Now officially an aged pensioner and semi-retired from teaching creative writing, I made a promise to attend more local activities to feed my soul and keep engaged with other creative arts.
An easy promise kept because my friend, Lisa encouraged me to take out a yearly membership and go with her to see plays at Shirley Burke Theatre in Parkdale. The offerings have been mixed but I thoroughly enjoyed ‘Underground’ and wrote a review which you can read here.
I usually write a post if I enjoy something or it piques my interest. I’m not an experienced reviewer with any particular expertise but in the words of many an armchair critic “I know what I like!”
And I liked the sound of Six Moments In Kingston – Bus Tour.
Six Moments in Kingston is a public art bus tour that celebrates Kingston’s rich history. Responding to six infamous local stories, this ambitious public art commission features performances, music, street parades, broadcasts, sculpture and videos sited around Kingston. Audiences board a public art bus to tour secret locations where each story occurred…
Lisa didn’t want to go, so I booked for Sunday, May 19 but almost reneged because of the late night watching the depressing results of the Federal Election.
However, I am glad I made the effort because it was a fantastic couple of hours and lifted my spirits!
I even met up with some friends who were ‘a blast from the past’ and so returned home in a buoyant, jovial mood.
Thank you Kingston Arts!
The event was advertised as the biggest public art program in Kingston and judging by the full buses and well-organised and resourced tour (repeated over two weekends so you still have a chance to book!) the logistics and potential for hiccups must have had the organisers biting their nails.
But the tour is seamless and heaps of fun from the starting point at the front of Kingston Arts Centre to the end, by the tent installation in the carpark of the centre.
Curators David Cross and Cameron Bishop, together with a stellar group of contemporary artists, lead SIX MOMENTS IN KINGSTON, a dynamic series of six public artworks set in sites around Kingston.
Each artwork responds to an infamous local story, including the mysterious disappearance of aviator Fred Valentich in 1978, following his sighting of a UFO; a celebration of globally successful Parkdale rocker Rick Springfield’s worldwide hit ‘Jessie’s Girl’; Phil Carman’s infamous head-butting incident at Moorabbin Oval, and the story of Julie Cooper, Moorabbin’s first female councillor and Mayor. And much more!
Hop on board a magical mystery bus tour to visit six delightful artworks in secret locations around Kingston! Each tour lasts under two hours. The bus tour features local stories told by legendary Australian actors, Michael Caton (The Castle) and Kate Fitzpatrick.
Six Moments – Six memorable Stories
While we waited for the bus two young women sat in a tent erected in the forecourt. This tent, linked to the installation in the Kingston Arts Car Park (both by artist Steve Rhall) and the story of the occupants told in depth when we were on the bus.
The installations, inspired by an event in 1982, honour Moorabbin’s protest histories. At this site, two homeless schoolgirls set-up camp outside the town hall to proclaim what should be a fundamental right to all people – shelter.
It links to the work by artist Spiros Panigirakis, which refers to the removal of the historic ‘Grange’ homestead built on Kulin Nation land further down the road on Nepean Highway.
Whilst its future contested, the homestead became a squatter’s residence and at one stage it was suggested before its demolition, that it could become a women’s refuge or a hostel for the homeless.
However, the battle with developers was lost (sound familiar?) in 1983 and the Moorabbin Police Station was built and homelessness replaced in the news by other issues.
Story One – the Fundamental Right To Shelter – and to Protest
The bus drove us past the police station and as the story of ‘The Grange’ unfolded we learnt a little about the artist Spiros, his application to ‘paint the story of Moorabbin’s development on a purpose-built wall’ and the process of getting a Heritage Overlay.
This project reflects on the divisive and contentious debates led by a number of interest groups – arts, theatre, youth groups, accommodation services and commercial enterprises – around the restoration of The Grange, a prominent settler homestead built in 1856.
Redeveloped in 1977, the Moorabbin Police Station now occupies the old Grange site.
The project considers the site, the edifice of the Moorabbin Police Station and the suburban home of Tony and Dimitra Panigirakis in Moorabbin. It explores the notion of redevelopment through a series of fictional redevelopment proposals for the current site of the Moorabbin Police Station.
Using planning documents, real-estate hoardings and other public platforms that announce proposed redevelopment plans, heritage issues and planning approvals, a series of developer’s hoardings explore the notion of who controls redevelopment.
Working with Kingston Council landscape architects and urban planners, as well as his parents iconic Moorabbin home, Panigirakis looks at the ways municipal bureaucracy mediates redevelopment ideas and architectural propositions.
