries in regional communities.
Long established marine sanctuaries are boosting tourism, fish populations and local businesses. They are an environmental, social, and economic success.
At Ningaloo Reef, 180,000 tourists visit and bring in $141 million each year.
Many of our treasured fishing destinations have been marine parks for years now.
Long-standing marine sanctuaries are working hand in hand with world-class recreational fishing in places like Ningaloo Reef, the Solitary Islands and right along the Queensland coast.
The establishment of our National Network of Sanctuaries has been one of the most evidence-based and consultative processes in Australia’s history.
Australians are enthusiastic supporters of marine sanctuaries, particularly once they have experienced them first hand. They express their support at public events direct to their local MPs and in the many thousands of submissions to government consultation processes.
Across the country, we hear the consensus: to be Australian is to treasure the big blue backyard that is our birthright.
It is our overwhelming desire to maintain the health of Australia’s oceans for future generations.
For our marine life, and way of life.
We all share a duty and an opportunity to continue our nation’s proud history of stewardship of the seas – a bipartisan legacy for future generations.
On Sunday, I was rewarded for being a volunteer with Open House Melbourne, by a free trip on the river, which left from Docklands. I learnt how important the Melbourne waterfront is to Victoria’s economy. With imports and exports, it is the busiest port in Australia.
The litter trap sign warns: If it’s on the river, it ends up in the river…
Economic gains come at a cost and fortunately, there are many more people aware of the importance of keeping our waterways and the oceans healthy – not just in Melbourne but all along our coastline.
On the way to catch the boat, I passed a sculpture by Mark Stoner: The River Runs Through It – the message and reminder of what was and is, poignant and confronting and I hope does what good public art should do – allow us to pause, consider, and think about our understanding of the artist’s vision.
Citizens in democracies are lucky because we have an opportunity to ensure we vote on government policies that matter by letting our politicians know what we care about.
The most important issue for me is that action is taken to protect our waterways and oceans and attempt to heal the environment as we face climate change.
Please feel free to use the information, perhaps get in touch and request your local member of parliament give a commitment too.
All of us are influenced by everything we have experienced in our lives but like a gigantic sponge, writers absorb more than most.
The small details, the unusual objects, the striking character, the overheard conversation, the beautiful sunset, the changing leaves – the possibility of story everywhere –
like the pub dedicated to Sherlock Holmes and Baker Street in the heart of Melbourne advertising St Patrick’s Day that I discovered on Friday!
Many writers worry they are regurgitating ideas seen or read somewhere, ideas that have been written up ad nauseam…
I remember when this was mentioned at a workshop I attended years ago, the presenter said, ‘Don’t worry there’s no copyright on ideas and whatever you write will be from your perspective, you’ll have your own take on it.”
Just as the owners of The Sherlock Holmes at 415 Collins Street have done – creating their version of the famous character’s story.
Do they worry about appropriating ideas from Arthur Conan Doyle’s masterpiece? Worry about cashing in on the desire of the Irish (and on March 17th it seems a worldwide desire) to celebrate St Patrick’s Day?
Not at all.
I tell my students – even if the idea isn’t fresh, still write the story or poem because you can change everything (names, place, people or events) after you have let your creativity loose.
The finished work is yours – a unique perspective – an original manuscript!
Ideas are free and flexible.
Focus on writing your life experience, your dreams and fantasies, adding your research, your interpretation of what you’ve absorbed and your thoughts…
… and whatever results will be a new work of art.
The recipes listed in Mrs Hudson’s Pantry below are just a variation of well-loved British or Australian delicacies. There may be a pinch of a special spice or sauce that makes it ‘original’ like a story that is enhanced by wordplay, metaphor, flawed character, or exotic setting to vary one of the acclaimed seven basic plots authors keep writing!
Do you know the what, why, or when of St Patrick’s Day?
Brush up on your history of St. Patrick:
‘ before him, there were no farms, sheep, or deer, but there were saintly women who slew dragons and performed miracles’.
(This quote from an article St. Patrick’s Day Facts: Shamrocks, Snakes, and a Saint by John Roach in 2010, available from the National Geographic magazine online quoting St. Patrick of Ireland: A Biography.)
Can you write about St Patrick from a position of knowledge?
