‘The history of a Carrum family’ is a valuable asset added to local history.

author Jillian Bailey with me, November 2020

This is another post long overdue, and I apologise to friend and author, Jillian Bailey for not celebrating the publication of her wonderful family history before now, but I imagine I’m not the only blogger attempting catch-up after a horror of a year because of the global pandemic whirling a chaotic world close to home.

The above picture from November last year when we received from the printer, in Jillian’s words, ‘the labour of love’ that is The history of a Carrum family. The actual publication followed months of meetings held between lockdowns, copious emails, phone calls, text messages and usb drops in each other’s mailbox to finalise the contents, but as Jillian states in the Acknowledgements, the writing was in ‘progress over the past fifteen years…’

The book has pages of photographs and scanned documents. Many are family photos but there is a 1950s school photo from Carrum Primary as well as photographs of public events and locales. It is usually the inclusion of these photographs and historical descriptions of an area that moves a family history from being important to a select few to interesting for a wider audience. (The Facebook groups focusing on local areas have thousands of members and inevitably the posters who share old photos and memories receive the highest number of likes and responses.)

The process of which images to include became the subject of many discussions and hard decisions because as is the case with most family histories the cost of ‘the labour of love’ is borne by the researcher/writer!

Over the years and even in the months close to finalisation, family members gave feedback on the manuscript and some decided to submit or change a contribution. Writing a family history is not for the fainthearted or impatient.

Jillian initially began her journey into family history to honour her parents and record their legacy and keeping that as the focus helped decide what images and text to include and gave her definite parameters and a beginning and end. The book is a history of her family establishing a home in Melbourne’s bayside suburb of Carrum at the end of WW2, and the house built by her father features on the front cover; a photograph of her smiling parents, Jack and Doreen, brightens the back cover.

Jillian’s parents both lived into their nineties, Jack (95) and Doreen(98) and as their carer for many years Jillian took the opportunity to listen to their stories, ask questions, and record their memories with the aim of passing on the history to children, grandchildren, great grandchildren – a permanent legacy.

By taking the time to reflect and document the stories about the family’s history, Jack and Doreen’s life experiences, opportunities and challenges, the joys and sorrows, Jillian has captured her parents’ values and wisdom and their keen sense of humour. The book also provides an opportunity for the reader to learn what it was like growing up in Carrum of the 1950s at a time when the infrastructure and technology we know today, didn’t exist.

We may listen to stories told by parents and grandparents but until someone takes the time to record and write down these stories, the anecdotes and information remain fragmented memories, easily distorted and often accompanied by a bundle of photographs of people with no name or context.

Family histories are important historical documents, they can contain information and photographs more relevant to ordinary folk, who make up the majority, than stories of royalty and celebrities because the majority of people are not affluent, their fifteen minutes of fame if it happens is localised. It is ordinary working people who produce the families that make suburbs grow, who establish the clubs and special interest groups, and the need for parks, schools, libraries and bus routes!

At some time in our lives, most of us are curious about ancestors and where we are from, and the growing popularity of Ancestry.com and TV shows like Who Do You Think You Are plus people paying for DNA testing is significant.

Collating a family tree is important, but families are more than a list of birth and death dates. Stories add flesh and depth to an abstract list of names. The Family Tree in Jillian’s history prepared by a genealogist friend, begins with her grandparents. Jillian’s mother was an only child, but her father was one of six children, so the Bailey family tree has plenty of foliage!

There are interesting inclusions in the book that you don’t necessarily find in other family histories such as colourful Heraldic pics certifying the origins of the maternal grandparents’ name, Watson (meaning son of Walter and dating to thirteenth century) and paternal grandparents’ name, Bailey (or Bailiff – man of great importance, fourteenth century).

Plus closeups of Certificates of Sale of the Highland Titles of Lord and Lady of Glencoe and a small plot of land in a nature reserve, in the Parish of Lismore in Scotland. The titles bought for Doreen and Jack on their 70th Wedding Anniversary. This gift from the family and subsequent ‘knighting’ at the party a great example of the Bailey family sense of humour and fun. In Jillian’s words:

“The family always got together for special birthdays and anniversaries, we loved the thought of a get-together; any good excuse for a party. We had great family parties, Mum at the piano hitting the keys beautifully; our singing not so beautiful, but with gusto and enjoyment...

Mum and Dad’s 70th Wedding Anniversary was extra special. About ninety family and friends came from everywhere to celebrate with them. Joan, who was the flower girl for their wedding in April 1942, came with her husband Alan. It was lovely to see them chatting with Mum and Dad.” (page 86)

the page of Jack and Doreen’s wedding photos – a feast for those interested in fashion but when you think of rationing and mood, it is also a triumphant achievement of planning and joy in the middle of a war.