The work culminates in a series of installations across Moorabbin, and the production of an artist’s book that incorporates administrative and visual documentation surrounding the journey of the project.
As someone who doesn’t drive, my visits to Moorabbin are via public transport therefore many parts of the area I’d never seen before. It was fascinating and enlightening.
There were examples of a variety of architectural styles and I assume, it is the heritage overlay that has protected neighbourhood character of some of the streets and prevented Hilston Grove’s transformation into a ‘pigeon coop city’ with hastily (and in many cases shoddily) built apartments that has afflicted much of Kingston.
In 1977, the Grange was set alight and in the same year Spiros was born – I liked how the stories of the young girls attempt to get the authorities to do something concrete about homelessness joined dots and linked to the fight to save the Grange examining the big picture of neighbourhood character and housing.
We listened to the deep and soothing tones of Michael Caton as he explained how the history of the country could be told through the prism of Melbourne’s heartbeat – represented by Kingston (lots of smiles at that) – and the six stories would reveal the culture and the history of the area between the years of 1976 and 1981.
He supported the artists’ assertions that the image of Moorabbin as ‘a sleepy suburb‘ in the late 70s and early 80s ‘disguises a politically charged population actively participating in international protest movements.’
I came to live in Mordialloc, now part of Kingston, in 1984 but lived in other suburbs of Melbourne for the latter part of the 70s. It was good to be reminded of some of the ‘Headline’ stories of past media frenzies and to consider how close to home the events happened.
Story Two – When Sport is Not Necessarily Sporting
I have to confess that most stories about sport – particularly sporting celebrities, leave me underwhelmed.
I played sport when I was younger and was captain of the hockey team at Croydon High School in the 1960s, played hockey for ANU Seconds in the 70s and for the B-grade team for the City of Croydon – I even played netball as a young mum at Mordialloc Community Centre until a fall and cracked sacrum made that inadvisable.
I am a team player but would rather play than watch sport and prefer the days when Sport was added to the News and not considered the main item.
My knowledge regarding the 1980 scandal of Phil Carman’s behaviour negligible – in fact, non-existent.
The story revolved around Phil Carman who was one of the VFL’s most awarded players despite being frequently reported for bad behaviour.
Local performers explored an infamous head-butting incident between Phil Carman and umpire Graeme Carberry on Moorabbin Oval. This was filmed by video artist Laresa Kosloff and displayed on a large screen in the foyer of the club building.
Phil copped a year-long suspension and it was the end of his football career, which by all accounts was turbulent. He’d probably last one game nowadays!
Phil Carman was one of the VFL’s most brilliant players, dazzling spectators and developing a passionate following amongst fans in the 70s and early 80s. However, his career was marred by violent incidents, resulting in short-lived contracts with four VFL clubs.
This behaviour culminated in the 1980 season at Moorabbin Linton Street oval when Carman head-butted umpire Graeme Carberry, earning him the longest suspension in VFL history (20 weeks), and signalling the end of his career as a player.
Laresa Kosloff creates a choreographed video work with local footballers, exploring the gestures and symbols that characterise the Phil Carman incident and Aussie Rules football during the late 70s and early 80s…
Inspired by the ‘headbutt incident’ Laresa is currently working on an abstract interpretation of the moment that investigates the unique and universally understood language of sport.
Laresa grappled with finding a way to bring sensitivity and critical analysis to the moment without being dismissive or disrespectful to the footballing community. As with most of her practice, she navigates this thin line through carefully choreographed humour and slapstick comedy, keeping this quirky work accessible and open to all.
She has spent hours going through interviews and game footage and sketching the postures and movements inherent to the game. Through this process, she began to map out the language of gestures, emotions and the body universally understood to sporting fans across the globe.
Many of those on the bus obviously understood footy better than me and loved the video installation. I was more interested in seeing where tax dollars have been invested in this very new stadium.
As a first-time visitor, I found the home of St Kilda Football Club quite amazing and I’m sure the community is thrilled.
Our art tour interruption seemed to go unnoticed by the public intent on watching a game in progress.
No doubt the head-butt story filled the pages of local and state newspapers in 1980 and I am aware of recent controversies in sport but still have a lack of enthusiasm when some football stories (like who has a knee injury) are elevated to prime importance in the nightly news bulletins.
However, in display cabinets in the foyer, part of a Heritage Museum, the exploration of the club’s Indigenous connections is interesting with the stand taken by Nicky Winmar against racism a pivotal moment in the code.
