On Sunday, September 24, I was privileged to attend ACMI for a screening of Raoul Peck’s documentary I Am Not Your Negro and the Q & A session afterwards, which featured former Kansas State Senator Donald Betts Jr and American history professor Michael Ondaatje.
A big thank you to my daughter MaryJane for buying the tickets online when the sessions were announced because tickets sold out very quickly!
The guests discussed race politics and resistance from the civil rights era to present day America and with questions from the audience, this included politics of race in Australia and our inglorious colonial past.
I’m not surprised the screenings were sold out at the recent Melbourne International Film Festival, or the doco was nominated for an Academy Award – it has already won several gongs at various film festivals.
Director Raoul Peck took ten years to make this and his meticulous research, editing and execution are obvious and flawless – also gut-wrenching.
The raw footage of civil rights demonstrations, lynchings, and the aftermath of murders will have you shaking your head in horror, disgust, and disbelief – yet many in the theatre, including myself, lived through what we saw on screen.
I’ve seen other documentaries and movies, braced myself for scenes Selma showcased, and yet I wasn’t prepared for the naked violence, still felt emotionally drained and traumatised that racism and all its ugliness is so endemic – and then came the anger and despair about lack of progress, or progressing too slowly for me to see change in my lifetime.
Thank goodness that alongside the screenings, ACMI will present ‘a series of thought-provoking events discussing race relations, resistance and identity in modern Australia’.
As Baldwin said, “History is not past but present.”
In the light of debates over the date of Australia Day, acknowledging the truth of colonial settlement, the horrific recent deaths of Aboriginal people (Elijah Doughty and Ms Dhu recent atrocities), high-profile cases and deaths in custody of indigenous Australians, and the entrenched inequity of our justice system, this country has many conversations and corrections long overdue!
The Black Rights Matter Movement resonates here.
Connecting the 60s Civil Rights Movement to #BlackLivesMatter
I Am Not Your Negro brings to life Remember This House, the unfinished manuscript of American novelist and intellectual James Baldwin. He started to write the book to reflect on his belief the history of the American Negro is the history of America sharing his personal experience of racism as considered through the lens of civil rights leaders, Medgar Evers, Malcolm X and Martin Luther King Jr. Prominent American leaders all murdered within a few years of each other. Leaders who put their lives on the line in their 20s; leaders who didn’t live beyond 40 years of age!
Baldwin wrote 30 pages and yet, as this documentary, narrated by Samuel L. Jackson, shows, his insights into the history of racism in the United States is much-needed today and should act as a call to action against injustice in modern America and beyond.
White Supremacy is ugly and brutal, and an appalling indictment of humanity. Unfortunately, with the election of Donald Trump as President white supremacists and their supporters have crawled from under their rocks and become more visible and vocal than at any other time this century.
The controversy around sportspeople protesting the unlawful killing by police revealed by #blacklivesmatter and Trump’s labelling those kneeling or linking arms while the American National anthem plays, as unpatriotic, shows the profound and deeply rooted racism Baldwin confronted and challenged, is alive and well.
There is a growing black middle-class and increased wealthy African-American ‘elites,’ but despite some markers of progress, 30% of African-Americans still live in poverty. America grew from slavery, segregation, and subjugation of its citizens and still lock people of colour up in record numbers.
In fact, former Kansas State Senator Donald Betts Jr explained that although he managed to stop racial profiling in Kansas, it exists in many states and unfortunately much of the racism in the USA is also now directed at Latinos, stirred up of course, by Trump’s insistence for that Mexican wall!
Betts asked us to imagine being black in America today, driving your car and seeing the flashing lights of a police car ordering you to stop. What goes through your mind?
Have you your insurance documents, registration papers, your licence?
The police officer approaches your car, points a flashlight in your face, searches the car interior, orders to see your identification.
Do you wind the window down straight away? Do you reach for the glovebox…
US police have already killed more than 100 people this year and overwhelmingly they have been black or native Americans.