Jillian’s parents were founding members of the Carrum Entertainment Group in 1955 and the reminiscences about the concerts and plays performed are illustrated by newspaper clippings, scanned programs and photographs. Doreen had her own band that played at all the local Barn and Square Dances held at the Carrum Fire Brigade Hall when it was situated near the Patterson River in Station Street.

Similarly, Jillian’s father was the Captain-Coach of the Carrum Life Saving Club and helped organise the Royal Life-Saving carnivals popular in the era and Jillian writes a vivid description of participating in the 1952 carnival hosted by Carrum. The book is rich in detail about neighbours and the various families involved with the Baileys, and as is often the case when people live most of their life in a particular locality, the friendship circle remains.

The history of a Carrum family is an enjoyable easy read, well set out in six parts with accompanying photographs and scanned documents:

Part 1 – the story of the maternal and paternal grandparents arriving in Australia by ship from England.

Part 2 – Doreen and Jack’s memories of childhood, marriage and children, working life and move to Carrum.

Part 3 – details of grandparents and family friends, stories of cousins.

Part 4 – the story of Jillian and her siblings childhood at Carrum, adulthood, weddings and children.

Part 5 – children’s weddings, grandchildren, family celebrations: anniversaries and Christmas parties, memories and anecdotes

Part 6 – stories relating to the family history published in Mordialloc Writers’ anthologies 2007-2015.

The anthologies Jillian refers to are in the library: A Rich Inheritance, published 2007, Carnival Caper, 2011 and Kingston My City, 2015. (This last anthology is free to download as an e-book KingstonMyCity.epub. and Jillian’s story starts p.74)

I couldn’t attend the launch of The history of a Carrum Family which happened when lockdown 4 eased December 2020. Remaining border restrictions meant family members interstate watched the launch remotely.(Yeah for the Internet!)

I’d had a rough year health-wise and a recent diagnosis made crowds too risky. Fortunately, Jillian’s son recorded the event and one of her friends put together a lovely memory book about the successful launch.

Here are a couple of extracts putting the launch in context and explaining the start of Jillian’s writing journey:

In the first essay when Jillian began writing her family history she focused on the first decade – 1949-1959:

I cast my mind back to 1948 when my parents bought a block of land in Carrum for 50 pounds. Dad and a family friend, Jack Millane, a carpenter-joiner by trade, started to build our house at the end of 1949...

They were tough times and over the next ten years, shortages of labour and building materials meant many people built their own houses, or provided unskilled labour for friends to cut construction costs and delays. ‘Materials were hard to get,’ Dad said, ‘even the nails were like gold. You had to dig deep to find them.’

On hearing about the shortage, Eric ‘Sandy’ McDougall, the local chemist and well-known Carrum identity said, ‘I’ll get you some nails, Jack.’ Sandy supplied Dad, and many others, with nails he railed down from Sydney. These nails were made in Melbourne, but were rationed to other states according to need, by the Gold Nail Company and government regulations. Mr Mac (as a lot of people called him), set up a hardware corner in his chemist-grocery mixed business, providing an excellent service for the local community.

Dad worked all week, and at weekends he rode his pushbike from Chelsea to Carrum to help Jack build the house...” (page 114)

The recent upheavals because of the pandemic makes some of this information eerily familiar as does the poignant story of Laurel Bailey, Jillian’s Aunt, born in 1932. Six-year-old Laurel collapsed on stage at the Princess Theatre during a dance performance to become:

… one of the first Infantile Paralysis cases in Victoria. She spent the next two years in the Hampton Hospital (now known as Linacre Rehab Hospital) paralysed from the chest down inside an iron lung to help her breathe. She had contracted Polio from her cousin, Beryl who had no symptoms at all. Beryl went on to marry and give birth to twelve children.

Laurel was one of the fortunate ones under the care of Sister Kenny, whose healing methods became internationally famous for her wonderful work with Polio victims. Unfortunately, Australia lost Sister Kenny to overseas due to the lack of respect and belief in the work she did. She fought the government to get help for polio sufferers for years without success... ” (page 48)

Another snippet of history in Jillian’s book that resonates with today’s news about what you can and cannot do during lockdown is her mother buying a hair salon in Carrum in the late 1950s – the site now occupied by Aldi’s supermarket. Jillian worked there too:

“I started at Venus College of Hair and Beauty Culture in February 1958. It was a fifteen month course, covering everything in hair and beauty work. I really enjoyed my studies and was proud of my qualifications. I worked with Mum in her salon on Friday evenings and Saturday mornings during this time to get some practical knowledge and hands-on experience. Mum eventually sold the business about two years later when I was qualified and had a position in a wonderful salon.” (page 63)

The story of following in her mother’s footsteps to own hairdressing salons and all the accompanying experiences that go with a career where every day is filled with personalities and personal stories will hopefully be the topic of Jillian’s next book when she writes her memoirs!

