Warning: Aboriginal & Torres Strait Islander people are advised this post may contain names and images of deceased people.
I couldn’t let this week pass without celebrating NAIDOC, especially since the message is such an important one for all Australians to heed.
We invite you to walk with us in a movement of the Australian people for a better future. The Indigenous voice of this country is over 65,000 plus years old.
They are the first words spoken on this continent. Languages that passed down lore, culture and knowledge for over millennia. They are precious to our nation.
It’s that Indigenous voice that includes know-how, practices, skills and innovations – found in a wide variety of contexts, such as agricultural, scientific, technical, ecological and medicinal fields, as well as biodiversity-related knowledge. They are words connecting us to country, an understanding of country and of a people who are the oldest continuing culture on the planet.
Unfortunately, because of circumstances beyond my control, I haven’t attended any events this year as in the past, but as I continue to organise the house in preparation for full retirement, I unearthed newspaper clippings and articles on various subjects, that I kept for research or out of interest.
Revisiting this treasure trove stirred a lot of memories of connection with Aboriginal and Torres Strait Islander peoples since my university days and involvement in the first Aboriginal Embassy, 1972.
I’ve spent several days of reflection thinking about what I’d write today.
It’s sobering to remember that it was only in 1975 that the one-day acknowledgement of National Aborigines Day became a week-long celebration with diverse activities to acknowledge our past, examine our present and hopefully look toward a better future.
Among the pile of paper, I must decide to scan or throw out, there are many book reviews, opinion pieces and essays written by Aboriginal and Torres Strait Islanders as well as academic or investigative reports by non-indigenous writers.
However, the realisation that there has been some progress made is tempered by the current Federal Government’s reluctanceto consider a true voice in parliament for First Australians and its outright rejection of the Uluru Statement from the Heart.
Broaden Your Knowledge About Australia and Its History/Herstory
This is also the International Year of Indigenous Languages – a United Nations observance in 2019 with aims to raise awareness of the consequences of the endangerment of Indigenous languages across the world and to establish a link between language, development, peace, and reconciliation.
The traditional owners of Melbourne are people from the Kulin Nation, with surrounding groups including the Woiworung and Boonwurrung (the Mordialloc traditional owners) and you can learn some words here.
Last year, I visited Canberra and the National Museum, which has some great exhibitions as a starting point for those seeking knowledge and understanding:
empathy, not sympathy; acceptance not tolerance.
At the entrance of the National Museum is a magnificent set of sculptures of the Bogong Moth, acknowledging the cultural traditions of the Aboriginal peoples who lived in the ACT prior to the European invasion and settlement.
What do our First People mean by Country?
Almost every public ceremony at all levels of government now includes a ‘welcome to country’. If you wonder why or don’t know how to explain it to visitors, an explanation follows.
Country’ is more than just the name of a place. When used by the Aboriginal people it is about a connection to all aspects of the land; landscape, ecology, spirituality, seasonal rhythms, people and culture.
For most of us, everything we read about our First People is either white/colonial/European perceptions of Aborigines or Aboriginal perceptions of themselves.
To read Aboriginal writing allows Aborigines to speak for themselves and state their view of Australian history.
In 2019, there is a wealth of Aboriginal writing to choose from including poets, creative writers, non-fiction and academia.
Albeit almost two decades ago, in his book, Writing from the Fringe: A Study of Modern Aboriginal Literature, Hyland House, Melbourne 1990, Mudrooroo Narogin divides Aboriginal history into five periods:
From the Beginning to 1788: the time of the dreaming, before the coming of the Europeans.
The Time of the Invasion(s): Aboriginal culture is threatened and is forced to adapt.
The Utter Conquering of the Aboriginal Peoples: many of the old ways of communication are destroyed or drastically changed.
The Colonial Period: outright oppression gives way to paternalism, then to assimilation.
The Period of Self-Determination: dating from the Referendum in 1967 and the Whitlam government in the early 1970s – still continuing…
Evidence of early Aboriginal habitation of the continent includes bones uncovered at Lake Mungo in south-eastern Australia and the sites of volcanoes, such as those at Tower Hill, near Melbourne.
The oldest continuing culture in the world dates back 50,000 – 60,000 years depending on what archaeological discoveries you choose to focus on.
What we know now is that Aborigines comprised many language groups, each with their own country. They created a network of overland commerce, developed ingenious ways of finding water and food in deserts, were expert trappers and fishers, skilled herbalists and farmers with a hundred different plant foods to supplement a diet of meat, fish, eggs and insects.