Do you know anyone called Patrick (are they saint or sinner?) that you can write about or make a character in a story Irish and called Patrick – or why not Patricia!
Write a story around the theme of immigration, or slavery (sadly, still two very much alive and contentious issues)
Or perhaps religious zealots, or cults – or maybe how important partying and having fun is to health!
There are many stories waiting to be written from a variety of angles… who would have thought Ireland, a staunchly Roman Catholic country would vote for marriage equality long before Australia got its act together?
What Colour is Tolerance?
Green comes in forty shades
The Irish folk group sings
Soft moss by rivers streaming
Tarragon glory of faerie rings.
Ireland the true Emerald Isle
Celtic forests delight and intrigue
Crushed pine perfumes the air
Woodland ferns soften history’s deeds.
When English mist descended
Paradise green became no more
Even Dublin Bay was laced with blood
Years of bomb blasts and ghastly gore.
Like the famed Amazon jungle
Impenetrable; a hope of peace deemed futile.
But as spring buds banish winter
Persistence gave reason to smile ––
From green felt to cameo silk
Ireland’s metamorphoses proudly displayed
Acceptance of all shades –– green and pink
In May 2015, history indeed made!
10 Things You May Not Know About St Patrick
The apostle and patron saint of Ireland wasn’t even Irish! He was born in western Britain, probably West Glamorgan circa 389AD. His father, Calpurnius, was a Roman official and deacon.
As a boy, Patrick was captured in a Pictish raid and sold as a slave in Ireland. he escaped to Gaul, studied in a monastery and returned to Ireland to spread Christianity.
Although landing at Wicklow, Patrick travelled north and converted the people of Ulster first!
He died in 461AD and is buried in County Down, Northern Ireland.
There are many stories ascribing miraculous powers to Patrick, including one that credits him with ridding the island of vermin (snakes) Slowly, mythology grew up around Patrick until centuries later he was honoured as the patron saint of Ireland.
St. Patrick’s Day was basically invented in America by Irish-Americans. (I can hear my Irish mother groaning and saying ‘typical Americans claiming everything!) However, the first St. Patrick’s Day parade did not take place in Ireland. Irish soldiers serving in the English military marched through New York City in 1762. As the years went on, the parades became a show of unity and strength for persecuted Irish-American immigrants, and then a popular celebration of Irish-American heritage.
Patrick used the three leaves of a shamrock to explain the Holy Trinity: the Father, the Son, and the Holy Spirit and sometime in the 19th century as St. Patrick’s Day parades were flourishing, wearing the colour green became a show of commitment to Ireland.
Until the 1970s, St. Patrick’s Day in Ireland was a minor religious holiday. A priest would acknowledge the feast day, and families would celebrate with a big meal, but that was about it.
In 1962 the show of solidarity took a spectacular turn in Chicago when the city decided to dye a portion of the Chicago River green. Similarly, pints of Guinness, the famous Irish stout brand are dyed and consumed. The party went global in 1995 when the Irish government began a large-scale campaign to market St. Patrick’s Day as a way of driving tourism and showcasing Ireland’s many charms to the rest of the world.
So, if you are like me, with a partial or full Irish heritage, you can be forgiven for thinking all the fuss and ‘green’ everything around St Patrick’s Day, is a modern phenomenon because it is!
Today, March 17 is a day of international celebration, as millions of people around the globe put on their best green clothing to drink beer, watch parades and toast the luck of the Irish.
What’s your experience of St Patrick’s Day in Australia – after all, we have lots of Irish immigrants?
Writers, especially if they want to be journalists or write blog posts should have eclectic tastes and always seek to improve their general knowledge.
In this day and age of instant news and a proliferation of people competing online and in print to be writers, those who want to see their name in lights and/or earn a living from writing need to be up-to-date and in fact, with the 24-hour news cycle, they need to be up-to-the-minute!
If you are writing family history you may just have a touch of the Irish in you because Ireland is a country with a long history of exporting people.
Or perhaps you have an Irish Setter? This dog breed falls into the category of ‘love them or hate them’ and as an ex-owner of one of these lovely dogs, I challenge the stereotype that they are stupid. Our Orla was indeed the queen of dogs.
Did you learn or love Irish dancing, Irish music and songs?