“Never before has Baldwin’s voice been so needed, so powerful, so radical, so visionary”
Director Raoul Peck
Baldwin returned to the United States and became involved in the Civil Rights Movement because he felt obligated to do more than writing from afar. The three men depicted in the struggle for civil rights are very different and chose different methods to achieve their goals. Baldwin was close to them all and when he describes where he was and how he was told about each of their deaths his grief is palpable.
Several scenes from the documentary will be forever etched in my mind:
The Evil of Segregation
The 1957 footage of a howling white mob pursuing Elizabeth Eckford, as the fifteen-year-old walked into school. She was the first African American to enter a high school desegregated by court order. What courage, what stamina, what poise!
James Baldwin and Lorraine Hansberry were with a group of activists who had a meeting with Bobby Kennedy and begged him or his brother JFK to walk with Elizabeth or at least appoint someone of high-profile from the Federal Government to go with her that first day to show that they were committed to desegregation and also to protect the teenager.
Bobby Kennedy’s response? He refused, didn’t think it necessary… what a terrible price black Americans pay for the spinelessness of those in authority.
The idea of white supremacy rests simply on the fact that white men are the creators of civilization… and are therefore civilization’s guardians and defenders. Thus it was impossible for Americans to accept the black man as one of themselves, for to do so was to jeopardize their status as white men…
Police Brutality and Rodney King
The footage of a group of LA police officers viciously beating and kicking Rodney King for a traffic violation shocked the world. I was a young mother in 1992 and remember the horror and revulsion at the news bulletin. Yet the four police officers caught and identified on camera were later acquitted – no wonder LA erupted with anger and people rioted.
Baldwin – A Colonial Writer Who Explored His Heritage
I first encountered African American writer James Baldwin, at Croydon High School in the 1960s. His novels, essays and short stories a profound influence when newspapers and television screens of Melbourne were dominated by news of the Civil Rights Movement in America and the Vietnam War.
Baldwin made the political personal and explored questions of identity.
His essays probed the psychic history of the United States along with his inner self. What language would his ancestors speak? How could he ever know when slaves were stripped of their identity? Who would want to accept the identity given to him by white society – that of worthlessness and inferiority?
When your identity is taken you are psychologically crushed and fear stifles your growth.
The most potent weapon in the hands of the oppressor is the mind of the oppressed.
Baldwin explored spirituality (particularly organised religion and the Pentecostal church), and the complex social and psychological pressures of being black in a racist America – a country he left, to escape the inter-racial tension, homophobia and demands of his social situation.
‘I’ll tell you this, though, if you don’t feel at home at home, you never really feel at home… you don’t live where you’re happy or, for that matter, unhappy: you do your best to live where you can work.’
He escaped the social tenor of the United States in 1948 by moving to Paris, using funds from a Rosenwald Foundation fellowship. This journey abroad was fundamental to Baldwin’s development as an author and self-realization, which included both an acceptance of his heritage and an admittance of his bisexuality.
“Once I found myself on the other side of the ocean, I could see where I came from very clearly, and I could see that I carried myself, which is my home, with me. You can never escape that. I am the grandson of a slave, and I am a writer. I must deal with both.”
Go Tell It On The Mountain was published 1953, the year I was born; Tell Me How Long the Train’s Been Gone, published the year Martin Luther King was assassinated, and Baldwin’s acclaimed critical essays, Notes of a Native Son first published 1955.
These books opened my eyes to conflict (racial, gender, domestic, internal), pain (physical and emotional), anguish, poverty, injustice, and intolerance — mostly an alien world to me, yet Baldwin’s storytelling influenced my lifelong commitment to social justice and to give ordinary people a voice by writing about them and encouraging them to tell their stories.
He also made me realise it is important we tell our own stories.