Colonial Invasion Without a Treaty
From the late 18th century, British and other Europeans arrived on the shores of this continent, some willingly, others with no or little choice: – officers, soldiers and sailors of the Crown, convicted felons, free men and women searching for economic opportunity and a new life or fresh start.
They built towns on Aboriginal land tended and shaped over thousands of years and so began the Frontier Wars and decades of conflict over the sovereignty of the land.
Aboriginal writers of note during the 1960s and 70s argued for Aboriginal land rights and self-determination. People like Oodgeroo Noonuccal (Kath Walker) and Kevin Gilbert brought an Aboriginal voice to wider audiences. Both of these wonderful poets died in 1993 – a tragic loss to Australian writing.
A newspaper clipping I have from The Sunday Herald, August 20, 1989, has a story by Brett Wright titled, Our Forgotten War. This challenges the lie that Aborigines didn’t fight for their country or were always the victims.
” John Lovett, Aboriginal Advisor and former elder of the Kerrupjmara clan, surveys the stony ruins of a lost culture.
“This is one here,’ he says, standing in a ring of weathered rocks, barely discernible in a volcanic landscape strewn with boulders. Further afield, at the edge of a drained swamp known as Lake Gorrie, are the remains of stone fish traps, used to catch eels when the lake flooded.
Historians say the ruin is almost certainly the base camp of a group of Aboriginal guerrilla fighters who fought the squatters in the black version of Vietnam: the Eumeralla War of the 1840s.
Records show the resistance to white settlement was intense and bloody in Victoria’s Western District. The 1838-39 drought left the Aboriginals short of food and water, and they were forced to drive off the squatters.
In 1842, two clan leaders, Tarerarer and Tyoore, nicknamed Cocknose and Jupiter, led attacks on stations around Eumeralla River, near Macarthur. They attacked shepherds and took their sheep for food.
The Eumeralla War had begun. An unknown number of lives were lost on both sides, as the attack led to fierce reprisals by the settlers. One of the raiding parties from the Nillangundidji tribe numbered 150.
“The tactics used were very similar to those used by the Viet Cong in the Vietnam War,” Mr Lovett said.
… concentrating their attacks on settlers who had taken up land around sacred sites, the Lake Gorrie guerrillas were very successful… the campaign continued for two years until native police killed Jupiter and Cocknose. With the leaders gone, the resistance movement faded.
“What we were fighting for was to survive, to maintain and keep our traditional areas,” said Mr Lovett …(who) believe sites such as Lake Gorrie should be recognised. “It’s relevant for white and black people to know the history of Australia.’
Fast forward 20 years and a lot more truth about how the invasion and settlement of Australia played out debunks peddled myths that the Aborigines didn’t fight for their land or try and repel the invaders.
Perhaps the greatest lie that I was taught at school regarding Aborigines was that there were no Aborigines left in Tasmania after Trugannini died. The National Museum has a fantastic exhibition detailing the cultural heritage of the Tasmanian First People.
There are many stories showing the diversity and richness of Aboriginal and Torres Strait Islander cultures and the most compelling are those of resistance, resilience, cultural adaptation, creativity and leadership.
There is a lot to take in when you walk through the galleries devoted to Australian history and culture and so it’s a relief to sit and rest in a special place designed to help you relax, reflect, and yarn. And yes, you can recharge your mobile phone, if like mine the battery is low because the camera worked overtime!
Yarning circles and gathering circles are important places. They are where stories and knowledge can be shared in a caring environment that’s relaxed and comfortable. With our bodies, we include ourselves in the listening and learning that is being gifted.
Nancy Bamaga, Thabu/Samu
We could do with yarning circles in every home and community.
On Thursday evening, July 4th, my friend Jillian came with me to a fabulous event in the annual Glen Eira Storytelling Festival.
Not only was the event free but they put on a cuppa and delicious choice of biscuits if you turned up before starting time and plenty of us did that!
I no longer work at Godfrey Street in Bentleighwhere I used to encourage my students to enter the writing competitions (and in past years a couple got guernseys!) however, my Facebook feed alerts me to Glen Eira Council posts.
For anyone writing recent family history (Jillian) or stories about or based on their own life (me), Thursday’s event was a great shortcut for historical detail, reminders of what Melbourne’s suburbs used to be like and a way to generate ideas to turn your life into interesting fact or fiction with specific research done by people passionate about the past and with an established following for their writing.