My music collection ranges from wonderful tenors like Father Sydney McEwan to The Dubliners folk group and Eithne Pádraigín Ní Bhraonáin (anglicised as Enya).
When you hear a particular song – When Irish Eyes Are Smiling or Its a Long Way to Tipperary – what memories are evoked? What about The Unicorn song or Lily The Pink by The Irish Rovers?
Have you visited Ireland or is it on your travel Bucket List?
To get more inspiration wear something green, or sit in the garden — perhaps the luck o’ the Irish will heighten the muse!
Grab a stout and join the craic at a celebration – visit The Sherlock Holmes, or even Ireland itself!
The Richness of Celtic Culture Can Be Mined For Stories
Before the introduction of Christianity, Ireland was largely pagan. However, with the arrival of early Christians, missionaries preached where people already worshipped and folded pagan places of pilgrimage, including holy wells, into a new faith. Saints replaced pagan deities and existing places of prayer were given a Christian flavour.
Despite Anglo-Norman attempts to replace veneration of Irish female saints with the veneration of the Virgin Mary, and later efforts to suppress rituals and beliefs around wells, dedication to the saints persisted, and they remained regionally significant.
The endurance of particular saints became connected to the success of dynasties that were attached to certain territories and their endowment of land for churches and abbeys.
(Did you know that professions have patron saints? St Matthew for accountants and bankers, St Genesius for actors and for secretaries, St Jerome for librarians, and writers have two saints, St John the Evangelist and St Francis de Sales – is this because we may sin more than most or need more looking after?
What happens to those saints of professions no longer prolific or even existing? St Crispin (cobblers), St Sebastian (pin-makers), St Hubert (huntsmen) – do they get reassigned to the new professions created by technology?)
For many wells, their mysticism extends beyond their connection to a saint. Known for their healing capabilities, some wells were believed to specialise in treating diseases such as tuberculosis and whooping cough.
Today they are sought out more for maladies like sore throats, head, back, stomach, and toothaches, warts, and other skin-related problems, anxiety, and even cancer.
Researchers’ studies determined that some wells are rich in specific chemicals, for example –
waters associated with skin remedies are often high in sulphur, an effective ingredient in acne medication.
Wells connected with “strengthening weak children” are generally iron-rich.
The wells in County Kerry’s “Valley of the Mad” contain lithium and were effective in treating mental illness.
…a few hours into the dark of night, an intergenerational crowd encircles a large, smoky bonfire near the sites of two holy wells dedicated to St Brigid. Just over 100 participants have gathered outside Kildare town for an annual event celebrating both the ancient Celtic holiday of Imbolc (the beginning of spring) and St Brigid’s Day (February 1st). Led by sisters of the Brigidine Order, they bring lanterns and candles to welcome “the light of Brigid” and the end of an unusually cold winter.
Quite literally in spite of the cold, the crowd is sprinkled with water from St Brigid’s nearby healing well. A woman sits by the fire and begins weaving a large St Brigid’s cross of local rushes. As the crowd falls silent— her actions are explained as symbolic ritual labour; she weaves into the cross the dreams and worries of those present…”
This practice of observing a modern religion and a pagan precursor is known as ‘syncretism’. You can find it all over the world among former slaves and indigenous peoples who are nominally Catholic, but who identify their saints with pre-Christian gods.
In parts of Latin America, Indians in the more remote regions especially, observe rituals that are derived from both Latin Catholicism and their ancient animist traditions.
Write about a saint or someone who turns up at the well to be healed.
What story can be written about the failure to keep the sacred feminine well?
Do you have a ‘miracle’ cure story?
Did you Know These facts about The Shamrock?
Trifolium dubium, the wild-growing, three-leaf clover is what some botanists consider the official shamrock.
However, many refer to other three-leaf clovers, such as the perennials Trifolium repens and Medicago lupulina but according to the Irish these plants are “bogus shamrocks.”
The custom of wearing a shamrock dates back to the 17th and 18th centuries, but there is no evidence to say what plant people used, therefore, the argument over authenticity is purely academic.
Botanists say there’s nothing uniquely Irish about shamrocks. Most species can be found throughout Europe so is this just another example of the Irish ‘gift of the gab’ and great marketing?