Perhaps the subject of a future storytelling tour?
And of course, there is always the importance of what diehard fans bring to the spirit of the club.
In the 90s, when my daughters attended Mordialloc Primary School there was a yearly fundraiser revolving around Melbourne’s football teams and team colours replaced uniforms for the day.
On ‘Pie & Tinnie Day’, students bought a meat pie and can of soft drink from the Canteen and donated one and two cent coins by creating a line on the floor behind their footy team’s poster.
I learnt then how popular St Kilda was as their line snaked out the door. It was a team most in the Southeastern suburbs regarded as theirs.
Our household not footy enthusiasts but my daughter, Anne barracked for Footscray because they were called the ‘dogs’ and had a bulldog as their emblem. Devoted to real live dogs, which still are her favourite pet, she put her couple of dollars on the floor for Footscray.
However, I often had to rush home and grab John’s loose change from his bedside table so that Anne, who seemed to be the sole ‘doggy’ supporter wasn’t embarrassed by having the smallest donation line in the school!
There are consequences if you live in Melbourne you must follow footy and defend your team’s honour at all costs!
When we left St Kilda’s grounds, the bus turned onto the Nepean Highway near Wickham Road and I saw a few more streets I’d never seen before we entered a semi-industrial area.
Story Three – Fair Pay Worth Fighting For
On the bus, we heard the story of workers protesting for fair pay and better working conditions in 1979.
One of the strikers used his car to block access to the factory. A tow truck was called and while the driver was connecting up the vehicle, its owner stole his keys and threw them over a fence.
Although the original factory is gone, we were taken to the site and saw a re-enactment of
… an infamous incident involving a tow truck and physical struggles between constabulary and workers at the former Phillip Morris car park; a public art installation using illuminated LED boards and text developed with community consultation.
This project has been developed alongside The Gathering Place and Kingston Koorie Mob.
We stayed on the bus but the scene came alive through hearing the descriptions on the police radio and through conversations on the ground all played through the intercom on the bus.
Driving up to that area of Moorabbin, it struck me how high up we were compared to other parts of the city. It was an interesting perspective I’d not seen or understood before.
Story Four – Moorabbin Airport Mystery Remains Unsolved
On the way to our next stop, we were informed that Moorabbin Airport is the second busiest airport in Australia and the home of the Australian National Aviation Museum founded in 1962.
The first fact was interesting but not surprising – anyone who lives in Mordialloc will testify to the regular sound of aircraft overhead.
I visited the Museum years ago and knew friends who volunteered there and wondered how much it had changed because there was often appeals for people to get involved.
Frank Jones, who was a member of Mordialloc Writers’ Group served in the RAAF during WW2 and a short story he wrote was turned into a radio play and performed at the Museum so they were no stranger to getting involved in the arts.
But the story we heard on Sunday was a much more recent event and the enemy – if there was one – came from another world…
In 1978, Fred Valentich took off from Moorabbin Airport in a Cessna and within minutes, radioed sightings of a metallic object hovering above him and then there was silence!
It was a routine training flight to Tasmania but when he and his plane went missing it became the subject of so much speculation it entered the realm of the ‘Twilight Zone’ – the name of a popular TV Show of stories about the paranormal and aliens.
“It is not an aircraft.”
On the evening of October 21st 1978, nineteen-year-old pilot Frederick Valentich disappeared shortly after take-off from Moorabbin airport.
Before his disappearance, Valentich reported sighting a metallic aircraft moving at high speed. Reports further southeast noted a similar aircraft sporting multiple lights on its belly before transmission abruptly ceased. Valentich and his plane were never seen again.
Partnering with the Australian National Aviation Museum and the Victorian UFO Action Group, artist collective Field Theory will work with volunteers to tell the conflicting stories, myths and unassuageable mysteries that took this story to the top of Australian security organisations.
This interactive project drops the audience deep inside the many mysteries surrounding this story.
On the bus, making full use of the intercom again, we heard the conversation between the pilot and air traffic control, we also heard excerpts of the Minutes Of October 27, from the investigation into the missing plane with a conclusion ‘human factors’ played a significant role.
There was mention of the pilot’s low IQ, his failed exams and psychological assessments, his dream to be in RAAF probably unattainable and his stories of many flying activities a facade to impress.
On the 15th October, during a drive in the Dandenongs with his girlfriend, he was reported to have said if a UFO landed, he would go in it but ‘not without you’.