Nostalgia and the ‘Burbs
Award-winning television and radio broadcaster, Libbi Gorr hosted a panel of contemporary artists and authors with research, websites, and books devoted to cultural observations of our changing suburbs.
Libbi, currently, on ABC Radio Melbourne Weekends was known as Elle McFeast in the 90s.
Lisbeth Joanne “Libbi” Gorr is an Australian broadcaster working in both TV and radio. Gorr is also an author, voice artist, writer and performer. She first came to prominence with the satirical television character that she created called “Elle McFeast”.
With her comedic skills to the fore, Libbi introduced herself by saying she looked up the meaning of Libbi and it was a wallflower, so she chose Elle because in the 90s the model and magazine was associated with long legs and great tits.
She explained that if you wanted to know her job on ABC Radio Melbourne think of her as the Waheed Ali of the weekend except she has a Jewish background, or Miranda Kerr after a feed and Oprah on Crack…
She was a young Jewish girl growing up in Murrumbena, a suburb ‘not quite Caulfield’. Her father originally, from Shepparton but his family escaped the pogroms of Russia. Her grandfather came to Australia at the same time as the Myer family but he worked on the Snowy Hydro scheme.
Sidney Myer’s family got the Sidney Myer Bowl, her father got a fruit bowl – Shepparton.
Libbi’s mother born in Caulfield – a pharmacist like her mother – ‘two generations of druggies’. Her father owned a petrol station, Gorr Automotive so Libbi said, ‘she could sniff cocaine or petrol’…
Libbi’s introduction, placing herself as a local with a connection to place important for the ‘home crowd’ – and it was a crowd – in excess of 100 people packed the room. Not a bad turn out for a winter’s evening.
The blurb on the invite about ‘burbs said:
As corner milk bars disappear, video stores shut their doors and quirky suburban houses and landscapes give way to gentrification, a group of writers, photographers and artists have set about capturing the quirks and nostalgia of our changing suburban landscapes.
Join us for an evening of cultural observations from the ‘burbs, trips done memory lane and some musings on the very strange phenomenon we call nostalgia.
Why is Nostalgia important?
Before Libbi introduced the panel she mused that Carl Jung answered that question when he studied how childhood experiences are cemented as unconscious memories connecting us to our past.
Our unconscious is the part of the mind containing memories and impulses of which we may not even be aware.
Jung talked about ‘collective unconscious’, a term to represent a form of the unconscious common to mankind as a whole and originating in the inherited structure of the brain.
We all have experienced premonitions – a sense that we know who is on the phone before it rings and we pick it up. We all have had deja vu, that feeling we’ve been somewhere before…
Jungians, almost by definition, tend to get enthused anytime something previously hidden reveals itself when whatever’s been underground finally makes it to the surface.
Carl Jung founded the field of analytical psychology and, along with Sigmund Freud, was responsible for popularizing the idea that a person’s interior life merited not just attention but dedicated exploration — a notion that has since propelled tens of millions of people into psychotherapy.
… Jung, over time, came to see the psyche as an inherently more spiritual and fluid place, an ocean that could be fished for enlightenment and healing.
Whether or not he would have wanted it this way, Jung — who regarded himself as a scientist — is today remembered more as a countercultural icon, a proponent of spirituality outside religion and the ultimate champion of dreamers and seekers everywhere, which has earned him both posthumous respect and posthumous ridicule.
Jung’s ideas laid the foundation for the widely used Myers-Briggs personality test and influenced the creation of Alcoholics Anonymous. His central tenets — the existence of a collective unconscious and the power of archetypes — have seeped into the larger domain of New Age thinking while remaining more at the fringes of mainstream psychology.
Nostalgia is a sense that connects and cements us all and Libbi wanted the panel and the audience to consider what we get in a community when we share it or live it…
Jessie Scott, video artist and author of The Coburg Plan. Jessie is doing her PhD – the subject, video stores. She has researched many, interviewed owners and customers.
Eamon Donnelly, artist, photographer and author of The Milk Bars Book. Born in Geelong, the family moved to Melbourne. He began to take photos of places/shops. Many are now defunct and others are disappearing fast. He spent 15 years documenting change before publishing his first softcover book. A cultural artisan, his hardback book was on sale for the evening.