Spiders are supposed to be lucky too – so I guess my run-in with this greenery cocooned in webs in Northern Ireland was extremely lucky!
STORY IDEAS ABOUT IRELAND & ST PATRICK’S DAY
Think of words associated with Ireland and St Patrick’s Day – list them and see if a story or poem is triggered:
WORD LIST TO GET YOU STARTED:
Ireland, luck, leprechaun, a pot of gold at end of the rainbow, Guinness, stout and beer, blarney (kissing the Blarney Stone), brogues, dancing, bagpipes, the fiddle, Gaelic, Erse, potatoes bread, Irish Stew, scones, shamrock, shillelagh, limerick, poetry, jigs, faeries, banshee, pints, poteen, marching, clover, green, Irish, happy, St. Patrick’s Day, holiday, myths, legends, stove pipe hat, buckles, shoes, surprise, superstition, seventeen, Dublin, Belfast, magic, four-leaf clover, tradition, celebration, family, emigrants, Emerald Isle…
Pretend that you have found a four-leaf clover that will bring you extraordinary good luck for exactly one day. Write about that lucky day.
What does it mean to get a “lucky break?” Write about a time when you got one.
James Garfield (the 20th US president) said, “A pound of pluck is worth a ton of luck.” What do you think he meant? Do you agree? Why or why not?
Draw a mindmap in the shape of a large four-leaf clover. In the centre write: I am lucky because… Then, write a different way that you are lucky on each of the four leaves. Use the words to make a poem.
Do you have a good luck charm? Describe your lucky keepsake and how it brings you luck. Do you have a lucky number? An item of clothing that you wear that always seems to make you happy or good things happen when you wear it?
Writing About Leprechauns
Do you believe in leprechauns? Why or why not?
Write the Legend of the Leprechaun. Create a story about the lucky Leprechaun (or one who lost his magical powers).
What do leprechauns do all day? Make a daily schedule for a leprechaun – what will happen if one leprechaun tears up the timetable?
You have caught a leprechaun (how?).He/she gives you a pot of gold in exchange for freedom. What do you do with it? Or maybe you are granted 3 wishes… but there are rules/consequences
A mischievous leprechaun paid a visit to your garden during the night and caused all kinds of trouble. How do you cope/ fix it?
Make a list of the advantages or disadvantages of being as small as a leprechaun. Can you write a story?
You are a leprechaun who is tired of the old-fashioned hat, suit, and shoes and you’ve decided green is not your colour. You want a new, updated look for today’s modern leprechaun. Write a letter to the leprechaun fashion designer explaining why you think an update is a good idea and what the new leprechaun outfit should be. Or write the dialogue between a grandmother/mother and teenage leprechaun daughter or grandfather/father and teenage leprechaun son.
Describe a magical land “over the rainbow.” How do you get there? Do you stay? Is it really Nirvana/Paradise/Heaven?
Acrostic poems can be written about anything…
You can use one word for each letter, create a full sentence, have it rhyme, or just write random phrases. Acrostic poems are whatever you want them to be – I’ve used GREEN and LUCKY from the word list above.
Grass is always greener somewhere else Really you make your own luck Each of us can pay it forward End the myths about magic No leprechauns just as there were no snakes!
Leprechauns are too small to see Unlucky for some, but not for me Can a rainbow grant wishes, or promise gold? Kids love these stories and beg they be told You can see the ‘wee people’ if you’re bold!
Are you Green?
Today ‘Being Green’ has everything to do with the environment and recycling, or having a ‘green thumb’ in the garden.
But perhaps you were ‘green’ once upon a time when you were learning something new?
Or perhaps ‘green around the gills’ from a wave of nausea?
Mairi Neil’s attempt at St Patrick’s Day Limerick
Have you ever tried writing a blog
Through a St Paddy’s Day partying fog?
The brain is numb
Words don’t come
Until you sample ‘the hair of the dog!’
May your muse function better than mine – Happy Writing and feel free to share!
When I first began teaching creative writing it was a volunteer in my children’s schools. A steep learning curve for me as well as for them!
But it did encourage me to do more with my desire to write including a return to university aged 57, to achieve a Masters in Writing.