Until then, after fourteen years of research and writing, she can enjoy the well-deserved praise and gratitude from family and friends for The history of a Carrum family.

We survived all that 2020 threw at us and I’m pleased I had a small part to play in Jillian sharing her story of the strength, resilience and remarkable lives of earlier generations.

If you want to read about others who have displayed Jillian’s determination to publish a slice of history click on the links below:

Purpose, Persistence, and Perspiration make Edna a Published Author for her 90th birthday!

More than Irish Eyes Are Smiling

A fond farewell to a friend, writer, and fellow Celt – thanks for a treasure trove of lovely memories!

Perhaps you’ll be inspired to write your family’s story!

A fond farewell to a friend, writer, and fellow Celt – thanks for a treasure trove of lovely memories!

Me with Kay Watson (Ceinwen) December 2013

Four days ago, I received a call from an unfamiliar number. Celtic feyness or a sixth sense made me pick up, instead of my usual practice of letting the call go to Voicemail.

‘I’m Sylvie, a friend of Kay Watson’s,’ a voice said, ‘and I’m ringing to let you know Kay passed away yesterday morning.’

I’ve reached an age where news of illness and death more frequent than I’d like and in recent times coming too often! Kay was one of my oldest students; first attending writing class at 80 years of age and publishing her memoir at 89. She only left when a move to a distant nursing home in her mid 90s made travelling and attendance difficult. 

Sylvie informed me that Kay had celebrated her 100th birthday at the beginning of the year and was thrilled to receive the obligatory greetings from the Queen. This snapshot of a grinning Kay in February speaks volumes!

Kay’s 100th birthday card from Queen Elizabeth II

We live in Covid times. The death of a family member, friend, or acquaintance presents difficulties when lockdown dictates funeral rules and visits to homes, especially to those in the aged care sector. So this will be a digital trip down Memory Lane to celebrate and farewell the life of one of the wonderful students I’ve been fortunate to meet during my time as a writing tutor.

Kay was remarkable and touched my life in many ways. The desire to honour her legacy has motivated me to shake off a torpor that’s had me avoid blogs and blogging for several months.

Many of those who follow Up The Creek With a Pen are ex-students or members of writing groups and will have met Kay in class or at the regular Sunday readings held by Mordialloc Writers’ Group until I retired in 2017. When writing, Kay preferred to be called by her Welsh name of Ceinwen, a language she still spoke fluently. Ceinwen was one of the few Welsh speakers in Melbourne, who could also read and write in Welsh, skills she often used on behalf of St David’s Welsh Church when they wanted to welcome visiting Welsh celebrities like the Welsh Choir or celebrate St David’s Day, the Welsh National Day in March.

Ceinwen means lovely, blessed, and fair – well-chosen descriptions of the Kay Watson I knew!

Kay’s memoir published 2010

My association with Ceinwen, inextricably, linked with Mordialloc Neighbourhood House, where we met because of common interests in writing and social justice. Between first volunteering, then being employed as a creative writing tutor, plus running the Mordialloc Writers’ Group and Readings By The Bay, my association with MNH lasted 21 years. Ceinwen attended Monday morning writing class for 13 of those years, also the Sunday Readings and meetings of the Union of Australian Women Southern Branch, which I coordinated. Her memoir launched on the 15th anniversary of the writers’ group, epitomised what local community writing classes and groups encourage and celebrate.

The Monday class at Mordialloc Neighbourhood House, Ceinwen’s beginning as a writer!
Kay dressed in signature orange (to match her hair she always said!) reading one of her poems at Readings By The Bay. She was a skilful knitter and knitted this suit herself!

The Launch of Ceinwen’s Journey, 2010

Good Afternoon – my name is Mairi Neil and I coordinate the Mordialloc Writers Group. Before I begin…

I acknowledge the people and elders, past and present of the Boon Wurrung Clans and the Kulin Nation. I acknowledge and uphold their unique relationship to this land and surrounding sea, a relationship of over 40,000 years. The Mordialloc Writers’ Group believes reconciliation is about recognition and healing with Australia’s Indigenous people. Together, we are Australian, let us bridge cultures and create a just society. 

Croesoa Welsh welcome for those who have specifically come for the launch of Ceinwen’s Journey, Shining in Reflection, a memoir by local writer, Kay Watson. Kay attends my writing for pleasure class here on a Monday; is a fellow member of Mordialloc Writers’ Group, and the Union of Australian Women Southern Branch, but above all she is a friend, so I am honoured to be able to launch Ceinwen’s Journey, which is a super read.