David Wadelton, a contemporary artist, photographer and author of soon to be published, Suburban Baroque.
Aron Lewin, journalist/writer – recording football and real estate, chronicling progression of Melbourne shops, a Real Estate reporter. He set up the Tales of Bricks And Mortar website https://talesofbrickandmortar.com/author/alewin1/ after collecting stories about longstanding shops, restaurants and cafes across Melbourne.
Projected in the background were slides taken by the panel and whenever a familiar shop appeared, a murmur of recognition rippled through the audience.
I nudged Jillian when a picture came up of a milk bar in Edithvale and one in Seaford – several of my students have mentioned these shops in their stories.
David Wadelton – Documenting Transition
Abandoned shops, shops replaced with apartments, empty blocks… places symbolising change and loss all interest David. Change over time affects not just buildings when factories are replaced by apartments, shops on a local strip disappear or are replaced by a shopping centre…
He was fascinated by how different postwar migrant housing was compared to traditional Aussie houses. Old weatherboard home extensions added a top storey of brick to make houses look more European. The decor and colour schemes inside were soft furnishings and souvenirs from ‘the old country’.
He has photographed milk bars, newsagents, fish and chip shops… Lightbox signs: ‘sweets and smokes’ in Footscray; an adult ‘newsboy’ in Northcote, small Barbershops in business 50+ years with souvenirs of their European homeland and their adopted homeland on the walls and counters.
He has a picture of Thornbury Espresso slide, Hattams clothes shop still with a sign ‘we take bankcard’…
David has a following and audience on Flicker, Instagram, and Google’s YouTube – he has made the transition from traditional print to digital.
While David was talking I thought about the milkbar that used to be at the end of Albert Street Mordialloc before several adjacent shops were demolished and turned into an ugly block of flats.
Several people tried to make a go of the business, impacted by an expanded Safeway supermarket and a new Jewels Supermarket built in Main Street. An elderly couple ran the milkbar in 1984 when John and I moved into Albert Street.
It was not long before they retired and it was bought by a man who owned another shop in Warren Road. He installed his son and a mate to run the shop before a retired army officer, originally from Wales became the last manager.
Albert Street changed dramatically in the early 90s – a petrol station/garage demolished for a nursing home, washing machine repair shop transformed into a hairdressing salon and the milk bar and mini hardware shop demolished for a block of flats. Several stand-alone houses made way for units.
Aron Lewin – Writing Poems About People and Places
Aron saw a picket fence shop and wondered who would start a shop like that, how long would it last – and it inspired a poem about why and how… and he got an idea for a website.
He went to interview the owners but they were not interested. However, from there he looked at other small business owners in the area, shops in a strip – proprietors all knew each other with most shops around 40 and 50 years. In fact, the owners were local identities.
He focused on ones that stayed in the same place for years because he wanted to capture their stories before businesses closed and disappeared as they will…
He was fascinated by what motivated these business owners, why did they choose their particular trade/product/lifestyle? What were their challenges, successes, failures? How did they see themselves in relation to the community?
He took photos with his mobile, then teamed with a proper photographer. He aimed to interview ten people but now has fifty stories!
From a small beginning, his enthusiasm and passion to record the stories and details of old shops across Melbourne propelled and grew into a big project. It’s all about connections and relationships with a local community – stories about the butcher, the baker, the barber… recorded before the people and places disappear.
A slide of Franks Bakery, Elsternwick flashed onto the screen eliciting lots of noises of recognition from the audience and Libbi.
‘Aw, Frank, lovely man – been there forever.’
Aron said, ‘ I saw a sign couple of days ago. It’s closing.’
‘Oh, no!’ gasped Libbi, ‘is this true? Does anyone know?’ she asked the audience.
There were murmurings and Libbi googled to check if there was anything on the Bakery website – as did others on the panel and in the audience!
Jessie Scott – Extracting meaning From Unloved & Neglected Sites
A video artist/photographer, Jessie’s PhD is about Video Stores. She grew up in Moonee Ponds and the western suburbs. So many small places are disappearing, the renowned Olympic Donut place is gone and street after street subjected to gentrification with the real estate boom.
At university, she rediscovered video shops when she was studying video art and did an assignment, her Miraculous Ribbon Project. Slides of Colac Video and Network Video shops that existed then but those stores are either closed and empty or gone now.
No longer the ‘Home Entertainment Experts’.