The story of my childhood is the usual bleak fantasy… I certainly would not consider living it again… One writes out of one thing only – one’s own experience. Everything depends on how relentlessly one forces from this experience the last drop, sweet or bitter, it can possibly give…being a Negro writer… I was, in effect, prohibited from examining my own experience too closely by the tremendous demands and the very real dangers of my social situation…I think all theories are suspect, that the finest principles may have to be modified, or may even be pulverized by the demands of life, and that one must find, therefore, one’s own moral center and move through the world hoping that this center will guide one aright…
But it is part of the business of the writer – as I see it – to examine attitudes, to go beneath the surface, to tap the source…
Born in 1924 to parents who were part of the Diaspora of the descendants of freed slaves who moved north seeking work and a better life, Baldwin chronicles the Black American experience and much of his writing is autobiographical.
‘The nationality of any literature is, at least partly, determined by the language in which it is produced.’
Baldwin was the first Black writer I read as opposed to reading novels about Black Americans. (A Patch of Blue and To Kill A Mockingbird two that spring to mind.)
One of the difficulties about being a Negro writer… is that the Negro problem is written about so widely… It is not only written about so widely; it is written about so badly… the past will remain horrible for exactly as long as we refuse to assess it honestly…
Focusing on the personal and interior of black life, he accepted he was part of the Western literary canon:
“Be it also remembered that America was a British colony, that I was born in the English language have a British name, and speak as the descendant of the slave of a subject.”
His novels embody startling realism bringing Harlem and the black experience vividly to life. They touch the heart with emotion while stimulating the mind with a narrative style reminiscent of Dickens, symbolism, and excoriating vision of racism in America.
Moving through time from the rural South to the northern ghetto, starkly contrasting the attitudes of two generations of an embattled family, Go Tell It On The Mountain is an unsurpassed portrayal of human beings caught up in a dramatic struggle and of a society confronting inevitable change.
However, Baldwin did not feel that his speeches and essays were producing social change. The assassinations of three of his associates, Medgar Evers, Martin Luther King, Jr., and Malcolm X, shattered his remaining hopes for racial reconciliation and his disillusionment is obvious in the documentary.
Don’t Let Them Divide And Conquer
During the Q and A, former Senator Donald Betts Jr talked about his lived experience of the change Baldwin foresaw.
Born in Wichita, Kansas, his political career began in his early 20s when he was elected president of the Multicultural Student Association becoming the first African-American student body president in the University’s history.
Inspired by Barack Obama, he ran for the Kansas State House of Representatives for the Democrats leading a grassroots campaign to better serve and address the needs of his community. Elected at the age of 24, Betts steered a number of successful campaigns to decrease community incarceration rates by setting up a rehabilitation program for first-time drug offenders.
In 2004, he was sworn in as a Kansas State Senator, the youngest Senator serving in the history of Kansas. There was only one other black senator – David Haley, the nephew of the author, Alex Haley, who wrote Roots and started a worldwide interest in genealogy. he told Donald they had to stick together, refuse to be separated by seating and although only two they were powerful.
Donald now lives in Melbourne and is a frequent guest commentator on the ABC, and other local Australian media outlets.
Australians can learn from this documentary; it will help to understand the current crises around race in the USA and help with perspective as well as context.
We need to confront our colonial past and the unfairness of the present. The silence of the white majority regarding indigenous rights, black deaths in custody, and government policies like the Northern Territory intervention, is appalling.
Why don’t we have a treaty? Why hasn’t there been Constitutional reform?
There is irrefutable evidence of institutional and culturally embedded racism. A recent report shows 1 in 5 Australians experienced racism and the rise of One Nation and increase of support for neo-nazi patriot groups should concern us all.
Much of racism is subtle – read this report in our local paper this week:
An “African” is mentioned but not the nationality or ethnicity of the teenagers who robbed the shop earlier. Where’s the consistency? And unless a more detailed description, where’s the relevance?
“We need to raise it up, we need to fight and to shout, but we also need to bring it down, to talk and to listen in order to make change”
Donald Betts Junior
2 thoughts on “‘I Am Not Your Negro’ Not to be Missed!”
Yours is a powerful voice too, Mairi!
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Thank you for thinking that Lisa but your blog promoting indigenous writers much more powerful and consistent. However, every voice helps because the struggle continues…