Kay is here today with her son Clive and daughter-in-law Sheila. We are also honoured to have publisher Hassanah Briedis, and I’d like to acknowledge our local member Janice Munt and convey the apologies of Federal member Mark Dreyfus and Senator Mitch Fifield both in Canberra this weekend. Several regular members of our writers’ group who couldn’t attend send congratulations too. Just as well not everyone could attend because we have already run out of chairs!

Before I extol the virtues of Kay’s memoir, I’d like to remind you of the group’s record of achievement – seven anthologies that have enabled 55 local writers to be published – many for the first time. Anthology number eight to be released at the end of this year will ensure our stories, poems, memoir, and novel extracts continue to represent this community’s culture. Local anthologies are valuable historical documents. We are the keeper of your stories as we write our own.

A word or sentence, an object or photograph, a line of poetry, a colour or a memory, and many other triggers besides, inspire writers and the breadth of Kay’s writing provides examples of all of these starting points.

Kay Watson does not suffer from writer’s block! When she first attended writing class a decade ago I acknowledged her wonderful ability to tell stories, and to tell them well. She is blessed with an amazing memory and the stories she wrote in class (and still does) are rich in detail and prompt fabulous discussions, tears and laughter, plus wonderful history lessons when we share lived experiences!

Kay with Heather Yourn (dec 2019), another longterm member of Monday class who came to my classes until 91 yrs of age. Heather wrote insightful stories and poems too. Kay and Heather had a special bond. When Heather moved to Mt Eliza she’d pick up Kay and bringing her to class because Kay lived at Patterson Lakes .

What Kay can’t remember is compensated by her vivid imagination! (Although no made up stories in this memoir!)

Her words flow effortlessly, in class every story seems true and once the excitement of this launch is over, she could produce an anthology of her short stories and poetry. But judging by her look of horror perhaps not – it is stressful putting a book together…

Kay’s memorable contribution is a story of a life spanning 89 years, written with modesty and understatement, yet she lived through the hardships of the Great Depression, the hungry uncertain years of the Great Slump, and the rationing and devastation of the Second World War when she was separated from Arthur, the love of her life. Then came children, several sojourns to Europe and the trials and tribulations of family life in the United Kingdom and retirement in Australia. 

Kay triumphs over the adjustments of resettlement, not only from England to Australia at a time of life when many would be reluctant to move from their comfort zone, but an earlier move to England from Wales. This childhood upheaval perhaps the greater challenge because she had to forgo her beloved Welsh language for the scouse accent of Liverpool. (It could have been worse she may have relocated to Glasgow!) 

Mind you adapting to ‘Strine’ has not been without dramas – like many new migrants she turned up to gatherings here in Australia with ‘a plate’ because she was told to, never realising it was supposed to have food on it!

Kay begins her story in 1921, a time of oil lamps, and tin baths used once a week before being hung in the yard. A time when wash day did indeed take all day, and children amused themselves with homemade toys, and their imagination, while mothers lit boilers, hand-washed everything, and if lucky, had a mangle to wring out the clothes to be dried in the back garden on a line of rope between wooden poles. The art of washing clothes no mean feat in the miserable weather of the UK.

At home, Kay spoke Welsh, at school English, and often home was a house of women because her Merchant Navy father spent time away at sea. These are memories of a time when the pace of life seemed slower, a time when not everyone had a car, a time when you made your own entertainment. Definitive childhood experiences leave their mark but it is amazing what memories are triggered in writing class.

First Love by Kay Watson

Keith Taylor was 15 years old and sat in the desk in front of me at school He had acne and hair sticking up like a chimney sweep’s brush dipped in oil. Not very tall, he was always straightening his spectacles with a forefinger and constantly sniffing instead of giving his nose a good blow.

I fell madly in love with Keith.

He lived in the next street and we walked to school together. Considered ‘grammar school material’, he helped me with my homework. We went to the cinema on Saturdays, and I watched him shine at football at the local recreation grounds. He was always there for me, saying, ‘You make me so happy you’re my girlfriend,’ and ‘I love your dark shining eyes.’

I gave him a photograph of myself and he kept it in his desk at school. ‘Why do you keep it there?’ I asked

‘To look at you often,’ he said, ‘because I’ll get into trouble turning around in class to look at you.’

No wonder I overlooked that he didn’t have film star features!

Love permeates this book: love of God and church, love of family, love of community, love of travel and love of having a good time. As all of you who know Kay, laughter is never far from her lips.

It has been Kay’s Faith and a keen sense of humour that has helped her through the sad times – of which there have been a few – especially the tragic loss of her beloved daughter, Dawn when only 21 years of age, and the recent loss of her husband and soul mate, Arthur.