A Video Ezy shop was her local store. She got a text message to say it was closing and having a ‘fire sale’. That moment was when she realised how painful nostalgia felt because part of her childhood disappeared when that store closed.
People congregated to discuss, gossip, share news in the video stores. Staff would point out good movies – there’d be discussions, it was a social and family place.
Video Stores were often the first point of contact with a broader culture for people. Nowadays with the explosion of the Internet, there is access to whatever you want but when she was growing up it was a family outing to choose your entertainment for the weekend.
Jessie’s talk reminded me of the two video shops we had in Mordialloc. Most of the time, John took the girls to choose their movies – $5 for the latest release (if they were lucky), or more likely a selection of the weekly $2 ones. (I’m talking ’90s.)
Captain Beaky’s store was their favourite and the owner nicknamed the girls ‘the horror queens’ because they loved hiring the latest horror movies – Buffy the Vampire Slayer popular!
The man in the other store on the opposite side of Main Street was nice and friendly too. Just as well because when we returned from a holiday once, the friend looking after our house and dog forgot to return the videos and left them where Goldie decided to treat them as toys she disliked.
When I offered to pay for replacements, the Video guy just laughed and said not to bother because accidents happen. Obviously, a dog lover or no one else had our taste in videos.
Eamon Donnelly – The Milkbar Man
He was born 1981 in Geelong, his happy memories as a child are of copper coins in his back pocket as he rode his bike or walked to the milkbar to buy some lollies or ice cream.
His favourite milkbar run by the Hawkings Family.
Milkbars had colour, warmth, sounds and smells – sweet aromas – lollies, ice creams, and the owners knew everyone. They also sold cigarettes and often newspapers.
He is nostalgic for the 1980s. In the 1990s, his parents sold their renovated home and moved to Melbourne suburbia. Their new suburb did not have nearby milkbar but a golf club as a substitute.
Eamon went to university and studied graphic design and art. He returned to Geelong to take photos of his old family home and didn’t recognise the area: the family home altered, several milk bars gone – some had old signage left, others the building vanished.
He started to record Geelong first, then Melbourne – so many small businesses closing but iconic brands and typography remembered by lots of people.
Milkbars made milkshakes and spiders – many also provided school lunches being a nearby tuck shop (one even called the milkbar that).
He got a story in The Age about his first book – a soft cover book. Jenny, the daughter of one of the milkbar owners – the Hawkings – Googled him and got in touch. She loved the photographs and they corresponded.
He experienced a ‘Full Circle Moment’ – he was invited to meet the family and the Hawkings remembered the Donnellys. They met and had dinner and reminisced and discovered so many incidents were their life or the life of family members and friends crossed.
Eamon started to interview families because lots of people got in touch after the first book came out and he saw the need to save their stories.
Audience Response confirmed we love to indulge in Nostalgia
A young woman introduced herself as Phyllis. She grew up in a milkbar and her father is in Eamon’s book.
She got emotional and apologised. Her dad passed away two years ago so the book is a treasure, ‘ I come from a Greek background, Dad was Greek.’
Libbi asked how she managed not to gorge on lollies and Phyllis laughed. ‘Dad was Greek, he said, if you steal lollies, I’ll cut your hands off, and I believed him!’
Phyllis then went on to say how much she admired her father and others like him who had little or no English when they arrived in Australia yet still ran a business.
How did they do it? Her father couldn’t speak enough English to learn or remember customer’s names but called them by descriptions like ‘giraffe lady’ (a woman who was really tall). He remembered customers that way.
She believes the milkbar building is still there in Elsternwick but now an Indian restaurant or perhaps a dodgy hamburger place!
Eamon remembered Phyllis’s dad and said there is a beautiful black and white photo of him behind the counter in his shop. He remembered how he was always smiling when he greeted customers.
A man in the audience shared a story too.
His uncle had a milkbar in Swanston Street in Melbourne city just before Bourke Street. It was a cafe too and ‘served Aussie tucker: bacon and eggs and chips.’
He used to help his uncle during holidays by selling toffee apples.
His parents had a milkbar in Huntingdale Road near Huntingdale Railway Station and in the 1960s, it was one of the busiest milkbars in Melbourne.
He ran the milkbar at 15 years old because his father got ill. They made sandwiches for nearby factories which proliferated at that time in Huntingdale. They opened from 6am – 10 pm but got a sleep-in at weekends and opened at 8.00am.
