On Wednesday, October 4th, Kingston Seniors Festival 2018 was launched at Westall Community Hub in Clayton South, a new community centre and library that will be twelve months old on Sunday.
The Festival opened by the Mayor, Cr. Steve Staikos who celebrated the completion of the latest Intergenerational Project: The Power’s in the Word.
The project presented in a partnership between the City of Kingston Social Development team, Kingston Youth Services and Kingston Arts.
I heard about it from Lydia Sorenson, the Positive Ageing Officer, Social Development whom I’d worked with when she was with Youth Services in 2016, my first involvement with an intergenerational project.
I was thrilled to work with Youth Services officers Mealea and Sophie who were involved in the earlier project too.
In 2016, I wrote a short film script and collaborated with a multi-aged team to produce it. Along the way, we learned about camera angles, lighting, sound, scouting locations and props, permits, schedules and networking.
Favours asked of friends and family. We shared skills and professional knowledge – I gave a writing workshop, photographers lectured on the importance of light, sound experts ran us through recording equipment and dialogue, cinematographers and not for profit filmmakers gave tips and inspiration on what was possible with a limited budget and excess enthusiasm!
The school children and teenagers involved shared their ideas, knowledge and confidence of new technologies and love of all things screen. The premiere of the completed project held at the Shirley Burke Theatre in Parkdale.
Everyone revelled in the Academy Award atmosphere…
It was such a positive experience, I didn’t hesitate to get involved in this latest project. My friend Jillian and fellow writer played the lead role in my short film, but ill health and travel commitments meant she couldn’t be involved in Power’s in the Word. However, she made the launch and enjoyed the presentations.
This project began in June and entailed a commitment of 12 workshops on a Tuesday evening at the Kingston Arts Centre in Moorabbin.
Story, Print & Poetry Workshops: Inter-generational Project 2018
It was a privilege and fun to be involved with several other seniors and young people. Artwork, including linocuts and poetry, were made and displayed and at the launch, several of us read a poem written for the occasion.
Both projects enabled me, not only to meet and interact with people I may never have met otherwise but also moved me out of my creative comfort zone.
We worked alongside writer Emilie Zoey Baker and visual artist and printer Adrian Spurr who taught and supervised the linocuts we produced. To learn printmaking was the drawcard for me, and to link it with poetry.
Adrian was everyone’s idea of a favourite art teacher. He made a klutz like me feel I’d produced something appealing!
The ten finished pieces from the group looked impressive although I’m not sure what the mayor will do with his framed copy!
Great Things Never Come From Comfort Zones
We started to meet in June and for 13 Tuesday nights we learnt printmaking, discussed various topics, shared stories, and wrote haiku and short prose.
There was a schedule but lots of flexibility.
It was winter and people got sick, or members of their family did. As with any free and volunteer project, people also dropped out. The timeframe coincided with the Melbourne Writers’ Festival, which meant Emilie’s attendance and input varied.
Adrian’s print workshops turned out to be more intense and time-consuming than the organisers realised. The schedule below rearranged as the weeks passed:
- Introductions and Rumi’s Cube writing exercise
- Writing about “love”
- Collograph – flower print-making
- Collograph and monoprints
- Writing on Place – haiku
- Writing on Place – childhood
- Monoprint and linocut
- Writing on Place – first home
- Writing on Place – current linocut
- Writing on Place – dreamscape
- Signing of prints
- Rehearsal and editing
- Submission of 1-2 pieces on places we have lived
Rumi’s Cube Personality Test…
Emilie had us write as she introduced the various elements of the well-known Rumi’s Cube exercise.
Briefly, you imagine yourself in a desert and there is a cube of whatever size, material and colour you choose. There is a ladder – you decide where it goes, and a horse – you decide where it is in the position of the cube and what colour and type of horse. There are flowers – how many, colour, type or where growing is up to you. There is a storm cloud – how far away or severe is again up to you.