You don’t reach 89 without having the rough as well as the smooth and yet this is not a sad book, it is indeed a celebration of a life well-lived. 

Writing your life story is not for the faint-hearted. It takes courage. When we write we reveal ourselves, expose ourselves to public scrutiny. We revisit good and bad times and often learn things about ourselves – each sentence can be as much a surprise to self as it is to the reader. It may be cathartic or be a shock but it is a wonderful gift to be able to use our very flexible and beautiful language to connect with others. And it is magic when we get it right – as Kay has done.

Sounds and Smells of War by Kay Watson

The war.  Air-raid sirens screech, enemy aircraft drone overhead. Wham Wham! Anti-aircraft batteries and crump of exploding bombs. We heard these sounds and more sitting on cold slatted wood seats in dank, brick, air raid shelters surrounded by dampness and fear of death. Our five senses overloaded every night.

Glass splintered and smashed, dancing on the cobblestones as windows hit by shrapnel. The suction and compression from huge blasts, pushed us together. We grabbed each other, held tight for comfort because there were no doors on the shelter and we could see the angry red sky blackened at the edges.

City docks aflame. The acrid smell of exploding paint drums and melting rubber in the air billowing smoke and flames from the burning sugar factory, which formed a fiery sheet on the surface of the water. 4.00am. After nine hours, the all clear siren sounded. We emerged from the shelter to the scent of burning wood. Smelly black dust hung in the air. We faced our homes, many destroyed, front doors blown off, shattered windows, rubble strewn gardens. Bewilderment. We hugged our blankets and pillows, and small babies in smelly nappies long overdue for changing.

Our kitchen relatively unscathed meant I had a cold wash. How I enjoyed the aroma of Lifebuoy Soap, the luxury of feeling clean and refreshed. We gathered the broken crockery from the red tile floor. An intense smell of soot from the kitchen range permeated upstairs, even inside chests of drawers. The force of the blast had scattered clothes from cupboards. They smelt musty and wet from the fire brigade’s efforts to save the house. Mum stood motionless and stared at the mattress, pockmarked like cinders on a hot face, by the incendiary bombs. Friends invited us to stay until we found a place outside the city, wreathing our faces in smiles. We smelled their coffee. Even burnt toast, delicious in those days.

The bitter days now behind us but the way to the new is in the shadow of the old. I enjoy more pleasant smells, especially seasonal ones, each flower bringing its own smell to my garden. Also the sea and seaweed clinging to rocks, the salt tangy ocean, the red earth of the desert and most of all sounds of birds like a choir of chirping minstrels.

There are interesting photographs in this book too – examine them closely because they all hold stories.

Please enjoy this magnificent achievement, a memoir to treasure and join with me in congratulating and welcoming author Kay Watson.

That day was probably one of the highlights of Kay’s long life and made more memorable by the support she received from fellow students in the class. One of the students, Helen, arranged for her partner to make a magnificent (and delicious) cake, in the shape of a traditional Welsh hat and many people followed the Aussie tradition of bringing a plate (food included, of course).

Another longterm student of Monday classes was Amelia, in a similar age group as Kay, they shared a close friendship. Both lived in Parkdale and loved writing poetry about the environment, especially the sea. Sadly, Amelia predeceased Kay. I read some of Amelia’s poetry at her funeral.

Kay and Amelia Auckett

I can’t attend Kay’s funeral but will finish this blog with some of her lovely poems that featured in the annual class anthologies where she favoured writing about her memories of the UK countryside. There are a few photographs too, of Kay’s classmates, several who have now passed away. There is also a picture I treasure of Kay with my mother, who was born in April 1921. The pair met a few times at Mordialloc Writers’ events and got on well but sadly, Mum died in 2009, a few months after this picture was taken.

Kay with Mum (Anne McInnes)

It is not overstating, to say everyone loved Kay and her stories never disappointed. During WW2 she was in the WAAF’s Entertainment Unit blessed with a wonderful Welsh singing voice and the actors and entertainers she met in the concerts to entertain the troops filled a list of celebrity who’s who, but I loved her travelogues. She’d bring in pictures of her and husband Arthur’s holidays to Spain and France and write about fascinating adventures.

One travel story sticks in my mind because she had the class in stitches and there were no accompanying snaps. A group of friends had hired a yacht to sail the Mediterranean islands. When the weather turned nasty, they headed for a nearby isle to drop anchor. On going ashore they discovered it was a nudist colony and to use any of the facilities, they had to, in Kay’s word ‘conform’.