Because of some quirk in the law, they couldn’t sell groceries after 5.00pm but bribed the inspectors. They’d board up shop and after the inspection open up again. The inspectors went away with a carton of cigarettes or large salami sausage or something similar. They also sold sly grog – brandy – an inherited side of the business from previous owners.
He remembered they sold sanitary pads, which were wrapped in brown paper in those days. Ladies would come into the shop and ask to be served by his mother. She would come and duly serve them but yell to him, ‘Get a packet of pads for the lady.’
Local shops provided entertainment, produce and local news!
David has been chronicling architecture of the 70s 80s 90s. Other buildings, as well as shops and milkbars, fascinated by their nostalgic and iconic status.
His focus on the broader conspicuous change – they were on every street corner, they personify and represent change on a broader scale – no room for family businesses anymore.
Regarding the houses of migrants of that era with taste-defying interiors, garish colour schemes, eccentricity and clash of ideas – this is vanishing. Everything homogenised today, everything the same – colour schemes beige and shades of beige!
We are seeing a homogenising of culture, tastes have radically changed. He is just documenting but sees so much slipping away. His mission to record a way of life vaporising before our own eyes.
What contributes to the change?
Employment laws have an impact:
Contracts, transient and casual employees, staff constantly changing in franchise stores like 7/11 so no attachment to customers, no special relationship like with milkbars and small family businesses.
No sentimentality with 7/11 and similar franchises
Convenience stores have prepackaged mixed lollies – no choosing your own,’ one of these, two of them…’ The signage generic, the atmosphere different.
You remember the place and the people in a family business, you are cemented to it even if an employee.
You chat and value the conversations, reflect on relationships that extend beyond the shop – perhaps go to school with children, attend the same church… the shop an extension of that community.
Do relationships stay in the shop or do they exist and extend beyond that boundary?
Eamon said the Hawking Family became friends and a connection developed with the project but people do get displaced.
Jessie said one of the video store owners she interviewed was so well-liked by his customers that some volunteered to keep the store open while he went out cleaning to earn enough to keep the store afloat.
Unfortunately, the store eventually had to close. Many people say they regret stores closing and miss them after they have gone but don’t patronise them to keep them viable.
Another audience member volunteered her story. She lived and worked in a local shopping strip and most of the business owners were Holocaust survivorsand WW2 migrants.
They frequented shops where they could be understood, where people spoke their language and knew their culture – Jewish shops, Romanian, Polish, Scottish.
Everyone knew each other – it was a community for new migrants.
She worked in a milkbar in Malvern in the 70s, so did her sisters. The downside was she couldn’t ‘buy cigs on the sly’ because they knew her parents.
She recalled how milkbars were referred to by their stock: a Peter’s milkbar, a Streets’ milkbar even one referred to as the weird guy you wouldn’t visit – especially on your own!
It was a night for confessions.
A man in the audience said he attended Mt Scopus College and with the help of milkbar in Armadale, he started a profitable enterprise.
He and his mates bought lollies at one price and then sold them for an inflated price from his school locker. He raised money for bands like Sky Hooks to visit and play at lunchtime concerts at school. Chocolate buttons and snakes were the most popular lollies!
When Libbi asked did Netflix and other digital technology kill video and going to the movies there was a muted response.
A man suggested that it is a change in culture and we are distancing ourselves from our neighbours so don’t blame technology because we take it up – it is a choice.
Years ago, on hot nights people sat in front gardens or on verandahs and talked to each other. Pre-television they went for walks and talked to each other.
Fences have become increasingly higher built between properties. First tall fences then security gates, even on unremarkable houses that would not be immediate targets for thieves.
A woman said that times may be changing again because of rules in some of the new estates in places like Pakenham, no front fences are allowed and side fences must be a certain height. Different councils have different rules.
DO YOU KNOW YOUR NEIGHBOURS?
Sadly, many people don’t know their neighbours citing new development, ageing and the movement and shifting of the population as reasons.
A woman who grew up behind a fruit shop said someone should do a story on the demise and change of fruit shops.
Libbi asked if she was a Cincotta and the woman said, yes. Her family owned businesses in East Malvern, Murrumbeena and Hughesdale.
Fruit shops have been absorbed into supermarkets and the trade absorbed by multi-nationals and the changing trends like organic fruit and vegetables – all big business nowadays.
Has Cafe Culture replaced the Milkbar’s Role?