The early experiences in schools and community groups inspired me to become qualified to teach in Neighbourhood Houses. I have been privileged to be with and help other passionate writers for over 20 years.
A wonderful journey, exploring the power of words and learning new ways to express feelings, observations, and thoughts – playing with genre and form and having fun with the flexibility of the English language.
And So I Discovered The Cinquain!
The cinquain is a five line poem that follows a pattern.
Cinq is the French word for five.
Cinquains do not rhyme.
The most commonly found is an American derivative of the haiku and tanka.
It consists of five lines, of 2, 4, 6, 8 and 2 syllables respectively.
Although this form appears simple, it isn’t necessarily easy to write well, or with the subtlety or nuance, many people expect from poetry.
However, it is a good starting point for anyone intimidated by ‘Poetry’ – perhaps harbouring feelings of inadequacy (or nursing a dislike) – because of what or how they learned at school.
Form poetry like the limerick and haiku provides a useful framework for the inexperienced writer to experiment with words and experience some early success.
It doesn’t matter if the lines don’t have exactly the right number of syllables – what is important is that the writer has created a word picture and has had access to a framework for support.
I use pictures for inspiration, making it even easier! Another way of recording memories…
The traditional cinquain may be based on a syllable count but modern cinquains use a formula of word type.
line 1 – one word (noun) a title or name of the subject
line 2 – two words (adjectives) describing the title
line 3 – three words (verbs) describing an action related to the title
line 4 – four words describing a feeling about the title, a complete sentence
line 5 – one word referring back to the title of the poem
Writing A Cinquain
On the first line choose a subject
On the second line, write two adjectives describing the subject
On the third line, write three action words (usually ending with ‘ing’) to describe what the subject might do
On the fourth line, write a phrase describing what the subject may mean to you or others
On the fifth line, write a synonym for the subject
It can even work for personal stories, themes or special days like Mother’s Day!
If you Google “what is a cinquain” it will say:
A cinquain is a five-line poem that was invented by Adelaide Crapsey. She was an American poet who took her inspiration from Japanese haiku and tanka.
A collection of poems, titled Verse, was published in 1915 and included 28 cinquains.
Originally, Crapsey created the form for the American cinquain with five lines.
There were stresses per line –
• The first line has one stress, which was usually iambic meter with the first syllable unstressed and the second stressed.
• Line two has two stresses.
• Line three has three stresses.
• Line four has four stresses.
• Line five has one stress.
Following the invention of this form, Crapsey made changes and included a certain number of syllables per line. The most popular form I mentioned above of 2, 4, 6, 8 and 2 syllables.
Even though iambic feet were typically used in these cinquains, it was not a requirement of the structure.
Adelaide Crapsey did not invent the five-line poem. The Sicilian quintain, the English quintain, the Spanish quintella, the Japanese tanka, and the French cinquain all predate hers. What she did invent, however, is a distinct American version of the five-line poem. Inspired by Japanese haiku and tanka and based on her advanced knowledge of metrics, she believed her form “to be the shortest and simplest possible in English verse…
Her interest in Japanese poetry has also led some critics to link her to the Imagist movement that became popular shortly after she died and was led by the likes of Ezra Pound, H. D., and Amy Lowell.
Louis Untermeyer, editor for many years of Modern American Poetry, for example, called her “an unconscious Imagist.” Although her untimely death precluded any chance for her to collaborate with these poets, Crapsey was undoubtedly influenced by some of the same factors that fomented their movement including a desire to pull back from some of the excesses of the Georgian poets. Like Crapsey’s cinquains, Imagist poetry is characterized by the precise use of imagery and economy of language…
Although modeled after Eastern forms such as the haiku and tanka which are almost never titled, Crapsey titled all of her cinquains. Furthermore, her titles were not casual but usually functioned as active “sixth lines” which conveyed important meaning to the poem
Although it was likely a matter of fashion rather than a meaningful poetic decision, Crapsey used initial capitalization exclusively for each of the cinquain’s five lines.
Aaron quite rightly asks – How could the Crapsey cinquain be the American cinquain when no one is writing cinquains in a way that is consistent with the formula she established?
The form has devolved into something much simpler: a verse of a 2 / 4 / 6 / 8 / 2 syllabic structure or a simple form based on word type, ‘an exercise in metrics regardless of meaning“.