Ruminating Over Rumi – Mairi Neil
Miles of sand stretching to the horizon…
a clear blue cube, water glistening like dew
a ladder of tree branches rooted in the earth
the cube drip-feeds a carpet of yellow daisies
a large grey mare, heavy with foal shelters
alongside the cube, nibbling at the flowers
preparing to lie down.
Aware the sky is now changing
white clouds becoming bruises on a sea blue sky
transforming to stormy grey
the ladder trembles and sinks
returning to the earth as the cube begins to melt
the landscape awaiting rebirth…
If you Google there are numerous interpretations of the significance of your responses. Emilie’s interpretation just one of many and had some similarities to this:
- The cube represents you. The size of the cube is your ego. What it is made of (wood, marble, or the texture) determines your feelings or personality.
- The ladder represents your goals. The length of the ladder shows the scale of your goals, the shorter the ladder the more simple the goal.
- The horse represents your ideal partner.
The flowers represent your family and friends. The number of the flowers determines your connections and how close you are to them
The Storm represents the obstacle(s) in your life. If the storm is close to the cube/ stationary, then you are experiencing some emotional, mental and hard situations right now. If the storm is in the distance then you have overcome many challenges and will continue towards victory.
Emilie said she had never come across ‘a pregnant horse’ response before!
Psychoanalysis can make you hungry for comfort food…
After that exercise and the interesting discussion it raised, I was ready for a cup of tea.
Most of the workshops were between 4.30pm and 6.30pm, a couple started at 5.00pm. The lovely council officers ensured food was delivered, they arranged taxis if needed. Always their priority was the happiness and comfort of participants.
In a way, there was too much food, but we gratefully took home plastic containers of leftovers – especially on the pasta and pizza nights that the young folk enjoyed the most. A couple of the participants shared cakes and sandwiches with their U3A writing class the next day!
Collographs and Monoprints and Love
The larger pieces below examples of Collography.
The writing task was about ‘Love’. I missed out on creating a collograph but could write at home without too much effort.
Can love be put into words?
Trust, passion, security, contentment –
limiting the concept seems absurd.
Love is all encompassing, enthralling,
ecstatic and entrancing, but also
mundane, steady, unconditional ––
not all excitement and romancing.
It’s the years of care from a doting Dad –
caressing his ageing skin and feeling sad.
Massaging Mum’s arthritis, being close
savouring the aroma of her Sunday roast.
It’s marmalade and toast made with
daily devotion – delicious pancakes
and scones triggering emotion.
A smile causing the heart to flutter –
a light behind your eyes for no other.
Unexpected flowers to cheer the day,
orchids or roses have something to say.
A heartfelt cuddle, a warm embrace,
loving strength, if trouble you face
It’s gentle bedtime snores confirming
belonging and comfort at night.
Shared laughter and crazy dreams
It’s pride and happiness on sight.
A special tone of voice, whispering
your name, and other endearments,
a baby suckling at breast, content
the promise of future fulfilment.
Nurturing children, bathing and caring
the pleasure of siblings playing together
the squabbles, support, and sharing.
Holding hands with lovers and
celebrating each day with joy
free to be embarrassed or unduly coy.
What is love? Can words describe it well?
Live it, breathe it, only your heart will tell…
Monoprints – what a challenge
Adrian told the class to follow on from their idea for the Collograph and draw something for a monoprint. This would then be drawn on acetate with ink applied and a print produced.
I can’t draw a straight line without a ruler, in fact, I can’t draw anything and don’t try.
What was I to do?
Fortunately, a few days before, I’d been completely enthralled by the first blooms appearing on my bird of paradise plant outside the bedroom window.
I tried to draw the flower head to appear like a bird – what a mess – a few more strokes and it looked like a bird sucking on the plant.
‘Don’t fiddle’ my mantra – it would have to do.
Adrian gave it the okay and I printed it off. He suggested I use a different paint tool and create a second print. And I did.