I miss teaching writing in community houses, miss the many students who enriched my life with their stories and imagination. I learnt so much and will always smile when remembering the friendship, laughter, entertaining and emotional stories, and the sharing of scrumptious morning tea that were all part of Writing for Pleasure on Monday mornings.

Childhood Home by Kay Watson

I long to see the old place again, just once on a winter’s day

frost makes white the lonely fields, and skies are silver grey.

I think of our cottage and winter walks down the lane

snowdrops nod their heads, their stems stiff like cane.

Those long dark nights, and cold short days,

the low angle of the sun casting shadow haze

adding form to the landscape and drifting snow,

patterned frozen puddles where summer sunflowers grow.

I shall return in summer and breathe the rustic air,

pause at the stream to rest and reflect on things there –

remember my childhood of long ago – and I’ll sing

of the joy and peace Mother Nature always brings.

Meadowland by Kay Watson

Warm sun thaws and meadows tenderly lie

beneath the paintbox of sunrise,

the bridle of earth and sky.

Cowslips join waves of ripening corn 

to float and dance, spellbound entranced

warming my heart like a cloth of gold.

Ever changing breeze sighs through my hair

like a joyless eye, 

it is eventide when sun sinks in the west 

and drowsy butterfly folds his wings, 

birds fly to their nests no more to sing.

Flower petals close, the daisy asleep 

is that primrose buried in slumber deep?

Thoughts scatter in fancy’s flight

sweet dreams close eyelids, till dawning light.

The highest tribute to the dead is not grief but gratitude.

Thornton Wilder

Thank you Kay (Ceinwen) Watson for sharing your journey!

Kay signing a copy of her book for Alex at Readings by the Bay, 2010

Authentic Storytelling has the Power to initiate Progress by Promoting the Personal is Political

Image shared on social media

For many people in Australia, celebrating International Women’s Day in 2021 was bittersweet, especially in the atmosphere created by revelations of how toxic and abusive our Federal Parliament is as a workplace for women.

The ACTU acknowledged the 110th Anniversary of IWD by publishing a report on the challenges facing working women in 2021. The report’s key points are not easy reading: “At the turn of the 20th century, Australia was considered one of the most progressive nations for women in the world. In 1902 we became the second country to win some women the right to vote (it took until 1962 for First Nations women to win the same right) and the first to allow women to stand for parliament.” And yet today, ‘Australia ranks just 44th in the world for gender pay equity. In 2006 we ranked 15th.’

For someone like me, who joined Women’s Liberation in 1971 during my first year at university and who is a longterm member of the Union of Australian Women, I feel it is indeed another example of Groundhog Day, and I can’t believe we are not only still fighting for equal pay, but in some instances, we have lost ground as far as equity and respect is concerned.

I’ve owned the following badges since the 70s and 80s and have marched for equality every year on IWD and at other protests, including the one against Trump where many of us wore homemade Pussy Hats. The article underneath those pictures is from The Age newspaper in the 90s and asks the perennial question – in the struggle for equality, how much has really changed?

Impact of Covid-19 On Women

The ACTU Report reveals that women bore the brunt of losses from the catastrophic changes to society due to the pandemic.

• Women over-represented in insecure and low paid jobs
• Women dominated the frontline care, and the caring responsibilities at home
• JobKeeper rules unfairly excluded women workers
• Over 300,000 women emptied their superannuation accounts to cope during Covid, putting them at greater risk of poverty in retirement.

from Facebook

The reasons why feminism seems to be making little headway in changing deeply ingrained misogynistic attitudes in a culture that prides itself in championing the ‘fair go’ will no doubt continue to be the subject of essays, books, blogs, podcasts, documentaries and film, not to mention the plethora of talk shows and infotainment passing as news we see on television and online, but here is another old cutting from my scrapbook. The date 1999!

From The Age, 1999

2021, we have some high profile female journalists – some even host their own radio or television shows – but it is still men who actually control the boardrooms, the directorships and CEO positions, and who own the newspapers, television stations, and big tech giants of the Internet.

(I can hear people asking: What about Ita Buttrose? However, considering the LNP Federal Governments have cut the ABC’s funding since 2013, and the organisation’s loss of staff and resources, I think we can discount any perceived advantage Ita’s appointment holds.)

And so the struggle continues!

The first photo is from the 2019 IWD rally, the middle photo of IWD in the 70s (the arrow points to me) appeared in the 2018 City of Melbourne exhibition, We Protest, and the last photo is the cover of a book published in January 2000, detailing the history and incredible achievements of the UAW.

Choose to Challenge – Kingston Woman of the Year Award 2021

On Friday, March 5, I attended the City of Kingston’s IWD celebration. This was the third year of 24 women being recognised for their achievements and contributions to the community, with one awarded the title of Woman of the Year 2021. This year too, they added a new category of Lifetime Achievement Award.