Variety Spicing The Writer’s Life
The term cinquain is also used for any five-line stanza, along with quintain, quintet, and pentastich.
John Drury’s, The Poetry Dictionary, second edition, by Weiter’s Digest Books 2006, defines key terms helpful to every would-be poet:
quintain – a five-line stanza, sometimes called
a cinquain (although the term is now usually applied to a stanza developed by Adelaide Crapsey),
a quintet (although the term suggests a musical ensemble), or
a pentastich (especially if the stanza is unrhymed). Various rhymed schemes are possible.
Examples are given of aabab, ababa, ababb and a reminder that the limerick is a quintain!
IMAGISM – a poetic movement invented by Ezra Pound around 1909 and intended as an antidote to the rhetorical excesses of Victorian poetry and the pastoral complacency of Georgian verse.
Pound, along with Hilda Dolittle and Richard Aldington announced three principles:
1. Direct treatment of the ‘thing’ whether subjective or objective
2. To use absolutely no word that does not contribute to the presentation
3. As regarding rhythm: to compose in the sequence of the musical phrase, not in sequence of a metronome.
Imagist poems strongly influenced by haiku and other eastern verse, were short, written in free verse, and presented images without comment or explanation.
Amy Lowell later led the movement, which expired near the end of WW1
In her own cinquains, Crapsey allowed herself to add or subtract a syllable from any given line. (That’s what is great about making the rules – you can break them!)
And really the resemblance to what is generally regarded as the cinquain seems tenuous…
Niagara Seen on a night in November
above the bulk
of crashing water hangs,
Autumnal, evanescent, wan,
From bleakening hills
Blows down the light, first breath
Of wintry wind…look up, and scent
Adelaide Crapsey 1878-1914
To Sum Up
At the most basic level, a cinquain is a five line poem or stanza. The poem has one topic and the details describe the topic’s actions and feelings.
A Cinquain can be written about any topic, unlike traditional haiku which focuses on nature or seasons.
Choose any of the methods mentioned above – or follow Adelaide Crapsey’s style – and perhaps create a book of verse of memories, travel experiences, observations of daily life… most importantly just ‘have a go’… you’re a poet and didn’t know it!
Share a memory, make a statement, express yourself in a simple stanza…
My mother would have been 95 years old on April 15th but she died in October 2009, six months after her 88th birthday. I often think of her – not just on her birthday – but this April, a milestone in more ways than one because it is the 75th anniversary of the Belfast Blitz, an experience Mum never forgot.
In December 2003, when I asked Mum to talk into a tape recorder and share stories about her life, it was obvious the despair and devastation of that night in World War Two had left traumatic memories.
In Easter 1941, Belfast was blitzed and like the incendiary bombs dropped that night, the damage Mum witnessed forever seared in her mind and heart.
As mentioned in a previous post, I researched Korean poetry because I have a new Korean-Japanese student. I discovered a Korean form called Sijo, which has particular syllable rules and a three-line, or six-line, songlike structure.
NaPoWriMo prompts may be by the wayside, but I’ll still make attempts to write poems.
Lord Haw Haw, delivered his big Easter Eggs as promised
The bombs pounded; buildings collapsed, land mines exploded
Belfast aflame. That destructive April, the people sacrificed.
I joined the army in October 1940 just after Dunkirk, but my eyes took bad. I developed iritis among other problems and the civilian doctor advised me to resign to get my eyes fixed. ‘If you want you can rejoin the ATS but don’t trust army doctors.’
He advised me to take my discharge and the day I received confirmation a rule was passed in parliament about conscripts. However, as a volunteer I was able to get out of the army on medical grounds.
I arrived back in Northern Ireland from Scotland on Good Friday in 1941. I went out to the farm with my brother, Tom and stayed with Uncle Arthur and Aunt Mary at Saintfield.
Everybody was warned to get out of Belfast because Lord Haw Hawhad said Hitler was going to give Ulster their Easter eggs. Lord Haw Haw often came on the radio. He talked through his nose and had a distinctive drawl. ‘We’re going to give the people of Ulster their Easter eggs,’ he said.