There is a strong cafe culture today and it is a parallel culture to the old milkbars with regular customers. The cafes are often on street corners, many developed from converted milk bars.
They are a modern social hub. For example, in Northcote, the milkbar on the corner is now a cafe – it’s about loyalty.
An Inkerman Street milkbar taken over by a cafe. They kept the name and signage, use old fashioned china crockery – a contributor to future nostalgia.
In milkbars, relationships were built and they were a meeting place for people in the neighbourhood – many cafes fulfil a similar role – providing familiarity and friendship.
Glen Eira Town Hall
The evening had to end but people were reluctant to leave and as Libbi thanked the panels and organisers she pointed out how important a community hub is to keep the spirit of community alive and to help people belong and feel part of a place.
These events Glen Eira put on don’t cost a lot, you feel comfortable, you’ve been with people and interacted in a meaningful way, and because it is local there is little or no travelling time…
We were all given a paper bag of mixed lollies on the way out … the reminiscing, the discussion, the relaxing warmth …
The evening proved we do yearn to share stories of the past and Nostalgia and the ‘Burbs a great success!
Well done Glen Eira Council!
If you have a story of a milk bar or other local business please share it – I have a list of stories I can write or add detail to ones already written to include milkbars:
I tasted my first Choc Wedge at a milk bar in Croydon 1962
My first trip alone on a bicycle was to the local milk bar in Croydon 1963
On Saturday, I went to the matinee session of the Mordialloc Theatre Company’s latest play at the Shirley Burke Theatre, Parkdale.
My theatre buddy, Lisa cancelled because of ill-health but I am glad I didn’t let that or the wintry weather, which caused sudden and severe squalls, to convince me to stay at home in the warmth – although it was tempting!
Now I’m ‘retired’ it is easier to stay at home, especially in winter and by the demographics I’ve observed who support the MTC and the smattering of empty seats on Saturday, the cold weather and perhaps the lethargy of age took its toll, which is a pity.
The play was enjoyable, the ambience in the theatre welcoming, and you get free coffee/tea and biscuits at the interval.
In fact, if so inclined you can buy a glass of wine or sherry before the play starts. Saturday definitely, chilly so I’m not surprised many people took that option.
See this play and support your local theatre
Mr Bailey’s Minder is on until the end of the week!
Of the three productions I’ve seen this year, this definitely gets a thumbs up from me and considering the response of the audience, others also agree.
Maybe it is because this is the first one this year by an Australian playwright and so the actors didn’t have fake American or Canadian accents.
Maybe it’s because I can relate more to the themes which are not only current and relevant but emotionally engaging.
Maybe it’s because of the actors – apart from a bit of nervousness at the beginning, their interactions were believable and entertaining.
This is the promo blurb:
However, discussing the play at the interval with one of the volunteers another lady joined the conversation and when I said the subject matter was interesting and topical she said, ‘Ah yes, elder abuse.’
A reflection perhaps because we are in the middle of a Royal Commission into how we treat people in Aged Care and there are stories galore about abuse in the media.
But Mr Bailey’s Minder is much more than a story about someone growing old and being mistreated or fearing mistreatment.
All the major characters in the play have fears and emotional scars – not just Mr Bailey.
We are all ageing or know someone who is and if we live long enough must face declining health and death.
We all have or will have a life to reflect on with good and bad decisions, successful or unsuccessful relationships, haunting memories of the warm glow kind or filled with regret.
Many of us have had experience with someone in the family coping with alcoholism and/or dementia and family estrangement is common too.
The play mines a rich field of life experiences.
Therese, as the title suggests, is the ‘Minder’ or carer, and frequently, takes centre stage. Her story, one of a need to belong and be valued – and to value herself – a contrast to Leo’s life of celebrity status where being a ‘famous artist’ resulted in Leo overvaluing himself! (as others did too!)
Leo Bailey (Eric Hayes) is a drunken ‘has-been’ artist suffering from decades of alcohol abuse and self-indulgent misbehaviour. He’s offended, hurt or neglected friends, several ex-wives and all but one of his children. His past is confronting – what he can remember of it, or how he remembers it, which varies depending on his mood or awareness.
Now he is facing death – and he is astute enough to know it will probably be alone. He must also cope with the realisation that he’s lost some of his artistic abilities yet boasts how valuable his signature still is – even on a blank piece of paper (be intrigued).