In one session I did something I never thought I could.
The monoprint was an expression of a haiku written on the train on the way to the workshop.
After worrying over the session I missed, feeling embarrassed at my artistic ineptitude and lack of talent, I achieve something that doesn’t look too bad.
I’m enjoying this project!
Outside my window
July flowering delights
Writing on Place – haiku
With my first haiku written about a place – the garden – I continued on that theme and write about my home in Mordialloc.
For You – My Garden Haiku
Mairi Neil 2018
Outside my window
July flowering delights
The warm dawn sunlight
penetrates the ti-tree bush
baby birds awaken
withstand sea breezes daily
to perfume driveway
A sturdy bottlebrush
succour to Noisy Minors
Jack’s living tribute
from majestic woody throne
a morning Etude
on blooming grevillea
picnic on the wing
A whiff of rosemary
reminds us of sacrifice
seeds of love and hope
Freshly cut roses
carefully arranged in vase
memories of love
Floral posies in
the colours of love
Marigolds dusk glow
sunflowers smiling happiness
promise of sweet dreams
Comments from Participants
And You Too Can Haiku!
Emilie gave everyone the most common guidelines for haiku: the standard seventeen syllables split up into three lines of five, seven and five syllables respectively.
A good starting point, however, most of the young participants didn’t know about haiku poetry we had a lesson where everyone was writing and mouthing syllables as they counted and worried about fitting into the criteria.
Nowadays the form is more fluid. Poets write one, two or four-line haiku and the syllable count can vary enormously.
The extreme minimalism– absolutely no unnecessary words – and the presentation of a defining moment are the most important requirements.
It is important to present the thing itself, the simple truth. No tricks –
Linda France, Mslexia
The haiku is a classical Japanese form. It was an important influence on the imagists – poets like Ezra Pound and William Carlos Williams, and later the Beat Generation, in love with Zen and now it is popular with the generation into mindfulness and ‘living in the moment’.
That is essentially what the haiku is: a moment; a vivid image that seems to make time stand still.
Economy and observation are its two main qualities – excellent disciplines for writers, no matter how old or what genre you prefer.
Writing on Place – Childhood – and an idea for Linocut
Brainstorming, thinking in haiku mode, and seeking an image from childhood that could translate onto a tile to be printed – an image I could actually draw so it resembled my words and was achievable for a novice in the art of linocut!
Childhood Memories of Scotland
At our kitchen table
babble of happy voices
the breath of family
Weather for lamb roasts
rosemary thriving in pot
the smell of Sunday
Scones, pancakes and tea
bramble jam bubbling on stove
Mum’s off-key singing
Bitter icy winds
Jack Frost and his snowmen arrive
snowball fights are fun
The teapot ever ready
Soothing sorrows and worries
culture and comfort
Dad’s railway uniform
always trailing soot and coal
and the sound of steam
Daily tidal dance
a rumbling in the distance
tuning life’s rhythms
But shipyards must close
jobs and happiness are scarce
Australia needs us
At the dinner table
lively discussions hosted
no topic ignored
Time to leave our home
the inner child’s fear frozen
warm climate ahead
The learning curve and level of excitement rose as Adrian demonstrated the various carving and cutting tools and the method for sculpting. We were given a special board to ensure no nasty slips with very sharp objects!
Despite there being octagenarians, septuagenarians and sixty-five year old me around the table, there was no tragic blood-soaked workshops.
It is not an easy task drawing on a tile and then deciding what is positive and negative space so that you cut out a design and produce a print of what you want – what parts of the drawing will remain solid and black, what parts will not be inked.
Tanya, one of the participants who is a well-known artist in her own right, advised me to chalk white the parts that I didn’t want to carve and then wipe off the chalk when finished. Great advice.
Most of us took our tiles home in between sessions and used the tools Adrian kindly lent us so that we’d be finished by the end of the project. I am indebted to my daughter, Mary Jane for helping me and ensuring I didn’t cut away too much of the tile.