Well, Belfast emptied – those who could get out. Some of them had to work Saturday. Good Friday wasn’t a holiday in Belfast or Scotland, only in England. But Glasgow and Belfast got Easter Tuesday, so we had Sunday, Monday, and Tuesday off. We were expecting the planes but they never came.
There had been a raid the week before.
The Luftwaffelaunched its first attack on Belfast April 7th and 8th. They attacked the docks. That Dockside Raid was a shock. The government thought we were too far away for the Luftwaffe to reach. We’d had 22 air raid siren alerts – each one false – people were careless about the blackout curtains or going to bomb shelters.
Even London didn’t think we’d be a target and had told Stormont to build air bases. We only had 200 air raid shelters for a population of 500,000. When more than 500 Luftwaffe bombers and escorts took off from northern France – heading for Clydeside and Greenock no one expected eight bombers to veer off to Belfast.
They dropped about 800 incendiary bombs on the dock area. That shook everyone up! Workers lived near the factories and docks, they were sitting ducks. Lots of homes were destroyed. Incendiary bombs set fire to large timber yards. Harland and Wolff dockyards were hit and the Rank Flour Mill. Thirteen people were killed and the Germans discovered how weak our defences were.
However, that Easter weekend we thought we were okay. Everybody returned Tuesday night to start work on Wednesday morning and the beggars came around 11 o’clock Tuesday night.
It was one of the longest raids of the war. They started about 10.30pm, actually. The first bomb fell before the sirens went and got the main water line in Royal Avenue coming from the reservoir and shortly after 2.00am they got the other water line so there was no water.
About 150 to 160 Luftwaffe bombers dropped over 200 tons of explosives. They targeted the city’s waterworks. At first we thought that the reflection off the reservoir had fooled the pilots into thinking that they were near the docks. But they were no fools. The waterworks were deliberately hit.
The water pressure was so low fire crews found that their hoses were of little use. It was an inferno. It was fire that damaged Belfast – fire did most of the damage.
It was after 6.00am before the all clear sounded. In the morning when I first looked out Belfast seemed to be surrounded by fire, there were still blazes burning.
Later people said Dublin had warned the politicians the bombers were on their way. Dublin wasn’t in the war but they wouldn’t do anything against us. I don’t know what we would have done without them because things would have been a darn sight worst.
They could see the fires in Dublin and were asked to help and said we’re sending you up fire engines and tanks of water. They sent up every available fire crew about 70 men and 13 engines and they fought the fires for 3 days without rest. They were relieved by fire crews from the Clyde and Liverpool.
I don’t know what we would have done without those volunteers.
“In the past, and probably in the present, too, a number of them did not see eye to eye with us politically, but they are our people–we are one and the same people–and their sorrows in the present instance are also our sorrows; and I want to say to them that any help we can give to them in the present time we will give to them whole-heartedly, believing that were the circumstances reversed they would also give us their help whole-heartedly …” Eamon De Valera President of Ireland after the Belfast Blitz.
We were four houses down from the top of our street where a landmine landed. A shop stood alone with little damage but there was nobody in there. Nearby two houses took a direct hit.
One of the houses was empty but in the middle house two daughters and their mother were killed. The father was a guard in the gaol down the road and the brother was in a granary sheltering with the boys brigade so they were saved. The mother had been across the road visiting but when the siren sounded she saw a tiny light through a crack in the blackout curtains and knew that her daughters were home.
‘Oh, the girls are home I better be with them.’ She rushed out as a landmine fell and the house was demolished. Her body was discovered atop a lamp post and the girls crushed and killed inside their home.
My stepmother went to Comberto her folk and my uncle pleaded with us to stay with them at the farm until Wednesday morning but Tom said, ‘Oh no, my mammy said we had to come home because she was coming home.’
Well, we got home about half past eight or nine o’clock but she never arrived until nearly half past ten. We had to sit on the doorstep because she wouldn’t give us key.
We had just got into bed and the sirens went so of course it was panic stations. We made our way down the stairs, but before we got down they dropped the landmine at the top of the street.
Our two front and back doors blew in and some of the windows shattered although they weren’t too bad because we had sticky tape on them. We had a Yale lock, plus a big ordinary lock on the door and we had a bar across, yet the door was blown in.