The authorities emphasised he often talked about UFOs and they worked hard to besmirch his character.
His girlfriend went into a hotel near where the plane disappeared and asked for the pilot by name. They’d arranged to meet at 7.00pm but he’d already vanished.
There were articles in The Australian about a clairvoyant and New Zealand author, Colin Avery who held a seance. He said he’d been contacted by Fred. His message being – I’m in space with aliens.
He told Fred’s father to go into his son’s bedroom and wait to be contacted. Unfortunately, there was a mix up with time zones!
Sixty seconds of the radio transmitted conversation is believed to have been edited with accusations the pilot claimed he was in a galaxy far away, no longer having a physical body but was with others chosen.
I wonder what really happened??
I wonder if this tree at the airport holds secrets?
Story Five – Who Knew ‘Jessie’s Girl’ Lived in Mordialloc?
The next story stop was perhaps the biggest surprise to me – it was a five-minute walk from my house and as the bus pulled into the parking lot at Central Bayside Health we heard the story of Rick Springfield and his hit record Jessie’s Girl, which ushered in the new pop sound – a generational hit record produced by an Aussie!
Rick hailed from the ‘aspirational suburb’ of Parkdale and often visited the family home in Melrose Street, a haven of middle-class suburbia. He held his wedding reception in the house and used it as a bolt hole with not much changed from his childhood except the corner milkbar now a beauty salon.
Kingston has produced many famous sons and daughters but none quite like Rick Springfield who, in a little known fact, spent his teenage years in Parkdale.
First a heart-throb and actor in American soap General Hospital, Springfield became internationally famous for his worldwide smash hit single, Jessie’s Girl, released in 1981. The song climbed to no.1 and went platinum in the USA and Australia.
Artist Shane McGrath and local musicians honour Springfield’s place in the rock pantheon, creating their own renditions of Jessie’s Girl in the streets of Parkdale, headed up by a phalanx of bull terriers, after Rick Springfield’s love for the breed.
The scene recreated was the promotional video Rick made and we marched behind the banner and a tambourine and flute band, singing along to a boom box belting out Jessie’s Girl until we were outside Rick’s house with “Rick” himself, led there by four dogs!
Apparently, each day there is a different musical band with a brass band promised one of the performances.
Regardless of the musicians, it is a lovely, happy, interactive interlude.
Story Six – the Final Flourish
The last story featured was that of Julie Cooper who paved the way for women to enter local politics when she was elected Moorabbin City’s first female Councillor in 1976 and went onto being their first female Mayor in 1982.
A stadium named in her honour continues to be a point of contention.
On the 12th of June 1902, Australia became the first country in the world to give women the right to vote and stand for office.
However, in Moorabbin, it wasn’t until 1976 (74 years later) that the first female councillor, Julie Cooper, was elected. Julie went on to challenge the norms of local government and fulfilled another milestone when she was elected the city’s first female mayor in 1982.
Her groundbreaking achievements are today reflected in a Beaumaris stadium that bears her name and marks her role in creating opportunities for women in local politics.
As we returned to the Kingston Arts Centre we heard about Craftism – craft and activism combined to make social change – something dear to Julie’s heart.
Since the term craftivism was coined by Betsy Greer in 2003, the idea has blossomed into a global movement of like-minded makers who mend the fabric of society and make with meaning.
Textile artist Tal Fitzpatrick, along with local crafters practising hands-on craftivism, celebrates the contribution of female and gender non-conforming leaders and invited participants to take part in the struggle for gender equality.
A Melbourne-based artist who is curious about the ways craft can be deployed to bring people together and drive positive social change, Tal hosted a series of free craftivist protest banner-making workshops in Kingston during March and April.
Participants created a textile protest banner of their own. Materials were provided and these were the banners we collected at Moorabbin Station and carried and marched back to the Kingston Arts centre carpark to finish a wonderful tour!
We walked up Nepean Highway carrying the wonderful banners high led by Marcia chanting:
‘What do we want?’
‘When do we want it?’
I think Julie Cooper would have approved.
In fact, I know she would because her daughter Mandy and family were there marching and Mandy Cooper and husband John are the friends I reconnected with and previously mentioned as ‘the blast from the past’!
A selection of the banners will also be featured in an exhibition curated by Tal, called Crafting Resistance: Six Moments in Kingston at Kingston Arts Centre in September 2019 so if you can’t take part in a guided tour of Kingston’s streets and some of the stories they hold this weekend perhaps attend the exhibition – I can guarantee you won’t be disappointed.