The stories of the final nominees, all proven leaders in their field can be read online. They inspire others and make a difference through exceptional professional or personal achievements in the following categories:

  • Courageous Commitment: Women who are dedicated to making a difference to the health, well-being, safety, and/or sustainability of our community through advocacy, campaigning, fundraising, and/or thought-leadership
  • Excelling in Arts and Sport: Women using their sporting and/or creative talents to represent, motivate and inspire our community.
  • Inspiring Innovation: Women who are leaders in Business, Economics, Politics, and/or an Entrepreneur.
  • Success in STEM: Women excelling in Science, Technology, Engineering and Mathematics.

The Mayor, Cr Steve Staikos, acknowledged the barriers that continue to perpetuate gender inequality which is a key cause of family violence and violence against women. “Kingston Council is committed to working towards the vision of creating safe, equal and respectful relationships in our community where family violence and gender inequality are not tolerated.”

The Council, working with Youth Services, launched the Young Women’s Mentoring Program last year hoping to help inspire future generations of young women to achieve their full potential with many of the nominees from past years, and hopefully this year, mentoring young people. By acknowledging their achievements the Council helps encourage positive contributions, encourages women to keep sharing stories, and encourages us to keep lifting each other up.

An award winner from last year, Tara Graves winner was MC. Tara emphasised the importance of support from others and having a sense of community. The mentoring program so important to inspire and help young people and an opportunity for nominees to share their skills and give back. It encourages women to take part and show leadership at Council events, just as Tara is emceeing and it helps emerging leaders, bringing out the best in all participants. Tara hoped, “the nominees this year will participate because their stories inspire and challenge us to make a positive difference in the community.”

A short video of the established Young Women’s mentoring Program heard from some of last year’s nominees and also the young people who joined the program. Messages from mentors included:

  • The importance of listening
  • the joy and importance of sharing skills
  • encouraging the seeking of help for mental as well as physical health
  • encouraging teenagers to grow into womanhood feeling positive.

Teenagers shared what they got from the program:

Importance of checking-in on a regular basis with those who you love and love you,

  • important to communicate
  • realising they are not alone or on their own,
  • a sense of optimism
  • it’s okay to be interested in multiple things and passionate about more than one thing
  • you don’t have to be always focused on one aim,
  • the value in learning from different life experiences and that it’s okay to be different.

Tell Your Truth – Speak Out – Own Your Story, Design Your Destiny

The keynote speaker was Mariam Issa, an inspired coach, storyteller, and author of A Resilient Life, co-founder of the non-profit organisation RAW – Resilient Aspiring Women – a multi-cultural program to encourage diversity and encouraging women to achieve while healing from personal, physical, mental or emotional trauma and life’s tribulations. RAW supports women’s resilience through intercultural dialogue and exchange facilitated by storytelling, cooking and gardening.

Mariam, originally from Somalia, said her African ancestry believes there is no death. We live in continuous life, and represent all the elders in our DNA. She meditates, and one day she saw a cross, and even although she is not Christian but Muslim, this visualisation she understood to mean the following:

At the top of the vertical line is the storyteller, and at the bottom is the listener. On the extreme left of the horizontal line are our ancestors and past experience, and on the extreme right of the horizontal line is youth and the future.

She asked us to visualise this cross and the description and to add a bubble above the cross and each world we live in is in that bubble. Everyday it is important to realise we are all the bubble amid many bubbles. The story doesn’t belong to any one group – not the past, or future. The story is now and the segment of time we share.

Cultures who don’t share stories die. Mariam is a storyteller and cultures in the past used storytellers to share stories of the past in oral histories, settle disputes, celebrate special times, share knowledge. Mariam considers oral history similar to how we use technology today to process and pass on information.

Language and Rhythm are powerful tools.

Stories give us insights. Mariam considers her life is a safari and she uses stories as a platform to transform experiences through questions. We should use opportunities to be inquisitive, engage, and be inspired and connected. Resilient and inclusive communities bring together diversity and amazing stories.

Humanity is at a crossroads with the world changing rapidly.

2020 – revealed our inability to predict the future and the power of focused presence. Imagination is a lens to create a new reality of equity and equality that must be built into the system and we must challenge the systemic oppression of women.

Mariam’s mother was a weaver of mats and she told her daughter, it was important to change the pattern and your mat because life changes and we must adapt. We must change all the time. Don’t spend too much time looking at past mistakes or worrying too much about the future.

  • Claiming your rights is claiming your story. People meet the women within when you are faced with adversity and speak up or act.