We got down below the stairs and huddled together. We never had a back garden and the nearest air raid shelter no one would go in because it was stinking, dogs peed in it and everything else. It wasn’t kept in good repair at all.
The bombing went on until half past six in the morning.
We always sheltered under the stairs. It was a funny thing although houses were bombed it worked out under the stairs was the safest place to be, and many people survived.
I’ll never forget when I came out of the house and looked out. We lived at a bit of a height and the city seemed to be ringed by fire.
There were unexploded bombs all over the place and this little lad came down the street – he was eleven or twelve years old – and he had some of his belongings over his shoulder wrapped in a sheet that had once been white, but was now dirty grey.
He held a canary in its cage. ‘Were are you from son,’ I said.
‘Oh up from the Bally streets.’
These streets were at the top of the Old Park Road. Four or five streets: Ballyclare, Ballymoney, Ballywalton…Ballymena. They ran to the Clifton Park Road.
Those streets bombed because the Germans were actually aiming for Aldergrove Airfield and the RAF, which was on the other side of the hill called Devil’s Mountain. The RAF boys told us it was easy to confuse from the air because the way the tram lines ran they look like runways and the houses looked like huts.
On one side of the Cliftonville Road was the football ground and the other was the cricket ground so the Germans thought they were bombing the airport but they were on the wrong side of the hill.
The wee boy said, ‘Missus, there’s hardly a house left standing, the Bally streets are flattened.’
‘Oh my goodness,’ I said.
‘I don’t know where my parents are,’ the wee boy cried, ‘they were at the Crumlin Road pictures and they haven’t come back yet.’
‘Where are you going?’
‘I’m making for my aunt’s down the Shore Road, York Street East.’
I often wondered how he got on because that street was badly damaged. I wonder what happened to that wee boy and so many others like him. It was a terrible night. Around 56,000 homes damaged or destroyed. Nearly 1,000 people were killed and 1,500 injured. 400 of those were seriously and 100,000 homeless.
War is ugly. I would hate to see another world war. Australia should never have been in Vietnam and should keep out of other countries. Too many innocent civilians suffer.
Two hospitals were hit that night in Belfast, so bodies were lain out in St. George’s Market to be identified. Some were never identified and were buried in mass graves.
Ronnie Finnegan’s father was the groom at Wilton’s Funeral Parlour and my friends Mrs Calvert said she would never forget to her dying day the squeals of the horses.
The hay took a direct hit and they only managed to rescue a couple of the horses because there was no water to fight the fire. They were the most beautiful horses you could ever see.
They were Belgian and kept in beautiful condition. They shone at funerals, coats gleaming. Ronnie said his father never really got over the loss of the horses because they were like his children.
Aunt Martha ran all the way, through streets of unexploded bombs, from Armagh Road to Albertville Drive to plead with us. ‘Please get out to the farm.’
She then went on up to Woodville Road to ask Aunt Minnie to leave. She’d run all that way and was so insistent, we packed to go. Tom had a canary and asked what to do with it.
‘Take it with us,’ I said. We were about ready to leave when the canary died – delayed shock.
Tom was breaking his heart over the bird when my stepmother grabbed it and flushed it down the toilet. She was like that – a heartless woman.
Of course, there was little public transport because lots of the road had been damaged. We walked to a shortcut we knew to see if there were any buses. Passing Mr and Mrs Scott’s place we noticed their boys had come in from their dad’s farm, which was just above our family farm.
The boys had come in to get Mrs Scott because she was a widow. Bob Scott was dead and they had come to evacuate their mother who said, ‘I’m sorry we can’t take you because there’s no room in the car.’
We understood but asked if they could take our bags. ‘Oh aye, we can squeeze them in the boot.’
What a relief to get rid of the luggage because as we walked downhill everywhere was thronging. The smell of burning flesh, clothes, furniture – everything – clung to our nostrils. We managed to get a bus out to the farm and stayed there for most of the war.
I never went back to Belfast because I got a job in Saintfield and worked there until my eyes took really bad and I had to see a specialist who saved my sight.
Without Mum,another Sijo by Mairi Neil
Without Mum, the world is sadder
Without Mum, wisdom is diminished
Without Mum, hearts are crushed
Without Mum, life is less appealing
A mother’s love potent and powerful
My mother’s love not broken by death