Only his daughter, Margo (Juliet Hayday) continues to visit him and manage his affairs, despite being subjected to a barrage of abuse every time she steps into Leo’s home.
Margo has remained dutiful although she can’t escape the bitterness of unhappy memories of childhood spoilt by her celebrity father’s behaviour.
In the opening scene, the much-maligned Margo meets Therese (Julia Landberg), a young woman desperate for work and the latest in a long list of Leo Bailey’s minders.
We learn how ill Leo is, about his obnoxious behaviour, plus how dementia has heightened his disagreeableness.
Margo who works in investment banking does not ‘pull any punches’ regarding her father. In fact, she repeats the well-worn cliches –
Old people abandoned in nursing homes must look no further than their own past behaviour.
Abusive drunks reveal their true self – it’s never just the drink talking.
Adults must take responsibility for their behaviour whether they’re a celebrity or not
Therese, cagey about her past, is worried Margo will check her references. She doesn’t expect to get the job, yet in her desperation behaves alternately, belligerent and defensive. She is feisty and a survivor.
Leo comes downstairs, he is at his alcohol-sodden best, insulting Margo and Therese and accusing them of wanting to take his home and independence.
Disagreeable is an understatement.
(Interestingly, “Leo’s” lines or actions alternated between outrageous, wily astuteness and downright insulting, but a group in the audience loudly appreciated Eric’s performance – indicative that the actor who is a Life member of MTC has a following!)
The final major player to add to the emotionally scarred cast appears later.
Karl (Aaron Townley) a tradie who comes to remove a mural and repair a wall. His life is as difficult and broken as the others. He’s paying off a debt caused by an ex-business partner and recovering from a marriage breakdown caused by same debt.
Needy and lonely, Karl continues to visit to do odd jobs after establishing a friendship with Leo and Therese who manages to get her charge to give up drinking and begin to make amends to those he has mistreated by writing letters of apology. They even start going out and visiting parks and museums.
Of course, there are sub-plots and a minor character (also played by Aaron) who will make your blood boil and an all-important twist that good drama provides.
The necessary conflict to keep an audience interested is delivered – with a couple of realistic physical scenes, which had me worried because Eric wasn’t using make-up to age!
Each character also revealed an inner conflict through actions or dialogue at some stage.
The Playwright, Debra Oswald.
Wikipedia tells us that Debra Oswald is a screenwriter, playwright and fiction author. She was the co-creator and head writer for series 1-5 of the award-winning Channel Ten series Offspring…
Mr Bailey’s Minder and The Peach Season both premiered at Griffin Theatre Company. Mr Bailey’s Minder toured nationally in 2006 and premiered in the United States in 2008 at The Walnut Street Theatre in Philadelphia.
When it was first released, a review said, the play
… grapples with how much latitude we’re prepared to give artists we consider to be blessed with some kind of genius. It also explores the separate journeys of three individuals committed to creating a place where they can belong.
The play may also promote discussion about past behaviour and caring for ageing parents whether they were celebrities or not.
The worship of celebrity, of course, seems to have intensified in recent years. A prime example is in the acting profession where TV creates celebrities frequently, with actors who study the craft and perform on stage often overlooked or not given the recognition, they may deserve.
In this social media age celebrities flourish, however, in the future they may pay the price for their behaviour much earlier or burn out quicker.
The publicity social media gives that makes it easier to make celebrity status, also makes it easier to punish or shatter a celebrity. And with the Internet – everything is on record whether it has been edited, doctored, embellished, made up…
Plus we have an ageing population. Debra’s play will remain topical and relevant for some time.
Stagecraft and Set Design
The set design and construction depicting Bailey’s disintegrating home above Sydney Harbour is eye-catching and memorable. Martin Gibbs, the Director and set designer is to be congratulated.
The various scene changes facilitated seamlessly by three exits – a door through to a kitchenette, the ‘front’ door and a staircase that led to the bedrooms and much-mentioned bathroom. The music accompanying each scene change setting the relevant mood and the lighting used to great effect to signal the passing of time and a new day.
So, add a bit of spice or emotional angst to your day and catch a session of Mr Bailey’s Minder you won’t be disappointed and it will do what all good art does – make you confront various aspects of the human condition – especially your own.
A note of caution – if like me, you have experienced a loved one whose personality changed because of dementia, ageing, or a combination of both, or have experienced family estrangement, make sure you have a tissue in your pocket… you never know what triggers an emotional moment… this play just might hit the spot.