My first attempt at inking resulted in a couple of dirty marks. Adrian showed me how to clean up the tile and reprint until I was satisfied with the finished product. The second print was fine.
What a relief to know that you get a second chance, even with something as complicated as this.
Writing on Place – First Home – Belonging – What we remember…
It’s amazing how one memory triggers another and in a writing workshop, like pirates, we pick up gems from others and it helps us to remember, reflect and write.
One of the most sincere forms of respect is actually listening to what another has to say –
Bryant H. McGill
Another youth worker involved in the project was Sophie and one night, some new young people joined us and we did a getting to know you exercise called Intergen Bingo. We moved around the room to discover various facts about each other to match at least three pieces of description to a person:
- was born overseas
- has a dog
- favourite food is pizza
- catches public transport
- likes listening to rock music
- enjoys gardening
- drinks coffee
- plays a musical instrument
- cannot eat a certain food
- likes to tell stories
- plays a sport
- has an older sibling
- wears glasses
- can speak another language
- has a job
- has green eyes
- likes going for walks
The room was soon abuzz with multiple conversations, laughter and surprise. The questions had led to more questions and a better understanding of each other.
I ticked plenty of the boxes, discovered three others had hazel eyes like me, that dog lovers outnumbered cat lovers and the names of two groups the Avalanchers and Jokers played music regarded as ‘surf rock’ – a genre I didn’t know existed.
We discussed what to read at the launch of the project. The presentation needed to be as close to a minute as possible.
A poem about the house we came to live in when we migrated to Australia in 1962 was deemed suitable.
I grew up in bushy Croydon
the trees grew thick around,
milk and bread delivered
to a tuneful clip-clop sound.
Kookaburras laughed and swooped
to steal our pet cat’s food
it wasn’t Snappy Tom, of course
but ‘roo meat, raw and good.
The streets were mainly dirt tracks
a collection of potholes and clay,
most people walked or cycled
and even strangers said, ‘gidday’.
Our weatherboard house peeled
the corrugated tin roof leaked too,
a verandah sagged under honeysuckle,
the rooms added as family grew.
Mosquito nets caused claustrophobia
possums peered down chimneys three,
but the dunny banished down the back
the most terrifying memory, for me.
Electricity brightened inside the house
so torch or candlelight had to suffice
night noises and shadows of the bush
and the smelly dunny was not nice!
The path to the toilet lined with trees
growing tall to seek the sun
but when the dark cloak of night donned
branches became hands from which to run
During the day our block was heaven
definitely a children’s adventure-land
blue tongues, geckos, tadpoles and frogs
all shared our world so grand.
A snake the greatest danger
or a bull ant bite on the toe
a truly carefree wonderful time
my rose-coloured glasses show.
I also read Sammar Bassal’s haiku because she was too bashful to read it herself.
The poem and tile great representations of how the library was her home as she struggled to learn English and find a place in her adopted country.
A design student, Sammar’s tile detailed all these wonderful fantasy characters emerging from an open book.
Home away from home
Surrounded by written words
The library has gone
October is a month when Victoria celebrates seniors and the City of Kingston’s Seniors Festival has the theme ‘Get Social’ encouraging everyone to be involved and feel part of their local community.
Involvement in the Intergenerational project and exhibition, visiting the Westall Hub for the first time and meeting up with many new people during the course of a wonderful, learning opportunity was not only social but fun.
Kingston is a proudly diverse city, with residents coming from more than 150 countries, speaking 120 languages and following more than 28 different faiths. Council is committed to helping foster an accepting and inclusive community, regardless of anyone’s origin, ethnicity, faith, economic status, disability, age, gender or sexual orientation.
Cr. Steve Staikos, Mayor, City of Kingston.
Whatever the intergenerational project is next year, watch out for it and participate – you won’t regret it.
Here are a couple of pics of some of the seniors involved plus Sammar and the Mayor ‘getting social’.