Mariam was a Somalian refugee and like all refugees from a different culture, arriving in a new country, everything they knew about themselves was questioned. Her culture deflated and it was difficult to retain her cultural identity, especially after 9/11. Fortunately, she kept a journal and reflecting on this she saw a pattern of phases common to many refugees.

Phase 1: Victimhood: They were living in Brighton with feelings of powerlessness and despair. Separated from birth country and culture and extended family, she gave birth to her fifth child shortly after arriving from her war-torn country and a refugee camp in Kenya. She went into post natal depression. It was a dark period of settlement. She struggled but continued to hang on to the dream many refugees have, that one day they can return to their own country and be happy.

9/11 had happened and the media hype and many politicians rhetoric was anti-Islamic. She lived in fear and sent her children to an Islamic school, across Melbourne, expensive to attend and travel to, even when she knew the standard of education and the curriculum at Brighton public schools was better.

Phase 2: Anger: She took her four-year old daughter, her youngest child to kindergarten. Although excited to be part of all kindergarten entailed, her daughter asked, ‘Do they not want me because I am African?” Mariam realised what the fear and victimhood was doing and got angry wanting to change the situation. 

The angry phase was better – she made better decisions. She put her children in local schools, she stayed in Brighton and decided to settle in Australia, not always dreaming of ‘going home’. She made a choice to adapt to the community. Her ancestors were courageous nomadic people, they knew how to adapt and she would too.

Choosing to Challenge

It is hard to move forward, she believes you navigate adversity not ‘come through it’. You must challenge yourself – as her mother advised, ‘change the mat’. Mariam’s passion is to unlock the contributions of others and her daughter now joins her as a storyteller and was speaking at a school in Sunshine.

Mariam told the story of the day she decided to change.

On a winter’s day, she sat in front of their only heater clutching a coffee to get warm. Looking out of the window, a vision appeared that remains with her – it gave her inspiration on that winter’s morning. A young woman in lycra went by, holding a dog on a leash in one hand and pushing a baby’s pram with the other. And she wore perfect make-up.

Mariam wondered at this woman’s motivation and fortitude – it reminded her of women she had observed in Kenya who got up at 3.00 am, put a child in a sling and a basket on their head and walked more than half a mile to market. The vision started a curiosity about that woman in lycra, and others who lived in Brighton. 

(There was a murmured giggle from the audience at this point in the story – many of us I am sure recalling ‘Karen from Brighton’ and the fuss during the 2020 Lockdowns!)

Mariam started work as a cleaner in Brighton, cleaning homes of the women in lycra, and then worked in aged care. Cleaning the big mansions she met many ‘lycra’ women and was introduced to the coffee culture. She also met plenty of old people abandoned to loneliness in aged care.

Women are at the forefront of culture everywhere but lifestyle did not necessarily bring happiness, nor does isolation. She believes in bridging gaps. Life is happening to us all the time, we must participate and create a life bridging gaps within the community. Working towards goals of inclusiveness and similar goals she created her own business.

She discovered food the best social catalyst and established her own business cooking East African food called Cooking with Mariam, and was even on TV with well-known Australian basketball player, Andrew Gaze.

Then she became an author – writing her book about resilience, and now she has founded RAW (spells war in reverse) believing resilience springs from women. The more women thrive, the more communities thrive.

We Are the System

Choose to change, ponder the stories of other, find the courage to challenge any system oppressing you. Be curious, ask questions. Take the power you have within. Mariam asked Tara what she thought was possible in this space of uncertainty as we recover from the global pandemic. Tara answered: The future is female. Women must be empowered, must be taken more seriously in the workforce and in places where decisions are made.

Mariam is a woman of faith and finds that most faiths regardless of religious persuasion share many similar beliefs. She ended her speech with the following:

  1. Accept worthiness comes from your existence. You exist therefore are worthy.
  2. We are all one – I am because you are. There is no you or me. Accept the fullness of who you are.
  3. Whatever seed you put in and how you nurture that seed is what you plant. The law of cause and effect.
  4. Law of presence – we suffer because of past or future fears but we must focus on now.
  5. A need to promote and create a safe space so the vulnerable can reach out.

The program also included two uplifting, energetic and joyous dance performances. The first from Indigenous Outreach projects and the second from Tribal African drum and dance ensemble by Melbourne Djembe group. Both encouraged audience participation which emphasised we were indeed there to celebrate and not dwell on all that needs to be done.

There will be time enough to harness our Angry Phase!

IWD Rally Melbourne 2018

The Future

As an artist, I never wanted to be fettered by gender nor recognised or defined as a female poet, musician or singer. They don’t do that with men – nobody says Picasso, the male artist. Curators call me up and say, “We want your work to be in a show about women artists,” and I’m like, why? For Christ’s sake, do we have to attach a gender onto everything?

Patti Smith, writer and musician